The fall semester begins next week: Wednesday, September 2. We hope all our readers enjoyed a wonderful summer with just enough activities to allow you to feel rested, but not exhausted. We have much to tell you and many invitations to enjoy performances and events at Mills, Morphy, and Music Halls this year.
Students travel the world during summer
We asked our students to tell us what they did during the summer — and now we all wish we could have joined them! Here are a few stories.
Joshua Junig, a tenor and a student of Elizabeth Hagedorn, spent the last few weeks in Rock River Repertory‘s production of “Miss Saigon,” portraying the role of Thuy. Directed by Jim Tropp, the show ran for two weekends at the Edgerton Performing Arts Center in Edgerton, Wisconsin. This year, Joshua plans to take music theory, vocal instruction and piano, and graduate in 2018 with degree in choral music education.
For eight weeks, Elliot Stalter, a violin performance major in the studio of Professor David Perry, attended the Aspen Music Festival and School. He enjoyed studying privately with Paul Kantor and playing in weekly orchestral concerts as well as attending masterclasses and concerts. This year he looks forward to taking classes in world music and conducting and will graduate in 2017.
DMA cellist Andrew Briggs, student of Uri Vardi, spent the summer performing music and traveling in Europe. In late June, he worked with cellist Lluis Caret at the Master Classes at Fontfroide (download 2 MB PDF) (Narbonne, France) and attended the Holland Music Sessions (Bergen, Netherlands) in July and August. Between the courses, he traveled to Paris and Berlin, and played chamber music with his musical relatives in Amsterdam.
Timothy Young, an instrumental/general music education major and bassoonist, spent a week on a production crew assembling, operating, and tearing down staging, audio, and lighting for the inaugural Eaux Claires Music Festival. The rest of his time was spent practicing, working as a sound and lighting technician for the Wisconsin Union, counseling at UW-Madison’s Summer Music Clinic, and visiting family and friends.
In July, voice performance major Alannah Spencer, a student of Paul Rowe, attended the Illinois-based young artist program, the Midwest Institute of Opera. Here she worked with coaches and teachers from around the U.S. and performed the role of La Bergere/La Chouette in Ravel’s opera “L’enfant est les sortileges.” This year Alannah will be wrapping up both her music and her anthropology degrees while serving as the concert office assistant for the School of Music.
Recent alumna and flutist Hinano Ishii (B.M., 2015), who plans a career in arts administration, enjoyed her summer working as an operations and education intern at Bravo! Vail Music Festival in Colorado. Her responsibilities included coordinating logistics and assisting on-site production for the New York Philharmonic, The Philadelphia Orchestra, Dallas Symphony Orchestra and various quartets. In addition, she worked closely with guest artists and conductors including Alan Gilbert, Midori, Augustin Hadelich, Alisa Weilerstein and Christopher O’Riley.
This summer pianist Ian Tomaz, a student of Martha Fischer, spent six weeks at the Brevard Music Center in North Carolina as a participant in the 79th Annual BMC Summer Music Festival, where he studied with Elisabeth Pridonoff and Donna Lee, working on new repertoire in addition to participating in recitals and masterclasses. This semester he will be taking classes in piano and vocal repertoire, “Survey of the Classical Era” with musicology professor Charles Dill, and a philosophy course entitled “The Meaning of Life”, in addition to chamber music and lessons. He will graduate with a BM in piano performance in 2017.
Isidora Miranda, a PhD candidate in Historical Musicology and a student of Pamela Potter, recently concluded a six-month research trip to the Philippines. Her research took her to various archives in Manila, looking at zarzuela and operetta scores from the first two decades of the 20th century, and perusing rare documents from the early American colonial period. Before heading back to the Midwest, Isi gave a presentation on the 1904 zarzuela Minda Mora at the European Association for Southeast Asian Studies held on August 12, 2015 at the University of Vienna.
In June, DMA saxophone student Steve Carmichael, a student of Les Thimmig, attended the James Houlik Saxophone Retreat and the Wild Acres Flute Retreat in Little Switzerland, North Carolina, where he studied with classical saxophone virtuoso James Houlik and baroque flute expert Stephen Preston. He performed new works for saxophone, as well as the music of Toru Takemitsu. Steve also performed recitals through out the Midwest and southern states. This year he plans to present four recitals and take Music of the Romantic Period, saxophone instruction, and perform in the Wind Ensemble and Contemporary Composers Ensemble.
We also placed the following photo and paragraph on our Facebook page, which is steadily acquiring new fans! (are you one?)
Junior trombonist Tom Kelly won the concerto competition at the Sewanee Summer Music Festival. DMA horn candidate Sarah Gillespie traveled to the Max Planck institute in Germany to take real-time MRI video of the vocal folds of horn players as a pilot study for her dissertation. Master’s student and baritone Gavin Waid learned the role of the Count for UW-Madison University Opera’s upcoming production of Mozart’s The Marriage of Figaro.
Meet our new faculty: Violinist Soh-Hyun Park Altino and Clarinetist Wesley Warnhoff
A warm welcome to our new assistant professor of violin, Soh-Hyun Park Altino, who moved here in July to take the tenure-track position previously held by Prof. Felicia Moye, who now teaches at McGill University in Toronto. In Memphis, where she served on the faculty of the University of Memphis for fourteen years, Prof. Altino performed with the Ceruti Quartet and also in the Dúnamis Trio with pianist Victor Asunción and cellist husband Leonardo Altino. Prof. Altino has traveled worldwide to give master classes and participate in educational programs. Read about Prof. Altino on our website.
And reserve November 13, 8 PM in Mills Hall, for your first chance to hear Prof. Altino in concert. She will perform works of Bach, Brahms, and Ives, accompanied by Martha Fischer, professor of piano. Tickets $12 adults/students free. Buy here or at the hall day of show.
We also welcome Dr. Wesley Warnhoff, new adjunct professor of clarinet, who replaces the now-retired Linda Bartley, former professor of clarinet. Dr. Warnhoff is a founding member of the VCP International Trio, a violin, clarinet, piano trio that advocates new music performance, and he is also the principal clarinet of the Battle Creek Symphony Orchestra in Michigan. In Madison, he will perform with the Wingra Woodwind Quintet. Read about Dr. Warnhoff here.
The world rediscovers long-lost works of Jewish performance, literature and visual art – starting this weekend in Madison
Researchers from the University of Leeds in England fly into Madison this week to participate in the first event of a yearlong foray to explore and discover previously unknown works of Jewish art from the early part of the 20th century, including works created during the Holocaust. School of Music music education professor Teryl Dobbsis the Madison link to the worldwide project, which continues in Minneapolis in September and then back to Madison in May, plus many performances and discussions in England and Ireland next spring and summer.
The August 30 events consist of a brunch with researchers ($12); a “Sound Salon” with the Mayrent Institute; a concert with the Bach Dancing & Dynamite Society; and a two-act cabaret evening. Please note: Some venues may have reached capacity. Check link here.
37th Annual Karp Family Concert this Labor Day, Monday, Sept. 7
7:30 PM, Mills Hall. Free
Family patriarch and emeritus piano professor Howard Karp passed away last summer, and pianist Frances Karp is injured, but the family will carry on with its end-of-summer tradition of family concerts. Performers will include Isabel Karp, narrating a Shakespeare poem to the music of viola (Katrin Talbot) and cello (Parry Karp). Pianist Christopher Karp and Parry Karp will perform Beethoven’s Sonata in A Major for Piano and Cello, and Parry Karp will present several solo works for cello.
Our final issue of the 2014-2015 academic year contains news about a few new graduates and updates from some already out in the working world. We never fail to be inspired by all of the creative ways that music students both indulge their passions for the art form and their obligation to support themselves. Music may not be a sure ticket to fortune, but for most it is a ticket to personal growth and happiness, provided students are motivated and receive support from teachers, friends and family. We are proud to present these stories about graduates of the UW-Madison School of Music.
Valerie Clare Sanders (B.M., violin performance, 2015). Student of Felicia Moye (now at McGill University) and Leslie Shank.
In September, I will be moving to London, England to study with Simon Fischer at Guildhall School of Music and Drama in their postgraduate Orchestral Artistry program. This program is a partnership with Guildhall, the London Symphony Orchestra, and the Barbican Centre, and it involves intensive side-by-side training with members of the London Symphony Orchestra.
I’ve been a member of the Madison Symphony Orchestra for three years, have served as acting concertmaster of the Middleton Community Orchestra and was also a member of the Perlman Piano Trio, which is sponsored by longtime School of Music supporter Kato Perlman.
As a violinist I maintain a strong love for performing and continuing to develop my interpretive facility but am also become very passionate about exploring classical music in the context of a larger cultural discourse, joining and starting new conversations about why musicians do what they do, how they can learn to do it in new ways, and exploring the psychological nature of what it means to be a classical musician today. UW has proved to be a great springboard for this sort of inquisitive energy.
Duangkamon Wattanasak (B.M., keyboards, 2015). Student of John Chappell Stowe.
This fall, Duangkamon will attend the State University of New York at Stony Brook to pursue a master’s degree in harpsichord performance. This past year, she received a Hilldale Undergraduate Faculty Research Fellowship this past academic year to work on a project editing German Baroque music with Prof. Jeanne Swack. She presented part of her research in the form of a performance of Sebastian Bodinus’s Sonata for Flute and Basso continuo in E minor at the Undergraduate Research Symposium on April 16 in Union South with Mi-Li Chang, Baroque flute and Andrew Briggs, Baroque cello.
Hinano Ishii (B.M., flute performance, 2015). Student of Stephanie Jutt.
Four years ago around this time, I was preparing for my concerto debut at Alice Tully Hall, Lincoln Center and certain about pursuing a career in music. Now, I’m looking forward to my post-graduation plan: working in operations and education at Bravo! Vail, a summer music festival in Colorado featuring the New York Philharmonic, The Philadelphia Orchestra, Dallas Symphony and many other renowned musicians.
My enthusiasm for arts administration, sparked by an Arts Enterprise course taught by my flute professor Stephanie Jutt, quickly led to my election as president of Arts Enterprise at UW-Madison. I produced a series of workshops on topics including grant writing and arts law, and founded an Arts Career Resource Center on campus. From the connections I made through UW, I took on positions as the Programming and Community Engagement Intern at Overture Center and Marketing Assistant for PROJECT Trio. Eager to advance my skills, I also worked at The John F. Kennedy Center for the Performing Arts in Washington D.C. as a National Symphony Orchestra Operations Intern. This gave me the opportunity to assist in planning rehearsals, concerts, and events including two nationally broadcasted performances at the U.S. Capitol. In my final year on campus, I was the assistant to Katherine Esposito, the School’s concert manager and publicist, helping to organize festivals and concerts, while also working at the Overture Center as the Development Intern.
Meanwhile, I’ve pursued my flute studies, performing with the symphony orchestra and in solo recitals. In my junior year, I was featured on UW-Madison’s homepage with an article highlighting my accomplishments and performed on a PBS annual science show hosted by UW-Madison’s chemistry professor, Bassam Shakashiri.
It is with mixed emotions to be leaving this wonderful university. I am extremely lucky to have found what I love doing best and having all the resources and connections available in Madison to create opportunities in arts administration. Although I am a music performance major, the environment allowed me to pursue my aspiration while also advancing my flute playing which makes UW-Madison an extraordinary educational experience. I am happy to have taken full advantage as a student and thankful for my mentors, parents and friends who have supported my work for the past four years! On Wisconsin!
Vince Mingils (M.M. 2015, percussion performance). Student of Anthony Di Sanza, Todd Hammes.
Mingils, a recipient of a Paul Collins Distinguished Graduate Fellowship at the School of Music, will move to Florida to serve as the Director of Percussion Studies and Assistant Director of Bands at Matanzas High School and Indian Trails Middle School in Palm Coast. Mingils also holds a bachelor of music education degree summa cum laude from Stetson University.
In addition to performing with the percussion ensembles at UW-Madison, Vince coached ensembles and occasionally joined UW-Madison’s resident/alumni percussion ensemble, Clocks in Motion. He also traveled with the UW Wind Ensemble to Carnegie Hall and Beijing and Shenyang, China for the studio’s first international tour (see story below). In addition to studying classical percussion, his UW teachers helped foster his burgeoning interests in composition, improvisation, Middle Eastern music, and hand drumming.
Tim Morris(B.M., music performance and political science). Student of Matthew Mireles, John Stevens (emeritus) and Tom Curry.
This fall, Tim will pursue a master’s degree in euphonium performance at the University of Georgia. While in Madison, he played in the Wind Ensemble, Low Brass Ensemble and competed in the Leonard Falcone Euphonium Student Competition and the International Tuba Euphonium Conference’s Young Artist Euphonium Competition. He also spent two years as a legislative intern in the Wisconsin State Senate, leading to a better understanding of the political process and the issues facing the State of Wisconsin.
“The School of Music has provided me with countless life-changing experiences,” Tim writes. “I have benefited tremendously from an extremely talented and supportive faculty who have helped me realize many of my musical goals. With their guidance I have been fortunate enough to participate in international music competitions, perform for many people and travel all over the world in the process. I have no doubt that I would not be the same musician I am today without the teachings of my mentors as well as the support of the musicians here that I have the distinct privilege of calling my friends and colleagues.”
Amanda Fry (B.M., music performance, horn). Student of Daniel Grabois.
Next fall, Amanda will attend the University of Maryland at College Park to work toward a master’s degree in horn performance, studying with Gregory Miller. At UW-Madison, she performed with the UW Symphony, the Wind Ensemble, and the UW Horn Choir. As a member of a student brass quintet, she completed a residential clinic at a middle and high school, performing and conducting master classes, and coached small chamber ensembles as they prepared for the state Solo and Ensemble competition. She also spent a semester in Vienna through the Study Abroad program, and feels “incredibly fortunate” to have played on stage this spring at Carnegie Hall with the UW Wind Ensemble.
“Studying in Vienna was incredibly valuable in many ways,” Amanda says. “Not only did I gain confidence from living on my own in a foreign country, but I also met a lot of amazing people and made some awesome friendships. I was incredibly fortunate to explore new places around the world and experience other cultures – albeit for a short amount of time. As for my experience at UW, I am very happy with my choice to study here. I’ve had opportunities here that have been invaluable to my growth as a global citizen. I couldn’t be happier about my decision to earn a degree from this university.”
Jeremy Kienbaum (B.M., music performance, viola/violin.) Student of David Perry (violin) and Sally Chisholm (viola).
Starting in September, I will be attending The Juilliard School to study viola with Samuel Rhodes, the former violist of the Juilliard String Quartet and chair of the Juilliard Viola Department. I am very honored to work with him, and excited to learn from and be surrounded by exceptional musicians.
I am eternally grateful for this opportunity to have studied with two fantastic professors, Sally Chisholm and David Perry; my musicality and technical facility have developed immensely through their teaching and guidance. Studying chamber music with Pro Arte quartet cellist Parry Karp has also been a rare treat; the devotion and joy he brings to coaching students makes every lesson meaningful, not to mention the wealth of musical knowledge he has shared with me over the last four years. I am truly in debt to all of my professors and colleagues here, who have helped to deepen my love and passion for music. I’m looking forward to the opportunity to take in all the arts New York City has to offer, but I’ll miss all of my friends at UW and cheese curds at the Terrace.
Daniel Black (B.M., composition, 2002), received a 2015 Career Assistance Award from the Solti Foundation U.S.. Former student of Joel Naumann (emeritus, composition); Stephen Dembski (composition) and David Becker (conducting, now at Texas Tech in Lubbock, Texas).
Sergio Acosta (BM, flute performance, 2011; MM, bassoon performance, 2013) now with The U.S. Army Field Band. Former student of Stephanie Jutt and Marc Vallon.
Jamie-Rose Guarrine (MM in vocal performance, 2002; DMA in vocal performance, 2005), will join the faculty of the University of Massachusetts-Amherst as Assistant Professor of Voice. Former student of James Doing.
Ben Davis (B.M., music education, 2014), now in a master’s composition program at DePaul University and will participate in the Summer Academy for Young Composers at Akademie Schloss Solitude. Former student of John Aley (trumpet); also studied composition with Stephen Dembski and Filippo Santoro, DMA 2014.
Paola Savvidou (MM in Piano Performance and Pedagogy, May 2008; DMA in Piano Performance and Pedagogy, May 2012) is Assistant Professor of Piano Pedagogy at the University of Missouri. Former student of Jessica Johnson.
Jonathan Kuuskoski (MM in piano performance & pedagogy, 2009), now Director of Entrepreneurship and Community Programs at the university of Missouri. Former student of Christopher Taylor and Jessica Johnson.
Julia Marion (BM, bassoon performance 2008), was a member of the inaugural class of The Juilliard School’s Historical Performance Program and now freelances extensively in Europe and the U.S. Former student of Marc Vallon.
Chris Van Hof (DMA, trombone performance, 2013), is the tenure-track Assistant Professor of Trombone and Euphonium at Colorado State University. Former student of Mark Hetzler.
Join us to wish bon voyage to our newest grads!
The School of Music Graduation & Awards Recognition Ceremonywill be held in Music Hall on Friday, May 15, 2015 from 2:30 p.m. to 4:30 p.m.
Please join us to recognize our generous donors and the fortunate and talented student recipients of scholarships and awards, as well as all the graduates of the School of Music who plan to walk at Camp Randall this May, in summer, or in winter of 2015. We’ll follow with a light reception of hors d’oeuvres and refreshments.
Parking on campus is free starting at noon on Friday until Sunday morning.
Click here for information about the official UW-Madison commencement ceremony at Camp Randall Stadium, Friday, May 15 and Saturday, May 16.
Cellist wins Yamaha Young Performing Artists Prize
Kyle Price, 22, a first year master’s cello student at UW-Madison and artistic director and founder of the Caroga Lake Music Festival, was recently announced as a prize winner of the Yamaha Young Performing Artists Competition. As a Yamaha Young Artist awardee, he will be invited to attend an all-expense paid weekend at the Music for All Summer Symposium and receive a once in a lifetime performance opportunity in front of thousands. Additional benefits include national press coverage, recording and photos of the live performance, and participation in workshops designed to launch a professional music career. Winners also enjoy many of the privileges of a Yamaha Artist, including services and communication with Yamaha’s Artist Relations department. Among other recent accomplishments, Kyle was also named a finalist in the G. Gershwin International Music Competition 2015 and semifinalist in the Maurice Ravel International Composition Competition (Italy). Kyle Price is a student of Prof. Uri Vardi and a Distinguished Paul Collins Fellow at the UW-Madison.
Percussion Ensemble makes new friends and plays music in China
by Anthony Di Sanza
Shenyang Conservatory students during Tony Di Sanza’s darabukka masterclass.
Shenyang Conservatory and UW-Madison students enjoy a meal together.
Selfies aplenty after our first concert in Shenyang!
UW and Shenyang students rehearse for a concert featuring the music of Chinese composers.
At the Shenyang Emperor’s Palace. This was the palace used by the first three Emperors of the Ching Dynasty before the seat of power was moved to the Forbidden City in Beijing.
Members of the UW Percussion Ensemble (Megan Hobbs, DeLane Doyle and Jacob Bicknase) after a dinner with our new friends from Shenyang Conservatory.
Our host in Shenyang and Tony Di Sanza’s dear friend, Professor Qingshan Lu.
Vince Mingils, Trevor Maliborski and Lucas Gutierrez trying on the local Manchurian head ware at the Shenyang palace.
(Click photos for captions)
On April 4, after a solid year of planning, fundraising and marathon rehearsals, the fourteen members of the UW-Madison Percussion Program–celebrating its 50th year– and its three faculty members traveled to Beijing and Shenyang, China, for their first international concert tour. They were invited by percussion professor Lu Qingshan of the Shenyang Conservatory, whose former student, Zhang Yuqi, is now a master’s candidate at UW-Madison. Faculty members from UW-Madison included Prof. Anthony Di Sanza and instructors Todd Hammes and Tom Ross. Concerts included music of the United States, Brazil, El Salvador, and China, plus a collaboration with Shenyang students on two jazzy percussion works.
While in China, the students also visited Tiananmen Square and the Beijing Olympic Park, and even snuck in some Badgers basketball updates while walking the Great Wall. As they moved from one location to another, they received practical lessons in how to set up and dismantle bulky percussion equipment, how to rehearse in unfamiliar concert halls, and how to create a seamless performance on a tight schedule with musical strangers (who then became friends).
“The best thing was just watching our students interact with the Chinese students,” says Prof. Di Sanza. “They went to lunch together, shopped together, drank together, rehearsed together, gave each others nicknames, and a bunch of us went to a pool hall late one night.” They even took selfies with each other (see above photos).
“We will treasure the relationships we built along the way,” he adds. “None of this would have been possible without the support of our sponsors in the United States, including the UW China Initiative, The UW-Madison Division of International Studies, Dr. and Mrs. Robert W. Graebner and the UW-Madison School of Music. We are forever grateful for their support and confidence.”
UW’s Contemporary Jazz Ensemble wins a first prize in Eau Claire
On April 17, the CJE, directed by Assistant Professor Johannes Wallmann, won first place in the college combo category at the Eau Claire Jazz Festival. The group performed compositions by saxophonist Joshua Redman and trumpeter Dave Douglas, and “Bon Voyage – An Ode to Adventure,” a new composition by the ensemble’s saxophonist Geoff McConohy, a UW senior from Menomonie. Because the ensemble finished first in its category, the group performed on the festival’s evening concert for an audience of a thousand at Eau Claire’s State Theater that featured headline artists The New York Voices. Student performers in the ensemble include students from the School of Music, the College of Engineering, the College of Agricultural and Life Sciences, and the School of Business. The Eau Claire Jazz Festival, now in its 48th year, is one of the oldest jazz competitions in the country, with participating middle school, high school, and college and university bands from around the Midwest.
University Opera secures Morgridge Grant and private bequests to create endowed directorship
Karen Bishop returned to school later in life to pursue her love of opera, earning a master’s and DMA from UW-Madison Opera. In January, she died of cancer. Her late husband, Charlie Bishop, has carried out her wish to support the program by providing funds which will be matched by the University’s Morgridge Fund. Donations are still being accepted. Read the full April 21, 2015 news release here.
Make Music this Summer with Summer Band!
Celebrate the 150th anniversary of the ending of the Civil War and historical Camp Randall with this free annual favorite, the UW–Madison Summer Band conducted by Prof. Scott Teeple. Community members, teachers, students alike can join in this music-making experience. Seven rehearsals and a single performance make this ensemble an exciting way to keep your musical chops in working order. The program will focus on music of the Revolutionary War and that time period to honor the anniversary. Click here to learn more.
We are pleased to announce a sneak peek at several guest artist/School of Music events planned for next year: please save these dates!
(Please note: Concerts may be ticketed. More information will be available in late summer.)
SUNDAY, SEPTEMBER 27, 7:30 PM, MILLS HALL: Brenda Rae, alumna soprano, sings Reinhold Glière‘s Concerto for Coloratura Soprano (1943) with the UW Symphony Orchestra. Benefit for University Opera. Tickets $25, on sale in July at the Memorial Union Box Office.
WEDNESDAY, OCTOBER 7, 7:30 PM, MILLS HALL: Renowned violist Noboku Imai performs with the Pro Arte Quartet.
OCTOBER 8-11, MILLS HALL: Celebrate Brass 2015!Festival with Axiom Brass and UW faculty & students.Ticketing & event details to come.
JANUARY 19-24, MILLS & MORPHY HALLS: Student Recital Festival. A full week of free performances by our own talented students! Check back in fall for details.
MONDAY, MARCH 14, 7:30 PM, MORPHY HALL: duoJalalbrings its mix of classical, Middle Eastern, jazz and Klezmer music to Madison. With Kathryn Lockwood on viola and Yousif Sheronick on percussion. Ticketing & event details to come.
APRIL 26-29, MILLS & MORPHY HALLS: UW Jazz Festival with Bob Sheppard, LA-based multi-woodwind performer, recording artist, and jazz musician. Ticketing & event details to come.
AUGUST 30, 2015 & MAY 2-5, 2016: “Performing the Jewish Archive”:The U.S. component of a major international research project led by the University of Leeds, in England, will shine new light on forgotten works by Jewish artists. In Madison, partners include the UW-Madison School of Music (Prof. Teryl Dobbs, chair of music education, faculty lead) as well as the Center for Jewish Studies, the Mayrent Institute, and the Arts Institute at UW-Madison, and Bach Dancing & Dynamite Society. Click here for more information.
Wingra Celebrates 50 Years
The Wingra Woodwind Quintet honored itself with a party and short concert on April 25 at the University Club. Many former members were in attendance. They also bid farewell to hornist Linda Kimball and clarinetist Linda Bartley. Stay tuned for the group’s roster next year!
We’re headed into the home stretch at the School of Music! Here are highlights from the next month; please check our full calendar for many more concerts (including the Pro Arte Quartet, the Low Brass Ensemble, student recitals, and many others). Next month’s newsletter will be devoted to short stories about students and alumni; keep watch for that!
Late-breaking news: The School of Music announces winners of the 30th annual Beethoven Piano Competition, sponsored by former university chancellor Irving Shain. The winners are Kangwoo Jin, SeungWha Baek, and Luis Alberto Peña. The all-Beethoven winners recital will take place this Sunday, April 19, at 3:30 p.m. in Morphy Hall, with a reception to follow.
JACK Quartet Premieres Work of Laura Schwendinger at Memorial Union-May 8
New York City’s JACK Quartet, stalwart champions of of contemporary music, will come to the Memorial Union’s Shannon Hall to present a new work written by UW-Madison composer Laura Schwendingercalled “Creature Quartet.”
Schwendinger, a Guggenheim winner and the first composer recipient of the Berlin Prize, wrote the Creature Quartet, a one-movement work for string quartet, with “portraits in music” of extinct, mythological, or endangered creatures.
“Each of the quartet’s movements feature different creatures such as extinct birds, like the ivory billed woodpecker, the passenger pigeon, the marvelously funny looking dodo bird as depicted in Alice’s Adventures in Wonderland, as well as mythological creatures like the Yeti, Chupacabra, and the famous ‘sea monster’ Nessy,” says Schwendinger. The music will be accompanied by an animated video created by Pauline Gagniarre.
On Monday, March 9, the UW Wind Ensemble took the stage at Carnegie Hall in New York City to perform the closing concert for the New York Wind Band Festival. The UW–Madison Wind Ensemble is the first UW-Madison School of Music student ensemble to receive an invitation to perform in what is arguably the most recognized venue in the world and, what a debut!
Planning began a year before the trip. Students raised a portion of the funds needed; donors included Lau and Bea Christensen; Roger and Lynn White; the UW-Madison School of Music Alumni Association; Michael George; John Stevens; Michael Keller, and Heid Music. Many thanks to all who donated.
On the way to New York, the Wind Ensemble also performed at Valparaiso High School in Indiana and State College Area High School in State College, Pennsylvania. While in State College, Penn State University Director of Bands Dennis Glocke met with and guest conducted the ensemble. Mr. Glocke is a graduate of the UW–Madison School of Music, a former clarinet player with the UW Wind Ensemble and, early in his career, was a public school music teacher at Oconomowoc Middle School.
At the New York performance, we held a celebratory reception for UW alumni, School of Music donors, friends and family members. The program included Festive Overture by Dmitri Shostakovich, Blue Shades by Frank Ticheli, and The Frozen Cathedral by John Mackey. The ensemble performed magnificently, filling every corner of the hall with a beautiful, lush sound. “It was honor and a fantastic way to bring a close to my stay at Madison,” said Amanda Fry, a senior horn player.
Are you an adult musician in the area? Would you like to perform with the musicians who played on stage at Carnegie Hall? The ensemble will play its final concert this season on Friday, April 24th at 7:30. You are invited to perform with the UW Wind Ensemble for the second half. Please contact Barb Douglas in the UW-Madison band department for information. Space is limited.
Emeritus Percussion Professor James Latimer welcomed at 50th Anniversary Concert
On March 20, the UW Percussion program celebrated its 50th year of existence with a concert that returned its founder, emeritus professor James Latimer, to the stage. Latimer conducted an ensemble performing Carlos Chavez’s Toccata for Percussion, which was performed at the inaugural concert in 1965. The concert also included ensembles of varying sizes performing works by Fan Zheming, Steve Reich, Michael Camilo, and UW-Madison percussion instructor Todd Hammes, as well as several others. A week later, the ensemble departed on a tour of China to perform at two conservatories in Beijing and Shenyang. More about the China trip in our next issue!
Benefit Concert for Brittany Sperberg raises money and her spirits
The School’s March 18 mostly-brass concert for ailing trombone student Brittany Sperberg not only raised nearly $3,000 in donations, but boosted her spirits as well, says her teacher, trombone professor Mark Hetzler. Combined with an online donation website, about $6,000 has been contributed to help her family defray medical expenses.
Sperberg was stricken last fall with an as-yet-undiagnosed illness that caused her to withdraw from school. Writes Hetzler: “She and her family were absolutely overjoyed by the event. Her aunt was telling me that the greatest thing about the concert was getting to see Brittany smile again. I am so proud to be a part of a School of Music with folks who care so deeply for each other.”
Pianist Christopher Taylor solos with Madison Symphony, earns accolades
UW-Madison’s Christopher Taylor captivated the crowd this past weekend with his performances of J.S. Bach’s Clavier Sonata No. 4 and Franz Liszt’s Concerto No. 1 for Piano. “Taylor’s intellectual and expressive approach to the music was as supple as his technique. The resulting performance was intense yet intimate, deeply emotional but never stagey,” wrote Capital Times reviewer Jessica M. Courtier. Click here to read the review.
Wingra Woodwind Quintet celebrates 50 years with a short concert and party: April 25
The event will feature a short concert of works written or arranged by former members of the quintet, plus appetizers and drinks. Former members who have already responded include Glenn Bowen, Marc Fink, Richard Lottridge, and Douglas Hill. Students are welcome! The party will be held at the University Club, 803 State Street, in Madison, from 4 to 6 p.m. on Saturday, April 25. If your name isn’t yet on this list, send your RSVP to email@example.com.
Chorale, Concert Choir and Madrigal Singers Combine Forces – April 17
On April 17 at 7:30 PM, three UW-Madison choirs, under the direction of conductor Bruce Gladstone with assistance from graduate conductor Sara Guttenberg and harpsichordist John Chappell Stowe, will sing a joint concert at Luther Memorial Church, 1021 University Avenue. The program is called “Transfixed, Transported, Transformed: The Consequence of Beauty,” and will feature a wide range of works, including the traditional song Shenandoah;Lady, When I Beheld, written by 16th century composer John Wilbye; and Missa “O Pulchritudo” by Gian Carlo Menotti, taken from the Roman Catholic Mass. Download the full program here.
Writes Bruce Gladstone: “As artists and specifically, musicians, we at times are so focused on the work we do – the perfecting our craft, the research and rehearsals, the programming and the public relations – that we sometimes lose sight and connection with the beauty of our art. Beauty surprises, enchants, shocks, tempts, disconcerts, soothes, awakens, haunts, entices, lifts, and sends us; this concert seeks to offer in word and music, a glimpse of those moments when beauty has done just that.”
Perlman Piano Trio (+Two) in Concert- April 18
Mark Saturday, April 18 for the annual concert of the Perlman Piano Trio, a classical ensemble supported by retired scientist Kato Perlman. This year’s free concert and reception is scheduled for Saturday, April 18, at 3:30 p.m. in Morphy Hall. The members include SeungWha Baek, piano, Valerie Sanders, violin, and Daniel Ma, violoncello, with violinist Keisuke Yamamoto and violist Jeremy Kienbaum performing with the trio on two works. The program will include Haydn’s Piano Trio in Eb Major, Hoboken XV: 29; Arensky’s Piano Quintet in D Major, Op. 51; and Brahms’ Piano Trio in B Major, Op. 8 (original version).
UW Jazz Hosts the High School Honors Jazz Band- April 29
The third annual High School Honors Jazz Band, an auditioned big band ensemble comprised of 18 students from the greater Madison and southcentral Wisconsin, will join the UW Jazz Orchestra in what has evolved into a very festive annual concert. This year’s concert (click here for info) will be held Wednesday, April 29, at 7:30 PM in Music Hall. This is our only ticketed jazz event of the year and promises to be a festive event for high school musicians, their families and the School of Music. Tickets are $10.00 for adults, free to students of all ages. You can buy tickets here or at Music Hall the day of the show.
This year’s featured soloist will be trumpeter Greg Bush, a freelance jazz trumpet player, arranger and composer. Greg has performed with his own band in jazz clubs, concert halls and jazz festivals across Canada, Australia, Fiji, Germany and in Switzerland at the famous Montreux Jazz Festival. Bush is currently professor of music at Vancouver Island University (British Columbia, Canada), where in addition to conducting the VIU Wind Ensemble he heads the trumpet studio, teaches Jazz Improvisation, Jazz Composition, Instrumental Conducting and Pedagogy. Learn more about the Honors Band at this link: http://www.wisconsinjazz.org/
Speaking of jazz, retired jazz professor, pianist and music theorist Joan Wildman reminisced recently about the “sorry state” of jazz back in 1985, which led to the founding of the Madison Music Collective. The MMC held a reunion concert on April 12 at the Brink Lounge. Both Isthmus and the Wisconsin State Journal carried stories about Wildman and jazz’s early days in Madison.
The “economical and elegant” music of Grammy and Pulitzer winning avant-garde composer George Crumb will be on display at the School of Music when violinist Miranda Cuckson comes to town. The festival — a total of four concerts over four days — is sponsored by UW-Madison resident composer Laura Schwendinger, whose work “The Violinists in My Life” will be on Cuckson’s program.
“Crumb’s music, economical and elegant from the start, has mesmerized and enchanted broad audiences as well as fellow composers and musicians. He has made us think about time and sonority in new ways and has forged contemporary links between music, sentiment, and ideas…” — Leon Botstein, from his American Symphony Orchestra website.
Cuckson will also perform works by composers George Crumb, Augusta Read Thomas and Sebastian Currier.
Hear Miranda Cuckson perform a new work by composer Michael Hersch.
Other events include:
MONDAY, March 23,8PM, Morphy Hall: Due East, a duo consisting of Erin Lesser on flute and Greg Beyer on percussion. Due East will be joined by New York City-based harpist Jacqui Kerrod and musicians from Dal Niente, vocalist Amanda deBoer and bassist Mark Buchner, in a multi-media interpretation of George Crumb’s well-known Madrigals, Books 1-4. In Due East’s performance, a set of three video screens and projectors are set at odd-angles in and amongst the musicians and create a triptych video montage that becomes a magical and powerful “environment.” Tickets: $10.00 adults, students free. Buy here.
SATURDAY, March 21, 7:30 PM, Music Hall: UW’s Contemporary Chamber Ensemble, featuring cellist Parry Karp performing Crumb’s Sonata for Solo Cello. Free concert.
FRIDAY, March 20, 8 PM, Music Hall. Lakeshore Rush, a Chicago-based new music ensemble co-founded by music alumni Erin K. Murphy and Laura McLaughlin, will perform Crumb’s Vox Balaenae by contemporary composer George Crumb. Free concert.
NOTE: Watch for a preview of the George Crumb Festival in Isthmus, on newsstands and online this week.
STUDENT SOLOISTS NOW ON SOUNDCLOUD
Those wonderful performances you heard (or perhaps missed, to your regret!) back on February 8 can now be heard on our SoundCloud audio channel (a YouTube for audio). They include Keisuke Yamamoto, violin; Adam Betz, composition; Ivana Ugrcic, flute; Anna Whiteway, voice; and Jason Kutz, piano. Audio provided by Lance Ketterer. Click here to listen: https://soundcloud.com/uw-madisonsom/sets/student-soloists-and-concerto
One of those soloists, soprano Anna Whiteway, will appear in University Opera’s production of The Magic Flute, starting this weekend in Music Hall. Shows are Friday, Saturday, Sunday, and Tuesday. Learn more here: http://www.music.wisc.edu/2015/02/12/magic-flute/
And watch Anna here:
MUSIC THEORY, DEMONSTRATED
Our year-long analysis of the music of 18th-century composer Jean-Philippe Rameau continues with a discussion of his lasting influence on tonality, harmonic progression, and harmony. On Wednesday of this week (March 11), with chemist Rod Schreiner, music theorist Lee Blasius, and harpsichordist John Chappell Stowe. Meet them in the Chemistry Building, Room 1315, at 7 PM. Free.
Says Charles Dill, lead organizer and Rameau expert: “If you hit a note loudly enough on a piano, with the dampers off, other, different notes will ring sympathetically. That’s because they share certain overtones in the harmonic series.”
The Wingra Woodwind Quintet[click here to read new bio] turns 50 this year and plans a party! Embodying the Wisconsin Idea and serving as role models to our students, the Wingra Quintet has a rich tradition and will honor current and former members. Former members who plan to attend are Robert Cole, flute, Marc Fink, oboe, Glenn Bowen, clarinet, Richard Lottridge, bassoon, Douglas Hill, horn, and Nancy Becknell, horn. A short program of 20 minutes is planned and then we will celebrate with hors d’oeuvres and beverages catered by the University Club. Everyone is invited to enjoy the food, music, and good company of current and former members of the Wingra Quintet. On the program:
Oodles of Noodles – Jimmy Dorsey, arr. Glenn Bowen Ode to a Toad – Ray Pizzi. arr. Glenn Bowen Suite Française – Francis Poulenc, arr. Richard Lottridge
UW’S WIND ENSEMBLE PLAYS CARNEGIE HALL
Last week, the UW Wind Ensemble trekked to the East Coast in a double-decker bus to play a series of concerts in several states and in Carnegie Hall as part of the New York Wind Band Festival. “I am very excited to perform this evening and share our music with these outstanding high school students and the community,” said principal trumpeter Jamie Wozniak, warming up in the hotel as he prepared for a performance at Valparaiso High School in Indiana.
STUDENT CONCERTS AND RECITALS
Recitals: We encourage our students to list their recitals on our concert calendar: search “recital” in the upper right side spotlight box to find them. All are free and open to the public.
Coffee Houses: Many students also perform in coffee houses across Madison. The Jason Kutz Quintet plays at Ancora Coffee (112 King Street) each week in March – Friday 3/13, Friday 3/20, and Thursday 3/26. This group features Eric Siereveld (trumpet), Jeff Williams (bass), Ed Dewey (trombone), Nat Schwartz (drums), and Jason Kutz (piano).
The Hunt Quartet, a graduate string quartet funded by the Madison Symphony Orchestra and the School of Music, will perform on Thursday, March 26, at 6:30PM in Morphy Hall. The Hunt Quartet regularly plays music for elementary children in the public schools as part of the Up Close & Musical! program of the Madison Symphony Orchestra. Click here for info; full program will be posted soon!
FACULTY MUSICIANS IN CONCERT
Trombonist Mark Hetzler and his group Sinister Resonance debut their newest CD at the High Noon Saloon, Monday, March 16, 8:30 PM. This recording features original compositions by Mark Hetzler and Todd Hammes, as well as arrangements of rock, classical and experimental electro-acoustic styles. Click here to learn more.
Flutist Stephanie Jutt presents “Flautistico!” at the Overture Center’s Promenade Hall, Friday, March 20, 8 PM. A one-time-only performance including flute plus piano, voice, clarinet, three tango dancers, and beautiful visual installation and film. Click to learn more and buy tickets.
UW-MADISON PERCUSSION PROGRAM CELEBRATES 50 YEARS WITH A MARCH 20 CONCERT AND TRIP TO CHINA
“Fifty years is not a long time in the world of classical music, but it’s a very long time in the world of formal percussion studies. In the 1960s and before, the very notion of teaching percussion beyond the basic orchestral instruments caused music educators to simply shake their heads in disbelief.” So what happened? Read the full story on our main website here.
The University of Wisconsin Madison World Percussion Ensemble performs the Olodum classic A Visa La (May 2013). The arrangement was created by Nininho and A. Di Sanza.
HEAR THE MUSIC OF BRITISH COMPOSER CECILIA McDOWALL AND MEET THE COMPOSER, TOO
Heard any new choral music lately? You’ll get your chance this week when Cecilia McDowall, winner of the 2014 British Composer Award for her choral work, Night Flight, comes to Madison.
Please note: On Wednesday the 18th at noon, McDowall will be featured live on Wisconsin Public Radio’s Midday show with host Norman Gilliland (88.7 FM). On Thursday on WORT Radio (89.9 FM), host Rich Samuels plans a half-hour special on McDowall that he pre-recorded with organizer John Aley. At 7:15 AM.
Thursday, noon, Mills Hall: Colloquium with the composer. How does she impart those whispery Antarctic sounds into her music? Come to ask and find out how!
Friday, 8 PM, Mills Hall: We’ll feast on McDowall’s choral and instrumental music for ensembles and soloists, including her work about the ill-fated expedition of polar explorer Robert Falcon Scott. Selected faculty and student performers will include pianist Christopher Taylor, tenor James Doing, the UW Concert Choir and Madrigal Singers, and mezzo-soprano Elizabeth Hagedorn. Mike Duvernois of UW-Madison’s IceCube Antarctic research project will update us on the state of polar research today (hint: they don’t need sled dogs anymore). Tickets sold at the Memorial Union Box office and in Mills on day of show. Adults $20, all-age students free. http://www.uniontheater.wisc.edu/location.html
Saturday, 8 PM, Mills Hall: A concert devoted to smaller ensembles, including a trio with violinist Eleanor Bartsch, cellist Kyle Price, and pianist SeungWha Baek. They’ll perform “The Colour of Blossoms,” a meditation by McDowall after a 13th century Japanese story. Free concert. Listen here: https://soundcloud.com/cecilia-mcdowall/colour-of-blossoms
Sunday, 9:15 and 10:30 AM, Luther Memorial Church, 1021 University Avenue. Forum (9:15) and Church Service (10:30) featuring McDowall’s music, with the composer present.
WINNERS OF SHAIN WOODWIND-PIANO DUO COMPETITION ANNOUNCED
Our 2015 winners are Kai-Ju Ho, clarinet and SeungWha Baek, piano, and Iva Ugrcic, flute and Thomas Kasdorf, piano. Pedro Garcia, clarinet and Chan Mi Jean, piano, received honorable mention.
The competition is sponsored by former UW-Madison Chancellor Irving Shain. The winners will perform this Sunday, Feb. 22, at 3:30 PM in Morphy Hall. A reception will follow.
BENEFIT FOR STRICKEN TROMBONIST BRITTANY SPERBERG: MARCH 18
The Dairyland Jazz Band, with Sperberg on trombone, plays Ory’s Creole Trombone.
Undergraduate trombonist Brittany Sperberg, who performed in the UW’s Dairyland Jazz Band and many other ensembles, is now having serious medical problems and has withdrawn from school. Sperberg was featured in this blog in the fall of 2013. Her teacher, trombonist Mark Hetzler, has organized a benefit concert on Wednesday, March 18, 7:30 PM to raise donations to assist her family with unmet expenses. Please join us to help wish Brittany a speedy recovery! Donations may also be made at YouCaring.org. Learn much more at our website: http://www.music.wisc.edu/2015/02/07/sperberg_benefit/
STELLAR SINGING EXPECTED AT UNIVERSITY OPERA’S NEXT SHOW: MOZART’S THE MAGIC FLUTE
University costumers are already busy sewing Victorian bustle skirts and the classic South Asian attire known as the shalwar kameez for next month’s University Opera production of The Magic Flute. It’s all a product of visiting opera director David Ronis‘s imagined East-west setting for the show. Read the complete news release on our website.
New this spring: four performances, not just three, allowing for even double casting of all lead roles. The show dates are Friday, March 13, 7:30 p.m.; Saturday, March 14, 7:30 p.m.; Sunday, March 15, 3:00 p.m.; and Tuesday, March 17, 7:30 p.m.
SCHOOL OF MUSIC PHOTO EXHIBIT STARTS MARCH 1, LOWELL CENTER
Our friendly helpful photographer Mike Anderson has enlarged and framed about 25 images of student musicians to be placed on display in the Lowell Center Gallery, 610 Langdon Street. The exhibit runs from March 1 to April 30, and there will be a small reception on March 8. Read more here.
Below are a few of Mike’s images taken at our concerto winners concert (“Symphony Showcase”) that was held on February 8. (More information here.) Please check back this fall for our next winners recital date, and join us; it is always a joyous event!
Kyle Knox, graduate assistant conductor.
Conductor James Smith and Keisuke Yamamoto.
Kyle Knox and composer competition winner, Adam Betz.
Jason Kutz, with the UW Symphony Orchestra and conductor James Smith.
Ivana Ugrcic and Stephanie Jutt, professor of flute.
Susan C. Cook, director of the UW-Madison School of Music.
AWARD-WINNING CHORAL COMPOSER TO VISIT UW-MADISON Feb. 19-21
British composer Cecilia McDowall, a recent winner of the British Composer Award for her work, Night Flight, for choir and solo cello, will jump the pond in late February for a three-day residency at the School of Music. The residency–McDowall’s first in the U.S.– will include two concerts, one featuring the U.S. premiere of her work, Seventy Degrees Below Zero, commissioned in 2012 to honor the British explorer Robert Falcon Scott.
The classical magazine Gramophone describes McDowall as having “a piquant musical vocabulary, underpinned by moments of pure lyricism.” In 2008, the Phoenix Chorale won a Grammy Award for “Best Small Ensemble Performance” for its Chandos CD, “Spotless Rose: Hymns to the Virgin Mary,” which included a work, Three Latin Motets, by Cecilia McDowall.
COLLOQUIUM Thursday Feb. 19, noon, Mills Hall: Meet the composer! McDowall will describes how she creates music based on real or imagined events. Free.
CONCERT Friday Feb. 20, 8PM, Mills Hall: Featuring the U.S. premiere of Seventy Degrees Below Zero. With UW Madrigal Singers and Concert Choir (Bruce Gladstone, conductor) and a faculty/student chamber orchestra conducted by James Smith. Michael DuVernois of the IceCube Particle Astrophysics Center will offer a slideshow describing the past and the present in polar research. Free reception to follow!
Tickets: $20 adults, free for students. Buy online (click link) ; in person at the Memorial Union box office or at the door.
CONCERT Saturday, Feb 21, 8 PM, Mills Hall: The Chamber Music of Cecilia McDowall. Free.
UW WIND ENSEMBLE TO PERFORM AT CARNEGIE HALL IN MARCH-Catch their send-off concert on Feb. 24
The Wind Ensemble and its conductor, Scott Teeple, plans a trip too, not across the ocean but across half the country: a performance on March 9 at Carnegie Hall. You can hear them perform prior to their New York concert on Feb. 24, a ticketed fundraiser and preview concert, will include works by Vaughan Williams, Kathryn Salfelder, Percy Grainger, and others. Tickets: $10 adults, free for students. Buy online (click link); in person at the Memorial Union box office or at the door. Read more here.
Many thanks to Lau and Bea Christenson and the UW-Madison School of Music for supporting this trip.
DOCTORAL TROMBONIST COMMISSIONS AND PERFORMS A JOHN STEVENS PREMIERE
How do new classical works get funded these days? Sometimes, it’s the product of “consortia,” a group of universities and orchestras interested in new works. Such is the case with the Kleinhammer Sonata for bass trombone, named for the former bass trombonist in the Chicago Symphony Orchestra, and newly written by former tuba professor and composer John Stevens. As part of his doctoral dissertation, Alan Carr, a trombonist in the studio of Prof. Mark Hetzler, secured underwriting from UW-Madison and many others, including the Boston, Atlanta, San Francisco and Detroit symphonies and the Metropolitan Opera. The new sonata will be part of a new CD that features works for bass trombone, none previously recorded. Come hear Carr will perform the new sonata on March 3 in Mills Hall at 7:30 PM, along with pianist Vincent Fuh. Composer John Stevens is expected to attend.Read more here.
ALUMNA SOPRANO EMILY BIRSAN PROFILED IN CLASSICAL SINGER MAGAZINE
“[UW provided] a small hall and a safe environment,” Emily Birsan says of her experience at the University of Wisconsin–Madison. “But that situation really boosted my confidence that I could take on these pretty big leading ladies and make them my own.” Birsan is featured on the front cover of February’s Classical Singer magazine. Read the full article here.
MUSICOLOGY DISSERTATOR RECEIVES OPERA AWARD
Robert Torre, a PhD candidate in musicology studying with Professor Jeanne Swack, recently received the Leland Fox Scholarly Paper Award from the National Opera Association for his essay “Cultural Translatio and Arne’s Artaxerxes (1762).” The paper is part of a broader project that examines the role of translation in the composition and reception of Italian opera in eighteenth-century London. Robert is currently visiting faculty at Emory University in Atlanta.
HOMAGE TO RAMEAU CONTINUES THIS SPRING
Prof. Charles Dill‘s massive effort to pull together a series of events to commemorate the work of Baroque composer Jean-Philippe Rameau will continue this spring, with events on Feb. 5 (Chazen Museum); March 11 (Chemistry Building–yes, you read that right); April 18 (Morphy Hall) and April 17 & 18 (performance of Pygmalion by the Madison Bach Musicians, at the First Unitarian Society Church). Why in Chemistry, you ask? Because chemistry professor Rod Schreiner knows a bit about the principles of string vibration and sound propagation that influenced Rameau. Even today, 250 years after his death, Rameau’s work is considered seminal, so please join us to learn more! Full information can be found here: http://www.music.wisc.edu/rameau/ All events are free.
WISCONSIN BRASS QUINTET COMING TO A TOWN NEAR YOU
The Wisconsin Brass Quintet will travel around Wisconsin this spring with an all-new program of works written or arranged for brass, including compositions by Cecilia McDowall (who will travel from England in late February for our residency), Malcolm Arnold, Jean-Philippe Rameau, Vladimir Cosma, and William Mathias. Towns will include Ashland, Richland Center, Kohler, and others. Check this website to find more locations and times.
HEAR OUR CONCERTO WINNERS SOLO WITH ORCHESTRA THIS WEEKEND: SUNDAY, FEB. 8: 7 PM, MILLS HALL
Grab a spot this Sunday for our annual “Symphony Showcase” concert featuring our concerto competition winners. Tickets are $10.00 for adults, free to students, and include a reception in Mills lobby immediately following. This event is always joyous; we encourage all to attend! Read more here:http://www.music.wisc.edu/events/symphony-showcase/
RONIS AND TEAM WIN PRIZE AT NATIONAL OPERA ASSOCIATION
We congratulate visiting director of opera David Ronis, whose Queens College-CUNY production of “Dialogues of the Carmelites” recently won third place in Division 4 of the 2013-14 National Opera Association’s Production Competition. Ronis and his team have won twice before, in 2009 and 2011.
With that in mind, you won’t want to miss this spring’s production of Mozart’s The Magic Flute, also directed by Ronis. There will be four shows, one more than the usual number: March 13 at 7:30pm; March 14 at 7:30pm; March 15 at 3:00pm; and March 17 at 7:30pm. Buy tickets online (click link) or in person at the Memorial Union box office or at the door. More info to come! http://www.music.wisc.edu/opera/
From the Gallery: Scenes from two recent concerts at the School of Music. All photographs by Michael R. Anderson.
Schubertiade, Jan. 30. Singers Jennifer D’Agostino and Daniel O’Dea.
Schubertiade, Jan. 30. Pianist Martha Fischer, and singers Daniel O’Dea, Michael Roemer and Jennifer D’Agostino.
Schubertiade, Jan. 30
Schubertiade, Jan. 30
Schubertiade, Jan. 30. Violinist Leslie Shank; pianists Martha Fischer and Bill Lutes; and cellist Norman Fischer.
Schubertiade, Jan. 30. Pianists Martha Fischer and Bill Lutes, husband and wife.
We thank you so much for all your support and enthusiasm in 2014 and look forward to 2015 — a year that will include a major groundbreaking for a new music hall! We hope you are just as excited as we, and that you will join us this spring for one of our many inspiring concerts.
NEW MUSIC BUILDING NAMED AFTER PAM AND GEORGE HAMEL
In early December, UW-Madison announced that the new music performance center at the corner of Lake Street and University Avenue will be named in honor of Pamela Hamel and her husband, UW-Madison alumnus George Hamel (BA’80, Communication Arts). Pamela is a member of the School’s Board of Visitors. Read the full story here.
We thank the Hamels for their generosity! If you would like to join them with a gift of your own, you may do so at this website.
MEET JOHN WUNDERLIN: BACK IN SCHOOL AT 50
At the School of Music’s “Horn Choir” concert at the Chazen Museum of Art last month, one could easily discern John Wunderlin from the swarm of horn players on the stage.
He was the only one with gray hair.
Last fall, business owner Wunderlin, 50, returned for a master’s degree in horn, studying with Daniel Grabois, assistant professor of horn. We asked John to tell us what inspired him to study music after all these years. Read the interview here.
CONCERTO COMPETITION WINNERS IN CONCERT WITH UW SYMPHONY: FEB. 8
Five talented students are winners of our annual Concerto Competition and will perform with the UW Symphony Orchestra in our “Symphony Showcase” concert, Sunday, Feb. 8, in Mills Hall. The concert will begin at 7 pm and will conclude with a free reception. We hope you will join us for what is always a joyous and unique event! Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.
Our winners and the works they will perform are:
Jason Kutz, piano, a master’s candidate studying with collaborative pianist Martha Fischer. Kutz, who also performs and composes jazz music, is a native of Kiel, Wisconsin, and studied recording technology and piano at UW-Oshkosh. He will perform Sergei Rachmaninoff’s Rhapsody on a Theme of Paganini, Op. 43.
Ivana Ugrcic, flute, a doctoral student and Collins Fellow studying with flutist Stephanie Jutt. A native of Serbia, Ugrcic has performed as a soloist and chamber musician all over Europe, and received her undergraduate and master’s degrees from University of Belgrade School of Music. She will perform Francois Borne’s Fantasie Brillante (on Themes from Bizet’s Carmen).
Keisuke Yamamoto, violin, an undergraduate student of Pro Arte violinist David Perry, earning a double degree in music performance and microbiology. Keisuke, born in Japan but raised in Madison, received a tuition remission scholarship through UW-Madison’s Summer Music Clinic, and also won honors in Madison Symphony Orchestra’s Bolz Competition, among others. He will perform Ernest Chausson’s Poème Op. 25.
Anna Whiteway, an undergraduate voice student, studying with Elizabeth Hagedorn, visiting professor of voice. Whiteway is a recipient of a Stamps Family Charitable Foundation scholarship as well as the Harker Scholarship for opera. Whiteway, who was praised in 2013 for her singing in University Opera’s production of Ariodante, will star in the Magic Flute this spring. For this night’s performance, she will sing Charles Gounod’s Je veux vivre (Juliette’s Aria).
Our composition winner this year is graduate student Adam Betz, a Two Rivers native who wrote a work titled Obscuration. Betz received his undergraduate degree from UW-Oshkosh, where he was named Outstanding Senior Composer. He also holds a master’s degree from Butler University in Indianapolis.
CATCH CHRISTOPHER TAYLOR IN HIS ONLY SOLO MADISON APPEARANCE- JAN. 23
Pianist Christopher Taylor will take the Mills stage on Friday, January 23, 8 pm, in his only solo Madison appearance this year. He will perform Johannes Brahms’ Sonata no. 3 in f minor, op. 5; William Bolcom’s Twelve Etudes; and Beethoven’s Symphony #6 as arranged by Franz Liszt. Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.
Last November, Taylor performed Bach’s Goldberg Variations at New York’s Metropolitan Museum on their historic double-keyboard Bösendorfer piano designed by Emáuel Moór. In Madison, Taylor not only performs and tours with the world’s only Steinway double-keyboard piano (owned by UW, and also designed by Moór) but holds a patent on a third double-keyboard piano, this one with electronic components.
The Wall Street Journal published a story about Taylor and the Met Museum’s unique piano. Read it here.
BACK BY POPULAR DEMAND: A SECOND “SCHUBERTIADE” WITH FISCHER & LUTES- JAN. 30
A Schubertiade is an intimate “house concert” featuring the songs (known as “lieder”) and chamber music of Franz Schubert. In the 19th century, Schubertiades became a popular form of informal entertainment among his friends and aficionados of his music, frequently with drink and food, and often with Schubert himself at the center. Nowadays, Schubertiades are often much larger multi-day affairs held in swank European locations.
Our Schubertiade, the brainchild of UW-Madison collaborative pianist Martha Fischer, will be presented on the Mills Hall stage festooned with chairs, rugs, and lamps. Join us! Friday, January 30, 8 pm, Mills Hall. Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.
Performers will include Fischer; her husband, pianist Bill Lutes; her brother, cellist Norman Fischer of Rice University’s Shepherd School of Music; singers Jennifer D’Agostino, Cheryl Bensman Rowe, Daniel O’Dea, Joshua Sanders, Michael Roemer and Paul Rowe; and violinist Leslie Shank. The program will include songs set to the poems of Friedrich Schiller, Johann Wolfgang von Goethe and Johann Mayrhofer, and will be capped by two Polonaises for piano duet, played by Fischer and Lutes.
GRADUATE COMPOSITION STUDENT WINS FIRST PRIZE IN COMPETITION
Congratulations to Sin Young Park, whose composition “Three Preludes for Piano” was recently selected as the winner of the 2015 Delta Omicron Triennial Composition Competition. Read more here.
GRADUATE FLUTIST ADVANCES TO FINAL ROUND OF ASTRAL ARTISTS COMPETITION
2014 concerto competition winner Mi Li Chang has advanced to the final round of the national Astral Artists Competition and will play in the final round on January 8 in Philadelphia. The mission of Astral Artists, which was founded in 1992, is to “discover the most promising classical musicians residing in the United States, assist their early professional career development, and present their world-class artistry to the community through concerts and engagement programs.” Congratulations and best wishes, Mi Li!
FACULTY TROMBONIST WINS $30,000 CREATIVE ARTS AWARD
And congratulations to Mark Hetzler, 2015 winner of the $30,000 UW-Madison Arts Institute Creative Arts Award, which recognizes and honors extraordinary artistic projects and endeavors of the highest quality carried out by tenured members of the UW-Madison arts faculty in the areas of Art, Communication Arts, Creative Writing, Dance, Environment, Textile and Design, Music Composition and Performance, and Theater and Drama.
DID YOU KNOW…that our new website has a page devoted just to PARKING?
We created a page just to make it a bit easier to visit the SOM. In a nutshell: Weekday parking is not free, but evening and weekend parking sometimes IS free and not that far away. It’s complicated, however, so your best bet is to click here and read!
(Editor’s note: For over six or seven years, the editor routinely visited the School of Music by car, attending concerts and WYSO rehearsals. She always paid for parking, but recently did some digging and learned that UW-Madison actually offers free parking at nights and on weekends. After realizing this, she sighed deeply at the thought of how much money she could have saved had she known…. but now she offers the same information to all our loyal readers as a reward for reading to the end of this newsletter post.)
LAST BUT NOT LEAST…
This fall, our alumni percussion ensemble Clocks in Motion put its own spin on a famous holiday tune while demonstrating the [somewhat variable] dance skills of its members. Thanks for the laugh, Clocks!