A musical thank-you to the Mead Witter Foundation; Shain Woodwind-Piano Duo Winners Announced; New Music Premieres & Papers at Musicology Consortium: “Jewish Archive” Project Continues Worldwide

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
March 8, 2017

Faculty Ensembles combine with Lincoln High students for a memorable concert

On February 9, two School of Music faculty ensembles – the Wisconsin Brass Quintet and the Wingra Wind Quintet – traveled to Wisconsin Rapids, the home of the Mead Witter Foundation, for a special concert to thank them for their support of the school of music. The two ensembles, plus the Wind Ensemble from Lincoln High School in Wisconsin Rapids, performed a side-by-side concert at the Performing Arts Center of Wisconsin Rapids after the students were coached by ensemble faculty and UW-Madison conductor Scott Teeple.

Afterwards, music engagement and outreach coordinator Beth Larson received this note from Jeanne Olson, director of bands at Lincoln High School: “Thank you so much for all of the time you spent organizing that event, my students loved it and learned so much! I had them write a reflection this week, and they were very positive and many listed countless things that they learned from the professors sitting in with them and then working with the small groups!! It was a very successful event!”
Photographs by Beth Larson.

Irving Shain Woodwind-Piano Duo Competition Winners to perform this Saturday

Irving Shain, former chancellor of the University of Wisconsin-Madison. Photograph by Jeff Miller, university communications.

March 11, 4 PM, Morphy Hall.

This years’ duo winners are Rayna Slavova, piano with Chia-Yu Hsu, bassoon; and Kangwoo Jin, piano, with Eleni Katz, bassoon. The four will perform their winning selections at a free concert this Saturday.  Learn about the winning musicians and download the program.

Meet Yasha Hoffman, Russian Studies and composition double major

Yasha Hoffman.

Yasha Hoffman, a Minnesota native, grew up with parents of Soviet/Russian heritage and as a young child, fell in love with Russian folk songs. “One of my favorite activities was putting on ‘concerts’ for my parents where I’d loudly sing Soviet children’s songs and bang on the piano,” he says. He loves the breadth of opportunity offered by classes at UW-Madison. Read more about Yasha Hoffman.

“Performing the Jewish Archive” project continues worldwide

UW-Madison professor Teri Dobbs in Israel, Jordan, Michigan, and Vienna (upcoming)

This past January, Professor Teri Dobbs, a member of the Performing the Jewish Archive team, spent two weeks in Israel and Jordan. During her time there, she was a guest at Tel Aviv University’s Moshe Dayan Center for Middle Eastern and African Studies, together with colleagues from UW-Madison’s Mosse-Weinstein Center for Jewish Studies. In addition, she conducted research in the Yad Vashem Archives, met with musicology/music education colleagues to discuss the possibility of future projects within Israel, and met with the family of piano prodigy and composer, Josima Feldschuh (d. 1943).

Teri Dobbs
Professor Teryl Dobbs. Photograph by Michael R. Anderson.

Professor Dobbs will present several conference papers this coming semester, most of which pertain to her work with Performing the Jewish Archive. Her paper, “Music Education and the Holocaust: So What?” was heard at the New Directions in Music Education Conference: “Musicking Equity: Enacting Social Justice Through Music Education,” Michigan State University, East Lansing, Michigan, February 17. Dobbs has been invited to present more two papers, one in collaboration with soprano and PtJA performer Elizabeth Hagedorn of Vienna, at the 25th European Association for Music in Schools/6th European International Society for Music Education regional conference, JOINT (AD)VENTURE MUSIC: Network as a Challenge for Music Educators, at the University Mozarteum, Salzburg, Austria, April 18 – 22, 2017.
Learn more here.

Read about prior Performing the Jewish Archive events in Madison, 2015-2016.


Selected Upcoming Events

Anthony Georgeson. Photograph by Thomas Bruce.

March 12, 7:30 PM, Mills Hall.
UW Symphony with alumnus Anthony Georgeson, bassoon, conducted by James Smith. Georgeson is principal bassoon with The Florida Orchestra in St. Petersburg. Georgeson will play the Mozart’s Bassoon Concerto in B flat major, K. 191.  Other works will include Un Sourire pour Orchestre by Olivier Messiaen and Scheherazade by Nikolai Rimsky-Korsakov.  This is the penultimate opportunity to see longtime conductor James Smith, who will retire this spring after 34 years at UW-Madison. His final appearance as conductor will be on April 9. 

James Smith, orchestra conductor.
James Smith, orchestra conductor.

March 14, 6:30 PM, Morphy Hall.
Emery Stephens, baritone, guest artist recital. Free concert.
Stephens is assistant professor of voice at Wayne State University in Detroit. Prof. Stephens will coach student singers and pianists in African-American songs and spirituals and perform with students in a recital, with Professor Martha Fischer as collaborative pianist.

Emery Stephens

The Midwest Graduate Music Consortium – Presenting Original Research and New Compositions

Friday, March 31 and Saturday, April 1, Memorial Union and Mead Witter School of Music. Free events.

The Midwest Graduate Music Consortium (MGMC) is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and the University of Wisconsin-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate students around the country. The 21st annual meeting will include paper sessions, a new music concert, and a keynote address. For the new music concert, seven composers’ works were chosen from a nationwide call for scores. The ensemble Sound Out Loud will perform the new works, each a world premiere. All of the composers will be in attendance.
Find the schedule and concert program at this link:
Midwest Graduate Music Consortium

Sound Out Loud

University Opera’s “Turn of the Screw” receives warm reviews

Katie Anderson (Governess) and Anna Polum (Miss Jessel) in ”The Turn of the Screw.” Photograph by Michael R. Anderson.

“Much of the overall success of the show begins with decisions by Ronis (and executed by costume designers Sydney Krieger and Hyewon Park) to resist all temptation to make the specters of Quint (former valet of Bly’s master, who is far removed from the action of the story) and former governess Miss Jessel in any way ghoulish. Alec Brown and Anna Polum, in the roles on Friday night, looked fully human—and that’s just fine. The otherworldliness—and palpable evil—that they exude is in the music and the libretto itself,” wrote Greg Hettsmanberger in his blog, What Greg Says.

Doctoral cellist Andrew Briggs performs with Middleton Community Orchestra

At the March 1 concert of the Middleton Community Orchestra, cellist Andrew Briggs played two works by Antonin Dvorak: Silent Woods, Op. 68, No. 5,and Rondo in G minor for Cello and Orchestra, Op. 94. “Briggs played both of these with affectionate sensitivity. Currently finishing his doctoral studies at the University of Wisconsin-Madison School of Music, he is an artist with an already expanding reputation and a great future,” wrote reviewer John Barker.

Andrew Briggs

On Monday, March 27, Andrew will perform a lecture/recital on his dissertation project, “Piatti and the Body: An Integrative Approach to Learning and Performing the 12 Caprices, Op. 25.”

Morphy Hall, 6:30 PM. Free.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

UW-Madison brings Virtuoso (and Maverick) Cellist to Town – April 28

UW CONCERT CHOIR WITH CELLIST MATT HAIMOVITZ

April 28, 8 PM, Mills Hall

Presenting “Après moi, le deluge” by composer Luna Pearl Woolf. With Matt Haimovitz, cello.
and “for Paris,” a world premiere for solo viola and choir by UW-Madison composer Laura Schwendinger. With Sally Chisholm, viola.
Beverly Taylor, Conductor

$15 adults/$5 students
Buy tickets online (on sale March 1) or in person at the Memorial Union Box Office.  Tickets will also be sold at the door.


“Ferociously talented” (New York Times) cellist Matt Haimovitz, known for his renditions of the Bach Cello Suites as well as contemporary works, will return to Madison on April 28 to perform a work that he premiered here 11 years ago with the UW Concert Choir, one of UW-Madison’s most advanced choirs.

Matt Haimovitz. Photo by Steph Mackinnon
Matt Haimovitz. Photo by Steph Mackinnon

“Après moi, le deluge,” a 22-minute composition for cello and choir, was written by his wife, composer Luna Pearl Woolf, to a text by poet Eleanor Wilner. Après Moi, le Déluge was written in the weeks and months after Hurricane Katrina struck New Orleans and the United States’ Gulf Coast in late August 2005.

“Après moi, le déluge” are reputed to be the last words of Louis XV, king of France from 1715-1774 and the heir of Louis XIV, the king for whom Louisiana was named. Louis XIV’s legacy to Louis XV was a nation bankrupted by war and imperial ambition, a debt levied on the peasantry while the nobility lived tax-free. Louis XV ruled ineffectively, lived luxuriously, and died the most unpopular king in French history. “The words ‘après moi le déluge’,” according to Paul Jay of Independent World Television News, “have come to epitomize the psychology of those who ruin people and the earth with no thought for tomorrow.”

Après Moi, le Déluge was commissioned by Haimovitz as part of his “Buck the Concerto” series of commissions for cello and unusual ensembles. It was premiered in 2006 by Haimovitz and the UW-Madison Concert Choir with Beverly Taylor and recorded live for Oxingale Records. Haimovitz and the choir later took Après Moi, le Déluge on tour, performing in New Orleans in November, 2006. Après Moi, le Déluge also forms half of a fine-press book entitled Waterlines, with woodcuts and etchings by Michael Kuch, from Oxingale Press and Double Elephant Press.

At Harvard University prior to 1995, Concert Choir conductor Beverly Taylor directed the international prize-winning Radcliffe Choral Society, where she met Woolf, then a student at Radcliffe.

Since the 2006 premiere at UW-Madison, “Après moi, le deluge” has been performed many times, including in New York’s Trinity Wall Street Church on June 3, 2012. That concert also featured one of Schwendinger’s works, “Six Choral Settings.”

New York Times reviewer Steve Smith called “Après moi, le deluge” a “strikingly allusive concerto for cello and chorus that movingly reflects on the devastation wrought by Hurricane Katrina. Somber, sardonic and bluesy, the episodic work received an impassioned account, with soulful solo work by Mr. Haimovitz, the soprano Martha Cluver and the bass-baritone Dashon Burton.”

Haimovitz, who is nominated for a Juno Award for Solo or Chamber Ensemble of the Year for his CD, “Overtures to Bach,” made his cello debut at age 13 with Zubin Mehta and the Israel Philharmonic. His first recording was for Deutsche Grammophon at age 17 with James Levine and the Chicago Symphony Orchestra. He is considered a musical pioneer, favoring innovative venues and approaches to music. He is professor of cello at McGill University in Montreal. The New Yorker calls Haimovitz a “maverick cello virtuoso, who has long marched to the beat of a different drummer.”

Another major work on the program will be a world premiere of a work for viola and choir, “for Paris,” written by UW-Madison composer Laura Schwendinger in response to the 2015 terrorist attacks in Paris. Sally Chisholm, violist of the Pro Arte Quartet, will be featured.

Schwendinger says: “The viola starts this short work by referencing only for a moment the merest idea of a “musette song,” one that might be heard on an evening in a Paris cafe. The choir enters with a simple refrain that repeats as an unanswered question of sorts. And each time the viola reenters the texture, it asks its question in a more pressing and poignant manner, until it arrives in its highest register, only to resolve with the choir with a quiet acquiescence in the knowledge that the answer may not be known.”

“Symphony Showcase” concerto winners Feb 12; UW Opera Announces Spring Show; Schwendinger’s “Artemisia” Premieres in NYC

News and Events from the Mead Witter School of Music – February 2, 2017

For Valentine’s Day: “Love Story, Steinway Version”

A treasured 1927 Steinway Baby Grand Piano, Model M, finds a new home at the Mead Witter School of Music. Click to read the story and view images behind the School’s newest donation, inspired by love.

mom_dadcrop


“Symphony Showcase” Concerto winners recital returns to delight and thrill

Watching a young musician solo on stage is always a treat, and every year we’re happy to show you some of our most talented, many already professionals. Please join us on Sunday, Feb. 12 at 7:30 PM in Mills Hall to hear and congratulate our students. Adult tickets are $10; children and all students are free. Tickets will be sold at the door. New this year: A reception at the University Club following the concert. The reception is included in the ticket price.

L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Photograph by Hannah Olson.
L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Not pictured: Nathan Froebe, composer. Photograph by Hannah Olson.

2016-2017 winners are:

  • Violinist Shing Fung (Biffa) Kwok, a doctoral student of Prof. David Perry and recipient of a Collins Fellowship. He will perform Tzigane by Maurice Ravel (1875-1937). Biffa is from Hong Kong.
  • Violinist Matthew Lee is an undergraduate senior, graduate of the Madison Memorial High School and alumnus of the Wisconsin Youth Symphony Orchestras. Matthew studies with Prof. Soh-Hyun Altino. He will perform the cadenza from the Violin Concerto No. 1 in A Minor, opus 77 of Dmitri Shostakovich (1906-1975).
  • Trumpeter Matthew Onstad, a native of Beaver Dam, Wisconsin. Matt is a master’s student of Prof. John Aley. He’ll perform the Trumpet Concerto in F Minor, Op. 18 by Oskar Böhme (1870-1938). Read about Matt in the Beaver Dam Daily Citizen: Beaver Dam native soars as trumpet player in Madison.
  • Soprano Anna Polum will sing “Amour, ranime mon courage,” written by Charles Gounod (1818-1893) for his opera adaptation of Romeo and Juliet. Anna studies with Professor James Doing and hails from Fairbanks, Alaska.
  • Pianist Shuk-Ki Wong, will perform the first movement of the Piano Concerto in G Major by Maurice Ravel (1875-1937). Shuk-ki studies with Professors Jessica Johnson and Christopher Taylor.
  • Composer Nathan Froebe, a doctoral student of Prof. Laura Schwendinger. The orchestra will perform the premiere of his Portrait d’une Femme, written for his friend and colleague, mezzo-soprano Jessica Kasinski.

University Opera to stage Britten’s “The Turn of the Screw” in March

Fresh from winning two major awards in the 2015-16 National Opera Association Competition, University Opera will present Benjamin Britten’s gothic ghost story, The Turn of the Screw, to round out its season.  In this, Britten’s last chamber opera, based on the Henry James novella of the same title, terror takes unexpected forms.  Premiered in 1954, The Turn of the Screw tells of a young governess who is hired to care for two children in an isolated country house in late 19th century England.  She soon realizes that the children are haunted by secrets and spirits that harm them in very real ways and she takes it upon herself to defend them.  In so doing, she is forced to confront the demons she perceives as threats, as well as her own internal ones.

Benjamin Britten in the mid-1960s (photograph by Hans Wild).
Benjamin Britten in the mid-1960s (photograph by Hans Wild).

The Turn of the Screw will be presented in English for three performances, all with projected supertitles.  March 3 at 7:30 PM, March 5 at 3:00 PM, and March 7 at 7:30 PM at Music Hall on the UW-Madison campus.  David Ronis, inaugural Karen K. Bishop Director of University Opera, will direct and graduate conducting assistant Kyle Knox will conduct the 13-member chamber orchestra.  Musical preparation will be by University Opera’s new vocal coach, Daniel Fung.

Click to read full news release.

Schwendinger opera “Artemisia” receives New York premiere

Next performance: Spring 2018, in San Francisco with the Left Coast Chamber Ensemble

On January 7, UW-Madison composer Laura Schwendinger unveiled Artemisia, a major new opera, at Trinity Church Wall Street in New York City as part of its Time’s Arrow Festival.  The opera is a story of passion, betrayal and art in 17th century Italy based on the life of Italian painter Artemisia Gentileschi. With a libretto by Ginger Strand, author of The Brothers Vonnegut, Artemisia is a recipient of a National Opera Center Discovery grant.

Real-life drama: Schwendinger’s “Artemisia” opera will premiere in New York City: Isthmus, 1.5.17

Preview in Broadway World, 1.7.17

Click to watch video of Artemisia’s premiere


Selected upcoming concerts and events:

Pro Arte Quartet, Saturday, Feb 4. With guest pianist Jee-Won Oh.

Wisconsin Brass Quintet, Final concert with retiring trumpeter John Aley, Sunday, Feb 26

Student Recitals: All semester.

Music Master Classes: Opportunities to observe guest musicians as they instruct and engage with college students.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Two More Opera Awards; Jazz Program Highlighted; Student Spotlight; Opportunities for Community Members

Happy New Year from the Mead Witter School of Music! And welcome to the first issue of A Tempo! for 2017

Two More Awards for UW-Madison University Opera

University Opera scores again with national recognition

Awards for two shows in 2015-2016

UW-Madison’s University Opera is on a roll. Both shows from last year, Transformations and Mozart’s Le nozze di Figaro, have won awards in the National Opera Association’s (NOA) Opera Production Competition for 2015-2016. It is the second year in a row that UW-Madison has garnered an award from NOA, and the first time that each production was separately recognized. University Opera produces only two operas each year.

William Ottow and Rebecca Buechel in Transformations. Image by Michael R. Anderson.
William Ottow and Rebecca Buechel in Transformations. Image by Michael R. Anderson.

October 2015’s Le nozze di Figaro, with orchestra conducted by James Smith, placed second in Division IV, and March 2016’s Transformations, conducted by graduate assistant conductor Kyle Knox, garnered a first place award in Division III.

Both productions were directed by David Ronis, inaugural Karen K. Bishop Director of Opera, who is now a six-time winner of the competition. His previous awards occurred while he worked at Queens College in New York.

Read the full news release.

UW-Madison Jazz Program highlighted- twice!

In December, Madison’s weekly newspaper Isthmus devoted a cover story to our burgeoning jazz program and its director, Johannes Wallmann

“By bringing more jazz to the university and beyond, Wallmann hopes to promote the notion that jazz isn’t just about the past, with its storied history and legendary names. It’s now also about highly trained musicians pushing the boundaries of the genre,” wrote author Jane Burns in her story, “Making a Scene.”

“ ‘Look up any end-of-the-year Top 10 list on NPR, Downbeat or The New York Times, and listen to what this generation of 20- and 30-somethings are up to, it’ll blow your mind,’ ” Wallmann says. “ ‘We want to prepare our students to be part of that.’ ”

…meanwhile, Wisconsin Public TV spotlights the jazz program as part of its “Young Performers” Initiative

For over a year, a dedicated crew from WPT – including alumna Megan Aley, who served as a producer – filmed Wallmann and his staff as they shepherded high school students through auditions for the UW High School Honors Jazz Band. The videos are intended to help aspiring musicians prepare for professional careers and college auditions.

New videos from Making Jazz web series will be released each Monday through Feb. 6. Learn more about the Young Performers Initiative and sign up for weekly releases of the jazz videos.

Meet our students: Juliana Mesa-Jaramillo, bassoonist

Juliana Mesa-Jaramillo came from the country of Colombia to study bassoon performance with Marc Vallon, professor of bassoon.  We asked her how she became involved in music, with the bassoon, and why she chose Wisconsin.

Juliana Mesa-Jaramillo
Juliana Mesa-Jaramillo

“I did my undergrad in music performance in the University El Bosque in Bogotá. I studied with Leonardo Guevara, the principal bassoonist of the National Symphony Orchestra. I learned very much while at school and I was able to play with many chamber ensembles when I was still in school. My first job as a bassoonist was in the Symphonic Band of Cundinamarca, and I worked there for a year during my last year of school. It was challenging, but I learned very much from this experience.

“In 2010, I received a master’s in bassoon performance with Saxton Rose at the University of North Carolina-School of the Arts. As I started to look into going back to school, I talked him, and he recommended that I applied to study with Marc Vallon at UW-Madison. I think it is one of the best decisions I have made in my life!”

Read Juliana’s story here, and click the arrow to learn about more of our students.

Two Community Opportunities – Deadlines Included

Sing with Choral Union this spring! Drop-in auditions will be held on January 18 for community members interested in singing a rare work: Paul Hindemith’s When lilacs last in the door-yard bloom’d. A rarely done work because of its difficulty, this is an outstanding setting of Walt Whitman’s poem written about the death of Abraham Lincoln, and the train that carried his body to Springfield, Illinois.  The work was commissioned by Robert Shaw in memory of Franklin Roosevelt, whose funeral train carried his dead body from Georgia back to Washington.  The work is in memory of “those we loved.”  Two concerts, April 29 & 30. Learn more here. 

Inviting high school pianists to take part in Pathways to Artistry: From the Practice Room to the Stage. A free, day-long event featuring workshops, masterclasses and performances hosted by UW-Madison’s keyboard faculty. High school pianists are encouraged to participate in the master classes and an honors recital.  More information and registration is at the link below. The deadline to register is January 31.

http://www.music.wisc.edu/event/pathways-to-artistry-uw-madison-keyboard-day/

pathways-to-artistry-graphic

Two Concerts – Seats Available

Sunday, January 22, 4 PM, Mills Hall

Sonatas for Violin and Piano

Violinist Soh-Hyun Altino and pianist Christopher Taylor, both faculty artists, perform the Sonata for Violin and Piano by John Corigliano (1963) and the Sonata in A Major by Gabriel Fauré (1875-76). Tickets are $15 for adults and $5 for non-UW music students.  Learn more here.

Sunday, January 29, 3 PM, Mills Hall

Our Annual Schubertiade: “Circle of Friends”

This year’s Schubertiade with pianists Martha Fischer and Bill Lutes will feature acclaimed alumna soprano Emily Birsan.  The concert will be followed by a reception (included in the ticket cost) at the University Club. Tickets are $15 per adult and $5 for non-UW music students. The concert is sponsored by Madison resident Ann Boyer, an admirer of Franz Schubert’s music and the musical talents of Fischer and Lutes. Learn more here.

Emily Birsan
Emily Birsan

 

 

 

 

 

 

 

 

Alumni News

We want to hear from you- please click the link to read about our graduates and send your news!

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

2017 Schubertiade to feature acclaimed soprano Emily Birsan

ALSO IN JANUARY: Violinist Soh-Hyun Altino and pianist Christopher Taylor team up for an afternoon of exquisite sonatas from Fauré and Corigliano. Sunday, January 22, 4 PM. Learn more here.


Join pianists Martha Fischer, Bill Lutes, and friends on the stage and seats of Mills Hall for January’s “Schubertiade,” an intimate homage to the music, loves and life of Romantic composer Franz Schubert.

The concert will take place Sunday, January 29, at a new time, 3:00 PM.

Fischer is a UW-Madison professor of collaborative piano and piano and Bill Lutes is emeritus artist-in-residence.

Martha Fischer & Bill Lutes. Image by Katrin Talbot.
Martha Fischer & Bill Lutes. Image by Katrin Talbot.

The concert will be followed by a reception (included in the ticket cost) at the University Club. Tickets are $15 per adult and $5 for students, available online, at the Memorial Union Box Office, or at the door.  The concert is sponsored by Madison resident Ann Boyer, an admirer of Franz Schubert’s music and the musical talents of Fischer and Lutes.

The evening will include a special guest, the much-acclaimed soprano and UW-Madison alumna, Emily Birsan. Among other works, she will sing Schubert’s Epistle to Josef von Spaun, D. 749 – a brilliant and humorous send-up of the Italian operatic style that was all the rage in Vienna during Schubert’s lifetime.

Emily Birsan
Emily Birsan

Other performers will include Mead-Witter School of Music faculty Mimmi Fulmer, soprano and Paul Rowe, baritone; School of Music alumni Daniel O’ Dea, tenor and Benjamin Schultz, baritone; and current graduate students Anna Polum, soprano, Rebecca Bechtel and Jessica Kasinski, mezzo sopranos, and Wesley Dunnagan, tenor.

Schubert was born on January 31, 1797, and lived only 31 years. In his day, his music was cherished, but mostly by his personal circle. UW-Madison’s “Schubertiade” extends that circle to include the entire seating chart in Mills Hall.

The theme for this year’s Schubertiade is “Circle of Friends,” says co-organizer Lutes.

He writes: “Moritz von Schwind, a important German painter of the 19th century, was a young man when he became part of the group that was present at the first Schubertiade — those social gatherings given over to charades, poetry reading, dancing and imbibing – but most particularly to the performance of Schubert’s music, often with the composer himself at the piano.

“These almost legendary occasions were immortalized by Schwind in his famous painting ‘A Schubert Evening at Josef von Spaun’s,’ created in 1868, when these glorious moments had become distant and cherished memories. Schubert is indeed at the piano, with the great baritone Johann Michael Vogel seated to the composer’s right. Depicted are many of the poets, artists, lawyers and civil servants, and close friends who first heard Schubert’s music. In some cases, they are individuals with whom Schubert collaborated in the creation of songs, and our program will include a many settings of poetry by Schubert’s friends: Schober, Mayrhofer, Spaun, Schlechta and others.

 

A Schubert Evening at the Home of Josef von Spaun on December 15, 1826. Sepia drawing by Moritz von Schwind (1804-1871), 1868.
A Schubert Evening at the Home of Josef von Spaun on December 15, 1826. Sepia drawing by Moritz von Schwind (1804-1871), 1868.

“In addition we will include a group of songs that Schubert assembled in 1816 and presented to Theresa Grob, a young soprano whom he had hoped to marry. Other highlights will be a Cantata written for the birthday of Vogl, for soprano, tenor, baritone and piano and a great piano duet composition, the Theme and Variations in A-flat major, D. 814.

“Emily Birsan will perform the ‘flower-ballad’ Viola, D. 786, and two Italian canzonas, D. 688 and the previously mentioned Epistle to Josef von Spaun. She will conclude the program with one of Schubert’s best-loved songs, Ellen’s 3rd Song from Scott’s The Lady of the Lake….also known as Ave Maria.”

“The concert will close with an audience singalong of ‘An die Musik.’

“We offer this program of musical collaboration in a spirit of camaraderie, good will, and love for Schubert and his music, in celebration of the composer’s 220th birthday on January 31. From Schubert’s Circle of Friends we reach out to our own Circle of Friends, including the sponsor of these Schubertiades: Ann Boyer.”

Tickets may be purchased online, at the Memorial Union Box Office or in Mills Hall, one hour before the concert.

Read this news story about our Schubertiade in 2015.

 

2016-2017 Concerto Competition Winners Announced – Concert Feb. 12

Two violinists, one pianist, one trumpeter, and one vocalist will solo with UW Symphony Orchestra with conductor James Smith.

In addition, the music of composition student Nathan Froebe will be performed.

The concert is in Mills Hall at 7:30 PM. There will be a free public reception immediately following at the University Club, 803 State Street.

Ticketed: $10 adults; students & children free. Buy tickets here or at the door.

The winners are:

  • Violinist Shing Fung (Biffa) Kwok, a doctoral student of Prof. David Perry and recipient of a Collins Fellowship. He will perform Tzigane by Maurice Ravel (1875-1937).
  • Violinist Matthew Lee, an undergraduate senior who studies with Prof. Soh-Hyun Altino. He will perform the cadenza from the Violin Concerto No. 1 in A Minor, opus 77 of Dmitri Shostakovich (1906-1975).
  • Trumpeter Matthew Onstad, a master’s student of Prof. John Aley. He’ll perform the Trumpet Concerto in F Minor, Op. 18 by Oskar Böhme (1870-1938).
  • Soprano Anna Polum, who will sing “Amour, ranime mon courage,” written by Charles Gounod (1818-1893) for his opera adaptation of Romeo and Juliet. Anna studies with voice professor James Doing.
  • Pianist Shuk-Ki Wong, to perform the first movement of the Piano Concerto in G Major by Maurice Ravel (1875-1937). Shuk-ki studies with Professors Christopher Taylor and Jessica Johnson.
  • Composition student Nathan Froebe (not pictured) is the winner of this year’s composer’s contest. More information coming soon.
L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Photograph by Hannah Olson.
L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Photograph by Hannah Olson.

A native of Hong Kong, Biffa Kwok began his violin lessons at the age of ten, studying with Chu Tong Lo. In 2004, Kwok entered the Hong Kong Academy for Performing Arts and graduated in 2013 with a bachelor of music degree in violin performance. Kwok also holds a master’s degree in violin performance and literature from the Eastman School of Music, where he studied with Mikhail Kopelman, former leader of the Borodin and Tokyo String Quartets.

Kwok has received many awards, including the ExxonMobil Scholarship, Chan Ho Choi Enchanting Music Scholarship during his studies at the Hong Kong Academy for Performing Arts; the Eastman Graduate Assistantship during his master program at the Eastman School of Music, and the James R. Smith Orchestral Leadership award during his studies at the Mead Witter School of Music.

Kwok has collaborated with many artists such as Trevor Pinnock, Uroš Lajovic, Perry So, Kokman Liu, Neil Varon, Brad Lubman, Zhu Dan, Nobuko Imai, and John Demain. A strong advocate of chamber music, Kwok actively participated in many chamber performances, including masterclasses with the Chilingirian; the Endellion; the Penderecki; the Ying, and the Dover string quartets. Kwok also actively performed in orchestral performances including participation in the Academy (Hong Kong) Symphony Orchestra; Eastman Philharmonia; Eastman Graduate Chamber Orchestra; Orchestra of the Southern Finger Lakes (Elmira, NY), the Dubuque (Iowa) Symphony Orchestra, and the Madison Symphony Orchestra. He is also a member of Sound Out Loud, an ensemble based in Madison that specializes in performing contemporary music.

At UW, Kwok studies violin performance and arts administration. The ten-minute work he will perform, “Tzigane” by Maurice Ravel, is a Hungarian-styled rhapsody written in the early 1920s and first played by the Hungarian-English violinist Jelly d’Aranyi—a great-niece of the violin virtuoso Joseph Joachim— in 1924. The name “Tzigane” is derived from the generic European term for gypsy, and it shows Ravel’s interest in violin showmanship in the manner of Paganini and Sarasota.

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Violinist Matthew Lee is a Madison native and former member of the Wisconsin Youth Symphony Orchestra is is majoring in music performance and biology. Matthew began playing the violin at age 6 and studied with Hiram Pearcy for eleven years prior to entering college. He performed with WYSO orchestras for eight years, serving as concertmaster for the Youth Orchestra from 2011-12, including during their Eastern European Tour in 2012. He was a winner of the Youth Orchestra Concerto Competition in 2013, received honorable mentions in the Madison Symphony Orchestra Bolz concerto competition. At UW-Madison, his teachers have included Eugene Purdue and Prof. Altino.

“I chose this piece because I love Shostakovich’s work in general,” says Matthew. “His violin concerto is significant because it was written during a time when Shostakovich was scrutinized carefully by the Soviet government, in a time of increased arrests of people who wrote in an anti-Soviet manner. The violin concerto was therefore hidden from the public until after Stalin’s death. I love the whole concerto, but the cadenza and fourth movement stand out because of the desolate, barren quality of the cadenza transitioning into the exaggerated, frenzied movement of the burlesque.”

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Trumpeter Matthew Onstad, who hails from Beaver Dam, is pursuing a master’s degree in trumpet performance, studying with Prof. John Aley. He is a member of the Wisconsin Brass Quintet and recently won the post of principal trumpet with the Quad City Symphony Orchestra, where he holds the Francis Neiswanger Memorial Principal Trumpet chair. Aside from his duties with the Wisconsin Brass Quintet, Matthew has been a member of the 132nd US Army National Guard Band since 2012, and has performed with the Madison and Oshkosh Symphony Orchestras. Matthew received his bachelor’s of music degree at the University of Wisconsin-Oshkosh where he studied with Marty Robinson and Robert Levy.

“The Böhme is one of the very few well-known trumpet concerti that was written in the Romantic era of music,” Matt says.”Although it is not a ‘standard’ in the trumpet repertoire, it certainly deserves the title, with all of the different colors it offers to the audience. It’s outer movements demonstrate virtuosic and acrobatic technique, while the inner movement possesses such beauty and sensitivity, thus making it one of my favorite pieces of music to perform.”

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Soprano Anna Polum is a native of Kodiak, Alaska, and is pursuing a master’s degree in voice performance, studying with Prof. James Doing. She holds degrees in music education and voice performance from the University of Alaska-Fairbanks. Anna has won or placed in competitions offered by the National Organization of Teachers of Singing in both Alaska and Wisconsin. Recently, she sang Contessa Almaviva in University Opera’s production of Le Nozze di Figaro, and next spring will sing Miss Jessel in University Opera’s production of The Turn of the Screw. For the 2016-2017 season, Anna is the soprano studio artist for Madison Opera and covered the roles of Juliet in the company’s performances of Romeo and Juliet; Chan Parker in Charlie Parker’s Yardbird; and Pamina in Die Zauberflöte (The Magic Flute). She will also sing the role of Papagena in the same production of Die Zauberflöte.

Gounod’s operatic adaption of Romeo & Juliet premiered in 1867 at the Théâtre Lyrique in Paris. While Gounod is now better known for Faust, Romeo & Juliet was a bigger success at its premiere, and has stayed in the repertoire for 150 years due to its beautiful music, genuine passion mingled with wit, and exciting fight scenes.

“I covered Juliet with Madison Opera this past November, so this role is fresh for me,” Anna says. “The setting is quite dramatic, especially in the middle recitative section, where Juliet envisions Tybalt’s ghost coming for her and Romeo. Between her fear of losing Romeo and her love for Romeo, she decides to take the poison that Friar Lawrence gives her, claiming ‘je bois a toi!,’ meaning ‘I drink to thee (meaning Romeo).’ I love the dramatic flair to this piece, especially since the rest of the opera is quite mellow, flowing in and out of love duets and party scenes.”

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Hong Kong native Shuk-Ki Wong is a doctoral pianist who studies piano performance and pedagogy with Professors Christopher Taylor and Jessica Johnson. She was a winner of the 31st Annual Beethoven Piano Competition at UW-Madison as well as the Exhibition Award from Trinity College London, and has appeared as soloist at the Hong Kong Cultural Centre, Hong Kong City Hall and Verbrugghen Hall in Australia. During her studies, Shuk-Ki was invited to perform at the Hong Kong International Chamber Music Festival and the Asia-Pacific Music Summit, and she has participated in master classes with Colin Stone, Sa Chen, Stephen Savage, Murray McLachlan and Jack Winerock. Shuk-Ki is also on the piano faculty at the School of Professional and Continuing Education in Madison Technical College, where she teaches students with diverse interests and abilities.

Shuk-Ki obtained her bachelor of music degree and diploma of music from the Hong Kong Academy for Performing Arts with the support of the First Initiative Foundation Music Scholarship and Grantham Scholarship. She subsequently received the Molly McAulay Memorial Scholarship to fully support her graduate studies at the University of Sydney, Australia, under the tutelage of Mr. Clemens Leske.

“The brightness, energy, and the blend of ‘light-hearted and brilliant’ qualities and jazz music in Ravel’s Piano Concerto in G Major have drawn my interest, and I am excited to perform this masterpiece with the UW-Madison Symphony Orchestra,” she says.

Violin & Football?; Mourning Nancy Becknell; January Percussion Fest; Alumni News

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison

Wednesday, Nov. 30, 2016

And, now, for a short strings interlude….

In October, violin professor Soh-Hyun Altino made her professional debut as a halftime performer during the UW-Nebraska game at Camp Randall Stadium. “I had never performed at a football game before; in fact, it was my very first football game,” says Altino. “When [assistant director of bands] Darin Olson asked about playing the theme from ‘Fiddler on the Roof,’ I thought, ‘Why not,’ and that’s how it got started.  Since we didn’t know if the weather was going to cooperate, I couldn’t firmly plan on playing for a while, but on the Thursday before the game, I practiced with the Marching Band outside and got very excited! I have a huge respect for the band members’ dedication and discipline and how they work so well together.  It was a fantastic experience. And we won!!”

 

Early December Concert Highlights

Concerts to suit all tastes

UW/Madison Metropolitan School District Jazz Festival  Final Concert Saturday, December 3, 6 PM, Music Hall. Free.
Featuring jazz ensembles from area high schools, the UW Jazz Orchestra, and guests from Gabriel Alegria’s Afro-Peruvian Sextet. Learn more here.

The 2016-2017 Hunt Quartet. L-R: Kyle Price, cello; Vinicius “Vinny” Sant’Ana, violin; Blakeley Menghini, viola; Chang-En Lu, violin.
The 2016-2017 Hunt Quartet. L-R: Kyle Price, cello; Vinicius “Vinny” Sant’Ana, violin; Blakeley Menghini, viola; Chang-En Lu, violin. Photograph by Katrin Talbot.

Pro Arte Quartet at the Chazen – Sunday, December 4, 12:30 PM.
Presenting works of Hugo Wolf, Shostakovich, and Dvorák. Learn more here.

The Hunt Quartet Annual Concert – Thursday, December 8,  7:30 PM, Beth Israel Center, 1406 Mound Street. Free.
The Quartet is the graduate string quartet for the Mead Witter School of Music. On the program: Prokofiev, Turina, Webern, and Haydn.  Learn more here.

Choral Union Fall Concert Friday, December 9, 8 PM, Mills Hall.
Presenting Leonard Bernstein’s Chichester Psalms,  Johannes Brahms’s Nänie, and Ludwig van Beethoven’s Mass in C. Learn more hereTicketed: $15 adults, $8 students. Buy tickets here. 

Wingra Wind Quintet Fall Concert – Wednesday, December 14 7:30 PM, Mills Hall. Free.  With Stephanie Jutt, flute; Amy McCann, clarinet; Joanna Schulz, horn; Marc Vallon, bassoon; and Aaron Hill, oboe. Presenting works by Pál Járdányi, Paul Hindemith, Jean Françaix, and Emile Bernard. Also featuring guest performers Iva Ugrčić, Emily Knaapen, Emily Borley, Dan Grabois, and Chia-Yu Hsu. Learn more here.

UW Horn Choir Annual Holiday Concert – Chazen Museum Lobby, Saturday, December 17, 1 PM. Music by Gabrieli, Mendelssohn, as well as music from film scores. Learn more here.

For more December concerts, see this link: http://www.music.wisc.edu/events/2016-12/


Bidding Farewell to Nancy Becknell

Horn teacher Nancy Becknell, longtime member of the Wisconsin Brass Quintet and the Wingra Woodwind Quintet, who also played principal and second horn with the Madison Symphony Orchestra and its predecessor, the Madison Civic Symphony,  passed away on Saturday, Nov. 5.

Nancy Becknell
Nancy Becknell

“I was fortunate to be in the Wisconsin Brass Quintet with Nan for many years. Her perpetually sunny perspective, vibrant interest in innovative projects, concert programming, and connecting with a wide variety of audiences in outreach, made her contributions invaluable. Her preparation was impeccable and her research skills were prodigious.  She will be missed tremendously.” – John Aley,  UW-Madison professor of trumpet and principal trumpet, Madison Symphony.

A memorial service will be held at 2 PM on Saturday, Dec. 3 at Bethany United Methodist Church, 3910 Mineral Point Road, Madison. Read more here.


Save the Date!  Wisconsin Day of Percussion to be held at UW-Madison

Saturday, January 21 – All Day, Mills Hall

First time in Madison since 1999   – Myriad clinics, concerts and presentations to more than satisfy the percussionist in all of us

Headlining the day’s events will be Doug Waddell, who performs with the Chicago Lyric Opera and Grant Park Symphony, and Dave Stanoch, a percussionist with notable singers including George Clinton, Sheryl Crow, and Bonnie Raitt. Stanoch is an alumnus of UW-Madison.

Other concert performers will include the UW-Madison World and Western Percussion Ensembles; the Percussion Ensemble of the Wisconsin Youth Symphony Orchestra; the College All Star Percussion Ensemble, college soloists and selected high school percussion ensembles.

2017-dop-poster

In addition, a high school and middle school Percussion Ensemble Festival will be held in conjunction with the DOP. University faculty will coach the participating schools in 30 minute sessions, providing each school with a meaningful and rich educational experience.

Much more information is available at this website:http://www.music.wisc.edu/2016/11/10/wisconsin-day-of-percussion/


Alumni News

Christian Elser, William Wielgus, James Kryshak


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


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News and Events from the Mead Witter School of Music

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