Pro Arte Quartet Plans Belgium Concert Tour
The UW Pro Arte Quartet will return to its roots in May with a concert tour of Belgium, where the group was first formed in 1912.
The trip is the capstone of the Pro Arte’s centennial season and is believed to be the quartet’s first return to its homeland since being stranded in the U.S. when Nazi forces invaded Belgium, and UW responded by creating a residency for the group. The tour will feature the European premiere of the quartet’s latest commission, String Quartet No. 3 by Belgian composer Benoît Mernier.
Mernier’s composition received its world premiere by the Pro Arte on March 1 at Mills Concert Hall in the Mosse Humanities Building on the UW-Madison campus. The European premiere is scheduled for May 26 at the Brussels Conservatory, where the Pro Arte itself originated. Read a review of the Madison concert here.
The Pro Arte will kick off the weeklong tour on May 22 with a performance in Studio 1 of the Flagey Building, home to Belgium’s broadcast industry. The program will include compositions by Mozart, César Franck and Randall Thompson. Studio 1 has historic significance for the Pro Arte, too. An earlier iteration of the quartet recorded a Beethoven cycle there in 1938.
On May 23, the Pro Arte will perform an afternoon concert in the Arthur de Greef Auditorium of the Royal Library of Belgium in Brussels. The library series features works important to the library’s collections, and Pro Arte will present a program featuring works by Bartok and Haydn, since the library holds first editions of these composers. Know any Dutch? If so, you may read the announcement here: http://www.kbr.be/actualites/concerts/programme/23_05_nl.html
On May 24, the Pro Arte will travel to Dolhain Limburg, birthplace of the quartet’s founding violinist Alphonse Onnou for a reception, dinner and performance at Kursaal Dolhain. The evening program will include compositions by Mozart, Franck, Haydn and Alexander Glazunov. The Mernier European premiere at the Brussels Conservatory follows on May 26, along with compositions by Mozart, Thompson and Samuel Barber.
The final performance of the tour on May 27 will take place at the Catholic University of Louvain-la-Neuve. In addition to the Mernier work, the performance would include works by Mozart and Barber. In addition, the audience will view a 1975 documentary film about the Pro Arte by Pierre Bartholomée that includes interviews with composers Darius Milhaud, Igor Stravinsky and others.
Final arrangements for the trip are in the works pending the resolution of some current restrictions regarding international travel.
Wisconsin Public Television filmed the quartet in concert last year. Watch the video here.
New faculty hired for next year
The School of Music will add three visiting professors next year. One, David Ronis of New York City, will replace retiring opera director William Farlow. A second, Tom Curry, will replace retiring tuba professor John Stevens, And a third, Leslie Shank, will replace violin professor Felicia Moye, who has accepted a position at McGill University in Montreal.
The School has issued separate news releases for all new faculty.
Percussion professor wins Phi Beta Kappa Teaching Award
Nominated by one of his students
Anthony Di Sanza, professor of percussion in the School of Music, has received the Phi Beta Kappa Teaching Award, nominated by percussion student Jacob Wolbert (who was published in this space last summer), who was himself inducted into the society on April 12. Phi Beta Kappa is the nation’s oldest academic honor society and honors undergraduates for outstanding scholarly achievement. Students elected into Phi Beta Kappa are asked to nominate a deserving faculty whose teaching is exemplary and who encouraged their love of learning. Wolbert nominated di Sanza.
“Professor DiSanza found a way to transfer my musical skills into my non-musical ones and has encouraged my endeavors, providing wisdom and guidance even when they are unrelated to music,” says Wolbert. “Overall, he recognizes the value of music in an interdisciplinary education, a crucial tenet of what it means to receive an undergraduate liberal arts education here at UW-Madison.”
“I am deeply honored by this award and even more so by the fact that Jacob Wolbert, this engaged, talented and thought-provoking student, would think highly enough of my efforts to nominate me,” says di Sanza. Read the full press release here.
Speaking of choral: Sing this Summer! Auditions are now open for Madison Summer Choir
The Madison Summer Choir is an approximately 80-voice, auditioned choir performing a cappella, piano-accompanied, and choral-orchestral works, conducted by alumnus Ben Luedcke. We are supported by singers, the larger Madison community, and UW-Madison School of Music. 2014 will be our sixth year keeping summer choral arts alive – please join us on stage or in the audience! Rehearsals start in room 1351 Humanities, Monday May 19th, 5:15-7:15 pm, and are open to all current UW choral singers, as well as the community. The final concert is June 27, 7:30 pm, at First Congregational United Church of Christ. On the program: Schicksalslied, Op. 54, of Johannes Brahms, and Te Deum, by Georges Bizet.
Graduate wins Elliott Carter Rome Prize for music composition
Paula Matthusen, a 2001 graduate in composition who studied with professor Stephen Dembski and is now Assistant Professor of Music at Wesleyan University has received the Elliot Carter Rome Prize from the American Academy in Rome. The prize is awarded annually to about thirty people “who represent the highest standard of excellence in the arts and humanities,” according to the academy’s website. Winners receive a fellowship and are invited to live in Rome for up to two years. Read a 2009 review of Paula’s work here.
Selected upcoming concerts at the School of Music
(For a full list, please see http://www.music.wisc.edu/calendar )
Saturday, April 26: Sergei Rachmaninoff’s “Vespers” or “All-Night Vigil” performed by Choral Union
On Saturday, April 26 at 8 p.m. in Mills Hall, UW-Madison Choral Union will perform Sergei Rachmaninoff’s “Vespers” or “All-Night Vigil,” composed in 1915, consisting of settings of texts taken from the Russian Orthodox All-night vigil ceremony. Read about this work in Madison’s blog, The Well-Tempered Ear.
Tickets: $10/Adults & General Public, Free/Students and Seniors. Call (608) 265-ARTS (2787) for ticket info or buy online (surcharge applies; no surcharge if purchased at box office).
Thursday, May 1: Brian Lynch, the UW Jazz Orchestra and the High School Honors Jazz Band
Lynch to offer master classes on Wednesday, April 30 and Thursday, May 1 – see http://www.music.wisc.edu/calendar for details
Grammy-award winning jazz trumpeter Brian Lynch will perform May 1 as a guest of the UW Jazz Orchestra. Lynch, a native of Milwaukee who now makes his home in New York City, will appear in concert with the orchestra and the High School Honors Jazz Band, an auditioned ensemble comprised of the best jazz musicians that Madison-area schools have to offer. Student tickets $5/general public $10. http://www.uniontheater.wisc.edu/Season13-14/Brian-Lynch.html
Read an earlier post here.
Read an interview with Brian Lynch in the blog, The Cultural Oyster.