SCHOOL OF MUSIC TO SHARE $2.5M INTERNATIONAL GRANT TO EXPLORE JEWISH CULTURAL HERITAGE
As a girl in South Dakota, Teri Dobbs had no idea she had Jewish roots, until one day her mother took her aside and unveiled a long-kept secret. Now, the professor of music education has joined a team of international researchers dedicated to unearthing Jewish cultural treasures from the 1880s to the 1950s. Along the way, she’s developed a deeper kinship with her own past. “It’s a way for me to return to my roots by remembering actively those who went before me, maybe even to make things a bit better for those who come after me,” Dobbs says. “In Judaism, this can be considered a type of ‘tikkun olam,’ or ‘healing the world.'”
BRASS FEST SUCCESS!
Hundreds of patrons of all ages turned out for our first brass festival in three decades, held October 8 – 13 at the School of Music. The festival featured two brass quintets: the Western and Wisconsin Brass Quintets, plus Norwegian guest solo tubist Øystein Baadsvik and alumna Jessica Valeri, now with the San Francisco Symphony Orchestra. It was an inspiring event and great fun; thanks to all who attended! For many more photos, click here.
AFTER 250 YEARS, A COMPOSER GETS HIS DUE
It’s not very often that one receives international recognition 250 years after being placed in the ground. But with help from scholars at UW-Madison and internationally, that’s exactly what’s happening for Jean-Philippe Rameau.
UW-Madison is embarking on a yearlong series of events to note the contributions made by Rameau to the world of music, courtly dance, and music theory. The series kicks off November 13 with a discussion of Rameau’s music by David Ronis, visiting director of opera, and Anne Vila, professor of French and Italian. The next night there will be a performance of Baroque works by bassoon professor Marc Vallon, accompanied by a rich assortment of faculty and students.
The series has been organized by Rameau scholar Charles Dill, a musicologist at UW-Madison who participated in many international Rameau-related events held this past year. Read a musicology Q&A about Rameau with Charles Dill.
VOICE FACULTY PERFORMS FIRST “SHOWCASE” CONCERT, SUNDAY, NOV. 2
The UW voice faculty present an evening of chamber music featuring the solo voice. Featuring a premiere, White Clouds, Yellow Leaves, written by composer and saxophone professor Les Thimmig. Featuring Mimmi Fulmer and Elizabeth Hagedorn, sopranos, and Paul Rowe, baritone. Tickets are $10.00 adults; students are free. Tickets will be sold at the door. Learn more here.
THE BIG PAYBACK, A UW ALUMNI BAND, CELEBRATES A FIVE-YEAR ANNIVERSARY WITH A SHOW AT THE FREQUENCY
The University of Wisconsin-Madison’s School of Music not only attracted a group of musicians to Wisconsin from across the country, but also helped bring them together to form a band. Today, that band is the wildly successful jazz/funk/R&B orchestra The Big Payback, which is famous for playing ambitious compositions that incorporate rare musical elements (e.g. rhythms from around the world and a mashing of genres) that challenge even the most virtuosic instrumentalists. The band has won multiple Madison Area Music Awards (MAMAs), including Jazz Song of the Year in 2012 for “Overture.” Its lineup constitutes a “who’s who” of the most acclaimed musicians in the Midwest.
On Thursday, Oct. 30th, The Big Payback will be celebrating their five-year anniversary with a star-studded reunion show at The Frequency, 121 West Main Street, Madison, where they played their very first gig and premiered a host of original hits like their crowd-pleasing single “Lookin’ at Me.” The show begins at 11PM and is preceded by a jazz jam at 7:30 PM followed by the band “Level Five” at 9:45 PM. Tickets are $5.00.
“This show means a lot to us,” Jamie Kember, the band’s trombone player and front man, said. “For five years, this band has been our big payback – the place where we could write original music, connect with the Madison community, and share our knowledge with music students all over Wisconsin. We owe a lot of our success to UW-Madison and the School of Music.”
The Big Payback ensemble includes:
Lead singer Leah Isabel Tirado, former Vocal Captain of UW-Madison’s Wisconsin Singers and member of UW Director of Choral Activities Beverly Taylor’s Concert Choir, UW professor Richard Davis’s Black Music Ensemble, and the UW Jazz Orchestra.
Front man Jamie Kember, member of the UW School of Music Alumni Association Board, former director of UW’s PEOPLE Program Jazz Ensemble, and past instructor at UW-Madison’s Summer Music Clinic. Kember earned his master’s degree in trombone performance at UW in 2007 and his K-12 instrumental music teaching certification in 2008.
Guitarist Kyle Rightley, who earned his master’s degree in euphonium performance at UW-Madison in 2009.
Saxophonist David Buss, who played with the UW Jazz Orchestra, the UW Little Big Band (a jazz combo), and the Wisconsin Singers during his undergraduate years. In 2006-2007, he served as Assistant Music Director for the Wisconsin Singers’ band.
2012 MAMA Bass Player of the Year Jeff Weiss, who graduated from UW-Madison’s School of Music in 2011.
Charley Wagner of Youngblood Brass Band fame, who will be traveling all the way from his home in Switzerland to play on trumpet, and who graduated in trumpet performance from UW-Madison in 1999.
Peter Baggenstoss, who graduated from UW-Madison with a double major in math and piano performance in 2009.
Grammy-nominated drummer and 2014 MAMA Drummer / Percussionist of the Year Joey B. Banks.
Former band members, including saxophone player Brad Carman, who graduated from UW-Madison with a Music Education degree in 2004.
PIANIST CHRISTOPHER TAYLOR TO PERFORM GOLDBERG VARIATIONS IN CALIFORNIA AND AT NEW YORK’S METROPOLITAN MUSEUM
When J. S. Bach wrote The Goldberg Variations, he specified that they were to be played on an instrument with two manuals, or keyboards. On Nov. 16 in Penn Valley, California, UW-Madison pianist Christopher Taylor will play the Goldberg Variations on the School of Music’s unique double-keyboard Steinway–Moór Concert grand piano, transported to California specially for this concert. Tickets available here.
The Metropolitan Museum’s Musical Instruments collection is home to one of only 60 double manual pianos ever made. On Nov. 21 at the Met, Christopher Taylor will perform the Goldberg Variations on a Bösendorfer double manual ca. 1940 piano—a new twist on what Bach had intended. The performance will be held in the Grace Rainey Rogers Auditorium at 7PM; tickets are available here.
Read a review of Taylor’s performance in New York City’s Miller Theater, May 2013.
See Christopher Taylor perform solo at the School of Music on January 23! Included on the program: Liszt’s transcription of Beethoven Symphony #6. Tickets are only $10.00 for adults; students are free. Ticketing information here.
Taylor will also perform with the Madison Symphony Orchestra in April. Learn more here.
FACULTY IN THE NEWS
Violinist David Perry Performs Chausson Solo with the Joffrey Ballet and the Chicago Philharmonic Orchestra – Chicago Sun Times
Scott Roeder, Steven Morrison. Read their news here.
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