Meet New Faculty, Part 2; New Laura Schwendinger CD; “Schubertiade” Jan. 28; Calling All Oboists, Bassoonists, and Clarinetists

December 14, 2017

Holiday Greetings from the Mead Witter School of Music!

455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/

We wish everyone a harmonious holiday season and a happy New Year.

For our last newsletter of 2017, we offer three more faculty profiles, a sneak peek at events in late January, and news about a brand-new CD release featuring the music of Laura Schwendinger.

We’re also pleased to announce four of our five winners of our annual Concerto Competition. Our fifth winner will be a composer, selected later this month. 2017-2018 instrumental winners are Eleni Katz, bassoon (first bassoonist in 20 years!); Eric Tran, piano; Aaron Gochberg, percussion; and Kaleigh Acord, violin. Read about these winners here, and save March 18 on your calendar for our Symphony Showcase concert and free lobby reception!

Our second semester begins on January 20.

Our Annual “Schubertiade”: Sunday, January 28, 3:00 PM

This year’s Schubertiade will present at least one work from each year of Schubert’s all-too-brief but brilliant career. Beginning with one of his earliest piano duets, written when he was 14 years old, and ending with songs from his final year, this 5th Annual Schubertiade at the Mead-Witter School of Music will take place on Sunday afternoon, January 28, 2018 at 3pm in Mills Concert Hall.

Once again, pianists Martha Fischer and Bill Lutes will be joined by School of Music faculty, students, and guest mezzo-soprano Rachel Wood, professor of voice at UW-Whitewater.

Please join us for a reception in the University Club following the performance.

$15 adults/$5 non-SOM students.
http://www.music.wisc.edu/about-us/tickets/


Are there any young clarinetists, bassoonists or oboists in your midst?

If so, sign up now for Double Reed Fest (for oboists and bassoonists) on Saturday, January 20 and Clarinet Day, Sunday, January 21. Each day features master classes, lessons with our faculty, and a recital by special guests.

Double Reed Fest with Mead Witter faculty Marc Vallon, professor of bassoon; Aaron Hill, adjunct professor of oboe; and guest oboist Nancy Ambrose King, professor of oboe and chair of the Winds & Percussion Department at the University of Michigan. Ms. King won first prize in the Third New York International Competition for Solo Oboists, held in 1995.

Hear Ms. King perform Benjamin Britten’s 6 Metamorphoses After Ovid for Solo Oboe:

Clarinet Day with Mead Witter faculty Alicia Lee, assistant professor of clarinet, and special guest Gabriel Campos Zamora, a native of San José, Costa Rica, the newly appointed principal clarinet of the Minnesota Orchestra. Campos was most recently the associate principal clarinet of the Kansas City Symphony and has appeared as guest principal clarinet with the Cleveland Orchestra, Seattle and Houston Symphonies in addition to serving as the Virginia Symphony’s principal clarinet.


New CD from faculty composer Laura Schwendinger

Prof. Laura Schwendinger’s second recording for Albany Records features four works for quartets: two for the traditional string quartet; one for mezzo soprano and three strings; and one for piano quartet. The music is performed by the acclaimed JACK Quartet, mezzo-soprano Jamie Van Eyck, and pianist Christopher Taylor. The CD is already available for pre-ordering from Amazon.


Choral Union wins applause from local reviewer

Emeritus history professor John Barker had this to say about our fall Choral Union performance of Mozart’s Great C Minor Mass and Brahms’ Schicksalslied.  “An excellent performance that should alert listeners to neglected treasures,” he wrote in The Well-Tempered Ear. Read the review here.


Meet New Faculty

We’ve posted interviews with several new faculty members on our WordPress blog. Read about their views on teaching, what excites them and even their most enjoyable and embarrassing moments in their musical histories. Interviews conducted by Kyle Johnson, a dissertation in piano performance. Here are a few quotations from our interviews (click the links to read the entire interview).

Chad Hutchinson, conductor
Chad Hutchinson

“This season we performed works of Mason Bates and Christopher Theofanidis on our first two concerts, and will feature Caroline Shaw and Stephen Shewan on concerts in the spring. Many of these works have never been performed in Madison or the state of Wisconsin, so it is very exciting to bring something fresh and invigorating to the area. The “Composer’s Datebook” segment on National Public Radio always says that “All music was once new,” which is true. I feel that if we only perform works that have been vetted in classical music we will miss out on exciting new opportunities.”

Alicia Lee, clarinet
Alicia Lee

“Six years ago, I along with some close musical friends founded a chamber collective called Decoda. Our mission from the start was to bring meaningful musical experiences to all audiences. As a freelancer (in my former life), it can be difficult to feel real ownership over the work that we find ourselves doing, and Decoda became a very important part of my life since we built it from the ground up. I would love to bring colleagues from Decoda to Madison and also to UW-Madison, because I think we have a unique process and way of presenting our music.”

Alex Noppe, trumpet
Alex Noppe. Photograph by Michael R. Anderson.

(Upon the founding of the Mirari Brass Quintet). “Originally, it was a group of graduate students at Indiana that formed the group, but over the years we changed a few members (adding Stephanie Frye, UW-Madison MM 2010 & DMA 2013). We’ve always had a bit of an interesting model in that we live in four different states scattered across the country, which definitely presents some challenges for rehearsing and performing.

“Mirari is in its ninth season together and we spend most of our time doing concert tours, educational residencies, and new music commissioning. We play a fairly eclectic mix of music that we’ve affectionately dubbed “stylistic whiplash”–everything from Renaissance to jazz to contemporary classical to Latin to musical theater, and on and on. At this point we’ve performed in about 30 states and did our first international concert tour this past summer in China. We have one album out from a few years ago and another one being released in just over a month on Summit Records.”


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

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