Coming up soon: Harbison Viola Sonata; Music of Frigyes Hidas; Percussion Concert with Film, Flowerpots and Drums

February 12, 2019

A very busy two weeks for the Mead Witter School of Music!

University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
https://www.music.wisc.edu/

This weekend: World Premiere of John Harbison’s Viola Sonata with Sally Chisholm and pianist Timothy Lovelace

Sunday, February 17, 7:30 PM, Mills Hall. $25. Buy tickets here.

Learn about the event here.

The concert includes solo performances by Chisholm and Lovelace and the full Pro Arte Quartet.

Read a recent Isthmus review of the Pro Arte Quartet.

On Sunday, Feb. 10, the Wisconsin State Journal published a story about the upcoming John Harbison events in Madison. Read the story here.


UW Wind Ensemble with soloist Midori Samson

Sunday, Feb. 17, 2:00 PM, Mills Hall.

With Scott Teeple, conductor and Cole Hairston and Ross Wolf, graduate conductors. This concert will be livestreamed. Check this page for updates: https://www.music.wisc.edu/video/

Midori Samson

Presenting doctoral bassoonist Midori Samson, winner of the inaugural Wind Ensemble Concerto Competition. Midori, student of Professor Marc Vallon and recipient of a Collins Fellowship at the school of music, has a secondary focus in social work. She holds roles as second bassoon in the Wisconsin Chamber Orchestra and principal bassoon in the Beloit-Janesville Symphony. She previously was a fellow in the Civic Orchestra of Chicago and has performed in several Chicago Symphony Orchestra family concerts, as well as with the Austin, Charleston, and New World Symphonies, the National Orchestral Institute, and the Pacific Music Festival. Midori holds degrees from The Juilliard School and the University of Texas at Austin.  Midori will perform the Concerto for Bassoon (1999) of Frigyes Hidas . Click to see full program.


UW-Madison Symphony Orchestra, featuring works of composer Augusta Read Thomas

Thursday, February 14, 7:30 PM, Mills Hall – Free

Augusta Read Thomas

With Chad Hutchinson, conductor, and graduate conductors Michael Dolan and Ji Hyun Yim. Click to see full program.

Augusta Read Thomas will be in residence at UW-Madison for this concert. Join us for a master class with Ms. Thomas, Feb. 14, 2:00 to 5:00 PM, Morphy Hall.

Among her many accomplishments, Ms. Thomas founded the University of Chicago’s Center for Contemporary Composition: “a dynamic, collaborative, and interdisciplinary environment for the creation, performance and study of new music and for the advancement of the careers of emerging and established composers, performers, and scholars.” An influential teacher at Eastman, Northwestern, Tanglewood, and Aspen Music Festival, she is only the 16th person to be designated University Professor at the University of Chicago.  From 1997 through 2006, Thomas was Mead Composer-in-Residence with the Chicago Symphony, working with conductors Daniel Barenboim and Pierre Boulez.


UW-Western Percussion Ensemble with guest composer Elliot Cole and percussionist Peter Ferry

Wednesday, February 20, 7:30 PM, Mills Hall

Ticketed – Children $7 – Adults $17. Buy tickets here; also sold at door.

Presenting a three-day residency by composer Elliot Cole and percussionist Peter Ferry, who will perform with the UW-Western Percussion Ensemble. Works on the program will include “The Future is Bright” for soloist, film, and percussion ensemble and “Hanuman’s Leap” for percussion group, digital playback, and voice. Learn more here.

Elliot Cole is a composer and “charismatic contemporary bard” (NY Times).  He has performed his music with Grammy winners Roomful of Teeth, Grammy nominees A Far Cry and Metropolis Ensemble, as well as the Chicago Composers Orchestra, New Vintage Baroque, the Lucerne Festival Academy, and as a member of the book-club-band Oracle Hysterical.  His percussion music has been performed by over 250 percussion ensembles all over the world.  In 2017 he was invited by Talks at Google to share his unique approach to music through computer programming.  He is on faculty at New York’s The New School and Juilliard’s Evening Division, and is program director of Musicambia at Sing Sing prison, where he works with a music school for incarcerated men.


University Opera and University Theatre: Sondheim’s Into the Woods

From February 21 through 24, University Theatre and University Opera, in partnership with the Wisconsin Union Theater, will co-present Into the Woods at Shannon Hall in the Memorial Union, marking the first time in twelve years that the Mead Witter School of Music and the Department of Theatre and Drama have collaborated on a production.  David Ronis, Karen K. Bishop director of opera, will direct, and Chad Hutchinson, orchestra director, will conduct.

Five performances are planned: Thursday, Friday, and Saturday evenings at 7:30 PM, and Saturday and Sunday matinees at 2:00 PM.
Read about the show.
Buy tickets here.


Guest Artist: Rhea Olivaccé, soprano, with Martha Fischer, piano

The Black Voice – A Collection of African American Art Songs and Spirituals

Recital: Saturday, February 23, 6:30 PM, Morphy Hall
Master class: February 22, 5:00 PM, Morphy Hall
Free and open to the public.
Read more. 


In New York: Laura Schwendinger’s Artemisia

March 5–9, 2019
Trinity Church Wall Street
St. Paul’s Chapel, Broadway and Fulton Street, New York City

The Time’s Arrow Festival continues its commitment to amplifying the voices of female artists across multiple mediums. The festival includes the fully staged world premiere of the new opera Artemisia by UW-Madison faculty composer Laura Schwendinger. Artemisia tells the story of the Baroque artist who portrayed herself as Susanna in her famous painting Susanna and the Elders.

Schwendinger’s “High Wire Act” praised in Boston

From the Boston Classical Review: “If one needed to be reminded that a program of contemporary music can be engaging – even riveting – on its own terms, Collage New Music’s concert’s Sunday night at Pickman Hall was the place to be. CNM music director David Hoose led a reading of High Wire Act that brimmed with personality. Sarah Brady’s realization of Schwendinger’s brilliant flute writing was particularly compelling: precise, nimble, and fiery.” Read the review here.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to the School of Music.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

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