Category Archives: Alumni Accomplishments

“Sounding Beckett” with Cygnus Ensemble; Jazz at UW 50th Birthday; Wind Ensemble Concert April 7 to be livestreamed

March 15, 2018

News and Events from the Mead Witter School of Music

University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/

“Sounding Beckett” – The Intersection of Music and Drama, featuring the Cygnus Ensemble

Friday, March 23, 7:30 PM, Mills Hall.

An event focused on music inspired by the Nobel Prize-winning playwright, Samuel Beckett. Featuring a concert by New York’s Cygnus Ensemble, instrumental master classes, a lecture and panel discussion with Patricia Boyette, UW-Madison professor of theatre & drama and Laura Schwendinger, UW-Madison faculty composer and professor of composition.

Samuel Beckett


With its pairs of plucked strings, bowed strings and woodwinds, Cygnus has a precedent in the Elizabethan “broken consort.”
  The members –Tara Helen O’Connor, flute; Robert Ingliss, oboe; William Anderson and Oren Fader, classical and electric guitars/mandolin/banjo; Calvin Wiersma, violin; Susannah Chapman, violoncello–are all virtuoso players with a great wealth of experience with some of our most cherished musical institutions, including the New York Philharmonic, the Chamber Music Society of Lincoln Center, and the Metropolitan Opera Chamber Players.

Read more here.


Celebrating a milestone with students, faculty and special guest, trumpeter Marquis Hill

This April, UW-Madison’s annual Jazz Week will celebrate the 50th anniversary season of the UW Jazz Orchestra, the first jazz ensemble at UW-Madison’s Mead Witter School of Music.

Jazz Week 2018 will feature performances by the UW Jazz Orchestra, the UW Jazz Composers Group, the UW Contemporary Jazz Ensemble, the UW High School Honors Jazz Band, and a faculty jazz quartet, all to be joined by special guest trumpet soloist Marquis Hill, the winner of the 2014 Thelonious Monk Competition.

Hill is a Chicago native who now makes his home in New York City. “His music crystallizes the hard-hitting, hard-swinging spirit of Chicago jazz,” writes Howard Reich of the Chicago Tribune. “Hill commands a nimble technique, a fluid way of improvising and a pervasively lyrical manner.”


Marquis Hill

UW’s Jazz Week 2018 features three concerts:

  • Tuesday, April 24: Marquis Hill with the UW Jazz Composers Group and the UW Contemporary Jazz Ensemble. Morphy Hall, 7:30 PM. Free concert.
  • Thursday, April 26: Marquis Hill with a faculty jazz quartet led by pianist and Director of Jazz Studies Johannes Wallmann with Les Thimmig, saxophones; Nick Moran, bass; and Matt Endres, drums. Morphy Hall, 8:00 PM. Ticketed concert: $15 adults, $5 non-music majors.
  • Friday, April 27: Marquis Hill with the UW Jazz Orchestra and the UW High School Honors Jazz Band. Music Hall, 8:00 PM. Ticketed concert: $15 adults, $5 non-music majors.

The UW High School Honors Jazz Band is an auditioned 18-member big band for high school students from about a dozen Madison-region schools who are looking for an additional opportunity to perform advanced jazz repertoire.

To buy online, click this link.

You may also purchase in person or at the door. For more information about ticketing and parking options, click here.


“We don’t want THAT word uttered in OUR school”: Listen to our audio stories on SoundCloud about the history of jazz at UW-Madison and at American colleges. With university saxophonist and professor Les Thimmig, who arrived at UW-Madison in 1971, just as the jazz program was getting started. To listen, click the icon below.

Speaking of jazz:

Alumnus trumpeter Eric Siereveld releases debut CD

In 2015, trumpeter Eric Siereveld was wooed from New York City to become the instructor of jazz trumpet and director of the Afro-Cuban Jazz Ensemble at the School of Music. In 2017, with a brand-new DMA under his arm, he returned to New York City to pursue a multi-pronged career, including performing with his Organic Quintet, working as a private instructor at the United Nations International School in Manhattan, gigs on and off Broadway, and playing in many small groups and big bands.

He’s just released his debut CD, titled “Walk the Walk,” on Shifting Paradigm Records.

Eric writes: “As a DMA student at UW-Madison, I was provided the opportunity to pursue the musical endeavors that I felt a personal connection to. Under the guidance of tremendous professors like Johannes Wallmann and John Aley, they taught me to focus my energy toward musical pursuits that were both professionally and artistically fulfilling. It’s with that spirit that I approached this debut recording. This album reflects the creative spirit and artistic integrity at UW. The compositions on “Walk the Walk” are deeply rooted in the musical process I was going through while completing my DMA. I am particularly proud that this album was recorded, mixed and mastered in Madison and Milwaukee. Without the support of my professors and colleagues at UW and Madison, I do not believe this recording would have been as successful. I hope my teachers, mentors and colleagues at UW-Madison enjoy this recording and that the university shares this album with incoming DMA students. “Walk the Walk” is an example of the type of creative thinking that the DMA program at the Mead Witter School of Music allows its candidates to pursue.”


April 7 Wind Ensemble concert to be livestreamed on YouTube

The UW Wind Ensemble. Photograph by Megan Aley.

Livestreaming in the Humanities building has always been a challenge, but new technology has made this a bit easier. So, on April 7, set your dials (a/k/a your browser URLs) to the School of Music’s YouTube page. There, you’ll find the UW Wind Ensemble with conductor Scott Teeple overseeing a concert of music by emeritus composer John Stevens, Francis Poulenc, Cindy McTee, Gustav Holst and Gerard Schwartz.  Livestream Link Here

Click now, and set a reminder for April 7!


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

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Concerto Winners on stage March 18; Meet Satoko Hayami from “Sound Out Loud”; Jazz Orchestra 50th anniversary podcast

March 2, 2018

News and Events from the Mead Witter School of Music

University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/


“Symphony Showcase” Coming Soon!

Sunday,  March 18, 7:30 PM, Mills Hall

We’ve announced this before, but here’s a reminder: Our annual concerto winners solo recital (a/k/a Symphony Showcase”) takes place at 7:30 PM on March 18 in Mills Hall.

Our 2018 winners are Kaleigh Acord, violin (Beethoven, Concerto for Violin and Orchestra in D major, first movement); Aaron Gochberg, percussion (Keiko Abe, Prism Rhapsody); Eleni Katz, bassoon (Mozart, Bassoon Concerto in B flat major); Eric Tran, piano (Bach, Concerto No. 4 in A Major); and Mengmeng Wang, composer (premiere: “Blooming”).

Tickets are only $10 for adults, free to students, and there’s a free reception after the show in Mills Hall. Buy tickets here or at the door.


Meet Satoko Hayami, graduate pianist

Satoko, a doctoral student in Professor Martha Fischer‘s studio,  is a member of Sound Out Loud, a recent winner of The American Prize.  Here’s an excerpt from our recent Q&A with Satoko:
“The idea of starting a contemporary chamber music ensemble came to me in searching for ways to better connect with more diverse audiences. I felt that the diverse musical language in contemporary repertoire might have as much or even more potential to be relevant to the different kinds of audiences including young people and non-classical music fans than older repertoire, if presented in appropriate ways. I wanted to team up with people who are open to different, sometimes unconventional ways to present music, and was lucky to find people who share the similar interests, openness and enthusiasm right away.”

Read more here.
Satoko Hayami


James Latimer wins award

Emeritus Professor of Percussion James Latimer won a Lifetime Achievement Award at annual Wisconsin Days of Percussion event, January 27, 2018 in Milwaukee. While at UW-Madison, Latimer spearheaded a Duke Ellington Festival, started the Madison Marimba Quartet, initiated the first of 300 Young Audience Concerts held in public schools from 1969 to 1984, and hosted the Wisconsin Percussive Arts Society “Days of Percussion.”


Shain Woodwind/Piano Duo winners concert

3:30 pm, Sunday, March 4,  Morphy Hall

A competition and recital sponsored by former UW-Madison Chancellor Irving Shain
Winners were announced on Tuesday, February 27. They include: Juliana Mesa-Jaramillo, bassoon and Satoko Hayami, piano;
Anna Fisher-Roberts, flute and Eric Tran, piano.

Read more here.

Local arts reviewers loved “La Boheme”

University Opera’s production of LA BOHEME. Foreground, left to right: Claire Powling (Musetta), Michael Kelley (Waiter), Jake Elfner (Alcindoro) Photograph by Michael R. Anderson.
“University Opera’s “La Bohème” proves a complete success on all counts – from the staging and the costumes to the singing and the orchestra”
Larry Wells, The Well-Tempered Ear, Feb. 27.

“Ronis’ able hand was evident in the players’ acting. The cast was consistently believable, and consequently I was drawn into their world and suffered along with their despair over love’s inconsistencies and death’s sting. Using my acid test for a performance’s success, I never glanced at my watch either night. I was fully engaged.

“The orchestra was a marvel. Conductor Chad Hutchinson let it soar when it was appropriate, but the orchestra never overshadowed the singers. In fact, the key term that kept occurring to me both evenings was balance. The acting, the back-and-forth between the singers, and the interplay between the orchestra and the singers were consistently evenhanded.

“As for the singers, the primary roles were double cast. Friday’s Mimi was Shaddai Solidum whose first aria “Mi chiamano Mimi” was a lesson in the mastery of legato. Saturday’s Mimi was Yanzelmalee Rivera who possesses a bell-like voice of remarkable agility.”

Read the entire review here.
Yanzelmalee Rivera as Mimi in University Opera’s production of LA BOHEME. Photograph by Michael R. Anderson.
University Opera Offers a Gem in a Bejewelled Setting
Greg Hettsmanberger, What Greg Says, 2.27.18

“Again we have been given much to look forward to; certainly it is unrealistic to see University Opera in Shannon Hall every season, but we can hope that it becomes a semi-regular occurrence. The greater lesson from Sunday’s performance however is this: wherever Ronis and his “kids” show up, the audience is in store for some memorable opera. The national awards and recognition that the program are consistently earning are richly deserved, and our town is clearly the richer for what these folks are giving us.”

Read the full review here.

Johannes Wallmann and Jazz at UW-Madison

“Bucky’s Jazz Savior,”  Madison Magazine, February 2018

“It was that combination of vision, leadership and expertise as a pianist and composer that quickly pushed him to the top of UW–Madison’s list of candidates for director of jazz studies. During [Director of Jazz Studies Johannes] Wallmann’s first year of teaching here, in 2012-2013, he sought out and performed with many local jazz musicians as a means of building relationships and moving the music program forward.

“In less than five years, Wallmann took the Jazz Studies undergraduate program from zero enrollees to 17. It’s an important part of the efforts to revitalize Madison’s jazz community.”

Read the story here.

Announcement: The UW Jazz Orchestra is turning 50! April’s annual Jazz Fest will celebrate this anniversary with three concerts featuring guest trumpeter Marquis Hill, winner of the 2014 Thelonious Monk Competition. Learn about the history of the Jazz Orchestra with our new six-episode podcasts with Les Thimmig, longtime composer and saxophonist. Listen to Episode 1 on our SoundCloud channel.


The American Prize first-place vocal winner coming to Madison on March 19 & 20

Vocalist Kristina Bachrach, recent winner of The American Prize in Vocal Performance and the Friedrich and Virginia Schorr Memorial Award, will perform a concert on March 20 at 7:00 PM in Music Hall. Accompanied by faculty pianist Daniel Fung, she’ll sing selections from “The Recovered Voices Initiative,” started by James Conlon and Los Angeles Opera, which focuses on musical works and musicians that were either suppressed or killed by the Nazi regime in World War II.

Kristina Bachrach
Read about Kristina, the Initiative, and The American Prize at this link.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

“La Bohème” in Shannon Hall – “Sound Out Loud” wins first prize – “Schubertiade” on Jan. 28

January 11, 2018

Welcome to 2018!!!!

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/

University Opera to stage “La Bohème” at Memorial Union’s Shannon Hall

University Opera takes over the Wisconsin Union Theater for a three-day run of Puccini’s masterpiece

Read full news release here.

On February 23, 24 and 25, University Opera, in collaboration with the Wisconsin Union Theater, will present a special production of Giacomo Puccini’s timeless masterpiece, La Bohème, at the Wisconsin Union Theater’s Shannon Hall. This marks the first time in over 15 years that University Opera has staged a production at the Union Theater and the first bona fide opera production in the space since the theater’s renovation in 2014. Conducted by interim UW-Madison Director of Orchestras, Chad Hutchinson, and directed by Karen K. Bishop Director of Opera, David Ronis, the production will be performed in Italian with English supertitles. It will take full advantage of the many upgrades to Shannon Hall, in particular, the expanded orchestra pit which will accommodate the UW-Madison Symphony Orchestra.

Friday, Feb. 23 @ 7:30 PM
Saturday, Feb. 24 @ 7:30 PM
Sunday, Feb. 25 @3:00 PM

Tickets are $38 for premium seating, $30 general admission, $25 senior tickets, $15 non-UW-Madison students and $10 UW-Madison students and are available in advance through the Campus Arts Ticketing office at (608) 265-ARTS and online at https://union.wisc.edu/events-and-activities/event-calendar/event/la-boheme/. Tickets may also be purchased in person at the Wisconsin Union Theater Box Office Monday-Friday, 11:30 a.m.-5:30 p.m. and Saturdays, 12:00-5:00 p.m.

Because shows often sell out, advance purchase is recommended. If unsold tickets remain, they may be purchased at the door beginning one hour before the performance.

Says longtime University Opera supporter Kathleen Harker: “I am excited to see opera return to Shannon Hall at the Union with the University Opera’s lavish production of Puccini’s La Bohème. I have fond memories of seeing my first opera, a touring Metropolitan Opera production of ‘Madama Butterfly,’ at the Memorial Union in 1965.”



Above: Maria Callas sings “Quando me’n vo” from La Bohème, 1958


Sound Out Loud Ensemble wins first prize in national competition

The School of Music congratulates the Sound Out Loud Ensemble for its first place award from The American Prize in chamber music performance, university division. Sound Out Loud! is a new music ensemble currently comprised of pianists Kyle Dee Johnson and Satoko Hayami, violinist Biffa Kwok, flutist Iva Ugrčić, clarinetist Pedro Garcia III, and composer/cellist Brian Grimm. All but Grimm are either former or current graduate students at UW-Madison.

Sound Out Loud. L-R: Biffa Kwok, Iva Ugrčić, Satoko Hayami, Brian Grimm, Kyle Johnson and Pedro Garcia III.

The group specializes in contemporary music from the early 20th century to the present, as well as commissions new works to be written for it. Having drawn inspiration from numerous performance ensembles (such as Eighth Blackbird, Silk Road, and the International Contemporary Ensemble), the group seeks to expand the realm of possibilities within the chamber ensemble repertoire through the implementation of experimental techniques, the incorporation of a variety of instruments and musical styles from the Middle East and Asia, innovative performance practice, and the use of live electronics.

The American Prize is a series of new, non-profit national competitions in the performing arts providing cash awards, professional adjudication and regional, national and international recognition for the best recorded performances by ensembles and individuals each year in the United States at the professional, college/university, church, community and secondary school levels. Administered by Hat City Music Theater, Inc., a nonprofit organization based in Danbury, Connecticut, The American Prize was founded in 2009 and is awarded annually. The competitions of The American Prize are open to all U.S. citizens, whether living in this country or abroad, and to others currently living, working and/or studying in the United States of America, its protectorates and territories.


Our Annual “Schubertiade” only three weeks off!

This year’s Schubertiade will present at least one work from each year of Schubert’s all-too-brief but brilliant career. Beginning with one of his earliest piano duets, written when he was 14 years old, and ending with songs from his final year, this 5th Annual Schubertiade at the Mead-Witter School of Music will take place on Sunday afternoon, January 28, 2018 at 3pm in Mills Concert Hall.  All are invited for a post-concert reception in the University Club.

Once again, pianists Martha Fischer and Bill Lutes will be joined by School of Music faculty, students, and guest mezzo-soprano Rachel Wood, professor of voice at UW-Whitewater. Ms. Wood is a mezzo soprano whose performance credits include opera roles in Europe with Accademia Europea dell’Opera in Lucca, Italy and with Opera Studio Nederland, as well as numerous appearances in opera and recital in the US and Canada.

Rachel Wood

Tickets: $15/$5 students. Free to Mead Witter music majors, staff and faculty.

Ticket information here.


Please check our concert calendar for many other noteworthy upcoming events!

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


Meet New Faculty: Alex Noppe, trumpet

New trumpet adjunct professor Alex Noppe came to UW-Madison this fall to teach both classical and jazz trumpet. While he hails from Green Bay, his career has taken him all over the world, as a member of the Mirari Brass Quintet, which he co-founded, of the Louis Romanos Quartet, which plays new Orleans-style jazz, and as a performer and soloist in orchestras and as a clinician at brass conferences. He’s also a composer and arranger. In Madison, Alex is a member of the Wisconsin Brass Quintet, which recently returned from a Big Ten performance tour, and will next perform in Rhinelander (February 22); and in Madison (February 24).  Click here to read Alex’s full biography.

Interview conducted by Kyle Johnson, a dissertator in piano performance.

Alex Noppe. Photograph by Michael R. Anderson.

What approaches do you take when teaching jazz trumpet vs classical trumpet?

I don’t really treat different styles of music all that differently.  In my opinion, the “umbrella” under which all study is organized is trumpet fundamentals—all of the skills, concepts, and techniques that go into becoming an excellent player on your instrument.  Underneath that are various bins of styles & repertoire that get studied individually—baroque, jazz, orchestral, mariachi, etc.  But the techniques for learning each individual style don’t really differ that much.  I suppose jazz players tend to do a lot more ear-development exercises, but that’s something that everyone else should be doing as well.

You’ve had a diverse array of performance opportunities, which include orchestras, chamber groups, and jazz ensembles. Do you have a preference for any one type of performance setting or musical style? 

Not particularly.  I’m at my happiest when I’m involved in a variety of different performing activities, so I enjoy the challenge of rapidly switching back and forth between genres and groups.  Having said that, the majority of my playing these days is in small chamber groups.

The Mirari Brass Quintet. L-R: Stephanie Frye (tuba); Sarah Paradis (trombone); Matthew Vangjel (trumpet); Jessie Thoman (horn); Alex Noppe (trumpet).

Tell us about the Mirari Brass Quintet (pictured above).

Originally, it was a group of graduate students at Indiana that formed the group, but over the years we changed a few members (adding Stephanie Frye, UW-Madison MM 2010 & DMA 2013).  We’ve always had a bit of an interesting model in that we live in four different states scattered across the country, which definitely presents some challenges for rehearsing and performing.

Mirari is in its ninth season together and we spend most of our time doing concert tours, educational residencies, and new music commissioning.  We play a fairly eclectic mix of music that we’ve affectionately dubbed “stylistic whiplash”–everything from Renaissance to jazz to contemporary classical to Latin to musical theater, and on and on.  At this point we’ve performed in about 30 states and did our first international concert tour this past summer in China.  We have one album out from a few years ago and another one being released in just over a month on Summit Records.

What works have you arranged for Mirari?

I do the bulk of the in-house composing and arranging for the group, and at this point I’ve probably contributed about 20 pieces to our book. I’ve done a few jazz arrangements from composers like Charles Mingus, Thad Jones, Chick Corea, and Pat Metheny, some original compositions, a piece for quintet and vocals, one for quintet with piano, and one for quintet and wind ensemble.

Above: The Mirari Brass Quintet performing “Spires,” a commissioned work from Rome Prize winner and Guggenheim Fellow Eric Nathan. “Spires” may be heard on Mirari’s 2012 CD, also called “Spires.”

What is your most memorable musical experience? What is your most embarrassing musical experience?

Tough question—not sure if I have only one answer for this!  Some of the more memorable performances include performing in Thailand and China with my chamber groups, a jazz festival in Maui that included a home-stay with not one but two infinity pools, and getting to work with an amazing array of great musicians including Leonard Slatkin, Wycliffe Gordon, John Clayton, Randy Brecker, and many others.  Oh yeah, and sharing a duet on an album with “Yes” lead singer Jon Anderson.

As for embarrassing experiences—probably too many to count, but they definitely include dressing up as pop star Michael Jackson for an orchestra concert, passing out while playing a high note during my freshman year of college, and recording a marching band version of “Spider-Pig” (yes, from the Simpsons movie!).

Your bio lists that you were a “cellophonist” in a concerto for cellphones and orchestra. What was that?

Definitely one of the more entertaining gigs.  My mentor in grad school, David Baker, was commissioned to write a concerto for cell phones and orchestra—especially amusing since he could barely use his own.  My role included juggling 3-4 different phones at the front of the stage and triggering off various ringtones, accompanied by the orchestra and several hundred phones from the audience.  The music director of the Indianapolis Chamber Orchestra coined the term ‘cellophonist’, and I’ve found it hilarious ever since.

Contact Alex for a visit and/or a sample lesson: noppe@wisc.edu

Violinist David Kim & UW-Madison Strings; Alumni News; Images from Concert Hall Construction; Brass Quintet embarks on Big Ten Tour

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
October 10, 2017

“From Prodigy to Professional – A Life in Music” Talk & Concert with David Kim

From oboist to organist, whether one performs pop or Prokofiev,  every musician has a story of an intricate and sometimes unsettling pathway to a professional career.

Violinist David Kim, who will visit the School of Music on October 16 and 17, is no different. Since 1999, Kim has been the concertmaster of The Philadelphia Orchestra.

On October 17 at 7: 30 PM in Mills Hall, Kim will offer a talk, “From Prodigy to Professionalism – A Life in Music.” He’ll describe his experiences and struggles to reach the pinnacle of his career. interspersed with performances of some of Mr. Kim’s favorite works. It will be a humorous, sometimes jarring, and often poignant story not to be missed.

Kim’s talk will be followed by a concert with UW-Madison strings and pianist Thomas Kasdorf. The program will include Sonatensatz by Johannes Brahms (1833-1897); Banjo and Fiddle by William Kroll (1901-1980); Meditation from Thais by Jules Massenet (1842-1912); and The Four Seasons by Antonio Vivaldi (1678-1741).

“I’ve always shared anecdotes about my crazy upbringing,”  Kim wrote in an email. “From the beginning, my story seemed to resonate, especially with parents. After all, who doesn’t have a story of an overzealous parent from some stage of life! Now I share my story numerous times each season and have been urged by many to write a book – a la the widely-read book, ‘Battle Hymn of the Tiger Mom.’ But that will probably never happen as I prefer speaking during my concerts and love seeing the audience react in person.”

Join us for our “Conversation & Concert” with David Kim, our strings players and pianist Thomas Kasdorf. Only $15  adults, $5 students, except Mead Witter music majors, who receive free admission. Buy tickets here. They will also be sold at the door, starting at 6:30 PM.

Additional Events:
Violin Master Class: Monday, October 16, 7 PM, Morphy Hall
Strings Orchestral Excerpts Master Class: Tuesday, October 17, 11 AM, Morphy Hall
Both classes are free and open to the public.

Learn more here: http://www.music.wisc.edu/event/david-kim-vivaldis-four-seasons/


Alumni Updates

Flutist Reunion was August 2017

L-R: Kathy (Cook) Moss (MM ’82, DMA ’91); Peggy Vagts (MM ’78); Cathy (Collinge) Herrera (MM ’84); Leslie Goldman Maaser (MM’85); and Wendy Mehne (DMA ’92).

 

 

 

 

 

 

 

A group of five flutists who studied under Robert Cole performed in August at the 45th Annual National Flute Association Convention held in Minneapolis. Peggy Vagts (MM ’78), Kathy (Cook) Moss (MM ’82, DMA ’91), Cathy (Collinge) Herrera (MM ’84), Leslie Goldman Maaser (MM’85) and Wendy Mehne (DMA ’92) played as part of the annual Flutopia Initiative-NFA “Play It Forward” charitable concert.

Educator John Kuehn just can’t retire

John Kuehn earned both his bachelor’s of music education in 1964 and master’s of music in 1972 at UW, studying with Glenn Bowen. He has taught instrumental music at every level from kindergarten through master’s degrees and loves it all. John retired in 2014, but was wooed back onto the stage.

Read more and view images at this link:
http://www.music.wisc.edu/alumni-news/


The Wisconsin Brass Quintet. L-R: Matthew Onstad, trumpet; Mark Hetzler, trombone; Tom Curry, tuba; Daniel Grabois, horn; Alex Noppe, trumpet. Photograph by Michael R. Anderson.

Wisconsin Brass Quintet on Tour

This month, the Wisconsin Brass Quintet embarks on a Big Ten Tour! If you live in Illinois, Michigan, or Indiana, you’ll have an opportunity to see the WBQ in concerts and master classes, starting Oct. 17. Additionally, at selected locations, trombonist Mark Hetzler will offer lectures & demos on electroacoustic music, and hornist Daniel Grabois will present horn technique master classes. They’ll return for a final concert in Madison on Nov. 15.

Learn more here: http://www.wisconsinbrassquintet.com/


VIEW: The Hamel Music Center Under Construction, March – October 2017




Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Welcome back, everyone!

Welcome to the 2017-2018 academic year at the Mead Witter School of Music!

We hope you had an enjoyable, relaxing and productive summer.  We’re ready to begin the fall semester with plenty of news and events.

New faculty

Introducing Alicia Lee, assistant professor of clarinet; Alex Noppe, adjunct professor of trumpet; Matthew Endres, adjunct professor of jazz drums & jazz history; Timothy Hagen, adjunct professor of flute; David Scholl, instructor of double bass; and Chad Hutchinson, adjunct professor of instrumental conducting, director of orchestras and conductor of University Opera.  Read their biographies here.

New digital music studio

This fall, the Mead Witter School of Music will add a new studio to Humanities: the Electro-Acoustic Research Space (EARS). Located in a former classroom, EARS will be stuffed with the latest electronic music equipment, and will be available to faculty, students, and collaborators within the School of Music and in other departments. Read the announcement here.

Grand opening: Friday, September 15, 7:30 PM, Room 2401 (street level), Mosse Humanities Building, 455 North Park Street.

Prof. Dan Grabois in the new EARS studio, being interviewed by a writer from the local weekly, Isthmus.

Ten Years of the Perlman Piano Trio!

Last spring marked the tenth year of the Perlman Piano Trio, a student ensemble founded and supported by Kato Perlman. Learn more about the history of the trio with this special slideshow.

https://spark.adobe.com/page-embed.jsTen Years of the Perlman Piano Trio

New book about the Pro Arte Quartet

Local historian emeritus and classical music reviewer John W. Barker has penned an authoritative biography of the Pro Arte Quartet, with a comprehensive look at the members and the music.  Titled “The Pro Arte Quartet: A Century of Musical Adventure on Two Continents,” it is the first full biography of the quartet, which is comprised of members David Perry, Suzanne Beia, Sally Chisholm, and Parry Karp. The 353-paged book, published by Boydell & Brewer, Limited, will be available for purchase on November 15th. The book was commissioned in 2011 by the School of Music. Learn more here.

Music Education program scores high in online magazine

College Magazine, an online publication founded as a print magazine in 2007 by a student at the University of Maryland, placed UW-Madison above such luminaries as Johns Hopkins and Berklee.

The Madison approach to music ed emphasizes community outreach, research, and social justice, says Associate Professor Teryl Dobbs, chair of the music education program. “We recently created an entire revision of the entire undergraduate music ed degree and teacher licensure program… for 21st century students and the diverse students that our own students will teach,”  Dobbs said.  The story was sponsored by the National Association of Music Merchants.  Read the story here.

Over the past several years, Prof. Dobbs has traveled the world presenting her research into the Holocaust and music education as part of the “Performing the Jewish Archive” project. In Vienna last spring, she joined with former visiting professor Elizabeth Hagedorn to present ideas on curriculum revisions to develop deeper understandings of music outside the usual university canon.

On Sept. 17, hear Prof. Dobbs along with Prof. Rachel Brenner of the Center for Jewish Studies and Jessica Kasinski, recent DMA graduate, in a “University of the Air” program with Emily Auerbach and Norman Gilliland. “Why Teach the Holocaust?” will air from 4 to 5 PM on the Ideas Network of Wisconsin Public radio. It will be archived at https://www.wpr.org/programs/university-air

This September, Prof. Dobbs will travel to South Africa for more presentations and eventsRead about “Performing the Jewish Archive” here.

New classes offered this fall

The School of Music will offer two new classes this fall. Please contact the instructor (click the name below) to learn if you may register or possibly audit. Non-majors are welcome.

Music 497 – Jazz History

Tuesdays and Thursdays, 11 AM- 12:15 PM, room 2411 Humanities. With Matthew Endres, adjunct professor of jazz history & drums
This course focuses on cultural influences on the western development of jazz. By exploring historical and ethnographic works by scholars in ethnomusicology, history, anthropology, and communication, this course examines cultural aspects that influenced traditional and contemporary genres of jazz. Along with learning about the music that has influenced today’s popular genres through interactive participation and conversation, you’ll also develop tools to create case & field studies to study music through culture, and vice versa. Limit: 30 students.

Music 268, Lab 3 – Drumming the World Ensemble

Wednesdays, 1:20 to 3:15 PM, room 1321 Humanities.  Open to all  students; required for music education majors.

With Todd Hammes, percussion instructor. Drumming the World Ensemble is a structured drum circle wherein the music will be created by the class based on the study and application of drumming traditions from around the world. Instruments provided and will include Djembe, Conga, Dumbek, Darabuka, Bells, Rattles, and found objects. Limit: 15 students.

Upcoming concerts – September only

For future listings, please click here for our concert calendar. Our semesters are very full!

Concerts are free admission unless otherwise indicated.

Canceled: Annual Labor Day Karp Family concert

Faculty Recital: Mimmi Fulmer, voice, with guest pianist Craig Randal Johnson. September 10 @ 1:30 pm. Music celebrating Finland’s 100th anniversary of independence.

Faculty Recital: Paul Rowe, voice; Martha Fischer, piano. September 15 @ 8:00 pm.  A program of German art songs, in partnership with the German Department.

Faculty Recital: Jeanette Thompson, soprano, with guests Thomas Kasdorf, piano; and Paul Rowe, baritone. September 22 @ 7:00 pm. Lieder and spirituals.

Faculty Recital: Christopher Taylor, piano. September 23 @ 8:00 pm. $5 – $15. SOM students and faculty free admission.

Christopher Taylor performing in Mills Hall, Feb. 2015. Photo by Michael R. Anderson.

Pro Arte Quartet – September 24 @ 7:30 pm.  David Perry and Suzanne Beia, violin; Sally Chisholm, viola; and Parry Karp, cello.
An all-Mozart program with guest cellist Jean-Michel Fonteneau
and guest clarinetist Alicia Lee.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a 24-page newsletter/calendar that is printed and mailed every August. To receive a copy, click here to send us your postal address in an email.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

A musical thank-you to the Mead Witter Foundation; Shain Woodwind-Piano Duo Winners Announced; New Music Premieres & Papers at Musicology Consortium: “Jewish Archive” Project Continues Worldwide

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
March 8, 2017

Faculty Ensembles combine with Lincoln High students for a memorable concert

On February 9, two School of Music faculty ensembles – the Wisconsin Brass Quintet and the Wingra Wind Quintet – traveled to Wisconsin Rapids, the home of the Mead Witter Foundation, for a special concert to thank them for their support of the school of music. The two ensembles, plus the Wind Ensemble from Lincoln High School in Wisconsin Rapids, performed a side-by-side concert at the Performing Arts Center of Wisconsin Rapids after the students were coached by ensemble faculty and UW-Madison conductor Scott Teeple.

Afterwards, music engagement and outreach coordinator Beth Larson received this note from Jeanne Olson, director of bands at Lincoln High School: “Thank you so much for all of the time you spent organizing that event, my students loved it and learned so much! I had them write a reflection this week, and they were very positive and many listed countless things that they learned from the professors sitting in with them and then working with the small groups!! It was a very successful event!”
Photographs by Beth Larson.

Irving Shain Woodwind-Piano Duo Competition Winners to perform this Saturday

Irving Shain, former chancellor of the University of Wisconsin-Madison. Photograph by Jeff Miller, university communications.

March 11, 4 PM, Morphy Hall.

This years’ duo winners are Rayna Slavova, piano with Chia-Yu Hsu, bassoon; and Kangwoo Jin, piano, with Eleni Katz, bassoon. The four will perform their winning selections at a free concert this Saturday.  Learn about the winning musicians and download the program.

Meet Yasha Hoffman, Russian Studies and composition double major

Yasha Hoffman.

Yasha Hoffman, a Minnesota native, grew up with parents of Soviet/Russian heritage and as a young child, fell in love with Russian folk songs. “One of my favorite activities was putting on ‘concerts’ for my parents where I’d loudly sing Soviet children’s songs and bang on the piano,” he says. He loves the breadth of opportunity offered by classes at UW-Madison. Read more about Yasha Hoffman.

“Performing the Jewish Archive” project continues worldwide

UW-Madison professor Teri Dobbs in Israel, Jordan, Michigan, and Vienna (upcoming)

This past January, Professor Teri Dobbs, a member of the Performing the Jewish Archive team, spent two weeks in Israel and Jordan. During her time there, she was a guest at Tel Aviv University’s Moshe Dayan Center for Middle Eastern and African Studies, together with colleagues from UW-Madison’s Mosse-Weinstein Center for Jewish Studies. In addition, she conducted research in the Yad Vashem Archives, met with musicology/music education colleagues to discuss the possibility of future projects within Israel, and met with the family of piano prodigy and composer, Josima Feldschuh (d. 1943).

Teri Dobbs
Professor Teryl Dobbs. Photograph by Michael R. Anderson.

Professor Dobbs will present several conference papers this coming semester, most of which pertain to her work with Performing the Jewish Archive. Her paper, “Music Education and the Holocaust: So What?” was heard at the New Directions in Music Education Conference: “Musicking Equity: Enacting Social Justice Through Music Education,” Michigan State University, East Lansing, Michigan, February 17. Dobbs has been invited to present more two papers, one in collaboration with soprano and PtJA performer Elizabeth Hagedorn of Vienna, at the 25th European Association for Music in Schools/6th European International Society for Music Education regional conference, JOINT (AD)VENTURE MUSIC: Network as a Challenge for Music Educators, at the University Mozarteum, Salzburg, Austria, April 18 – 22, 2017.
Learn more here.

Read about prior Performing the Jewish Archive events in Madison, 2015-2016.


Selected Upcoming Events

Anthony Georgeson. Photograph by Thomas Bruce.

March 12, 7:30 PM, Mills Hall.
UW Symphony with alumnus Anthony Georgeson, bassoon, conducted by James Smith. Georgeson is principal bassoon with The Florida Orchestra in St. Petersburg. Georgeson will play the Mozart’s Bassoon Concerto in B flat major, K. 191.  Other works will include Un Sourire pour Orchestre by Olivier Messiaen and Scheherazade by Nikolai Rimsky-Korsakov.  This is the penultimate opportunity to see longtime conductor James Smith, who will retire this spring after 34 years at UW-Madison. His final appearance as conductor will be on April 9. 

James Smith, orchestra conductor.
James Smith, orchestra conductor.

March 14, 6:30 PM, Morphy Hall.
Emery Stephens, baritone, guest artist recital. Free concert.
Stephens is assistant professor of voice at Wayne State University in Detroit. Prof. Stephens will coach student singers and pianists in African-American songs and spirituals and perform with students in a recital, with Professor Martha Fischer as collaborative pianist.

Emery Stephens

The Midwest Graduate Music Consortium – Presenting Original Research and New Compositions

Friday, March 31 and Saturday, April 1, Memorial Union and Mead Witter School of Music. Free events.

The Midwest Graduate Music Consortium (MGMC) is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and the University of Wisconsin-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate students around the country. The 21st annual meeting will include paper sessions, a new music concert, and a keynote address. For the new music concert, seven composers’ works were chosen from a nationwide call for scores. The ensemble Sound Out Loud will perform the new works, each a world premiere. All of the composers will be in attendance.
Find the schedule and concert program at this link:
Midwest Graduate Music Consortium

Sound Out Loud

University Opera’s “Turn of the Screw” receives warm reviews

Katie Anderson (Governess) and Anna Polum (Miss Jessel) in ”The Turn of the Screw.” Photograph by Michael R. Anderson.

“Much of the overall success of the show begins with decisions by Ronis (and executed by costume designers Sydney Krieger and Hyewon Park) to resist all temptation to make the specters of Quint (former valet of Bly’s master, who is far removed from the action of the story) and former governess Miss Jessel in any way ghoulish. Alec Brown and Anna Polum, in the roles on Friday night, looked fully human—and that’s just fine. The otherworldliness—and palpable evil—that they exude is in the music and the libretto itself,” wrote Greg Hettsmanberger in his blog, What Greg Says.

Doctoral cellist Andrew Briggs performs with Middleton Community Orchestra

At the March 1 concert of the Middleton Community Orchestra, cellist Andrew Briggs played two works by Antonin Dvorak: Silent Woods, Op. 68, No. 5,and Rondo in G minor for Cello and Orchestra, Op. 94. “Briggs played both of these with affectionate sensitivity. Currently finishing his doctoral studies at the University of Wisconsin-Madison School of Music, he is an artist with an already expanding reputation and a great future,” wrote reviewer John Barker.

Andrew Briggs

On Monday, March 27, Andrew will perform a lecture/recital on his dissertation project, “Piatti and the Body: An Integrative Approach to Learning and Performing the 12 Caprices, Op. 25.”

Morphy Hall, 6:30 PM. Free.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.