Category Archives: Alumni Accomplishments

Watch our concerto winners on video; “Delta Blues” online this summer; “Just Bach” concerts in Madison; Vinyl records stage a comeback

Wednesday, March 6, 2019

News and Events from the Mead Witter School of Music

University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
www.music.wisc.edu/


Watch our concerto winners talk about the works they’ll play this Sunday at our annual Symphony Showcase

Musically, UW-Madison’s annual concerto competition ranges far and wide. This year, winners included a vocalist (Cayla Rosché, soprano, singing Strauss’s Vier Letzte Lieder, TrV 296); a violinist (Richard Silvers, performing Dvorak’s Concerto for Violin in A minor, Op. 53); a piano duo (Adalia Hernandez Abrego and Jiawen Zhang, playing Poulenc’s Concerto for Two Pianos in D minor); a composer (Anne McAninch, with the UW-Symphony Orchestra performing her new work, Fanfare for Orchestra); and a bassoonist (Chia-Yu Hsu, who will play Bitsch’s Concertino for Bassoon and Orchestra).

Watch here and join the fun, Sunday, March 10, 7:30 PM, Mills Hall. Tickets: $12 adults, children and students free, available at the Memorial Union, online and at the door. Learn more here.


New summer offering: “Delta Blues,” with Professor Charles Dill. Now offered online!

Registration begins April 1; check back soon for precise course number.
See course guide here.

This class, first offered by Professor Dill in spring 2017, will now be available online as a four-week summer course. In the class, Dill traces the history of the blues within America’s racial history, beginning with the living conditions that produced the blues in rural Mississippi, and detailing the emergence of blues in the early recording industry (Paramount, OKeh), including the earliest examples (W.C. Handy, Mamie Smith), as well as the singers emerging in the 1920s (Blind Lemon Jefferson, Charley Patton, Robert Johnson). The class then follows migrations northward to Memphis (jug bands) and Chicago (electric blues), traces the emerging importance of radio and live performance (King Biscuit Time, WDIA, the Chittlin’ Circuit) as well as living conditions in Chicago (Maxwell Street). It will track early marketing of blues to white audiences (Josh White, Lead Belly) and end with the reemergence of the blues as ’60s folk music. The course is supplemented with extensive musical selections and documentary footage of interviews and performances.

Mississippi Fred McDowell, 1960. Courtesy WikiCommons.

Musicians travel to Cuban sister city, Camaguey

A group of Madison musicians, including UW-Madison bass instructor Nick Moran, jazz studies director Johannes Wallmann and cellist Meredith Nesbitt traveled to Cuba in January. The American musicians played four concerts with Cuban musicians in addition to workshops and other opportunities.

Read story on Channel 3000.

“Just Bach” in Madison

Sarah Brailey

Doctoral voice candidate Sarah Brailey returned to Wisconsin last fall after ten years in New York City. “One of my favorite parts of my musical life in New York City was how much Bach I had the chance to sing. I regularly sang with the two big liturgical Bach series: Bach Vespers at Holy Trinity Lutheran and Bach at One at Trinity Wall Street. Last spring, just after I had decided I would return to Madison for my doctorate (I got my master’s  here in ’07) I ran into Madison violist, Marika Fischer Hoyt, who was in NYC and was attending a Bach at One concert in which I was soloing. We chatted after the concert about how I was coming back to Madison and wouldn’t it be great if there were a similar free, afternoon Bach series that regularly featured Bach’s wonderful and vast cantata repertoire. She got Paul Rowe and Cheryl Bensman-Rowe on board and the rest is history!”
Other Just Bach artistic staff include Cheryl Bensman-Rowe and Paul Rowe, founders of the Madison Early Music Festival; violist Marika Fischer Hoyt; organist Mark Brampton Smith; violinist and SOM alumna Kangwon Lee Kim; cellist and viola da gamba player James Waldo, a doctoral student at UW-Madison; UW-Madison doctoral tenor Wesley Dunnagan; cellist Anton TenWolde; and violinist Nathan Giglierano, a UW-Madison SOM alumnus.

Next “Just Bach” concert: Wednesday, March 13, 2019 at 1 PM
On the program:
BWV 4: Christ lag in Todesbanden
JM Bach: Herr, ich warte auf dein Heil
Luther Memorial Church, 1021 University Avenue, Madison

https://justbach.org/


Vinyl Grows in Popularity

From On Wisconsin magazine

“Staff members at Mills Music Library have noticed students’ growing interest in vinyl in recent years. Tom Caw, the music public services librarian, says staff and librarians across the country have reported an increase in people requesting, listening to, or checking out long-playing vinyl.

“ ‘I think part of the allure for the vinyl listening experience is that it’s a physical interaction with a device, and I think people are used to having access online to streaming media,’ ” Caw says. “ ’The interactive physical experience is something you can’t replicate online.’ ”

In case you had not heard, “Record Store Day” is April 13.


Upcoming events-Click links for details

Student-run opera: “The Old Maid and the Thief
Two performances – Friday, March 8 and Saturday, March 9, 6:30 PM, Music Hall. Free.

Faculty Recital: Jessica Johnson, solo piano – Works of Female Composers
Friday, March 8 @ 8:00 pm PM, Mills Hall. Free.

Wind Fest with Milwaukee Symphony Guests
Saturday, March 9, Humanities.  Free event. Beginning at 1:30 PM, the afternoon will include master classes in flute, oboe, clarinet, and bassoon with MSO guests, followed by instrumental choir readings and chamber music master classes with members of the Wingra Wind Quintet, UW’s faculty quintet.
Final concert:
8:00 PM, Mills Hall. David Gillingham’s rarely performed Concerto for Wind Quintet and Wind Ensemble.
Guests:
Heather Zinninger Yarmel, assistant principal flute, Milwaukee Symphony Orchestra
Katherine Young Steele, principal oboe, Milwaukee Symphony Orchestra
William Helmers, clarinet, Milwaukee Symphony Orchestra
Catherine Chen, principal bassoon, Milwaukee Symphony Orchestra

The Journey of African-American Song with John Wesley Wright
Saturday, March 9 @ 8:00 PM, Morphy Hall. Free.
For this special event, John Wesley Wright will present a recital of a variety of African-American music including examples of calls and chants, children’s game songs, spirituals and ring shouts, hymns and gospels, civil rights era songs, and contemporary songs. During his three-day residency, he will also present a master class and workshop.

UW Jazz Orchestra
Monday, March 11, 7:30 PM, Memorial Union Play Circle. Free.

Faculty Recital: Julia Rottmayer, soprano and Martha Fischer, piano
March 12 @ 7:30 PM, Mills Hall. Free.
Soprano Julia Rottmayer and pianist Martha Fischer present a concert featuring art songs from a mother and child’s perspective.

Wisconsin Brass Quintet
Thursday, March 14 @ 7:30 PM, Mills Hall. Free.
Featuring student trumpeter Brighin Kane-Grade performing Simple (Leonard Bernstein and Aaron Copland, arranged by Daniel Schlosberg.
Other works include music of Bernstein, Isaac Albenez, and David Sampson.

Le Domaine Musical with Marc Vallon and friends
Friday, March 15 @ 7:30 PM, Mills Hall. Free.
A concert of rarely performed music, including a deeply moving piece by Luciano Berio, O King, written in 1968 after the murder of Martin Luther King, Jr.


Our Full Concert Calendar includes recitals, students ensembles, and more

calendar


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Coming up soon: Harbison Viola Sonata; Music of Frigyes Hidas; Percussion Concert with Film, Flowerpots and Drums

February 12, 2019

A very busy two weeks for the Mead Witter School of Music!

University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
https://www.music.wisc.edu/

This weekend: World Premiere of John Harbison’s Viola Sonata with Sally Chisholm and pianist Timothy Lovelace

Sunday, February 17, 7:30 PM, Mills Hall. $25. Buy tickets here.

Learn about the event here.

The concert includes solo performances by Chisholm and Lovelace and the full Pro Arte Quartet.

Read a recent Isthmus review of the Pro Arte Quartet.

On Sunday, Feb. 10, the Wisconsin State Journal published a story about the upcoming John Harbison events in Madison. Read the story here.


UW Wind Ensemble with soloist Midori Samson

Sunday, Feb. 17, 2:00 PM, Mills Hall.

With Scott Teeple, conductor and Cole Hairston and Ross Wolf, graduate conductors. This concert will be livestreamed. Check this page for updates: https://www.music.wisc.edu/video/

Midori Samson

Presenting doctoral bassoonist Midori Samson, winner of the inaugural Wind Ensemble Concerto Competition. Midori, student of Professor Marc Vallon and recipient of a Collins Fellowship at the school of music, has a secondary focus in social work. She holds roles as second bassoon in the Wisconsin Chamber Orchestra and principal bassoon in the Beloit-Janesville Symphony. She previously was a fellow in the Civic Orchestra of Chicago and has performed in several Chicago Symphony Orchestra family concerts, as well as with the Austin, Charleston, and New World Symphonies, the National Orchestral Institute, and the Pacific Music Festival. Midori holds degrees from The Juilliard School and the University of Texas at Austin.  Midori will perform the Concerto for Bassoon (1999) of Frigyes Hidas . Click to see full program.


UW-Madison Symphony Orchestra, featuring works of composer Augusta Read Thomas

Thursday, February 14, 7:30 PM, Mills Hall – Free

Augusta Read Thomas

With Chad Hutchinson, conductor, and graduate conductors Michael Dolan and Ji Hyun Yim. Click to see full program.

Augusta Read Thomas will be in residence at UW-Madison for this concert. Join us for a master class with Ms. Thomas, Feb. 14, 2:00 to 5:00 PM, Morphy Hall.

Among her many accomplishments, Ms. Thomas founded the University of Chicago’s Center for Contemporary Composition: “a dynamic, collaborative, and interdisciplinary environment for the creation, performance and study of new music and for the advancement of the careers of emerging and established composers, performers, and scholars.” An influential teacher at Eastman, Northwestern, Tanglewood, and Aspen Music Festival, she is only the 16th person to be designated University Professor at the University of Chicago.  From 1997 through 2006, Thomas was Mead Composer-in-Residence with the Chicago Symphony, working with conductors Daniel Barenboim and Pierre Boulez.


UW-Western Percussion Ensemble with guest composer Elliot Cole and percussionist Peter Ferry

Wednesday, February 20, 7:30 PM, Mills Hall

Ticketed – Children $7 – Adults $17. Buy tickets here; also sold at door.

Presenting a three-day residency by composer Elliot Cole and percussionist Peter Ferry, who will perform with the UW-Western Percussion Ensemble. Works on the program will include “The Future is Bright” for soloist, film, and percussion ensemble and “Hanuman’s Leap” for percussion group, digital playback, and voice. Learn more here.

Elliot Cole is a composer and “charismatic contemporary bard” (NY Times).  He has performed his music with Grammy winners Roomful of Teeth, Grammy nominees A Far Cry and Metropolis Ensemble, as well as the Chicago Composers Orchestra, New Vintage Baroque, the Lucerne Festival Academy, and as a member of the book-club-band Oracle Hysterical.  His percussion music has been performed by over 250 percussion ensembles all over the world.  In 2017 he was invited by Talks at Google to share his unique approach to music through computer programming.  He is on faculty at New York’s The New School and Juilliard’s Evening Division, and is program director of Musicambia at Sing Sing prison, where he works with a music school for incarcerated men.


University Opera and University Theatre: Sondheim’s Into the Woods

From February 21 through 24, University Theatre and University Opera, in partnership with the Wisconsin Union Theater, will co-present Into the Woods at Shannon Hall in the Memorial Union, marking the first time in twelve years that the Mead Witter School of Music and the Department of Theatre and Drama have collaborated on a production.  David Ronis, Karen K. Bishop director of opera, will direct, and Chad Hutchinson, orchestra director, will conduct.

Five performances are planned: Thursday, Friday, and Saturday evenings at 7:30 PM, and Saturday and Sunday matinees at 2:00 PM.
Read about the show.
Buy tickets here.


Guest Artist: Rhea Olivaccé, soprano, with Martha Fischer, piano

The Black Voice – A Collection of African American Art Songs and Spirituals

Recital: Saturday, February 23, 6:30 PM, Morphy Hall
Master class: February 22, 5:00 PM, Morphy Hall
Free and open to the public.
Read more. 


In New York: Laura Schwendinger’s Artemisia

March 5–9, 2019
Trinity Church Wall Street
St. Paul’s Chapel, Broadway and Fulton Street, New York City

The Time’s Arrow Festival continues its commitment to amplifying the voices of female artists across multiple mediums. The festival includes the fully staged world premiere of the new opera Artemisia by UW-Madison faculty composer Laura Schwendinger. Artemisia tells the story of the Baroque artist who portrayed herself as Susanna in her famous painting Susanna and the Elders.

Schwendinger’s “High Wire Act” praised in Boston

From the Boston Classical Review: “If one needed to be reminded that a program of contemporary music can be engaging – even riveting – on its own terms, Collage New Music’s concert’s Sunday night at Pickman Hall was the place to be. CNM music director David Hoose led a reading of High Wire Act that brimmed with personality. Sarah Brady’s realization of Schwendinger’s brilliant flute writing was particularly compelling: precise, nimble, and fiery.” Read the review here.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to the School of Music.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

UW alumni help launch strings education in Door County; pro arte in mills hall tomorrow; Christopher Taylor next weekend

February 1, 2019

News and Events from the Mead Witter School of Music


University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/


UW-Madison alumni form 3/4 of new strings education quartet in Door County

Executive director also an alumna

The first time UW-Madison’s Hunt Quartet played in Door County for Midsummer’s Music, a Door County summer chamber music festival, it was in response to an emergency.

The renowned Pro Arte Quartet had long been booked to play, but the quartet had to cancel. Midsummer’s artistic director James Berkenstock scrambled to fill the void.

The Griffon String Quartet. L-R: Roy Meyer, Ryan Louie, “Vini” Sant’Ana, and Blakeley Menghini. Photograph by Ben Menghini.

David Perry, violinist with the Pro Arte, had a solution: Hire the Hunt, the graduate string quartet at UW-Madison. “David said that this particular configuration of the Hunt Quartet was superb,” says Berkenstock. “He said they already had a program and would do a great job.”

Read the full story here.


Classical pianist Christopher Taylor continues his Liszt/Beethoven cycle

Franz Liszt was a superstar pianist. He was a virtuoso who invented the orchestral tone poem, taught 400 students for free, conducted and composed. Musicologist Alan Walker wrote three volumes about Liszt, shedding light on all of Liszt’s work but especially his genius for transcription. Writes Anthony Tommasini of the New York Times, “The best of these works are much more than virtuosic stunts. Liszt’s piano transcriptions of the nine Beethoven symphonies are works of genius. Vladimir Horowitz, in a 1988 interview, told me that he deeply regretted never having played Liszt’s arrangements of the Beethoven symphonies in public.”

Few pianists have tackled all nine Beethoven transcriptions. Christopher Taylor is one. On Saturday, February 9, at 8:00 PM in Mills Hall, Taylor will perform his sixth transcription – Beethoven’s 8th Symphony. Saturday’s concert will also include six preludes by Nikolai Kapustin, a whose works span both classical and jazz, and the Fantasy in C Major, D. 760 (“Der Wanderer”) of Franz Schubert.

Christopher Taylor. Photograph by Michael R. Anderson.

In 2020, Christopher Taylor will celebrate Beethoven’s 250th anniversary with performances of the Franz Liszt transcriptions of Beethoven’s symphonies, in Madison and beyond. In Boston, Taylor will perform the entire set in five concerts at the Isabella Stewart Gardner Museum.

Tickets for Taylor’s Feb. 9 concert ($17 adults, $7 children) may be purchased online or in person.

Purchase options here:
https://www.music.wisc.edu/about-us/tickets/

Or, purchase online directly at this link.


Pro Arte Quartet this Saturday

February 2 @ 8:00 pm, Mills Concert Hall, 455 N. Park St.

Program: String Quartet D Major, Op. 50 No. 6 “The Frog”(1796) – Franz Joseph Haydn String Quartet No. 9 in Eb Major, Op. 117 (1964) – Dmitri Shostakovich String Quartet in A Major, Op. 41 No. 3 (1842) – Robert Schumann


“Schubertiade” charms audience once again

Isthmus’s John Barker wrote, “A carefully prepared program and a multi-page handout with the full German song texts, with English translations, allowed the audience to become fully immersed in the music.

“And what absolutely wonderful music!”

Check our Facebook page for images from the January 27 concert.

The Perlman Trio following their performance of Schubert’s Piano Trio No. 2, second movement: Mercedes Cullen, Kanwoo Jin, and Micah Cheng. With Bill Lutes at piano. Photograph by Michael R. Anderson.

Upcoming Concerts

Jazz Composers Group and Afro-Cuban Jazz Ensemble  February 1 @ 5:00 pm - 7:00 pm Tandem Press, 1743 Commercial Avenue 
Wingra Wind Quintet in Richland Center February 3 @ 2:00 pm - 3:00 pm Seventh-Day Adventist Church, 26625 Crestview Dr Richland Center, WI  Members of the Wingra Wind Quintet in concert, presented by the Richland Concert Association at the Seventh Day Adventist Church in Richland Center.
UW Jazz Orchestra & the Billy Childs Quartet February 9 @ 8:00 pm Memorial Union-Shannon Hall, 800 Langdon Street WI  Jazz pianist Billy Childs, the 2018 Grammy Award winner for Best Jazz Instrumental Album, will join the UW Jazz Orchestra on stage for an exciting opening act prior to his appearance with the Billy Childs Quartet.
UW-Madison Symphony Orchestra, with composer Augusta Read Thomas February 14 @ 7:30 pm Mills Concert Hall. With Chad Hutchinson, conductor, and graduate conductors Michael Dolan and Ji Hyun Yim.  Program: Jean Sibelius- Valse Triste; Augusta Read Thomas- Of Paradise and Light; Augusta Read Thomas- Prayer and Celebration; Wolfgang Amadeus Mozart- Symphony No. 39 in Eb. Major, K. 543. Augusta Read Thomas will be in residence at UW-Madison for this concert. Join us for a master class with Ms. Thomas, Feb. 14, 2:00 to 5:00 PM, Music Hall. 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to the School of Music.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Famed scholar to illumine Schubert history; New strings scholarship created; Medical Orchestra offers musical balm

January 15, 2019

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706

http://www.music.wisc.edu/

Welcome to a New Year!

We hope that everyone enjoyed a safe and pleasant holiday season!

Send your news

Note to Alumni: The Hamel Music Center will open this fall, and we’d like to round up as many alumni stories as possible to include in various formats. Stories may include current occupations, research projects, performances and family information! Please send your updates to this email address.


Medical Orchestra soothes performers as much as patrons

On December 3, the UW-Madison School of Medicine and Public Health presented an inaugural concert of the Medical Orchestra of Wisconsin, performing works by Dvorak, Sibelius, and Schubert.  The orchestra is composed of the school’s medical students, graduate students, faculty, and staff, and was conducted by School of Music graduate conducting assistants Jenny Yim and Michael Dolan (pictured, at the podium). The orchestra’s next concert is planned for April 14 in Mills Hall.


Renowned Schubert scholar Susan Youens to present at annual Schubertiade

Susan Youens, recently retired from the University of Notre Dame, has one of the most impressive musicology resumes in the world, and she’ll visit on January 27 to tell us a story or two about Franz Schubert. Youens has won four fellowships from the National Endowment for the Humanities, as well as fellowships from the National Humanities Center, the Guggenheim Foundation, and the Institute for Advanced Study at Princeton. She’s written eight books, hundreds of articles, essays and chapters, and lectured all over the world.

“Dr. Youens will explore the rich relationship of Schubert’s music to the poems he chose to set and the emergence of new directions in Schubert’s style,” says co-organizer William Lutes.  “The influence of Beethoven had loomed large throughout Schubert’s music, and in the year following Beethoven’s death, the 31-year-old composer wrote works of homage to this great master, as he saw his own music becoming more widely recognized, published and performed.”

Highlights of our Schubertiade  will be a complete performance of Schubert’s 14 final songs, published after his death as Schwanengesang, or “Swan Songs” – among the composer’s richest and most forward looking works; the humorous and risqué Refrain-Lieder, the slow movement of the great Piano Trio in E-flat major, the enchanting Rondo in A major for piano four-hands; and the beautiful song Auf den Strom for voice, horn and piano, composed for a concert commemorating the first anniversary of Beethoven’s death, and filled with subtly haunting references to Beethoven’s Eroica Symphony.

Our Mills Hall living room, Schubertiade 2014. Image by Michael R. Anderson.

In addition to pianists Martha Fischer and Bill Lutes, our guests will include voice faculty members Mimmi Fulmer, Julia Rottmayer and Paul Rowe, voice students Sarah Brailey, Wesley Dunnagan, and Benjamin Hopkins, graduate hornist Joanna Schultz, and guest singer Cheryl Bensman-Rowe. We are also pleased to present the Perlman Trio (Mercedes Cullen, violin; Micah Cheng, cello; Kangwoo Jin, piano).

We thank our generous donors Ann Boyer and Kato Perlman for their longtime support of our Schubertiades, the Perlman Trio, and other musicians and events.

2019 SCHUBERTIADE SCHEDULE:

Master class with Susan Youens. Thursday, January 24, 4:30 PM, Morphy Hall. (Free)
Pre-concert lecture: 2:00 PM, Sunday, January 27, Morphy Hall. (Free.)
Concert: 3:00 PM, Sunday, January 27, Mills Hall. (Buy tickets here.)
Post-concert reception, included with ticket purchase: Sunday, January 27, University Club, 5:30 PM.

TICKETS: $17 adults, $7 all age students/children. Free to music majors, faculty and staff. To avoid long lines, we suggest arriving 30 minutes early or buying tickets ahead of time, either in person or online. Please see link below.

Purchase options (online, by telephone and in person) here:
https://www.music.wisc.edu/about-us/tickets/

To buy tickets directly online, click here.


Announcing The Dr. Stanley and Shirley Inhorn Strings Scholarship Fund

This new scholarship was created with a generous gift from Dr. Stanley and Mrs. Shirley Inhorn. The fund supports graduate and undergraduate students who study string performance at the Mead Witter School of Music at UW-Madison. Susan C. Cook, director of the School of Music, expressed her thanks to the Inhorns. “Stan and Shirley Inhorn have been great and generous friends to the Madison music community. Their ongoing support of the Mead Witter School of Music will ensure that our wonderful students can realize their musical dreams.”

To make an online gift to the Dr. Stanley and Shirley Inhorn Strings Scholarship Fund, visit supportuw.org/giveto/StringsScholarship (or click the image above).

To make a gift by mail, please make your check payable to the University of Wisconsin Foundation and note the fund name in the memo line. Send your check to University of Wisconsin Foundation, US Bank Lockbox, Box 78808, Milwaukee, WI 53278-0807.

The Inhorns will be formally recognized at a concert on February 17, featuring the world premiere of John Harbison’s Viola Sonata, performed by the Pro Arte Quartet’s Sally Chisholm and Minneapolis pianist Timothy Lovelace. The full Pro Arte Quartet will also perform.

Sally Chisholm

Read about the Inhorns and this concert.

TICKETS:  Buy tickets ($25) to the world premiere of John Harbison’s Viola Sonata, with Pro Arte violist Sally Chisholm and Minneapolis pianist Timothy Lovelace. The full Pro Arte Quartet will also perform.


Christopher Taylor to perform Liszt, Schubert and Kapustin on February 9

Christopher Taylor. Image by Michael R. Anderson.

Faculty pianist Christopher Taylor, a 1993 bronze medal winner in the Van Cliburn competition, will perform Franz Liszt’s transcription of Beethoven’s Symphony no. 8 in F Major, op. 93. This will be the sixth Lizst transcription of Beethoven’s symphonies that Taylor has performed. Also on the program: Six of Nikolai Kapustin’s 24 Preludes and the Fantasy in C Major, D. 760 (“Der Wanderer”) of Franz Schubert.

Following Taylor’s 2017 performance of Liszt’s arrangement of Beethoven’s Seventh Symphony plus two other works, musicologist Mark DeVoto wrote this in the Boston Musical Intelligencer: “No other piano recital I’ve heard in the past three years has equaled this one for it combination of excitement, interest, and emotion. I hope Taylor will return early and often with whatever conventional or unconventional repertoire he wishes.”

DeVoto’s wish has come true: Later this year, Taylor will perform the entire Liszt-Beethoven cycle at the Isabella Gardiner Museum in Boston.

Taylor also recently performed in Madison Symphony Orchestra’s “Remembering Lenny” program of mid-November.

TICKETS:  $17 adults, $7 all age students/children. Free to music majors, faculty and staff. To avoid long lines, we suggest arriving 30 minutes early or buying tickets ahead of time, either in person or online. Please see link below.

Purchase options (online, by telephone and in person) here:
https://www.music.wisc.edu/about-us/tickets/

To buy tickets directly online, click here.


Award Announcements: Jazz Studies Professor Johannes Wallmann and graduate pianist Anna Siampani

UW-Madison’s Division of the Arts provides annual awards for arts achievements and future endeavors. This year, the School of Music is represented twice. Johannes Wallmann, director of jazz studies & associate professor of music, received the Emily Mead Baldwin Award in the Creative Arts. Anna Siampani, graduate pianist studying with Professor Jessica Johnson, received the David and Edith Sinaiko Frank Graduate Fellowship for a Woman in the Arts.

Pianist Anna Siampani

Siampani, a native of Veria, Greece, will use the project award to finance her dissertation research. That project includes first-ever primary source research into the solo piano works of Manolis Kalomiris, a composer born in Smyrna, Greece in 1883, who died in 1962. Kalomiris is seen as the father of modern Greek music. This April, Anna will present two events, a lecture and a recital delving into these works, “demonstrating the characteristic Greek idiom with the complexity and inflection of the folk rhythms, the varying touches of articulation and the flowing pacing of the performance practices. She’ll follow up with a CD recording and accompanying booklet containing analysis of the works.

Over the holiday break, Anna returned to Greece to dig into the libraries at the Manolis Kalomiris Society, The National Conservatory, National Library of Greece, and the Lilian Voudouri Music Library of Greece.


Upcoming concert highlights at the School of Music

Double Reed Fest
Saturday, January 19, beginning 1:30 PM in Mills Hall. Hosted by UW-Madison faculty Andreas Oeste, oboe and Marc Vallon, bassoon, the Double Reed Fest brings together oboists and bassoonists of all ages and abilities in a festive celebration of their instruments.

The Panama Papers: Tom Curry, tuba; Mark Hetzler, trombone; and Anthony DiSanza, percussion
Saturday, January 26, 8:00 PM, Mills Hall. Free.

Schubertiade with Martha Fischer, Bill Lutes and Schubert scholar Susan Youens (See above.)
Sunday, January 27, 2:00 PM (lecture), 3:00 PM (concert). $7 – $17.

Spring 2019 Carillon Concerts with Lyle Anderson. Observatory Drive.
All concerts are Sundays at 3:00 PM.
January 13 & 27; February 10 & 24; March 10 & 24; April 14 & 28; May 12 & 26.

Decoda Interactive Performance Residency
Final concert: Thursday, January 31, 7:30 PM, Mills Hall.
Decoda is a collective of versatile artists dedicated to creating dynamic performances and creative programs designed for social impact. Decoda’s pursuits place equal emphasis on artistry and engagement to create meaningful musical experiences around the globe through concerts in major international venues and neighborhood projects with vibrant community partners.

7th Wisconsin Summit for Band Conductors
Friday, February 1 @ 7:00 AM – 12:00 PM.
A workshop featuring internationally renowned clinicians focused on self-improvement for the middle and high school band directors. Hosted by Scott Teeple, professor, conductor of Wind Ensemble.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to the School of Music.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

“Sounding Beckett” with Cygnus Ensemble; Jazz at UW 50th Birthday; Wind Ensemble Concert April 7 to be livestreamed

March 15, 2018

News and Events from the Mead Witter School of Music

University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/

“Sounding Beckett” – The Intersection of Music and Drama, featuring the Cygnus Ensemble

Friday, March 23, 7:30 PM, Mills Hall.

An event focused on music inspired by the Nobel Prize-winning playwright, Samuel Beckett. Featuring a concert by New York’s Cygnus Ensemble, instrumental master classes, a lecture and panel discussion with Patricia Boyette, UW-Madison professor of theatre & drama and Laura Schwendinger, UW-Madison faculty composer and professor of composition.

Samuel Beckett


With its pairs of plucked strings, bowed strings and woodwinds, Cygnus has a precedent in the Elizabethan “broken consort.”
  The members –Tara Helen O’Connor, flute; Robert Ingliss, oboe; William Anderson and Oren Fader, classical and electric guitars/mandolin/banjo; Calvin Wiersma, violin; Susannah Chapman, violoncello–are all virtuoso players with a great wealth of experience with some of our most cherished musical institutions, including the New York Philharmonic, the Chamber Music Society of Lincoln Center, and the Metropolitan Opera Chamber Players.

Read more here.


Celebrating a milestone with students, faculty and special guest, trumpeter Marquis Hill

This April, UW-Madison’s annual Jazz Week will celebrate the 50th anniversary season of the UW Jazz Orchestra, the first jazz ensemble at UW-Madison’s Mead Witter School of Music.

Jazz Week 2018 will feature performances by the UW Jazz Orchestra, the UW Jazz Composers Group, the UW Contemporary Jazz Ensemble, the UW High School Honors Jazz Band, and a faculty jazz quartet, all to be joined by special guest trumpet soloist Marquis Hill, the winner of the 2014 Thelonious Monk Competition.

Hill is a Chicago native who now makes his home in New York City. “His music crystallizes the hard-hitting, hard-swinging spirit of Chicago jazz,” writes Howard Reich of the Chicago Tribune. “Hill commands a nimble technique, a fluid way of improvising and a pervasively lyrical manner.”


Marquis Hill

UW’s Jazz Week 2018 features three concerts:

  • Tuesday, April 24: Marquis Hill with the UW Jazz Composers Group and the UW Contemporary Jazz Ensemble. Morphy Hall, 7:30 PM. Free concert.
  • Thursday, April 26: Marquis Hill with a faculty jazz quartet led by pianist and Director of Jazz Studies Johannes Wallmann with Les Thimmig, saxophones; Nick Moran, bass; and Matt Endres, drums. Morphy Hall, 8:00 PM. Ticketed concert: $15 adults, $5 non-music majors.
  • Friday, April 27: Marquis Hill with the UW Jazz Orchestra and the UW High School Honors Jazz Band. Music Hall, 8:00 PM. Ticketed concert: $15 adults, $5 non-music majors.

The UW High School Honors Jazz Band is an auditioned 18-member big band for high school students from about a dozen Madison-region schools who are looking for an additional opportunity to perform advanced jazz repertoire.

To buy online, click this link.

You may also purchase in person or at the door. For more information about ticketing and parking options, click here.


“We don’t want THAT word uttered in OUR school”: Listen to our audio stories on SoundCloud about the history of jazz at UW-Madison and at American colleges. With university saxophonist and professor Les Thimmig, who arrived at UW-Madison in 1971, just as the jazz program was getting started. To listen, click the icon below.

Speaking of jazz:

Alumnus trumpeter Eric Siereveld releases debut CD

In 2015, trumpeter Eric Siereveld was wooed from New York City to become the instructor of jazz trumpet and director of the Afro-Cuban Jazz Ensemble at the School of Music. In 2017, with a brand-new DMA under his arm, he returned to New York City to pursue a multi-pronged career, including performing with his Organic Quintet, working as a private instructor at the United Nations International School in Manhattan, gigs on and off Broadway, and playing in many small groups and big bands.

He’s just released his debut CD, titled “Walk the Walk,” on Shifting Paradigm Records.

Eric writes: “As a DMA student at UW-Madison, I was provided the opportunity to pursue the musical endeavors that I felt a personal connection to. Under the guidance of tremendous professors like Johannes Wallmann and John Aley, they taught me to focus my energy toward musical pursuits that were both professionally and artistically fulfilling. It’s with that spirit that I approached this debut recording. This album reflects the creative spirit and artistic integrity at UW. The compositions on “Walk the Walk” are deeply rooted in the musical process I was going through while completing my DMA. I am particularly proud that this album was recorded, mixed and mastered in Madison and Milwaukee. Without the support of my professors and colleagues at UW and Madison, I do not believe this recording would have been as successful. I hope my teachers, mentors and colleagues at UW-Madison enjoy this recording and that the university shares this album with incoming DMA students. “Walk the Walk” is an example of the type of creative thinking that the DMA program at the Mead Witter School of Music allows its candidates to pursue.”


April 7 Wind Ensemble concert to be livestreamed on YouTube

The UW Wind Ensemble. Photograph by Megan Aley.

Livestreaming in the Humanities building has always been a challenge, but new technology has made this a bit easier. So, on April 7, set your dials (a/k/a your browser URLs) to the School of Music’s YouTube page. There, you’ll find the UW Wind Ensemble with conductor Scott Teeple overseeing a concert of music by emeritus composer John Stevens, Francis Poulenc, Cindy McTee, Gustav Holst and Gerard Schwartz.  Livestream Link Here

Click now, and set a reminder for April 7!


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Concerto Winners on stage March 18; Meet Satoko Hayami from “Sound Out Loud”; Jazz Orchestra 50th anniversary podcast

March 2, 2018

News and Events from the Mead Witter School of Music

University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/


“Symphony Showcase” Coming Soon!

Sunday,  March 18, 7:30 PM, Mills Hall

We’ve announced this before, but here’s a reminder: Our annual concerto winners solo recital (a/k/a Symphony Showcase”) takes place at 7:30 PM on March 18 in Mills Hall.

Our 2018 winners are Kaleigh Acord, violin (Beethoven, Concerto for Violin and Orchestra in D major, first movement); Aaron Gochberg, percussion (Keiko Abe, Prism Rhapsody); Eleni Katz, bassoon (Mozart, Bassoon Concerto in B flat major); Eric Tran, piano (Bach, Concerto No. 4 in A Major); and Mengmeng Wang, composer (premiere: “Blooming”).

Tickets are only $10 for adults, free to students, and there’s a free reception after the show in Mills Hall. Buy tickets here or at the door.


Meet Satoko Hayami, graduate pianist

Satoko, a doctoral student in Professor Martha Fischer‘s studio,  is a member of Sound Out Loud, a recent winner of The American Prize.  Here’s an excerpt from our recent Q&A with Satoko:
“The idea of starting a contemporary chamber music ensemble came to me in searching for ways to better connect with more diverse audiences. I felt that the diverse musical language in contemporary repertoire might have as much or even more potential to be relevant to the different kinds of audiences including young people and non-classical music fans than older repertoire, if presented in appropriate ways. I wanted to team up with people who are open to different, sometimes unconventional ways to present music, and was lucky to find people who share the similar interests, openness and enthusiasm right away.”

Read more here.

Satoko Hayami


James Latimer wins award

Emeritus Professor of Percussion James Latimer won a Lifetime Achievement Award at annual Wisconsin Days of Percussion event, January 27, 2018 in Milwaukee. While at UW-Madison, Latimer spearheaded a Duke Ellington Festival, started the Madison Marimba Quartet, initiated the first of 300 Young Audience Concerts held in public schools from 1969 to 1984, and hosted the Wisconsin Percussive Arts Society “Days of Percussion.”


Shain Woodwind/Piano Duo winners concert

3:30 pm, Sunday, March 4,  Morphy Hall

A competition and recital sponsored by former UW-Madison Chancellor Irving Shain
Winners were announced on Tuesday, February 27. They include: Juliana Mesa-Jaramillo, bassoon and Satoko Hayami, piano;
Anna Fisher-Roberts, flute and Eric Tran, piano.

Read more here.

Local arts reviewers loved “La Boheme”

University Opera’s production of LA BOHEME. Foreground, left to right: Claire Powling (Musetta), Michael Kelley (Waiter), Jake Elfner (Alcindoro) Photograph by Michael R. Anderson.

“University Opera’s “La Bohème” proves a complete success on all counts – from the staging and the costumes to the singing and the orchestra”
Larry Wells, The Well-Tempered Ear, Feb. 27.

“Ronis’ able hand was evident in the players’ acting. The cast was consistently believable, and consequently I was drawn into their world and suffered along with their despair over love’s inconsistencies and death’s sting. Using my acid test for a performance’s success, I never glanced at my watch either night. I was fully engaged.

“The orchestra was a marvel. Conductor Chad Hutchinson let it soar when it was appropriate, but the orchestra never overshadowed the singers. In fact, the key term that kept occurring to me both evenings was balance. The acting, the back-and-forth between the singers, and the interplay between the orchestra and the singers were consistently evenhanded.

“As for the singers, the primary roles were double cast. Friday’s Mimi was Shaddai Solidum whose first aria “Mi chiamano Mimi” was a lesson in the mastery of legato. Saturday’s Mimi was Yanzelmalee Rivera who possesses a bell-like voice of remarkable agility.”

Read the entire review here.

Yanzelmalee Rivera as Mimi in University Opera’s production of LA BOHEME. Photograph by Michael R. Anderson.

University Opera Offers a Gem in a Bejewelled Setting
Greg Hettsmanberger, What Greg Says, 2.27.18

“Again we have been given much to look forward to; certainly it is unrealistic to see University Opera in Shannon Hall every season, but we can hope that it becomes a semi-regular occurrence. The greater lesson from Sunday’s performance however is this: wherever Ronis and his “kids” show up, the audience is in store for some memorable opera. The national awards and recognition that the program are consistently earning are richly deserved, and our town is clearly the richer for what these folks are giving us.”

Read the full review here.

Johannes Wallmann and Jazz at UW-Madison

“Bucky’s Jazz Savior,”  Madison Magazine, February 2018

“It was that combination of vision, leadership and expertise as a pianist and composer that quickly pushed him to the top of UW–Madison’s list of candidates for director of jazz studies. During [Director of Jazz Studies Johannes] Wallmann’s first year of teaching here, in 2012-2013, he sought out and performed with many local jazz musicians as a means of building relationships and moving the music program forward.

“In less than five years, Wallmann took the Jazz Studies undergraduate program from zero enrollees to 17. It’s an important part of the efforts to revitalize Madison’s jazz community.”

Read the story here.

Announcement: The UW Jazz Orchestra is turning 50! April’s annual Jazz Fest will celebrate this anniversary with three concerts featuring guest trumpeter Marquis Hill, winner of the 2014 Thelonious Monk Competition. Learn about the history of the Jazz Orchestra with our new six-episode podcasts with Les Thimmig, longtime composer and saxophonist. Listen to Episode 1 on our SoundCloud channel.


The American Prize first-place vocal winner coming to Madison on March 19 & 20

Vocalist Kristina Bachrach, recent winner of The American Prize in Vocal Performance and the Friedrich and Virginia Schorr Memorial Award, will perform a concert on March 20 at 7:00 PM in Music Hall. Accompanied by faculty pianist Daniel Fung, she’ll sing selections from “The Recovered Voices Initiative,” started by James Conlon and Los Angeles Opera, which focuses on musical works and musicians that were either suppressed or killed by the Nazi regime in World War II.

Kristina Bachrach

Read about Kristina, the Initiative, and The American Prize at this link.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

“La Bohème” in Shannon Hall – “Sound Out Loud” wins first prize – “Schubertiade” on Jan. 28

January 11, 2018

Welcome to 2018!!!!

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/

University Opera to stage “La Bohème” at Memorial Union’s Shannon Hall

University Opera takes over the Wisconsin Union Theater for a three-day run of Puccini’s masterpiece

Read full news release here.

On February 23, 24 and 25, University Opera, in collaboration with the Wisconsin Union Theater, will present a special production of Giacomo Puccini’s timeless masterpiece, La Bohème, at the Wisconsin Union Theater’s Shannon Hall. This marks the first time in over 15 years that University Opera has staged a production at the Union Theater and the first bona fide opera production in the space since the theater’s renovation in 2014. Conducted by interim UW-Madison Director of Orchestras, Chad Hutchinson, and directed by Karen K. Bishop Director of Opera, David Ronis, the production will be performed in Italian with English supertitles. It will take full advantage of the many upgrades to Shannon Hall, in particular, the expanded orchestra pit which will accommodate the UW-Madison Symphony Orchestra.

Friday, Feb. 23 @ 7:30 PM
Saturday, Feb. 24 @ 7:30 PM
Sunday, Feb. 25 @3:00 PM

Tickets are $38 for premium seating, $30 general admission, $25 senior tickets, $15 non-UW-Madison students and $10 UW-Madison students and are available in advance through the Campus Arts Ticketing office at (608) 265-ARTS and online at https://union.wisc.edu/events-and-activities/event-calendar/event/la-boheme/. Tickets may also be purchased in person at the Wisconsin Union Theater Box Office Monday-Friday, 11:30 a.m.-5:30 p.m. and Saturdays, 12:00-5:00 p.m.

Because shows often sell out, advance purchase is recommended. If unsold tickets remain, they may be purchased at the door beginning one hour before the performance.

Says longtime University Opera supporter Kathleen Harker: “I am excited to see opera return to Shannon Hall at the Union with the University Opera’s lavish production of Puccini’s La Bohème. I have fond memories of seeing my first opera, a touring Metropolitan Opera production of ‘Madama Butterfly,’ at the Memorial Union in 1965.”



Above: Maria Callas sings “Quando me’n vo” from La Bohème, 1958


Sound Out Loud Ensemble wins first prize in national competition

The School of Music congratulates the Sound Out Loud Ensemble for its first place award from The American Prize in chamber music performance, university division. Sound Out Loud! is a new music ensemble currently comprised of pianists Kyle Dee Johnson and Satoko Hayami, violinist Biffa Kwok, flutist Iva Ugrčić, clarinetist Pedro Garcia III, and composer/cellist Brian Grimm. All but Grimm are either former or current graduate students at UW-Madison.

Sound Out Loud. L-R: Biffa Kwok, Iva Ugrčić, Satoko Hayami, Brian Grimm, Kyle Johnson and Pedro Garcia III.

The group specializes in contemporary music from the early 20th century to the present, as well as commissions new works to be written for it. Having drawn inspiration from numerous performance ensembles (such as Eighth Blackbird, Silk Road, and the International Contemporary Ensemble), the group seeks to expand the realm of possibilities within the chamber ensemble repertoire through the implementation of experimental techniques, the incorporation of a variety of instruments and musical styles from the Middle East and Asia, innovative performance practice, and the use of live electronics.

The American Prize is a series of new, non-profit national competitions in the performing arts providing cash awards, professional adjudication and regional, national and international recognition for the best recorded performances by ensembles and individuals each year in the United States at the professional, college/university, church, community and secondary school levels. Administered by Hat City Music Theater, Inc., a nonprofit organization based in Danbury, Connecticut, The American Prize was founded in 2009 and is awarded annually. The competitions of The American Prize are open to all U.S. citizens, whether living in this country or abroad, and to others currently living, working and/or studying in the United States of America, its protectorates and territories.


Our Annual “Schubertiade” only three weeks off!

This year’s Schubertiade will present at least one work from each year of Schubert’s all-too-brief but brilliant career. Beginning with one of his earliest piano duets, written when he was 14 years old, and ending with songs from his final year, this 5th Annual Schubertiade at the Mead-Witter School of Music will take place on Sunday afternoon, January 28, 2018 at 3pm in Mills Concert Hall.  All are invited for a post-concert reception in the University Club.

Once again, pianists Martha Fischer and Bill Lutes will be joined by School of Music faculty, students, and guest mezzo-soprano Rachel Wood, professor of voice at UW-Whitewater. Ms. Wood is a mezzo soprano whose performance credits include opera roles in Europe with Accademia Europea dell’Opera in Lucca, Italy and with Opera Studio Nederland, as well as numerous appearances in opera and recital in the US and Canada.

Rachel Wood

Tickets: $15/$5 students. Free to Mead Witter music majors, staff and faculty.

Ticket information here.


Please check our concert calendar for many other noteworthy upcoming events!

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


Meet New Faculty: Alex Noppe, trumpet

New trumpet adjunct professor Alex Noppe came to UW-Madison this fall to teach both classical and jazz trumpet. While he hails from Green Bay, his career has taken him all over the world, as a member of the Mirari Brass Quintet, which he co-founded, of the Louis Romanos Quartet, which plays new Orleans-style jazz, and as a performer and soloist in orchestras and as a clinician at brass conferences. He’s also a composer and arranger. In Madison, Alex is a member of the Wisconsin Brass Quintet, which recently returned from a Big Ten performance tour, and will next perform in Rhinelander (February 22); and in Madison (February 24).  Click here to read Alex’s full biography.

Interview conducted by Kyle Johnson, a dissertator in piano performance.

Alex Noppe. Photograph by Michael R. Anderson.


What approaches do you take when teaching jazz trumpet vs classical trumpet?

I don’t really treat different styles of music all that differently.  In my opinion, the “umbrella” under which all study is organized is trumpet fundamentals—all of the skills, concepts, and techniques that go into becoming an excellent player on your instrument.  Underneath that are various bins of styles & repertoire that get studied individually—baroque, jazz, orchestral, mariachi, etc.  But the techniques for learning each individual style don’t really differ that much.  I suppose jazz players tend to do a lot more ear-development exercises, but that’s something that everyone else should be doing as well.

You’ve had a diverse array of performance opportunities, which include orchestras, chamber groups, and jazz ensembles. Do you have a preference for any one type of performance setting or musical style? 

Not particularly.  I’m at my happiest when I’m involved in a variety of different performing activities, so I enjoy the challenge of rapidly switching back and forth between genres and groups.  Having said that, the majority of my playing these days is in small chamber groups.

The Mirari Brass Quintet. L-R: Stephanie Frye (tuba); Sarah Paradis (trombone); Matthew Vangjel (trumpet); Jessie Thoman (horn); Alex Noppe (trumpet).

Tell us about the Mirari Brass Quintet (pictured above).

Originally, it was a group of graduate students at Indiana that formed the group, but over the years we changed a few members (adding Stephanie Frye, UW-Madison MM 2010 & DMA 2013).  We’ve always had a bit of an interesting model in that we live in four different states scattered across the country, which definitely presents some challenges for rehearsing and performing.

Mirari is in its ninth season together and we spend most of our time doing concert tours, educational residencies, and new music commissioning.  We play a fairly eclectic mix of music that we’ve affectionately dubbed “stylistic whiplash”–everything from Renaissance to jazz to contemporary classical to Latin to musical theater, and on and on.  At this point we’ve performed in about 30 states and did our first international concert tour this past summer in China.  We have one album out from a few years ago and another one being released in just over a month on Summit Records.

What works have you arranged for Mirari?

I do the bulk of the in-house composing and arranging for the group, and at this point I’ve probably contributed about 20 pieces to our book. I’ve done a few jazz arrangements from composers like Charles Mingus, Thad Jones, Chick Corea, and Pat Metheny, some original compositions, a piece for quintet and vocals, one for quintet with piano, and one for quintet and wind ensemble.

Above: The Mirari Brass Quintet performing “Spires,” a commissioned work from Rome Prize winner and Guggenheim Fellow Eric Nathan. “Spires” may be heard on Mirari’s 2012 CD, also called “Spires.”

What is your most memorable musical experience? What is your most embarrassing musical experience?

Tough question—not sure if I have only one answer for this!  Some of the more memorable performances include performing in Thailand and China with my chamber groups, a jazz festival in Maui that included a home-stay with not one but two infinity pools, and getting to work with an amazing array of great musicians including Leonard Slatkin, Wycliffe Gordon, John Clayton, Randy Brecker, and many others.  Oh yeah, and sharing a duet on an album with “Yes” lead singer Jon Anderson.

As for embarrassing experiences—probably too many to count, but they definitely include dressing up as pop star Michael Jackson for an orchestra concert, passing out while playing a high note during my freshman year of college, and recording a marching band version of “Spider-Pig” (yes, from the Simpsons movie!).

Your bio lists that you were a “cellophonist” in a concerto for cellphones and orchestra. What was that?

Definitely one of the more entertaining gigs.  My mentor in grad school, David Baker, was commissioned to write a concerto for cell phones and orchestra—especially amusing since he could barely use his own.  My role included juggling 3-4 different phones at the front of the stage and triggering off various ringtones, accompanied by the orchestra and several hundred phones from the audience.  The music director of the Indianapolis Chamber Orchestra coined the term ‘cellophonist’, and I’ve found it hilarious ever since.

Contact Alex for a visit and/or a sample lesson: noppe@wisc.edu

Violinist David Kim & UW-Madison Strings; Alumni News; Images from Concert Hall Construction; Brass Quintet embarks on Big Ten Tour

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
October 10, 2017

“From Prodigy to Professional – A Life in Music” Talk & Concert with David Kim

From oboist to organist, whether one performs pop or Prokofiev,  every musician has a story of an intricate and sometimes unsettling pathway to a professional career.

Violinist David Kim, who will visit the School of Music on October 16 and 17, is no different. Since 1999, Kim has been the concertmaster of The Philadelphia Orchestra.

On October 17 at 7: 30 PM in Mills Hall, Kim will offer a talk, “From Prodigy to Professionalism – A Life in Music.” He’ll describe his experiences and struggles to reach the pinnacle of his career. interspersed with performances of some of Mr. Kim’s favorite works. It will be a humorous, sometimes jarring, and often poignant story not to be missed.

Kim’s talk will be followed by a concert with UW-Madison strings and pianist Thomas Kasdorf. The program will include Sonatensatz by Johannes Brahms (1833-1897); Banjo and Fiddle by William Kroll (1901-1980); Meditation from Thais by Jules Massenet (1842-1912); and The Four Seasons by Antonio Vivaldi (1678-1741).

“I’ve always shared anecdotes about my crazy upbringing,”  Kim wrote in an email. “From the beginning, my story seemed to resonate, especially with parents. After all, who doesn’t have a story of an overzealous parent from some stage of life! Now I share my story numerous times each season and have been urged by many to write a book – a la the widely-read book, ‘Battle Hymn of the Tiger Mom.’ But that will probably never happen as I prefer speaking during my concerts and love seeing the audience react in person.”

Join us for our “Conversation & Concert” with David Kim, our strings players and pianist Thomas Kasdorf. Only $15  adults, $5 students, except Mead Witter music majors, who receive free admission. Buy tickets here. They will also be sold at the door, starting at 6:30 PM.

Additional Events:
Violin Master Class: Monday, October 16, 7 PM, Morphy Hall
Strings Orchestral Excerpts Master Class: Tuesday, October 17, 11 AM, Morphy Hall
Both classes are free and open to the public.

Learn more here: http://www.music.wisc.edu/event/david-kim-vivaldis-four-seasons/


Alumni Updates

Flutist Reunion was August 2017

L-R: Kathy (Cook) Moss (MM ’82, DMA ’91); Peggy Vagts (MM ’78); Cathy (Collinge) Herrera (MM ’84); Leslie Goldman Maaser (MM’85); and Wendy Mehne (DMA ’92).

 

 

 

 

 

 

 

A group of five flutists who studied under Robert Cole performed in August at the 45th Annual National Flute Association Convention held in Minneapolis. Peggy Vagts (MM ’78), Kathy (Cook) Moss (MM ’82, DMA ’91), Cathy (Collinge) Herrera (MM ’84), Leslie Goldman Maaser (MM’85) and Wendy Mehne (DMA ’92) played as part of the annual Flutopia Initiative-NFA “Play It Forward” charitable concert.

Educator John Kuehn just can’t retire

John Kuehn earned both his bachelor’s of music education in 1964 and master’s of music in 1972 at UW, studying with Glenn Bowen. He has taught instrumental music at every level from kindergarten through master’s degrees and loves it all. John retired in 2014, but was wooed back onto the stage.

Read more and view images at this link:
http://www.music.wisc.edu/alumni-news/


The Wisconsin Brass Quintet. L-R: Matthew Onstad, trumpet; Mark Hetzler, trombone; Tom Curry, tuba; Daniel Grabois, horn; Alex Noppe, trumpet. Photograph by Michael R. Anderson.

Wisconsin Brass Quintet on Tour

This month, the Wisconsin Brass Quintet embarks on a Big Ten Tour! If you live in Illinois, Michigan, or Indiana, you’ll have an opportunity to see the WBQ in concerts and master classes, starting Oct. 17. Additionally, at selected locations, trombonist Mark Hetzler will offer lectures & demos on electroacoustic music, and hornist Daniel Grabois will present horn technique master classes. They’ll return for a final concert in Madison on Nov. 15.

Learn more here: http://www.wisconsinbrassquintet.com/


VIEW: The Hamel Music Center Under Construction, March – October 2017




Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Welcome back, everyone!

Welcome to the 2017-2018 academic year at the Mead Witter School of Music!

We hope you had an enjoyable, relaxing and productive summer.  We’re ready to begin the fall semester with plenty of news and events.

New faculty

Introducing Alicia Lee, assistant professor of clarinet; Alex Noppe, adjunct professor of trumpet; Matthew Endres, adjunct professor of jazz drums & jazz history; Timothy Hagen, adjunct professor of flute; David Scholl, instructor of double bass; and Chad Hutchinson, adjunct professor of instrumental conducting, director of orchestras and conductor of University Opera.  Read their biographies here.

New digital music studio

This fall, the Mead Witter School of Music will add a new studio to Humanities: the Electro-Acoustic Research Space (EARS). Located in a former classroom, EARS will be stuffed with the latest electronic music equipment, and will be available to faculty, students, and collaborators within the School of Music and in other departments. Read the announcement here.

Grand opening: Friday, September 15, 7:30 PM, Room 2401 (street level), Mosse Humanities Building, 455 North Park Street.

Prof. Dan Grabois in the new EARS studio, being interviewed by a writer from the local weekly, Isthmus.

Ten Years of the Perlman Piano Trio!

Last spring marked the tenth year of the Perlman Piano Trio, a student ensemble founded and supported by Kato Perlman. Learn more about the history of the trio with this special slideshow.

https://spark.adobe.com/page-embed.jsTen Years of the Perlman Piano Trio

New book about the Pro Arte Quartet

Local historian emeritus and classical music reviewer John W. Barker has penned an authoritative biography of the Pro Arte Quartet, with a comprehensive look at the members and the music.  Titled “The Pro Arte Quartet: A Century of Musical Adventure on Two Continents,” it is the first full biography of the quartet, which is comprised of members David Perry, Suzanne Beia, Sally Chisholm, and Parry Karp. The 353-paged book, published by Boydell & Brewer, Limited, will be available for purchase on November 15th. The book was commissioned in 2011 by the School of Music. Learn more here.

Music Education program scores high in online magazine

College Magazine, an online publication founded as a print magazine in 2007 by a student at the University of Maryland, placed UW-Madison above such luminaries as Johns Hopkins and Berklee.

The Madison approach to music ed emphasizes community outreach, research, and social justice, says Associate Professor Teryl Dobbs, chair of the music education program. “We recently created an entire revision of the entire undergraduate music ed degree and teacher licensure program… for 21st century students and the diverse students that our own students will teach,”  Dobbs said.  The story was sponsored by the National Association of Music Merchants.  Read the story here.

Over the past several years, Prof. Dobbs has traveled the world presenting her research into the Holocaust and music education as part of the “Performing the Jewish Archive” project. In Vienna last spring, she joined with former visiting professor Elizabeth Hagedorn to present ideas on curriculum revisions to develop deeper understandings of music outside the usual university canon.

On Sept. 17, hear Prof. Dobbs along with Prof. Rachel Brenner of the Center for Jewish Studies and Jessica Kasinski, recent DMA graduate, in a “University of the Air” program with Emily Auerbach and Norman Gilliland. “Why Teach the Holocaust?” will air from 4 to 5 PM on the Ideas Network of Wisconsin Public radio. It will be archived at https://www.wpr.org/programs/university-air

This September, Prof. Dobbs will travel to South Africa for more presentations and eventsRead about “Performing the Jewish Archive” here.

New classes offered this fall

The School of Music will offer two new classes this fall. Please contact the instructor (click the name below) to learn if you may register or possibly audit. Non-majors are welcome.

Music 497 – Jazz History

Tuesdays and Thursdays, 11 AM- 12:15 PM, room 2411 Humanities. With Matthew Endres, adjunct professor of jazz history & drums
This course focuses on cultural influences on the western development of jazz. By exploring historical and ethnographic works by scholars in ethnomusicology, history, anthropology, and communication, this course examines cultural aspects that influenced traditional and contemporary genres of jazz. Along with learning about the music that has influenced today’s popular genres through interactive participation and conversation, you’ll also develop tools to create case & field studies to study music through culture, and vice versa. Limit: 30 students.

Music 268, Lab 3 – Drumming the World Ensemble

Wednesdays, 1:20 to 3:15 PM, room 1321 Humanities.  Open to all  students; required for music education majors.

With Todd Hammes, percussion instructor. Drumming the World Ensemble is a structured drum circle wherein the music will be created by the class based on the study and application of drumming traditions from around the world. Instruments provided and will include Djembe, Conga, Dumbek, Darabuka, Bells, Rattles, and found objects. Limit: 15 students.

Upcoming concerts – September only

For future listings, please click here for our concert calendar. Our semesters are very full!

Concerts are free admission unless otherwise indicated.

Canceled: Annual Labor Day Karp Family concert

Faculty Recital: Mimmi Fulmer, voice, with guest pianist Craig Randal Johnson. September 10 @ 1:30 pm. Music celebrating Finland’s 100th anniversary of independence.

Faculty Recital: Paul Rowe, voice; Martha Fischer, piano. September 15 @ 8:00 pm.  A program of German art songs, in partnership with the German Department.

Faculty Recital: Jeanette Thompson, soprano, with guests Thomas Kasdorf, piano; and Paul Rowe, baritone. September 22 @ 7:00 pm. Lieder and spirituals.

Faculty Recital: Christopher Taylor, piano. September 23 @ 8:00 pm. $5 – $15. SOM students and faculty free admission.

Christopher Taylor performing in Mills Hall, Feb. 2015. Photo by Michael R. Anderson.

Pro Arte Quartet – September 24 @ 7:30 pm.  David Perry and Suzanne Beia, violin; Sally Chisholm, viola; and Parry Karp, cello.
An all-Mozart program with guest cellist Jean-Michel Fonteneau
and guest clarinetist Alicia Lee.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a 24-page newsletter/calendar that is printed and mailed every August. To receive a copy, click here to send us your postal address in an email.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.