Category Archives: Arab/Israeli Music

A Taste of the Middle East Coming to Morphy Hall

Special Concert Announcement from the UW-Madison School of Music – March 3, 2016
duoJalal – A fusion of cultures and styles, with Yousif Sheronick, percussion, and Kathryn Lockwood, viola

In Concert: Monday, March 14, 7:30 PM, Morphy Hall

$15 public, available at the Memorial Union Box Office and at the door. Free to students. Note: Seating is limited. We recommend patrons buy ahead of time or arrive early.

duoJalal_Anja HitzenberSMALL
Kathryn Lockwood and Yousif Sheronick. Photograph by Anja Hitzenber.

 

 

 

 

 

 

 

Yousif Sheronick, a native of Iowa,  discovered the music of Arabian countries when his Lebanon-born mother sang tunes over the drone of the family vacuum cleaner. As a youth, he gravitated toward American rock and was a member of the local drum corps. His natural percussion skills landed him a full scholarship to the University of Iowa, but it wasn’t until he enrolled as a master’s student at Yale University that he really dug into the music of Eastern countries. He traveled to Brazil and studied music of India, Africa and the Middle East.

Kathryn Lockwood, a native of Australia, studied classical viola at the Queensland Conservatorium of Music and came to the US in 1991, where she received a master’s degree at the University of Southern California. She then won several awards in succession: the Naumburg Chamber Music Award, Grand Prize at the Coleman Chamber Music Competition, Concert Artists Guild Management Award, and awards at solo competitions such as the Primrose Competition, Washington International Competition, and the Pasadena Instrumental Competition.  She was an original member of the Pacifica Quartet and co-formed the Lark Quartet in 1985. Along the way she met Sheronick.

The two met, married and formed a new ensemble, duoJalal, that spanned cultures, genres and styles.  “duoJalal started organically when a friend and composer offered to write us a piece,” says Sheronick. “We had so much fun we decided to keep going and commissioned more pieces which showcases our unique voice as an ensemble of melody & rhythm.”

Hear duoJalal on SoundCloud:

“duoJalal” was named to honor the cross-cultural poetry of the 13th-century Turkish poet, Jalal al-Din Rumi, whose work Sheronick discovered when he arrived in New York City.

Today, duoJalal performs music ranging from classical to Klezmer, jazz to Middle Eastern. Wrote Toronto Star reviewer John Terauds: “Sheronick applies impeccable technique to a wide range of percussion tools, from the bodhran in the opening piece to a goat-hoof shaker in Glass’s ‘Duo for Solo Viola and Percussion.’ Lockwood is all slow, sensuous allure with her bowing arm one moment, a tempest of notes the next. If this is what world music’s future holds, bring on the party.”

At the School of Music, duoJalal’s concert was suggested by percussion professor Anthony di Sanza and viola professor Sally Chisholm, the long-standing violist with the . “They sit halfway between the Western classical world and global music, and that’s a world I find interesting,” says Di Sanza. “Yousif plays a lot of Middle Eastern percussion music, and we have a good number of students who have been playing Middle Eastern instruments and studying this regularly. And I also like the idea of collaboration with the string area, and with Sally Chisholm.”

“I am certain she will give wonderful feedback to our violists on standard viola repertoire as well as offer her unique perspective on paths musicians can create for themselves,” says Chisholm.

Additional Events:
String Master Class: Mon March 14, 12:05 PM, Room 2521- Free
Percussion Master Class: Mon March 14, 12:05 PM, Room 1629 -Free
Presentation/Discussion about Composing Global Chamber Music: Tuesday, March 15, 12PM, Room 2521 – Free

We hope you will join us for one or more events!
Here is the March 14 concert program:

  • David Krakauer (b. 1956): Klezmer a la Bechet (in the SoundCloud link above)
  • Evan Ziporyn (b.1959): Honey from Alast
  • Yousif Sheronick (b.1967): Jubb Jannin
  • Enzo Rao (b.1957): A Different World
  • Kenji Bunch (b.1973): Lost & Found (2010)
    I. Lost in Time (Dumbek)
    II. Found Objects (Djembe)
  • Somei Satoh (b.1947): Birds in warped time II (1983)
  • Giovanni Sollima (b.1962): Lamentatio

For more information, please contact the concert manager at 608. 263.5615.

We thank the University of Wisconsin Anonymous Fund for its support of this residency.

 

 

 

Violist Nobuko Imai joins Pro Arte Quartet Oct. 7; Brass Fest II features solo trumpet, Oct. 9-11; UW Opera presents “Figaro,” Oct. 23-27

News & Events from the UW-Madison School of Music – September 29, 2015

Violist Nobuko Imai joins the Pro Arte Quartet for an evening of chamber music
NobukoImai2
Nobuko Imai

Nobuko Imai is considered to be one of the most outstanding viola players of our time. She’ll join the Pro Arte on Wednesday, October 7 at 7:30 PM for a free evening of chamber music. On the program: Mozart’s String Quintet in C Minor, K. 406/516b and Mendelssohn String Quintet in B-Flat Major, Op. 87. There will also be a master class with Nobuko Imai on Tuesday, October 6, Morphy Hall, 7:30 PM. Click here for event info.

Brass Fest II features an eclectic mix of voice, jazz trumpet, and brass quintet: October 9-11

From October 9 to 11, the UW-Madison School of Music will present its second brass music festival, following a spirited event last year that was enthusiastically received by students and the community. See photos here.

BrassFest8x11Poster2015All events will be held in Mills Hall.

This year, “Brass Fest II” has added a vocalist to the mix: Elisabeth Vik, a Norwegian singer who mixes jazz tunes with pop and folk music from the Middle East, Bulgaria, Spain and India. The three-day festival will also features two brass quintets and Adam Rapa, a solo trumpeter.

Friday: Chicago’s Axiom Brass Quintet. 8 PM. With Dorival Puccini, Jr., trumpet; Jacob DiEdwardo, horn; Kevin Harrison, tuba; Orin Larson, trombone; Kris Hammond, trumpet. The award-winning Axiom Brass Quintet has quickly established itself as one of the major art music groups in brass chamber music. Their repertoire ranges from jazz and Latin music to string quartet transcriptions, as well as original compositions for brass quintet. Tickets $15, students and children free admission.

Saturday: Festival Brass Choir Concert Brass Festival Concert. 8 PM. Guest artists Adam Rapa and Elisabeth Vik will be featured on a program that showcases the combined sounds of the Wisconsin Brass Quintet and their guests, the Axiom Brass Quintet, conducted by Scott Teeple of the School of Music. They’ll perform music of Anthony DiLorenzo, James Stephenson, Richard Strauss, and a tour de force performance by the expressive and technically agile Adam Rapa of Weber’s Clarinet Concerto, arranged with a twist. The program will also feature Daredevil by UW alumni composer and tubist Michael Forbes, and Vik/Rapa will join talents in a shimmering piece by Swedish composer Evert Taube arranged for brass choir by Rapa. Tickets $15, students and children free admission. Meet the performers at a reception following the concert!

Sunday: Elisabeth Vik and Adam Rapa, duets on trumpet and voice.  7:30 PM. Rapa and Vik have perfected a creative blend of jazz and folk vocals with solo trumpet.  Free concert. Hear them here:

Buy tickets to both concerts and save!

University Opera presents “The Marriage of Figaro” Oct. 23-27

After the unprecedented success of last spring’s sold-out run of The Magic Flute, this fall, University Opera will present four performances of Mozart’s The Marriage of Figaro.  This new production will be directed by returning interim opera director, David Ronis, and James Smith will conduct the UW Symphony Orchestra.  The production will involve over 80 UW singers, instrumentalists, and stage crew. Read the full news release on the School of Music website.

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The opera will be performed in Italian with projected English supertitles in Music Hall, 925 Bascom Mall, on Friday, October 23 at 7:00pm, Saturday, October 24 at 7:00pm, Sunday, October 25 at 3:00pm, and Tuesday, October 27 at 7:00pm.  Tickets are $25.00 for the general public, $20.00 for senior citizens and $10.00 for UW-Madison students, available in advance through the Campus Arts Ticketing office at (608) 265-ARTS and online at http://www.uniontheater.wisc.edu/location.html

Please check our calendar for many other concerts in October, many free. All are held on campus unless indicated otherwise. Selected events are listed here:  UW Wind Ensemble, October 2; “An Evening of Opera Arias,” Capitol Lakes Retirement Community, October 10;  Contemporary Chamber Ensemble, October 14; Contemporary Jazz Ensemble & Jazz Composers Septet, October 15;  Javier Calderon, classical guitar, October 17; Choral Collage, October 18; and many more.

UW Wind Ensemble. Photo by Michael R. Anderson.
UW Wind Ensemble. Photo by Michael R. Anderson.
Opera Benefit Concert with Brenda Rae and UW-Symphony Orchestra delights all

On Sunday, Sept. 27, alumna soprano Brenda Rae and the UW Symphony wowed an audience of about 400 in Mills Hall with spectacular performances. Read a review by John Barker, professor emeritus of history.

On Friday, UW-Madison staff photographer also shot photos of Brenda’s master class. View all of them here.

UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)
UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)
UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)
UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)
From the Archives: UW-Madison Archivist David Null uncovers band stories from 1915

Did you know…. that in 1915, the University First Regimental Band took a long train ride to California to help celebrate the completion of the Panama Canal?

FirstRegNullemblem

The UW-Madison Archives at Steenbock Library houses thousands of memories from UW-Madison’s past. Over the summer,  UW-Madison Archivist David Null dug down and found clippings, photos and letters documenting UW Bands’ concert at the Panama Pacific International Exposition in San Francisco and 19 other cities, including Lewiston, Montana.

Read David’s full post on Tumblr.

Composition/business undergrad double major wins national prize for best musical

Congratulations to Nicholas Connors, a composition student of Les Thimmig, Laura Schwendinger, and Stephen Dembski, who in August won the college division grand prize in Showsearch, the nationwide search for new musical theatre writers put on by Festival of New American Musicals. His new musical Here, In The Park will be premiered next summer in New York City by a professional cast and production team. He’ll also receive a financial award and professional mentoring.

While in Madison, Nick founded Intermission Theatre and produced his first musical, SPACE VOYAGE: THE MUSICAL FRONTIER. He also served as music director  for Tony Award-winning Karen Olivo’s  Madison debut at Overture Center. Nicholas is now in England finishing his business classes and will graduate this fall from UW-Madison with degrees in music composition and marketing.

Nick Connors, center, with the cast for his musical, "Here, in the Park," about a struggling writer who meets an investment banker/painter in a big city.
Nick Connors, center, with the cast for his musical, “Here, in the Park,” about a struggling writer who meets an investment banker/painter in a big city.
Faculty News

On our website: News from John Aley, Laura Schwendinger, Tony Di Sanza, Wesley Warnhoff and Dan Grabois. Click here to read.

Alumni News

On our website: News about “Hill’s Angels”; MiLi Chang, flutist; Nebojsa Macura, composer, and more. Click here to read.

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.

Personalize your calendar view! Click on the “view as” link on the right of our calendar page.

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New graduates and a goodbye—(just for the summer)

Best wishes to all our graduates!

A message from Susan C. Cook, Director of the School of Music

On May 16, as part of the University’s entire Commencement weekend, the School of Music held its inaugural Graduation and Awards Recognition. It was a lively and celebratory event that provided the opportunity to recognize the achievements of our graduates, to honor award recipients and to recognize and, in some cases, to thank personally the many donors who have made those student awards possible. Thus, for many of us, the 2013-14 academic year has ended, and so this is the last Fanfare blog post you’ll receive from us until August.

Susan C. Cook
Susan C. Cook
Photograph by Michael R. Anderson

However, the School of Music, as I’ve learned, never truly goes silent. Our facilities in the Mosse Humanities Building and in Music Hall will continue to thrum with activity of all kinds—from summer classes, ensembles and Community Music Lessons to special events like the National Summer Cello Institute (now in session), the Summer Music Clinic and the Madison Early Music Festival. Over the summer, music study continues, both in more leisurely and more intensive ways. We’re also planning to carry out some much needed renovations, ones that will benefit both our classroom teaching and our on-stage performances.

Looking back over the year I continue to be struck by how much we do and how well we do it. Primary in my mind are the high quality performances by our students as they’ve worked alone and collaboratively in our libraries, practice rooms, offices, studios, classrooms and, on stage and off. The creativity, energy and commitment they display towards their creative work never ceases to amaze me; it makes my job as director enormously rewarding.

I look forward to welcoming you back to campus, even if only virtually, in August. We have a lot of exciting things planned for next year as we continue to be a music school on the move, living out the Wisconsin Idea within our state and the world.

Thank you for your support throughout the past year. I always welcome hearing from our alums and friends, so feel free to stop by my office or drop me an email message at director@music.wisc.edu

On, Wisconsin and the summer!

Susan C. Cook
Director

Scroll down for photos from the May 16 ceremony at Music Hall. For a list of all graduates, click here.

UW pianist Yeaji Kim profiled in Wisconsin State Journal

Yeaji Kim, a visually disabled pianist and brand-new DMA in piano performance and pedagogy, developed a dissertation project that has the potential to not only change the way blind musicians learn to play music, but help blind and sighted musicians and teachers to collaborate and learn more easily.

Kim ‘s story was featured in a May 18 front-page story by reporter Gayle Worland in the Wisconsin State Journal as well as in a four-minute video made by the university.

Jessica Johnson, professor of piano pedagogy, calls Kim’s work, which involves a three-dimensional staff and notes that both sighted and sight-impaired people can understand, “revolutionary.” Read the full (very interesting) story here.  More information is available at this blog. 

 

Composer Filippo Santoro uses architecture as metaphor to create new works

Santoro, a native of Italy who just received his DMA in composition from UW-Madison, describes his composing process in a recent blog post.  “A good architect will begin by observing the architectural style of the surrounding buildings, the nature of the soils at the building site, how the space is currently used and the building’s proposed purpose. Similarly, a piece of music always develops from a small idea, like a seed, that you may want to take care of even long before it becomes a piece,” he writes. Read more here.

Collins Fellow Philip Bergman earns spot in Japanese training orchestra

Bergman, who received his master’s degree this spring, studied with cello professor Uri Vardi and received a fellowship provided by longtime donor Paul Collins. “I had the opportunity to meet Mr. Collins this past fall when I performed with a quintet at a banquet. I thanked Mr. Collins not only for his support of my education, but for his role in creating some of the finest positions available to student musicians in this country,” he writes.  Read more here.

Photographs from 2014 Awards and Graduation Ceremony

All photos by Michael R. Anderson. Click for captions.

 

Doctoral trombonist wins the 2014 Esther Taylor Graduate Arts Fellowship

Alan Carr
Alan Carr

Alan Carr, a DMA candidate in bass trombone and a Paul Collins Distinguished Fellow at the School of Music, has received the Esther Taylor Graduate MFA Fellowship, designed to support and encourage graduate students in the visual and performing arts by supporting public presentation of their work in conjunction with their degree program. The fellowship carries a grant of $1,500.

The fellowship will help Carr to complete his dissertation that will culminate in a solo CD project called The Elephant in the Room. The CD will feature previously unrecorded works for bass trombone and also offers two new pieces, including a new sonata by UW-Madison tuba professor (retired as of this semester) John Stevens. Carr assembled a consortium of 12 leading bass trombone players from around the world to commission the Stevens sonata.The consortium includes bass trombonists from the Atlanta Symphony, Boston Symphony, Detroit Symphony, Malaysia Philharmonic, Metropolitan Opera Orchestra, National Symphony, New York City Ballet, San Francisco Symphony, St. Louis Symphony, and several others.

This new work will be a substantial contribution to the bass trombone repertoire and will be dedicated to the late Edward Kleinhammer of the Chicago Symphony, who passed away in November 2013.

In addition to his graduate studies, Carr is also adjunct professor of low brass at Concordia University Wisconsin in Mequon and an active performer, having appeared with the Baltimore, Dubuque, and Hartford Symphony Orchestras, and with Ensemble ACJW at Carnegie Hall in New York City. For seven years, he was the bass trombonist in the King’s Brass, performing nearly 1,000 concerts and recording six CDs during that time. Carr has performed throughout the world, including concerts in Austria, Dominican Republic, Germany, Italy, China, Korea, and the US Virgin Islands, as well as all 48 continental US states. In March, Carr gave a solo performance at the 2014 Eastern Trombone Workshop in Washington, D.C. Carr received his Master of Music from The Juilliard School and a Bachelor of Music from the Peabody Conservatory of the Johns Hopkins University. He also holds an Artist Diploma from Yale University. Carr can be heard on Summit, Naxos, and Albany record labels, and is an Edwards Instrument performing artist.

Doctoral musicologist receives three fellowships to further her research

Isidora Miranda
Isidora Miranda

Isidora Miranda, a PhD candidate in historical musicology who studies with musicology professor Pamela Potter, has been awarded a Summer Fellowship at the Institute of Philippine Culture at the Ateneo de Manila University, a UW-Madison Center for Southeast Asian Studies Fellowship, and a UW-Madison Center for Southeast Asian Studies Field Research Award. Isidora earned her undergraduate degree in music at the University of the Philippines and her master’s degree in Violin Performance and Musicology at Western Illinois University. She writes: “The research work I am planning to do this summer is scour through the Raymundo Bañas Collection at the National Library in Manila. The collection comprises of original manuscripts, printed sheet music, prints, anthologies, silent movie scores, religious music for the local Roman Catholic churches, music programs from local concerts and musical events, and mimeographs of other music historical sources. In 1924, Raymundo Bañas (1894-1962) published The Music and Theater of the Filipino People, a compendium of music and musicians from the late-nineteenth century up to the time of his publication. As preliminary questions, I would like to know how much of Bañas’s musical archive informed his writing, and perhaps more importantly, what was the impetus for building a repository and authoring a narrative that sought to represent a “national” conception of music that is Filipino? This is particularly interesting in light of the growing push towards a Philippine self-government and a re-assertion of Spanish colonial identities in opposition to American influences at the time when Bañas was amassing his library.”

Senior composition major wins University Bookstore’s Academic Excellence Award

Daria Tennikova, the winning composer in this year's concerto competition. Photo by Katherine Esposito.
Daria Tennikova, the winning composer in this year’s concerto competition. Photo by Katherine Esposito.

Daria Tennikova, whose work, “Poema for Saxophone and Orchestra” was a winner of the school’s annual concerto competition, has been awarded a 2014 University Book Store Academic Excellence Award in the amount of $1,000. The awards are made to undergraduate students who best exemplify the principle that excellence can be achieved through independent study. This summer, Daria will attend the summer music festival, New Music on the Point. based in Lake Dunmore, Vermont.

 

 

Horn alumnus wins Lawrence University’s “Outstanding Teacher” Award

Eric Anderson (B.M. Music Education, 1998), music department chairman and band director at Verona Area High School, was honored Sunday, May 4 with Lawrence University’s 2014 Outstanding Teaching in Wisconsin Award, along with Lynette Schultz, an English teacher at Williams Bay Jr./Sr. High School. Eric is now band director at Verona Area High School and also sits on the board of directors of the UW-Madison School of Music Alumni Association. He also frequently conducts the orchestras for Children’s Theater of Madison and Four Seasons Theater.

Eric Anderson
Eric Anderson

The recipients are nominated by Lawrence seniors and selected on their abilities to communicate effectively, create a sense of excitement in the classroom, motivate their students to pursue academic excellence while showing a genuine concern for them in and outside the classroom. Since launching the award program in 1985, Lawrence has recognized 62 high school teachers.

Anderson has directed the concert band, wind ensemble and symphonic band while also teaching AP music theory at Verona High School since 2006. Additionally, he directs pep band, oversees rehearsals for school musicals and organizes tours around the country for all of the band students.

Note: Eric is the son of the School’s very generous volunteer photographer, Mike Anderson!

UW’s Pro Arte Quartet surmounts travel difficulties to successfully complete its planned tour of Belgium

The Pro Arte Quartet. L-R: Cellist Parry Karp; Violinist Suzanne Beia; Violist Sally Chisholm; Violinist David Perry.
The Pro Arte Quartet. L-R: Cellist Parry Karp; Violinist Suzanne Beia; Violist Sally Chisholm; Violinist David Perry.

String quartet members aren’t generally known as lawbreakers, but due to new federal regulations about international shipments of ivory (intended to protect endangered African elephants), the Pro Arte’s Sally Chisholm and Parry Karp, who each own old instruments with tiny amounts of ivory in them from long-deceased elephants, found themselves briefly detained at the Brussels airport at the beginning of their Belgium tour in late May. The tour was intended to commemorate the quartet’s 100th birthday and origination in Belgium. (Read earlier Fanfare post here.)

Tour manager Sarah Schaffer explained to Belgian authorities that the quartet had received special permission to travel with their instruments, obtained through the intervention of Wisconsin Congresswoman Tammy Baldwin, but it took a few hours before Chisholm and Karp were allowed to leave, instruments in hand.

They had a concert scheduled for that very night, so their release was just in time.

Prior to their departure, Madison music blogger Jake Stockinger (“The Well-Tempered Ear”) asked Schaffer and the musicians to write blog posts about every step of the tour, which was well-received. The tour is now over, but the stories live on and can be found here:

Day 1 Day 2 Day 3 Day 4 Day 4.5 Day 5 Day 6

To learn more about the ivory ban, read here: League of American Orchestras

Faculty win awards

Chelcy Bowles, professor of music, Van Hise Outreach Teaching Award

Bowles is one of ten to receive this year’s Distinguished Teaching Awards, an honor given since 1953 to recognize the university’s finest educators. Chancellor Rebecca Blank will present the awards at a ceremony to be held in conjunction with the Teaching and Learning Symposium from 4:30 to 6 p.m. May 19 at Union South in Varsity Hall. The event is sponsored by the Wisconsin Alumni Association in conjunction with the Office of the Secretary of the Faculty.

Bowles is nationally and internationally renowned as one of the foremost experts on lifelong learning and engagement in music and the arts. She has developed and taught a variety of non-credit courses for adult learners and has been instrumental in the founding of music outreach programs at the state, national and international levels. Among the many initiatives she has spearheaded is the Madison Early Music Festival, now in its 15th year, which is approaching its 15th year and draws artists from around the world to showcase medieval and Renaissance music.

Professor Anthony Di Sanza, School of Music, Kellett Mid-Career Award

This award is intended to recognize and support mid-career faculty, seven to twenty years past their first promotion to a tenured position. The Kellett Mid-Career Awards were created to provide needed support and encouragement to faculty at a critical stage of their careers and are made possible by the research efforts of UW-Madison faculty and staff. Technology arising from faculty and staff research is licensed to industry by the patent management organization, the Wisconsin Alumni Research Fund (WARF). Income from successful licenses is returned to the Graduate School to fund a variety of research activities throughout the divisions on campus.

Professor Laura Schwendinger, School of Music, Vilas Associate Award

The Vilas Associate Award Program is made possible by the generosity of the Vilas Trustees. The award provides summer salary support and a flexible research fund for two years to non-tenured and tenured faculty.

Schwendinger will also be in residence at three festivals this summer, at Yaddo Artists Retreat in Saratoga Springs NY,  the Oberpfälzer Künstlerhaus in Schwandorf, Bavaria and at Moulin à Nef Studio Center in Auvillar, France. In addition she will be a faculty composer at the Bennington Chamber Music Conference.  Alumnus composer Thomas Lang (MM ’07, DMA ’11) will be the composer fellow.

Professor Jessica Johnson wins American Music Teacher Article of the Year Award

MTNA’s American Music Teacher Article of the Year Award is presented to the author of an outstanding feature article written expressly for the AMT. This year’s award is presented to Jessica Johnson, NCTM, for her article “Feeling The Sound: Reflections On Claiming One’s Own Musical Voice.” The article was published in the August/September 2013 issue of American Music Teacher magazine, the official journal of the Music Teachers National Association.

This article investigates how multi-sensory learning and use of whole-brain processes may enhance our practicing and teaching, leading us to a more artistic, authentic experience. It explores how the use of imagery, metaphor, fantasy, intuition, imagination and instinct nurtures the discovery of one’s own musical voice.  Read the article: “Feeling the Sound.”

 

Last April, a unique concert, “Fusions,” devoted to an amalgam of Jewish and Arab art music with musicians and collaborators Uri Vardi (cello), Taiseer Elias (oud) and Menachem Wiesenberg (piano) was held in Mills Hall. The concert was recorded; a video is below.  Videography and editing by Robert Lughai.