Presenting “Après moi, le deluge” by composer Luna Pearl Woolf. With Matt Haimovitz, cello.
and “for Paris,” a world premiere for solo viola and choir by UW-Madison composer Laura Schwendinger. With Sally Chisholm, viola.
Beverly Taylor, Conductor
$15 adults/$5 students Buy tickets online (on sale March 1) or in person at the Memorial Union Box Office. Tickets will also be sold at the door.
“Ferociously talented” (New York Times) cellist Matt Haimovitz, known for his renditions of the Bach Cello Suites as well as contemporary works, will return to Madison on April 28 to perform a work that he premiered here 11 years ago with the UW Concert Choir, one of UW-Madison’s most advanced choirs.
“Après moi, le deluge,” a 22-minute composition for cello and choir, was written by his wife, composer Luna Pearl Woolf, to a text by poet Eleanor Wilner. Après Moi, le Déluge was written in the weeks and months after Hurricane Katrina struck New Orleans and the United States’ Gulf Coast in late August 2005.
“Après moi, le déluge” are reputed to be the last words of Louis XV, king of France from 1715-1774 and the heir of Louis XIV, the king for whom Louisiana was named. Louis XIV’s legacy to Louis XV was a nation bankrupted by war and imperial ambition, a debt levied on the peasantry while the nobility lived tax-free. Louis XV ruled ineffectively, lived luxuriously, and died the most unpopular king in French history. “The words ‘après moi le déluge’,” according to Paul Jay of Independent World Television News, “have come to epitomize the psychology of those who ruin people and the earth with no thought for tomorrow.”
Après Moi, le Déluge was commissioned by Haimovitz as part of his “Buck the Concerto” series of commissions for cello and unusual ensembles. It was premiered in 2006 by Haimovitz and the UW-Madison Concert Choir with Beverly Taylor and recorded live for Oxingale Records. Haimovitz and the choir later took Après Moi, le Déluge on tour, performing in New Orleans in November, 2006. Après Moi, le Déluge also forms half of a ﬁne-press book entitled Waterlines, with woodcuts and etchings by Michael Kuch, from Oxingale Press and Double Elephant Press.
At Harvard University prior to 1995, Concert Choir conductor Beverly Taylor directed the international prize-winning Radcliffe Choral Society, where she met Woolf, then a student at Radcliffe.
Since the 2006 premiere at UW-Madison, “Après moi, le deluge” has been performed many times, including in New York’s Trinity Wall Street Church on June 3, 2012. That concert also featured one of Schwendinger’s works, “Six Choral Settings.”
New York Times reviewer Steve Smith called “Après moi, le deluge” a “strikingly allusive concerto for cello and chorus that movingly reflects on the devastation wrought by Hurricane Katrina. Somber, sardonic and bluesy, the episodic work received an impassioned account, with soulful solo work by Mr. Haimovitz, the soprano Martha Cluver and the bass-baritone Dashon Burton.”
Haimovitz, who is nominated for a Juno Award for Solo or Chamber Ensemble of the Year for his CD, “Overtures to Bach,” made his cello debut at age 13 with Zubin Mehta and the Israel Philharmonic. His first recording was for Deutsche Grammophon at age 17 with James Levine and the Chicago Symphony Orchestra. He is considered a musical pioneer, favoring innovative venues and approaches to music. He is professor of cello at McGill University in Montreal. The New Yorker calls Haimovitz a “maverick cello virtuoso, who has long marched to the beat of a different drummer.”
Another major work on the program will be a world premiere of a work for viola and choir, “for Paris,” written by UW-Madison composer Laura Schwendinger in response to the 2015 terrorist attacks in Paris. Sally Chisholm, violist of the Pro Arte Quartet, will be featured.
Schwendinger says: “The viola starts this short work by referencing only for a moment the merest idea of a “musette song,” one that might be heard on an evening in a Paris cafe. The choir enters with a simple refrain that repeats as an unanswered question of sorts. And each time the viola reenters the texture, it asks its question in a more pressing and poignant manner, until it arrives in its highest register, only to resolve with the choir with a quiet acquiescence in the knowledge that the answer may not be known.”
Happy New Year from the Mead Witter School of Music! And welcome to the first issue of A Tempo! for 2017
Two More Awards for UW-Madison University Opera
University Opera scores again with national recognition
Awards for two shows in 2015-2016
UW-Madison’s University Opera is on a roll. Both shows from last year, Transformations and Mozart’s Le nozze diFigaro, have won awards in the National Opera Association’s (NOA) Opera Production Competition for 2015-2016. It is the second year in a row that UW-Madison has garnered an award from NOA, and the first time that each production was separately recognized. University Opera produces only two operas each year.
October 2015’s Le nozze diFigaro, with orchestra conducted by James Smith, placed second in Division IV, and March 2016’s Transformations, conducted by graduate assistant conductor Kyle Knox, garnered a first place award in Division III.
Both productions were directed by David Ronis, inaugural Karen K. Bishop Director of Opera, who is now a six-time winner of the competition. His previous awards occurred while he worked at Queens College in New York.
In December, Madison’s weekly newspaper Isthmus devoted a cover story to our burgeoning jazz program and its director, Johannes Wallmann
“By bringing more jazz to the university and beyond, Wallmann hopes to promote the notion that jazz isn’t just about the past, with its storied history and legendary names. It’s now also about highly trained musicians pushing the boundaries of the genre,” wrote author Jane Burns in her story, “Making a Scene.”
“ ‘Look up any end-of-the-year Top 10 list on NPR, Downbeat or The New York Times, and listen to what this generation of 20- and 30-somethings are up to, it’ll blow your mind,’ ” Wallmann says. “ ‘We want to prepare our students to be part of that.’ ”
…meanwhile, Wisconsin Public TV spotlights the jazz program as part of its “Young Performers” Initiative
For over a year, a dedicated crew from WPT – including alumna Megan Aley, who served as a producer – filmed Wallmann and his staff as they shepherded high school students through auditions for the UW High School Honors Jazz Band. The videos are intended to help aspiring musicians prepare for professional careers and college auditions.
Juliana Mesa-Jaramillo came from the country of Colombia to study bassoon performance with Marc Vallon, professor of bassoon. We asked her how she became involved in music, with the bassoon, and why she chose Wisconsin.
“I did my undergrad in music performance in the University El Bosque in Bogotá. I studied with Leonardo Guevara, the principal bassoonist of the National Symphony Orchestra. I learned very much while at school and I was able to play with many chamber ensembles when I was still in school. My first job as a bassoonist was in the Symphonic Band of Cundinamarca, and I worked there for a year during my last year of school. It was challenging, but I learned very much from this experience.
“In 2010, I received a master’s in bassoon performance with Saxton Rose at the University of North Carolina-School of the Arts. As I started to look into going back to school, I talked him, and he recommended that I applied to study with Marc Vallon at UW-Madison. I think it is one of the best decisions I have made in my life!”
Sing with Choral Union this spring! Drop-in auditions will be held on January 18 for community members interested in singing a rare work: Paul Hindemith’s When lilacs last in the door-yard bloom’d. A rarely done work because of its difficulty, this is an outstanding setting of Walt Whitman’s poem written about the death of Abraham Lincoln, and the train that carried his body to Springfield, Illinois. The work was commissioned by Robert Shaw in memory of Franklin Roosevelt, whose funeral train carried his dead body from Georgia back to Washington. The work is in memory of “those we loved.” Two concerts, April 29 & 30. Learn more here.
Inviting high school pianists to take part in Pathways to Artistry: From the Practice Room to the Stage. A free, day-long event featuring workshops, masterclasses and performances hosted by UW-Madison’s keyboard faculty. High school pianists are encouraged to participate in the master classes and an honors recital. More information and registration is at the link below. The deadline to register is January 31.
Violinist Soh-Hyun Altino and pianist Christopher Taylor, both faculty artists, perform the Sonata for Violin and Piano by John Corigliano (1963) and the Sonata in A Major by Gabriel Fauré (1875-76). Tickets are $15 for adults and $5 for non-UW music students. Learn more here.
Sunday, January 29, 3 PM, Mills Hall
Our Annual Schubertiade: “Circle of Friends”
This year’s Schubertiade with pianists Martha Fischer and Bill Lutes will feature acclaimed alumna soprano Emily Birsan. The concert will be followed by a reception (included in the ticket cost) at the University Club. Tickets are $15 per adult and $5 for non-UW music students. The concert is sponsored by Madison resident Ann Boyer, an admirer of Franz Schubert’s music and the musical talents of Fischer and Lutes. Learn more here.
Happy New Year from the UW-Madison School of Music!
University Opera’s Albert Herring wins award from the National Opera Association
Albert Herring, an opera composed by Benjamin Britten and produced by University Opera in October, 2014 at Music Hall, has won third place in Division III of the National Opera Association‘s annual opera production competition. The opera was directed by interim director David Ronis and conducted by Kyle Knox, a graduate student studying conducting with professor James Smith.
It is the first NOA award for UW-Madison and the fourth for Ronis, whose previous wins came while he taught at Queens College in New York City.
William Ottow (Albert) and Tyana O’Connor (Lady Billows) in Albert Herring
William Ottow (Albert), Tyana O’Connor (Lady Billows) and Joel Rathmann (Vicar) at the May Day Feast in Albert Herring
Sid (Brian Schneider) embarrasses Florence (Sheila Wilhelmi) while Nancy (Alaina Carlson) looks on in Albert Herring
Michael Chiaverini, Emily Weaver, and Emi Chen making mischief as Harry, Cis, and Emmie in Albert Herring
Brian Schneider (Sid) and Alaina Carlson (Nancy) spike Albert’s drink in Albert Herring
Miss Wordsworth (Nicole Heinen) rehearses the children Emi Chen (Emmie), Emily Weaver (Cis), and Michael Chiaverini (Harry) in Albert Herring
The May Day Feast in Albert Herring (Joel Rathmann – standing – as the Vicar)
Brian Schneider (Sid), Alaina Carlson (Nancy), and William Ottow (Albert) in Albert Herring
Sheila Wilhelmi as Florence in Albert Herring
Brian Schneider (Sid) and Alaina Carlson (Nancy) in Albert Herring
Kyle Knox, conductor for Albert Herring, in the orchestra pit
Cast curtain call including Kyle Knox, conductor, and David Ronis, director
All photographs by Michael R. Anderson
This past weekend, Ronis collected the award at the association’s yearly meeting in Indianapolis. “When I arrived in Madison, I felt that the quality of the work being done by University Opera was of a very high caliber, certainly of the level of other college and university opera departments that I had seen win awards,” Ronis said in an email. “So I thought, ‘Why not? We’ve got nothing to lose.’ So I submitted both last year’s productions of Albert Herring and The Magic Flute and I guess it paid off.”
“Good opera has been produced by UW-Madison for years. It’s just very gratifying to have the recognition of a national organization,” he continued.
The competition is blind, meaning that performing companies are not identified to judges. Those eligible include small professional opera companies and opera training programs from academic institutions, music conservatories, summer opera training programs, and opera outreach programs. Entries are separated into seven divisions by the judges; the criteria include the size and scope of institution’s music and opera program and the level of vocal training of the singers in the cast.
Congratulations to University Opera!
Mark your calendars now for University Opera’s spring show, Transformations, Conrad Susa’s thought-provoking opera from 1973. Susa’s chamber opera for eight singers and eight players is an adult re-telling of ten classic fairy tales (among them, Snow White, Rumpelstiltskin, Rapunzel and Hansel and Gretel) as seen through the eyes of poet Anne Sexton. Sexton’s struggle with mental illness frames the darkly humorous and audaciously recounted tales, filled with mid-twentieth-century references, both literary and musical. Performance dates are March 11-15, 2016. Buy tickets here.
Third “Schubertiade” coming January 30 to Mills Hall!
(Please note ticketing and parking tips below!)
In homage to a beloved composer, the UW-Madison School of Music will present its third annual Schubertiade, an evening of songs, piano duets and chamber music by Franz Schubert, one day before the composer’s 219th birthday.
L-R: Jordan Wilson, Paul Rowe, Jim Doing, Tom Leighton.
Bill Lutes, Martha Fischer and Mimmi Fulmer. Photographs by Michael R. Anderson.
All photographs by Michael R. Anderson
The concert will take place on Saturday evening, January 30 at 8 p.m. in Mills Concert Hall. The concert is hosted by pianist Martha Fischer, who is professor of collaborative piano and piano at the School of Music, and her pianist husband Bill Lutes, emeritus artist-in-residence. Alumna soprano Jamie-Rose Guarrine, who has sung with many major opera companies including Wolftrap in Washington, D.C., the Santa Fe Opera, the Minnesota Opera, as well as Milwaukee’s Florentine Opera and Madison Opera, will be a guest soloist. Guarrine now teaches at the University of Massachusetts at Amherst.
The program will include a major work for piano duet, the Allegro in A minor, known as “Lebensstürme” or Life’s Storms, performed by Fischer and Lutes. Guarrine will sing one of Schubert’s final works, the delightful “Shepherd on the Rock,” along with Fischer and clarinet faculty Wesley Warnhoff.
Additional guests will include UW-Madison voice faculty Mimmi Fulmer and Paul Rowe; current University Opera director David Ronis; alumni singers Daniel O’Dea and Benjamin Schultz; current DMA candidate Sara Guttenberg; soprano Marie McManama; UW-Madison horn faculty Daniel Grabois; UW-Madison faculty violinist Soh-hyun Park Altino; UW-Madison faculty violist Sally Chisholm; adjunct professor of clarinet Wesley Warnhoff; alumnus cellist Ben Ferris; and Leo Altino, cellist, the husband of Park Altino.
Tickets are $15.00 for adults. Students of all ages are free.
Tickets are available through the Union Theater Box Office. Patrons may buy online ($4 fee) or save the fee and buy in person at Memorial Union or in Mills lobby day of show.
Please note: We recommend that patrons arrive early, both to secure a parking spot and to buy a ticket (if you haven’t already). Parking will be tight due to UW hockey, but parking passes may be ordered two weeks in advance to guarantee a space.
To buy a parking spot, complete this online request form or call the Special Events Office at (608) 262-8683. Please allow two weeks for processing. In the box for “special instructions,” please indicate “Schubertiade.” [Note: This form may be used for any concert.]
Meanwhile, Martha Fischer has won “Musician of the Year” from local blogger and former Capital Times arts editor Jake Stockinger.
He writes: “Fischer is a first-rate collaborator who performs and records regularly with other faculty instrumentalists and singers. They include UW trombonist Mark Hetzler, trumpeter John Aley and singers, baritone Paul Rowe and soprano Julia Faulkner, who has since moved on to the Lyric Opera of Chicago.
“A model of the Wisconsin Idea in action, Fischer also serves as a juror for piano competitions, gives talks around the state and helps recruit talented students.
“As a researcher, Fischer – who trained at the Juilliard School, Oberlin College and the New England Conservatory of Music — traveled to England and interviewed famous collaborative pianists about playing Schubert’s art songs.” Thanks, Jake! Read his full post here.
And one more: UW-Madison’s classical side was lauded in Isthmus’s “Best of 2015” list, via concert reviewer and emeritus history professor John Barker. Among his favorites were last year’s “Schubertiade” concert in January with pianist Martha Fischer, Bill Lutes and many friends; pianist Christopher Taylor at the Madison Symphony in Feb; David Ronis, James Smith and University Opera’s Marriage of Figaro in Sept; David Ronis and Marc Vallon with Madison Bach Musicians; and many alumni who performed with the brand-new Willy Street Chamber Players over the summer. Meanwhile, jazz studies prof Johannes Wallmann was complimented by writer Marc Eisen. “A jazz scene plus,” Eisen writes.
Mark your calendar! Pianist Christopher Taylor will perform solo at the School of Music on February 26. On the program: the French Suite No.1 in D minor, BWV 812 of Johann Sebastian Bach; 12 Etudes, Op.8 of Aleksandr Scriabin; and Piano Sonata No.1, Op.1 of Johannes Brahms. Read more here.
Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note:All arrangements are made between the students and the employer.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
We’re headed into the home stretch at the School of Music! Here are highlights from the next month; please check our full calendar for many more concerts (including the Pro Arte Quartet, the Low Brass Ensemble, student recitals, and many others). Next month’s newsletter will be devoted to short stories about students and alumni; keep watch for that!
Late-breaking news: The School of Music announces winners of the 30th annual Beethoven Piano Competition, sponsored by former university chancellor Irving Shain. The winners are Kangwoo Jin, SeungWha Baek, and Luis Alberto Peña. The all-Beethoven winners recital will take place this Sunday, April 19, at 3:30 p.m. in Morphy Hall, with a reception to follow.
JACK Quartet Premieres Work of Laura Schwendinger at Memorial Union-May 8
New York City’s JACK Quartet, stalwart champions of of contemporary music, will come to the Memorial Union’s Shannon Hall to present a new work written by UW-Madison composer Laura Schwendingercalled “Creature Quartet.”
Schwendinger, a Guggenheim winner and the first composer recipient of the Berlin Prize, wrote the Creature Quartet, a one-movement work for string quartet, with “portraits in music” of extinct, mythological, or endangered creatures.
“Each of the quartet’s movements feature different creatures such as extinct birds, like the ivory billed woodpecker, the passenger pigeon, the marvelously funny looking dodo bird as depicted in Alice’s Adventures in Wonderland, as well as mythological creatures like the Yeti, Chupacabra, and the famous ‘sea monster’ Nessy,” says Schwendinger. The music will be accompanied by an animated video created by Pauline Gagniarre.
On Monday, March 9, the UW Wind Ensemble took the stage at Carnegie Hall in New York City to perform the closing concert for the New York Wind Band Festival. The UW–Madison Wind Ensemble is the first UW-Madison School of Music student ensemble to receive an invitation to perform in what is arguably the most recognized venue in the world and, what a debut!
Planning began a year before the trip. Students raised a portion of the funds needed; donors included Lau and Bea Christensen; Roger and Lynn White; the UW-Madison School of Music Alumni Association; Michael George; John Stevens; Michael Keller, and Heid Music. Many thanks to all who donated.
On the way to New York, the Wind Ensemble also performed at Valparaiso High School in Indiana and State College Area High School in State College, Pennsylvania. While in State College, Penn State University Director of Bands Dennis Glocke met with and guest conducted the ensemble. Mr. Glocke is a graduate of the UW–Madison School of Music, a former clarinet player with the UW Wind Ensemble and, early in his career, was a public school music teacher at Oconomowoc Middle School.
At the New York performance, we held a celebratory reception for UW alumni, School of Music donors, friends and family members. The program included Festive Overture by Dmitri Shostakovich, Blue Shades by Frank Ticheli, and The Frozen Cathedral by John Mackey. The ensemble performed magnificently, filling every corner of the hall with a beautiful, lush sound. “It was honor and a fantastic way to bring a close to my stay at Madison,” said Amanda Fry, a senior horn player.
Are you an adult musician in the area? Would you like to perform with the musicians who played on stage at Carnegie Hall? The ensemble will play its final concert this season on Friday, April 24th at 7:30. You are invited to perform with the UW Wind Ensemble for the second half. Please contact Barb Douglas in the UW-Madison band department for information. Space is limited.
Emeritus Percussion Professor James Latimer welcomed at 50th Anniversary Concert
On March 20, the UW Percussion program celebrated its 50th year of existence with a concert that returned its founder, emeritus professor James Latimer, to the stage. Latimer conducted an ensemble performing Carlos Chavez’s Toccata for Percussion, which was performed at the inaugural concert in 1965. The concert also included ensembles of varying sizes performing works by Fan Zheming, Steve Reich, Michael Camilo, and UW-Madison percussion instructor Todd Hammes, as well as several others. A week later, the ensemble departed on a tour of China to perform at two conservatories in Beijing and Shenyang. More about the China trip in our next issue!
Benefit Concert for Brittany Sperberg raises money and her spirits
The School’s March 18 mostly-brass concert for ailing trombone student Brittany Sperberg not only raised nearly $3,000 in donations, but boosted her spirits as well, says her teacher, trombone professor Mark Hetzler. Combined with an online donation website, about $6,000 has been contributed to help her family defray medical expenses.
Sperberg was stricken last fall with an as-yet-undiagnosed illness that caused her to withdraw from school. Writes Hetzler: “She and her family were absolutely overjoyed by the event. Her aunt was telling me that the greatest thing about the concert was getting to see Brittany smile again. I am so proud to be a part of a School of Music with folks who care so deeply for each other.”
Pianist Christopher Taylor solos with Madison Symphony, earns accolades
UW-Madison’s Christopher Taylor captivated the crowd this past weekend with his performances of J.S. Bach’s Clavier Sonata No. 4 and Franz Liszt’s Concerto No. 1 for Piano. “Taylor’s intellectual and expressive approach to the music was as supple as his technique. The resulting performance was intense yet intimate, deeply emotional but never stagey,” wrote Capital Times reviewer Jessica M. Courtier. Click here to read the review.
Wingra Woodwind Quintet celebrates 50 years with a short concert and party: April 25
The event will feature a short concert of works written or arranged by former members of the quintet, plus appetizers and drinks. Former members who have already responded include Glenn Bowen, Marc Fink, Richard Lottridge, and Douglas Hill. Students are welcome! The party will be held at the University Club, 803 State Street, in Madison, from 4 to 6 p.m. on Saturday, April 25. If your name isn’t yet on this list, send your RSVP to firstname.lastname@example.org.
Chorale, Concert Choir and Madrigal Singers Combine Forces – April 17
On April 17 at 7:30 PM, three UW-Madison choirs, under the direction of conductor Bruce Gladstone with assistance from graduate conductor Sara Guttenberg and harpsichordist John Chappell Stowe, will sing a joint concert at Luther Memorial Church, 1021 University Avenue. The program is called “Transfixed, Transported, Transformed: The Consequence of Beauty,” and will feature a wide range of works, including the traditional song Shenandoah;Lady, When I Beheld, written by 16th century composer John Wilbye; and Missa “O Pulchritudo” by Gian Carlo Menotti, taken from the Roman Catholic Mass. Download the full program here.
Writes Bruce Gladstone: “As artists and specifically, musicians, we at times are so focused on the work we do – the perfecting our craft, the research and rehearsals, the programming and the public relations – that we sometimes lose sight and connection with the beauty of our art. Beauty surprises, enchants, shocks, tempts, disconcerts, soothes, awakens, haunts, entices, lifts, and sends us; this concert seeks to offer in word and music, a glimpse of those moments when beauty has done just that.”
Perlman Piano Trio (+Two) in Concert- April 18
Mark Saturday, April 18 for the annual concert of the Perlman Piano Trio, a classical ensemble supported by retired scientist Kato Perlman. This year’s free concert and reception is scheduled for Saturday, April 18, at 3:30 p.m. in Morphy Hall. The members include SeungWha Baek, piano, Valerie Sanders, violin, and Daniel Ma, violoncello, with violinist Keisuke Yamamoto and violist Jeremy Kienbaum performing with the trio on two works. The program will include Haydn’s Piano Trio in Eb Major, Hoboken XV: 29; Arensky’s Piano Quintet in D Major, Op. 51; and Brahms’ Piano Trio in B Major, Op. 8 (original version).
UW Jazz Hosts the High School Honors Jazz Band- April 29
The third annual High School Honors Jazz Band, an auditioned big band ensemble comprised of 18 students from the greater Madison and southcentral Wisconsin, will join the UW Jazz Orchestra in what has evolved into a very festive annual concert. This year’s concert (click here for info) will be held Wednesday, April 29, at 7:30 PM in Music Hall. This is our only ticketed jazz event of the year and promises to be a festive event for high school musicians, their families and the School of Music. Tickets are $10.00 for adults, free to students of all ages. You can buy tickets here or at Music Hall the day of the show.
This year’s featured soloist will be trumpeter Greg Bush, a freelance jazz trumpet player, arranger and composer. Greg has performed with his own band in jazz clubs, concert halls and jazz festivals across Canada, Australia, Fiji, Germany and in Switzerland at the famous Montreux Jazz Festival. Bush is currently professor of music at Vancouver Island University (British Columbia, Canada), where in addition to conducting the VIU Wind Ensemble he heads the trumpet studio, teaches Jazz Improvisation, Jazz Composition, Instrumental Conducting and Pedagogy. Learn more about the Honors Band at this link: http://www.wisconsinjazz.org/
Speaking of jazz, retired jazz professor, pianist and music theorist Joan Wildman reminisced recently about the “sorry state” of jazz back in 1985, which led to the founding of the Madison Music Collective. The MMC held a reunion concert on April 12 at the Brink Lounge. Both Isthmus and the Wisconsin State Journal carried stories about Wildman and jazz’s early days in Madison.
UW-MADISON PERCUSSION PROGRAM CELEBRATES 50 YEARS WITH A MARCH 20 CONCERT AND TRIP TO CHINA
“Fifty years is not a long time in the world of classical music, but it’s a very long time in the world of formal percussion studies. In the 1960s and before, the very notion of teaching percussion beyond the basic orchestral instruments caused music educators to simply shake their heads in disbelief.” So what happened? Read the full story on our main website here.
The University of Wisconsin Madison World Percussion Ensemble performs the Olodum classic A Visa La (May 2013). The arrangement was created by Nininho and A. Di Sanza.
HEAR THE MUSIC OF BRITISH COMPOSER CECILIA McDOWALL AND MEET THE COMPOSER, TOO
Heard any new choral music lately? You’ll get your chance this week when Cecilia McDowall, winner of the 2014 British Composer Award for her choral work, Night Flight, comes to Madison.
Please note: On Wednesday the 18th at noon, McDowall will be featured live on Wisconsin Public Radio’s Midday show with host Norman Gilliland (88.7 FM). On Thursday on WORT Radio (89.9 FM), host Rich Samuels plans a half-hour special on McDowall that he pre-recorded with organizer John Aley. At 7:15 AM.
Thursday, noon, Mills Hall: Colloquium with the composer. How does she impart those whispery Antarctic sounds into her music? Come to ask and find out how!
Friday, 8 PM, Mills Hall: We’ll feast on McDowall’s choral and instrumental music for ensembles and soloists, including her work about the ill-fated expedition of polar explorer Robert Falcon Scott. Selected faculty and student performers will include pianist Christopher Taylor, tenor James Doing, the UW Concert Choir and Madrigal Singers, and mezzo-soprano Elizabeth Hagedorn. Mike Duvernois of UW-Madison’s IceCube Antarctic research project will update us on the state of polar research today (hint: they don’t need sled dogs anymore). Tickets sold at the Memorial Union Box office and in Mills on day of show. Adults $20, all-age students free. http://www.uniontheater.wisc.edu/location.html
Saturday, 8 PM, Mills Hall: A concert devoted to smaller ensembles, including a trio with violinist Eleanor Bartsch, cellist Kyle Price, and pianist SeungWha Baek. They’ll perform “The Colour of Blossoms,” a meditation by McDowall after a 13th century Japanese story. Free concert. Listen here: https://soundcloud.com/cecilia-mcdowall/colour-of-blossoms
Sunday, 9:15 and 10:30 AM, Luther Memorial Church, 1021 University Avenue. Forum (9:15) and Church Service (10:30) featuring McDowall’s music, with the composer present.
WINNERS OF SHAIN WOODWIND-PIANO DUO COMPETITION ANNOUNCED
Our 2015 winners are Kai-Ju Ho, clarinet and SeungWha Baek, piano, and Iva Ugrcic, flute and Thomas Kasdorf, piano. Pedro Garcia, clarinet and Chan Mi Jean, piano, received honorable mention.
The competition is sponsored by former UW-Madison Chancellor Irving Shain. The winners will perform this Sunday, Feb. 22, at 3:30 PM in Morphy Hall. A reception will follow.
BENEFIT FOR STRICKEN TROMBONIST BRITTANY SPERBERG: MARCH 18
The Dairyland Jazz Band, with Sperberg on trombone, plays Ory’s Creole Trombone.
Undergraduate trombonist Brittany Sperberg, who performed in the UW’s Dairyland Jazz Band and many other ensembles, is now having serious medical problems and has withdrawn from school. Sperberg was featured in this blog in the fall of 2013. Her teacher, trombonist Mark Hetzler, has organized a benefit concert on Wednesday, March 18, 7:30 PM to raise donations to assist her family with unmet expenses. Please join us to help wish Brittany a speedy recovery! Donations may also be made at YouCaring.org. Learn much more at our website: http://www.music.wisc.edu/2015/02/07/sperberg_benefit/
STELLAR SINGING EXPECTED AT UNIVERSITY OPERA’S NEXT SHOW: MOZART’S THE MAGIC FLUTE
University costumers are already busy sewing Victorian bustle skirts and the classic South Asian attire known as the shalwar kameez for next month’s University Opera production of The Magic Flute. It’s all a product of visiting opera director David Ronis‘s imagined East-west setting for the show. Read the complete news release on our website.
New this spring: four performances, not just three, allowing for even double casting of all lead roles. The show dates are Friday, March 13, 7:30 p.m.; Saturday, March 14, 7:30 p.m.; Sunday, March 15, 3:00 p.m.; and Tuesday, March 17, 7:30 p.m.
SCHOOL OF MUSIC PHOTO EXHIBIT STARTS MARCH 1, LOWELL CENTER
Our friendly helpful photographer Mike Anderson has enlarged and framed about 25 images of student musicians to be placed on display in the Lowell Center Gallery, 610 Langdon Street. The exhibit runs from March 1 to April 30, and there will be a small reception on March 8. Read more here.
Below are a few of Mike’s images taken at our concerto winners concert (“Symphony Showcase”) that was held on February 8. (More information here.) Please check back this fall for our next winners recital date, and join us; it is always a joyous event!
Conductor James Smith and Keisuke Yamamoto.
Ivana Ugrcic and Stephanie Jutt, professor of flute.
Susan C. Cook, director of the UW-Madison School of Music.
Kyle Knox, graduate assistant conductor.
Jason Kutz, with the UW Symphony Orchestra and conductor James Smith.
Kyle Knox and composer competition winner, Adam Betz.
AWARD-WINNING CHORAL COMPOSER TO VISIT UW-MADISON Feb. 19-21
British composer Cecilia McDowall, a recent winner of the British Composer Award for her work, Night Flight, for choir and solo cello, will jump the pond in late February for a three-day residency at the School of Music. The residency–McDowall’s first in the U.S.– will include two concerts, one featuring the U.S. premiere of her work, Seventy Degrees Below Zero, commissioned in 2012 to honor the British explorer Robert Falcon Scott.
The classical magazine Gramophone describes McDowall as having “a piquant musical vocabulary, underpinned by moments of pure lyricism.” In 2008, the Phoenix Chorale won a Grammy Award for “Best Small Ensemble Performance” for its Chandos CD, “Spotless Rose: Hymns to the Virgin Mary,” which included a work, Three Latin Motets, by Cecilia McDowall.
COLLOQUIUM Thursday Feb. 19, noon, Mills Hall: Meet the composer! McDowall will describes how she creates music based on real or imagined events. Free.
CONCERT Friday Feb. 20, 8PM, Mills Hall: Featuring the U.S. premiere of Seventy Degrees Below Zero. With UW Madrigal Singers and Concert Choir (Bruce Gladstone, conductor) and a faculty/student chamber orchestra conducted by James Smith. Michael DuVernois of the IceCube Particle Astrophysics Center will offer a slideshow describing the past and the present in polar research. Free reception to follow!
Tickets: $20 adults, free for students. Buy online (click link) ; in person at the Memorial Union box office or at the door.
CONCERT Saturday, Feb 21, 8 PM, Mills Hall: The Chamber Music of Cecilia McDowall. Free.
UW WIND ENSEMBLE TO PERFORM AT CARNEGIE HALL IN MARCH-Catch their send-off concert on Feb. 24
The Wind Ensemble and its conductor, Scott Teeple, plans a trip too, not across the ocean but across half the country: a performance on March 9 at Carnegie Hall. You can hear them perform prior to their New York concert on Feb. 24, a ticketed fundraiser and preview concert, will include works by Vaughan Williams, Kathryn Salfelder, Percy Grainger, and others. Tickets: $10 adults, free for students. Buy online (click link); in person at the Memorial Union box office or at the door. Read more here.
Many thanks to Lau and Bea Christenson and the UW-Madison School of Music for supporting this trip.
DOCTORAL TROMBONIST COMMISSIONS AND PERFORMS A JOHN STEVENS PREMIERE
How do new classical works get funded these days? Sometimes, it’s the product of “consortia,” a group of universities and orchestras interested in new works. Such is the case with the Kleinhammer Sonata for bass trombone, named for the former bass trombonist in the Chicago Symphony Orchestra, and newly written by former tuba professor and composer John Stevens. As part of his doctoral dissertation, Alan Carr, a trombonist in the studio of Prof. Mark Hetzler, secured underwriting from UW-Madison and many others, including the Boston, Atlanta, San Francisco and Detroit symphonies and the Metropolitan Opera. The new sonata will be part of a new CD that features works for bass trombone, none previously recorded. Come hear Carr will perform the new sonata on March 3 in Mills Hall at 7:30 PM, along with pianist Vincent Fuh. Composer John Stevens is expected to attend.Read more here.
ALUMNA SOPRANO EMILY BIRSAN PROFILED IN CLASSICAL SINGER MAGAZINE
“[UW provided] a small hall and a safe environment,” Emily Birsan says of her experience at the University of Wisconsin–Madison. “But that situation really boosted my confidence that I could take on these pretty big leading ladies and make them my own.” Birsan is featured on the front cover of February’s Classical Singer magazine. Read the full article here.
MUSICOLOGY DISSERTATOR RECEIVES OPERA AWARD
Robert Torre, a PhD candidate in musicology studying with Professor Jeanne Swack, recently received the Leland Fox Scholarly Paper Award from the National Opera Association for his essay “Cultural Translatio and Arne’s Artaxerxes (1762).” The paper is part of a broader project that examines the role of translation in the composition and reception of Italian opera in eighteenth-century London. Robert is currently visiting faculty at Emory University in Atlanta.
HOMAGE TO RAMEAU CONTINUES THIS SPRING
Prof. Charles Dill‘s massive effort to pull together a series of events to commemorate the work of Baroque composer Jean-Philippe Rameau will continue this spring, with events on Feb. 5 (Chazen Museum); March 11 (Chemistry Building–yes, you read that right); April 18 (Morphy Hall) and April 17 & 18 (performance of Pygmalion by the Madison Bach Musicians, at the First Unitarian Society Church). Why in Chemistry, you ask? Because chemistry professor Rod Schreiner knows a bit about the principles of string vibration and sound propagation that influenced Rameau. Even today, 250 years after his death, Rameau’s work is considered seminal, so please join us to learn more! Full information can be found here: http://www.music.wisc.edu/rameau/ All events are free.
WISCONSIN BRASS QUINTET COMING TO A TOWN NEAR YOU
The Wisconsin Brass Quintet will travel around Wisconsin this spring with an all-new program of works written or arranged for brass, including compositions by Cecilia McDowall (who will travel from England in late February for our residency), Malcolm Arnold, Jean-Philippe Rameau, Vladimir Cosma, and William Mathias. Towns will include Ashland, Richland Center, Kohler, and others. Check this website to find more locations and times.
HEAR OUR CONCERTO WINNERS SOLO WITH ORCHESTRA THIS WEEKEND: SUNDAY, FEB. 8: 7 PM, MILLS HALL
Grab a spot this Sunday for our annual “Symphony Showcase” concert featuring our concerto competition winners. Tickets are $10.00 for adults, free to students, and include a reception in Mills lobby immediately following. This event is always joyous; we encourage all to attend! Read more here:http://www.music.wisc.edu/events/symphony-showcase/
RONIS AND TEAM WIN PRIZE AT NATIONAL OPERA ASSOCIATION
We congratulate visiting director of opera David Ronis, whose Queens College-CUNY production of “Dialogues of the Carmelites” recently won third place in Division 4 of the 2013-14 National Opera Association’s Production Competition. Ronis and his team have won twice before, in 2009 and 2011.
With that in mind, you won’t want to miss this spring’s production of Mozart’s The Magic Flute, also directed by Ronis. There will be four shows, one more than the usual number: March 13 at 7:30pm; March 14 at 7:30pm; March 15 at 3:00pm; and March 17 at 7:30pm. Buy tickets online (click link) or in person at the Memorial Union box office or at the door. More info to come! http://www.music.wisc.edu/opera/
From the Gallery: Scenes from two recent concerts at the School of Music. All photographs by Michael R. Anderson.
Schubertiade, Jan. 30
Schubertiade, Jan. 30. Singers Jennifer D’Agostino and Daniel O’Dea.
Schubertiade, Jan. 30. Pianists Martha Fischer and Bill Lutes, husband and wife.
Schubertiade, Jan. 30
Schubertiade, Jan. 30. Pianist Martha Fischer, and singers Daniel O’Dea, Michael Roemer and Jennifer D’Agostino.
Schubertiade, Jan. 30. Violinist Leslie Shank; pianists Martha Fischer and Bill Lutes; and cellist Norman Fischer.
CHORAL UNION CONCERTS FEATURE FIRST-EVER PERFORMANCE OF DVORAK’S “TE DEUM”
This weekend, the UW-community partnership that is the Choral Union will present its first concerts of the year. On the program: Antonin Dvorak‘s Te Deum; the Flos Campi of Ralph Vaughan Williams, with Pro Arte violist Sally Chisholm as soloist; and Giuseppe’s Verdi’s Te Deum. “The two Te Deums are very different settings of an ancient liturgical song of praise,” says Beverly Taylor, Choral Union conductor.
The concerts are scheduled for Saturday, Nov. 22 at 8 PM, Mills Hall, and Sunday, Nov. 23, 7:30 PM, Mills Hall. Both events are ticketed: $15 general public, $8 students and seniors. You can buy ahead of time and also at the door. Ticket information is here. Parking information is here. (Free parking on Sundays at Grainger Hall!) (To view these on our events calendar, click here.)
The BBC Symphony Orchestra and Chorus perform Dvorak’s Te Deum at the BBC Proms in 1996.
CELEBRATING JAZZ THROUGH PARTNERING WITH THE MADISON SCHOOLS
On December 4-6, 2014, the UW School of Music will host the 4th Annual UW/MMSD Jazz Festival, an educational jazz festival featuring workshops and performances by high school big bands from Madison and Middleton, the UW Jazz Orchestra and UW Contemporary Jazz Ensemble, UW jazz faculty, and New York trumpet star Ingrid Jensen.
Highlights will include two master classes on jazz trumpet and improvisation, a Friday night concert with Jensen and the Johannes Wallmann quintet, and a Saturday concert with the UW orchestra, jazz bands from all four schools, UW faculty and Ingrid Jensen. There will also be clinics for the area high schools.
All events are free. For more information, contact Johannes Wallmann, professor of jazz studies.
GENEROUS LOCAL PHILANTHROPIST PLAYED DOWN HER DONATIONS– UNTIL RECENTLY
TheUW-Madison Annual Fund is now underway. Gifts from alumni and friends are welcome, and will be directed toward university research, student scholarships, faculty retention and recruiting, and so much more. Only 16% of UW-Madison’s budget is funded by state support, so your support is valued more than ever before. Click here to donate!
APPLICATIONS NOW BEING ACCEPTED FOR SUMMER CELLO INSTITUTE AT UW-MADISON
Announcing the 2015 “Your Body is Your Strad” Summer Programs
The National Summer Cello Institute (May 30 – June 12, 2015) is a unique program tailored for professional, graduate, and advanced undergraduate cellists. The focus of the program is on the close relationship between effective use of the body and musical communication. Twenty two cellists who are selected by audition submission delve deeply into the connection between body awareness and cellistic proficiency, musical expression, effective teaching, and injury prevention. All selected participants attend the full two week Your Body Is Your Strad program, which include the Feldenkrais for All Performers component. They are exposed to a range of performance and pedagogical topics, represented by internationally acclaimed faculty. This year’s program will feature guest teachers Timothy Eddy of The Juilliard School, Paul Katzof New England Conservatory, as well as founders and returning faculty Uri Vardi,cello professor at UW-Madison, and Hagit Vardi, a UW-Health Feldenkrais practicitioner.
The Feldenkrais for All Performers program (May 30 – June 3, 2015) is for all instrumentalists, singers, actors, and dancers dedicated to exploring the intimate relationship between body awareness and artistic expression, while learning to prevent injuries. The program will feature musicians and Feldenkrais practitioners, Uri and Hagit Vardi, and presentations by specialists in Integrative Health, Authentic Performance, Mind-Eye Connection, Stage Anxiety, and Improvisation.
KLEZMER WORKSHOPS AND CONCERT THIS WEEK AT UW-MADISON
TheMayrent Institute for Yiddish Culture presents several events this week that continue its mission to study and preserve historical Yiddish music and culture. The events include a public workshop with founder Sherry Mayrent on Yiddish music performance on Wednesday, Nov. 19, 7:30 PM at the Pyle Center (702 Langdon St.) , and a second one for students, Friday, Nov. 21, at 2 PM at the School of Music, 2411 Humanities. Learn more here. Registration is requested; check link for details.
Music Theorists Present Papers: Ten current and former students of the graduate program in music theory recently spoke at the joint meeting of the American Musicological Society and the Society for Music Theory. Read more here.
Laura Schwendinger receives residency grant from League of American Orchestras
“The program provides $7,500 grants, underwritten by the Andrew W. Mellon Foundation, to cover weeklong residencies during which each participating orchestra will perform a work from the resident composer’s catalog, ” according to the New York Times. Schwendinger will be paired with the Richmond Symphony Orchestra.