Category Archives: Competition

A musical thank-you to the Mead Witter Foundation; Shain Woodwind-Piano Duo Winners Announced; New Music Premieres & Papers at Musicology Consortium: “Jewish Archive” Project Continues Worldwide

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
March 8, 2017

Faculty Ensembles combine with Lincoln High students for a memorable concert

On February 9, two School of Music faculty ensembles – the Wisconsin Brass Quintet and the Wingra Wind Quintet – traveled to Wisconsin Rapids, the home of the Mead Witter Foundation, for a special concert to thank them for their support of the school of music. The two ensembles, plus the Wind Ensemble from Lincoln High School in Wisconsin Rapids, performed a side-by-side concert at the Performing Arts Center of Wisconsin Rapids after the students were coached by ensemble faculty and UW-Madison conductor Scott Teeple.

Afterwards, music engagement and outreach coordinator Beth Larson received this note from Jeanne Olson, director of bands at Lincoln High School: “Thank you so much for all of the time you spent organizing that event, my students loved it and learned so much! I had them write a reflection this week, and they were very positive and many listed countless things that they learned from the professors sitting in with them and then working with the small groups!! It was a very successful event!”
Photographs by Beth Larson.

Irving Shain Woodwind-Piano Duo Competition Winners to perform this Saturday

Irving Shain, former chancellor of the University of Wisconsin-Madison. Photograph by Jeff Miller, university communications.

March 11, 4 PM, Morphy Hall.

This years’ duo winners are Rayna Slavova, piano with Chia-Yu Hsu, bassoon; and Kangwoo Jin, piano, with Eleni Katz, bassoon. The four will perform their winning selections at a free concert this Saturday.  Learn about the winning musicians and download the program.

Meet Yasha Hoffman, Russian Studies and composition double major

Yasha Hoffman.

Yasha Hoffman, a Minnesota native, grew up with parents of Soviet/Russian heritage and as a young child, fell in love with Russian folk songs. “One of my favorite activities was putting on ‘concerts’ for my parents where I’d loudly sing Soviet children’s songs and bang on the piano,” he says. He loves the breadth of opportunity offered by classes at UW-Madison. Read more about Yasha Hoffman.

“Performing the Jewish Archive” project continues worldwide

UW-Madison professor Teri Dobbs in Israel, Jordan, Michigan, and Vienna (upcoming)

This past January, Professor Teri Dobbs, a member of the Performing the Jewish Archive team, spent two weeks in Israel and Jordan. During her time there, she was a guest at Tel Aviv University’s Moshe Dayan Center for Middle Eastern and African Studies, together with colleagues from UW-Madison’s Mosse-Weinstein Center for Jewish Studies. In addition, she conducted research in the Yad Vashem Archives, met with musicology/music education colleagues to discuss the possibility of future projects within Israel, and met with the family of piano prodigy and composer, Josima Feldschuh (d. 1943).

Teri Dobbs
Professor Teryl Dobbs. Photograph by Michael R. Anderson.

Professor Dobbs will present several conference papers this coming semester, most of which pertain to her work with Performing the Jewish Archive. Her paper, “Music Education and the Holocaust: So What?” was heard at the New Directions in Music Education Conference: “Musicking Equity: Enacting Social Justice Through Music Education,” Michigan State University, East Lansing, Michigan, February 17. Dobbs has been invited to present more two papers, one in collaboration with soprano and PtJA performer Elizabeth Hagedorn of Vienna, at the 25th European Association for Music in Schools/6th European International Society for Music Education regional conference, JOINT (AD)VENTURE MUSIC: Network as a Challenge for Music Educators, at the University Mozarteum, Salzburg, Austria, April 18 – 22, 2017.
Learn more here.

Read about prior Performing the Jewish Archive events in Madison, 2015-2016.


Selected Upcoming Events

Anthony Georgeson. Photograph by Thomas Bruce.

March 12, 7:30 PM, Mills Hall.
UW Symphony with alumnus Anthony Georgeson, bassoon, conducted by James Smith. Georgeson is principal bassoon with The Florida Orchestra in St. Petersburg. Georgeson will play the Mozart’s Bassoon Concerto in B flat major, K. 191.  Other works will include Un Sourire pour Orchestre by Olivier Messiaen and Scheherazade by Nikolai Rimsky-Korsakov.  This is the penultimate opportunity to see longtime conductor James Smith, who will retire this spring after 34 years at UW-Madison. His final appearance as conductor will be on April 9. 

James Smith, orchestra conductor.
James Smith, orchestra conductor.

March 14, 6:30 PM, Morphy Hall.
Emery Stephens, baritone, guest artist recital. Free concert.
Stephens is assistant professor of voice at Wayne State University in Detroit. Prof. Stephens will coach student singers and pianists in African-American songs and spirituals and perform with students in a recital, with Professor Martha Fischer as collaborative pianist.

Emery Stephens

The Midwest Graduate Music Consortium – Presenting Original Research and New Compositions

Friday, March 31 and Saturday, April 1, Memorial Union and Mead Witter School of Music. Free events.

The Midwest Graduate Music Consortium (MGMC) is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and the University of Wisconsin-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate students around the country. The 21st annual meeting will include paper sessions, a new music concert, and a keynote address. For the new music concert, seven composers’ works were chosen from a nationwide call for scores. The ensemble Sound Out Loud will perform the new works, each a world premiere. All of the composers will be in attendance.
Find the schedule and concert program at this link:
Midwest Graduate Music Consortium

Sound Out Loud

University Opera’s “Turn of the Screw” receives warm reviews

Katie Anderson (Governess) and Anna Polum (Miss Jessel) in ”The Turn of the Screw.” Photograph by Michael R. Anderson.

“Much of the overall success of the show begins with decisions by Ronis (and executed by costume designers Sydney Krieger and Hyewon Park) to resist all temptation to make the specters of Quint (former valet of Bly’s master, who is far removed from the action of the story) and former governess Miss Jessel in any way ghoulish. Alec Brown and Anna Polum, in the roles on Friday night, looked fully human—and that’s just fine. The otherworldliness—and palpable evil—that they exude is in the music and the libretto itself,” wrote Greg Hettsmanberger in his blog, What Greg Says.

Doctoral cellist Andrew Briggs performs with Middleton Community Orchestra

At the March 1 concert of the Middleton Community Orchestra, cellist Andrew Briggs played two works by Antonin Dvorak: Silent Woods, Op. 68, No. 5,and Rondo in G minor for Cello and Orchestra, Op. 94. “Briggs played both of these with affectionate sensitivity. Currently finishing his doctoral studies at the University of Wisconsin-Madison School of Music, he is an artist with an already expanding reputation and a great future,” wrote reviewer John Barker.

Andrew Briggs

On Monday, March 27, Andrew will perform a lecture/recital on his dissertation project, “Piatti and the Body: An Integrative Approach to Learning and Performing the 12 Caprices, Op. 25.”

Morphy Hall, 6:30 PM. Free.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

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“Symphony Showcase” concerto winners Feb 12; UW Opera Announces Spring Show; Schwendinger’s “Artemisia” Premieres in NYC

News and Events from the Mead Witter School of Music – February 2, 2017

For Valentine’s Day: “Love Story, Steinway Version”

A treasured 1927 Steinway Baby Grand Piano, Model M, finds a new home at the Mead Witter School of Music. Click to read the story and view images behind the School’s newest donation, inspired by love.

mom_dadcrop


“Symphony Showcase” Concerto winners recital returns to delight and thrill

Watching a young musician solo on stage is always a treat, and every year we’re happy to show you some of our most talented, many already professionals. Please join us on Sunday, Feb. 12 at 7:30 PM in Mills Hall to hear and congratulate our students. Adult tickets are $10; children and all students are free. Tickets will be sold at the door. New this year: A reception at the University Club following the concert. The reception is included in the ticket price.

L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Photograph by Hannah Olson.
L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Not pictured: Nathan Froebe, composer. Photograph by Hannah Olson.

2016-2017 winners are:

  • Violinist Shing Fung (Biffa) Kwok, a doctoral student of Prof. David Perry and recipient of a Collins Fellowship. He will perform Tzigane by Maurice Ravel (1875-1937). Biffa is from Hong Kong.
  • Violinist Matthew Lee is an undergraduate senior, graduate of the Madison Memorial High School and alumnus of the Wisconsin Youth Symphony Orchestras. Matthew studies with Prof. Soh-Hyun Altino. He will perform the cadenza from the Violin Concerto No. 1 in A Minor, opus 77 of Dmitri Shostakovich (1906-1975).
  • Trumpeter Matthew Onstad, a native of Beaver Dam, Wisconsin. Matt is a master’s student of Prof. John Aley. He’ll perform the Trumpet Concerto in F Minor, Op. 18 by Oskar Böhme (1870-1938). Read about Matt in the Beaver Dam Daily Citizen: Beaver Dam native soars as trumpet player in Madison.
  • Soprano Anna Polum will sing “Amour, ranime mon courage,” written by Charles Gounod (1818-1893) for his opera adaptation of Romeo and Juliet. Anna studies with Professor James Doing and hails from Fairbanks, Alaska.
  • Pianist Shuk-Ki Wong, will perform the first movement of the Piano Concerto in G Major by Maurice Ravel (1875-1937). Shuk-ki studies with Professors Jessica Johnson and Christopher Taylor.
  • Composer Nathan Froebe, a doctoral student of Prof. Laura Schwendinger. The orchestra will perform the premiere of his Portrait d’une Femme, written for his friend and colleague, mezzo-soprano Jessica Kasinski.

University Opera to stage Britten’s “The Turn of the Screw” in March

Fresh from winning two major awards in the 2015-16 National Opera Association Competition, University Opera will present Benjamin Britten’s gothic ghost story, The Turn of the Screw, to round out its season.  In this, Britten’s last chamber opera, based on the Henry James novella of the same title, terror takes unexpected forms.  Premiered in 1954, The Turn of the Screw tells of a young governess who is hired to care for two children in an isolated country house in late 19th century England.  She soon realizes that the children are haunted by secrets and spirits that harm them in very real ways and she takes it upon herself to defend them.  In so doing, she is forced to confront the demons she perceives as threats, as well as her own internal ones.

Benjamin Britten in the mid-1960s (photograph by Hans Wild).
Benjamin Britten in the mid-1960s (photograph by Hans Wild).

The Turn of the Screw will be presented in English for three performances, all with projected supertitles.  March 3 at 7:30 PM, March 5 at 3:00 PM, and March 7 at 7:30 PM at Music Hall on the UW-Madison campus.  David Ronis, inaugural Karen K. Bishop Director of University Opera, will direct and graduate conducting assistant Kyle Knox will conduct the 13-member chamber orchestra.  Musical preparation will be by University Opera’s new vocal coach, Daniel Fung.

Click to read full news release.

Schwendinger opera “Artemisia” receives New York premiere

Next performance: Spring 2018, in San Francisco with the Left Coast Chamber Ensemble

On January 7, UW-Madison composer Laura Schwendinger unveiled Artemisia, a major new opera, at Trinity Church Wall Street in New York City as part of its Time’s Arrow Festival.  The opera is a story of passion, betrayal and art in 17th century Italy based on the life of Italian painter Artemisia Gentileschi. With a libretto by Ginger Strand, author of The Brothers Vonnegut, Artemisia is a recipient of a National Opera Center Discovery grant.

Real-life drama: Schwendinger’s “Artemisia” opera will premiere in New York City: Isthmus, 1.5.17

Preview in Broadway World, 1.7.17

Click to watch video of Artemisia’s premiere


Selected upcoming concerts and events:

Pro Arte Quartet, Saturday, Feb 4. With guest pianist Jee-Won Oh.

Wisconsin Brass Quintet, Final concert with retiring trumpeter John Aley, Sunday, Feb 26

Student Recitals: All semester.

Music Master Classes: Opportunities to observe guest musicians as they instruct and engage with college students.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

2016-2017 Concerto Competition Winners Announced – Concert Feb. 12

Two violinists, one pianist, one trumpeter, and one vocalist will solo with UW Symphony Orchestra with conductor James Smith.

In addition, the music of composition student Nathan Froebe will be performed.

The concert is in Mills Hall at 7:30 PM. There will be a free public reception immediately following at the University Club, 803 State Street.

Ticketed: $10 adults; students & children free. Buy tickets here or at the door.

The winners are:

  • Violinist Shing Fung (Biffa) Kwok, a doctoral student of Prof. David Perry and recipient of a Collins Fellowship. He will perform Tzigane by Maurice Ravel (1875-1937).
  • Violinist Matthew Lee, an undergraduate senior who studies with Prof. Soh-Hyun Altino. He will perform the cadenza from the Violin Concerto No. 1 in A Minor, opus 77 of Dmitri Shostakovich (1906-1975).
  • Trumpeter Matthew Onstad, a master’s student of Prof. John Aley. He’ll perform the Trumpet Concerto in F Minor, Op. 18 by Oskar Böhme (1870-1938).
  • Soprano Anna Polum, who will sing “Amour, ranime mon courage,” written by Charles Gounod (1818-1893) for his opera adaptation of Romeo and Juliet. Anna studies with voice professor James Doing.
  • Pianist Shuk-Ki Wong, to perform the first movement of the Piano Concerto in G Major by Maurice Ravel (1875-1937). Shuk-ki studies with Professors Christopher Taylor and Jessica Johnson.
  • Composition student Nathan Froebe (not pictured) is the winner of this year’s composer’s contest. More information coming soon.
L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Photograph by Hannah Olson.
L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Photograph by Hannah Olson.

A native of Hong Kong, Biffa Kwok began his violin lessons at the age of ten, studying with Chu Tong Lo. In 2004, Kwok entered the Hong Kong Academy for Performing Arts and graduated in 2013 with a bachelor of music degree in violin performance. Kwok also holds a master’s degree in violin performance and literature from the Eastman School of Music, where he studied with Mikhail Kopelman, former leader of the Borodin and Tokyo String Quartets.

Kwok has received many awards, including the ExxonMobil Scholarship, Chan Ho Choi Enchanting Music Scholarship during his studies at the Hong Kong Academy for Performing Arts; the Eastman Graduate Assistantship during his master program at the Eastman School of Music, and the James R. Smith Orchestral Leadership award during his studies at the Mead Witter School of Music.

Kwok has collaborated with many artists such as Trevor Pinnock, Uroš Lajovic, Perry So, Kokman Liu, Neil Varon, Brad Lubman, Zhu Dan, Nobuko Imai, and John Demain. A strong advocate of chamber music, Kwok actively participated in many chamber performances, including masterclasses with the Chilingirian; the Endellion; the Penderecki; the Ying, and the Dover string quartets. Kwok also actively performed in orchestral performances including participation in the Academy (Hong Kong) Symphony Orchestra; Eastman Philharmonia; Eastman Graduate Chamber Orchestra; Orchestra of the Southern Finger Lakes (Elmira, NY), the Dubuque (Iowa) Symphony Orchestra, and the Madison Symphony Orchestra. He is also a member of Sound Out Loud, an ensemble based in Madison that specializes in performing contemporary music.

At UW, Kwok studies violin performance and arts administration. The ten-minute work he will perform, “Tzigane” by Maurice Ravel, is a Hungarian-styled rhapsody written in the early 1920s and first played by the Hungarian-English violinist Jelly d’Aranyi—a great-niece of the violin virtuoso Joseph Joachim— in 1924. The name “Tzigane” is derived from the generic European term for gypsy, and it shows Ravel’s interest in violin showmanship in the manner of Paganini and Sarasota.

——

Violinist Matthew Lee is a Madison native and former member of the Wisconsin Youth Symphony Orchestra is is majoring in music performance and biology. Matthew began playing the violin at age 6 and studied with Hiram Pearcy for eleven years prior to entering college. He performed with WYSO orchestras for eight years, serving as concertmaster for the Youth Orchestra from 2011-12, including during their Eastern European Tour in 2012. He was a winner of the Youth Orchestra Concerto Competition in 2013, received honorable mentions in the Madison Symphony Orchestra Bolz concerto competition. At UW-Madison, his teachers have included Eugene Purdue and Prof. Altino.

“I chose this piece because I love Shostakovich’s work in general,” says Matthew. “His violin concerto is significant because it was written during a time when Shostakovich was scrutinized carefully by the Soviet government, in a time of increased arrests of people who wrote in an anti-Soviet manner. The violin concerto was therefore hidden from the public until after Stalin’s death. I love the whole concerto, but the cadenza and fourth movement stand out because of the desolate, barren quality of the cadenza transitioning into the exaggerated, frenzied movement of the burlesque.”

——

Trumpeter Matthew Onstad, who hails from Beaver Dam, is pursuing a master’s degree in trumpet performance, studying with Prof. John Aley. He is a member of the Wisconsin Brass Quintet and recently won the post of principal trumpet with the Quad City Symphony Orchestra, where he holds the Francis Neiswanger Memorial Principal Trumpet chair. Aside from his duties with the Wisconsin Brass Quintet, Matthew has been a member of the 132nd US Army National Guard Band since 2012, and has performed with the Madison and Oshkosh Symphony Orchestras. Matthew received his bachelor’s of music degree at the University of Wisconsin-Oshkosh where he studied with Marty Robinson and Robert Levy.

“The Böhme is one of the very few well-known trumpet concerti that was written in the Romantic era of music,” Matt says.”Although it is not a ‘standard’ in the trumpet repertoire, it certainly deserves the title, with all of the different colors it offers to the audience. It’s outer movements demonstrate virtuosic and acrobatic technique, while the inner movement possesses such beauty and sensitivity, thus making it one of my favorite pieces of music to perform.”

—-

Soprano Anna Polum is a native of Kodiak, Alaska, and is pursuing a master’s degree in voice performance, studying with Prof. James Doing. She holds degrees in music education and voice performance from the University of Alaska-Fairbanks. Anna has won or placed in competitions offered by the National Organization of Teachers of Singing in both Alaska and Wisconsin. Recently, she sang Contessa Almaviva in University Opera’s production of Le Nozze di Figaro, and next spring will sing Miss Jessel in University Opera’s production of The Turn of the Screw. For the 2016-2017 season, Anna is the soprano studio artist for Madison Opera and covered the roles of Juliet in the company’s performances of Romeo and Juliet; Chan Parker in Charlie Parker’s Yardbird; and Pamina in Die Zauberflöte (The Magic Flute). She will also sing the role of Papagena in the same production of Die Zauberflöte.

Gounod’s operatic adaption of Romeo & Juliet premiered in 1867 at the Théâtre Lyrique in Paris. While Gounod is now better known for Faust, Romeo & Juliet was a bigger success at its premiere, and has stayed in the repertoire for 150 years due to its beautiful music, genuine passion mingled with wit, and exciting fight scenes.

“I covered Juliet with Madison Opera this past November, so this role is fresh for me,” Anna says. “The setting is quite dramatic, especially in the middle recitative section, where Juliet envisions Tybalt’s ghost coming for her and Romeo. Between her fear of losing Romeo and her love for Romeo, she decides to take the poison that Friar Lawrence gives her, claiming ‘je bois a toi!,’ meaning ‘I drink to thee (meaning Romeo).’ I love the dramatic flair to this piece, especially since the rest of the opera is quite mellow, flowing in and out of love duets and party scenes.”

——

Hong Kong native Shuk-Ki Wong is a doctoral pianist who studies piano performance and pedagogy with Professors Christopher Taylor and Jessica Johnson. She was a winner of the 31st Annual Beethoven Piano Competition at UW-Madison as well as the Exhibition Award from Trinity College London, and has appeared as soloist at the Hong Kong Cultural Centre, Hong Kong City Hall and Verbrugghen Hall in Australia. During her studies, Shuk-Ki was invited to perform at the Hong Kong International Chamber Music Festival and the Asia-Pacific Music Summit, and she has participated in master classes with Colin Stone, Sa Chen, Stephen Savage, Murray McLachlan and Jack Winerock. Shuk-Ki is also on the piano faculty at the School of Professional and Continuing Education in Madison Technical College, where she teaches students with diverse interests and abilities.

Shuk-Ki obtained her bachelor of music degree and diploma of music from the Hong Kong Academy for Performing Arts with the support of the First Initiative Foundation Music Scholarship and Grantham Scholarship. She subsequently received the Molly McAulay Memorial Scholarship to fully support her graduate studies at the University of Sydney, Australia, under the tutelage of Mr. Clemens Leske.

“The brightness, energy, and the blend of ‘light-hearted and brilliant’ qualities and jazz music in Ravel’s Piano Concerto in G Major have drawn my interest, and I am excited to perform this masterpiece with the UW-Madison Symphony Orchestra,” she says.

Final Concerts: UW Choral Union, UW Symphony, Jazz; Jewish Archive; and more!

April 18, 2016
Greetings from the School of Music!  We’re overflowing with concerts the next two weeks; here are just a few highlights. Click here to see the entire calendar.
Choral Union presents Joseph Haydn’s “The Creation”

Beverly Taylor, conductor

Mills Hall, Sunday, April 24, 3:30 PM

Poster design by Tonka Raycheva

Haydn’s “The Creation,” written between 1797 and 1798, is considered one of the great masterworks of western music and civilization.  It has beautiful and exciting choral writing, demanding, intricate and soaring solos, and some of the most inventive orchestral writing of its time, both in the opening depiction of Chaos—the pre-creation state, and in the pictorial writing about animals, water, and light, all at their beginning stages.  Part I depicts the stages of creation, Part II a celebration of that creation, and Part III the new love between Adam and Eve.

“The Creation” debuted in London and was sung in English.  Our production uses the Robert Shaw version of the English text, which clears up some of the original strange grammar which resulted from the Haydn’s libretto going through a German translation and back to English. The libretto mixes Biblical language with new language for the soloists.

Our soloists include alumna Jamie-Rose Guarrine, as angels Gabriel and Eve; Voice Professor James Doing as angel Uriel; alumnus  Benjamin Schultz as angel Raphael; and current student Benjamin Li as Adam.

Tickets: $15 general public, $8 students. Buy online here or in person at the Memorial Union Box Office or at the door.

UW Symphony Orchestra with Guest Conductor Andreas Stoehr

Mills Hall, Friday, April 22, 8:00 PM- Free concert

Andreas Stoehr rehearses the UW Symphony Orchestra. Photograph by Hannah Olson.
Andreas Stoehr rehearses the UW Symphony Orchestra. Photograph by Hannah Olson.

Vienna native Andreas Stoehr will lead the university orchestra in performances of Overture to Der Freischütz (Carl Maria von Weber), Wesendonck Lieder (Richard Wagner), and Symphony No. 6 (Piotr Ilyich Tchaikovsky). With soprano Elizabeth Hagedorn.

“At first glance our program appears to be a nice bouquet of romantic pieces, but as I believe that music and philosophy share the same spiritual source, one can see that each composer tries to answer the main question: ‘Where is the exit from the burden of life?’ ” says Prof. Stoehr.

“Carl Maria von Weber’s answer: ‘There is God, there is hope, therefore good wins over evil.’ Wagner leads us to ‘unbewusst, höchste Lust’ (unaware, sublime desire; the last lines of Tristan and Isolde ) expressing his belief in uncontrollable, germinating power of love. The poetry by Mathilde Wesendonck, Wagner’s muse, reflects their profound, but impossible relationship and inspired him to Tristan and Isolde as his unique philosophy of escaping the world through an idealized love. Tchaikovsky’s ‘Pathétique’ Symphony No. 6  does not try at all to answer the question. We sense in his music his personal struggle between good and evil, right and wrong, light and darkness. Like the most famous literary works of his time by Tolstoy or Dostoyevsky, Tchaikovsky’s masterpiece comes to us as a drama, but without words. When life is over – it’s over.”

Hear Andreas Stoehr on Wisconsin Public Radio’s “The Midday” with Norman Gilliland, noon on Wednesday, April 20.

Jazz Week with LA saxophonist Bob Sheppard

Nine area high schools to participate in final concert

April 26, 28, 29 – Various times and locations

The Jazz Studies program, led by Professor Johannes Wallmann, will present a weeklong residency with LA-based Bob Sheppard, worldwide multi-woodwind performer, recording artist, and jazz musician.

Bob Sheppard. Photograph by Suzuki K.
Bob Sheppard. Photograph by Suzuki K.

The three-day event includes master classes and two concerts. It will feature the UW Jazz Ensembles, the UW Jazz Orchestra, the UW High School Honors Jazz Band, and the Johannes Wallmann Quartet.  The 2016 Honors Jazz Band, directed by UW Director of Jazz Studies Johannes Wallmann and co-conductor Eric Siereveld, is a twenty-member big band that includes top jazz students from Edgewood, James Madison Memorial, Madison East, Madison West, Middleton, New Glarus, Portage, Sun Prairie, and Waunakee High Schools.

Events:
Free Master Class/Concert Tue, April 26, 8 PM, Morphy Hall (with the Composers Septet & Contemporary Jazz Ensemble)
Concert Thur, April 28, 8 PM, Morphy Hall (with the Johannes Wallmann Quartet) Ticketed $15 single
Concert Fri, April 29, 8 PM, Music Hall (with the UW Jazz Orchestra & High School Honors Jazz Band) Ticketed $15 single

$25 both Thursday and Friday shows. Students of all ages free!

Buy tickets to Thursday’s show.

Buy tickets to Friday’s show.

Buy tickets to both shows.


 

U.S. Air Force “Freedom Winds” percussion/wind quintet to perform April 21 – Free concert

Music Hall, Thursday, April 21, 7:30 PM

FWindslogo

The School of Music is honored to present the Freedom Winds, a visiting ensemble from the United States Air Force Band of Mid-America. Composed of six virtuoso Airman Musicians, the group adds percussion to the traditional woodwind quintet instrumentation to enhance standard literature and increase their musical capabilities. Repertoire includes jazz and ragtime classics along with popular themes from Broadway’s hit shows to Hollywood’s greatest films.  Please join us for what promises to be a fun and memorable concert!

“Out of the Shadows” Rediscovering Jewish Music, Literature and Theater

May 1-5, 2016, Madison, various locations and times

“Piecing together lost generations of creativity”: that’s how the Wisconsin State Journal’s Gayle Worland phrased it in her news story last summer. Generations of Jewish creativity lost due to the Holocaust and the diaspora, now placed front and center in a worldwide effort to discover those that were lost, reclaim those that are forgotten, and perform those that have been neglected.

From May 1 through May 5, that creativity will be on display in Madison as part of “Out of the Shadows,” coordinated by music education professor Teryl Dobbs and faculty at the University of Leeds, England. Over five days, events ranging from cabaret to ethnomusicology discussions to chamber music to theater will be presented at various locations in Madison. Ticket prices range from $5 to $10.00. Buy tickets here.

PJA-2016-flyer

The three-year “Performing the Jewish Archive” project involves a large number of partners, exploring archives, delivering community and educational projects, holding at least two international conferences and a series of symposia at the British National Library, as well as mounting five international performance festivals––in the United States (Madison, WI), the Czech Republic, South Africa, Australia, and the United Kingdom.

Download the full schedule here (PDF)

Or check our online link: http://www.music.wisc.edu/performing-the-jewish-archive-may-2016-events/


Faculty News: Parry Karp

Student News: Claire Powling, Grace Subat



PHOTO GALLERY     A Day in the Life of a Music School: A master class with composer and cellist Paul Desenne, April 11, 2016. Images by Michael R. Anderson.


 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Help for Small-Handed Pianists, with Jessica Johnson; Pianist Christopher Taylor solo recital; Cuba Trumpet Expert performs with UW Jazz; and more!

News and Concert Highlights from the UW-Madison School of Music. February 9, 2016

Join us this Sunday for Symphony Showcase: UW Concerto Winners perform solo. Sunday, Feb 14, Mills Hall, 7:30 PM. $10 general public/all age students free. And see our complete calendar, including recitals, jazz, classical, voice and percussion concerts, colloquia, and opera, at this link: http://www.music.wisc.edu/events/


A Solo Recital with Pianist Christopher Taylor, Feb. 26, 8 PM, Mills Hall
Christopher Taylor
Christopher Taylor

On Feb. 26, acclaimed pianist Christopher Taylor will play music of Bach, Brahms, and Scriabin in his only solo Madison concert this academic year. On the program: J.S. Bach’s French Suite No. 1 in D Minor, Aleksandr Scriabin’s 12 Etudes, and the lovely Johannes Brahms’s Piano Sonata No. 1, Op. 1.

Read Jessica Courtier’s review of Taylor’s 2015 performance with the Madison Symphony Orchestra. “We in Wisconsin are privileged to call Christopher Taylor one of our own,” she wrote. Tickets are $15 for the general public; free for students of all ages.


Jessica Johnson holds out hope for pianists with small hands

How big are your hands? If you aspire to be a professional pianist, that’s an important question. On average, women have smaller hands than men, and are frequently stymied when trying to stretch their fingers to reach the larger octaves written into many major concertos, such as those by Liszt and Rachmaninoff. That simple fact bears on another simple fact: There are fewer women in the top echelons of professional concert pianists. Injuries are also common.

Jessica Johnson
Jessica Johnson

On Sat., Feb. 20, Jessica Johnson, professor of piano and piano pedagogy, will hold a full day of all-free events to demonstrate what has been working for her: The adoption of a specially sized piano that is 7/8 of normal size. Made by Steinbuhler & Co., one of these is now owned by the School of Music, and Prof. Johnson has found that playing it has been a “life-changing” experience.

Join us on Feb. 20 at 2:30 for a workshop, master class, hands-on demonstrations, and concert, all featuring the Steinbuhler DS 5.5 7/8 piano. Learn more here. And watch for an article about this revolutionary new approach in an upcoming story by Gayle Worland, in the Wisconsin State Journal.

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Trumpeter & Cuban Music Expert Mike Davison to perform with the UW Jazz Orchestra

Master class: Mon Feb 22, Mills Hall; Concert: Weds., Feb. 24, 7:30 PM, Music Hall. Read more here.

Even after a semester with Juan de Marcos, we’re still feeding on Cuban music! This month, we’re bringing Mike Davison (DMA, trumpet performance 1987)  to campus from the University of Richmond, where he teaches and performs. He’ll join the UW Jazz Orchestra, the Waunakee High School Jazz Ensemble I and the UW Latin Jazz Ensemble in an evening of rousing Caribbean tunes. Davison’s bio includes concerts around the world, four recorded jazz CDs, and performances with well-known singers, musicians, and even for a pope.


UW Wind Ensemble travels to Verona and west Madison for concerts
Tom Curry
Tom Curry

Find the UW Wind Ensemble in your corner of Dane County! Last December, the Wind Ensemble made an appearance at the Sun Prairie High School and will continue its out of town concerts this spring. Find them at Verona High School on Feb. 19, at Oakwood Village – West (Mineral Point Road) on March 31, and of course at the School of Music as well (Feb. 20). Both February concerts will feature Tom Curry, adjunct professor of tuba, in a work titled “Heavy Weather,” by the composer Jess Turner.

 


Summer Music Clinic registration now underway

Registration is open through May 2 for UW-Madison’s legendary Summer Music Clinic, which offers dozens of classes in all kinds of musical skills for kids completing grades 6-8 (junior session) and 9-12 (senior session). For one week, students live in UW dorms and attend classes that they choose from a lengthy list, including band, orchestra and choir; sight-singing; jazz improvisation; opera; swing dance; yoga; and even specialized classes on subjects ranging from the music of film composer John Williams to Stephen Sondheim to rock’n roll. Instructors are all highly skilled; many are university professors or other working professionals. Taste the fun by visiting SMC’s Facebook page! For more information, email anne.aley@wisc.edu.

Below: Summer Music Clinic photographs by Michael R. Anderson.


Faculty News: Daniel Grabois, Laura Schwendinger.

Alumni News: Violist Elias Goldstein.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

UW-Madison’s Top Musicians to Solo in Annual “Symphony Showcase”

News and Events from the UW-Madison School of Music – January 26, 2016

“Symphony Showcase” brings out the best, literally

They’ve prepared for months and now are ready to show off a bit on the stage of Mills Hall: Our annual Symphony Showcase, a concert featuring the winners of our annual concerto competition in solo performances with the UW Symphony Orchestra, conducted by James Smith.  This year’s winners are all graduate students with impressive worldwide resumés; one is a composer whose new work will be premiered by the orchestra. Please join us on Sunday, February 14, at 7:30 PM for our concert and reception in Mills Hall! (Note: Parking is free on Sundays in Grainger Hall.) Concert tickets are $10 but are free for students of all ages. Buy in advance ($4 fee) or in person in Mills lobby.

Concerto winners
L-R:
Kangwoo Jin, piano; Luis Alberto Peña, piano; Garrett Mendelow, percussion; and Paran Amininazari, violin. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.

Meet the winners and the works they will play, and read full biographies on this webpage.

Violinist Paran Amininazari, doctoral student of Assistant Professor Soh-Hyun Park Altino. Paran is also a member of the Madison Symphony Orchestra and a founding member of the Willy St. Chamber Players. Sergei Prokofiev’s Violin Concerto No. 2 in G minor, Op. 63, one movement.

Yunkyung Hong, a doctoral composer studying with Professors Laura Schwendinger and Stephen Dembski. “Yun” has won many awards and commissions worldwide and is employed by UW-Madison’s MOOCS (massive online courses) program as a sound designer. Her new work is called Transparency.

Pianist and Collins Fellow Kangwoo Jin, doctoral student of Professors Christopher Taylor and Jessica Johnson. Kangwoo is a winner of many competitions and received his master’s degree from Indiana University. He is also a teacher in the school’s Community Music Lessons program. Rachmaninoff’s Piano Concerto No. 2 in C minor Op. 18, third movement.

Garrett Mendelow, doctoral percussionist and Collins Fellow studying with Professor Anthony Di Sanza. In 2012, Mendelow won second place in the biennial Tromp Percussion Competition in The Netherlands, and in 2014, he was a semifinalist at the ARD International Music Competition in Munich, Germany. Arena Concerto, by Swedish composer Tobias Broström.

Luis Alberto Peña, a doctoral piano student of Professor Christopher Taylor.  Luis has soloed with many orchestras and won awards in Colombia, Costa Rica, Venezuela and the USA. Richard Strauss’s Burleske in D Minor for Piano and Orchestra.


The Wisconsin Idea at Its Most Audible

Did you know that the Wisconsin Brass Quintet, the Wingra Wood Quintet and the Pro Arte Quartet are our contribution to the Wisconsin Idea? Over decades, the three ensembles have logged thousands of miles giving concerts and master classes in high schools, concert halls and colleges all over Wisconsin. And we want to visit your town!

We’ve given it a new name: the “Music Engagement & Outreach Program,” and we have a new coordinator, Beth Larson,  a violinist who graduated from UW-Madison in 2011 and performs with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and the Willy Street Chamber Players.  With Beth’s help, the three groups have begun an exciting new partnership with Milwaukee’s High School of the Arts, working not only with bands and orchestra but with literature and science classes as well. Contact Beth to learn more.

ThreeEnsembles-Web2015-16

Find the ensembles in your corner of Wisconsin! Upcoming concerts include:

Pro Arte Quartet (please note: due to injury, the Pro Arte concert for Feb. 3 in Mills Hall has been canceled)
2/23/16 5:30 PM Concert & Clinic | Wisconsin Philharmonic | Waukesha, WI
2/28/16 2:00 PM Concert | Marcus Center for the Performing Arts | Milwaukee, WI
4/5/16 7:00 PM Concert | University of Wisconsin – Platteville | Platteville, WI
4/7/16 7:00 PM Concert | Oakwood Village – University Woods | Madison, WI
4/11/16 7:30 PM Concert | Three Lakes Arts Association | Three Lakes, WI
5/14/16 7:30 PM Concert | Midsummer’s Music | Sister Bay, WI
Wisconsin Brass Quintet
3/4/16 7:30 PM Concert | Concordia University | Mequon, WI
Wingra Wind Quintet
2/11/16 3:30 PM Concert | Coventry Village | Madison, WI
2/18/16 10:00 AM Educational Concert | Edgewood High School | Madison, WI
2/26/16 7:30 PM Concert | Nicolet Live @ Nicolet College | Rhinelander, WI


Music reviewer Greg Hettsmanberger gets his own TV blog

Blogger Greg Hettsmanberger has been writing about classical music for Madison Magazine for several years now, and has now begun a stint on TV as well and started a new personal blog, “What Greg Says,” mostly about music. You can catch his TV segment on occasional Wednesday mornings just after 6:30 AM on WISC-TV/Ch. 3. In his debut appearance, he included our upcoming Schubertiade as one of his recommendations.

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Meanwhile, another faithful classical music critic, Jake Stockinger, just passed the 1.4 million mark in hits to his blog, The Well-Tempered Ear, in continuous publication since 2009. Congratulations, Jake!


Want to burnish those rusty piano or trombone skills? UW-Madison’s Community Music Lessons can help

The CML program was founded in 1968 and is still busy offering lessons to students young and old(er) in our community. Our teachers are graduate students recommended by their major professors, and are available in the areas of instrumental, voice, and even composition. Registration for the spring semester just opened; click here to learn more.
Read biographies of our current teachers.


Faculty News: Laura Schwendinger, Uri Vardi & David Perry.

Alumni News: Violist Elias Goldstein.


Hire a Musician!

Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note: All arrangements are made between the students and the employer.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
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You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

UW Opera Wins National Award; 3rd “Schubertiade” coming on Jan. 30

Happy New Year from the UW-Madison School of Music!

University Opera’s Albert Herring wins award from the National Opera Association

Albert Herring, an opera composed by Benjamin Britten and produced by University Opera in October, 2014 at Music Hall, has won third place in Division III of the National Opera Association‘s annual opera production competition. The opera was directed by interim director David Ronis and conducted by Kyle Knox, a graduate student studying conducting with professor James Smith.

It is the first NOA award for UW-Madison and the fourth for Ronis, whose previous wins came while he taught at Queens College in New York City.

All photographs by Michael R. Anderson

This past weekend, Ronis collected the award at the association’s yearly meeting in Indianapolis. “When I arrived in Madison, I felt that the quality of the work being done by University Opera was of a very high caliber, certainly of the level of other college and university opera departments that I had seen win awards,” Ronis said in an email. “So I thought, ‘Why not? We’ve got nothing to lose.’ So I submitted both last year’s productions of Albert Herring and The Magic Flute and I guess it paid off.”

“Good opera has been produced by UW-Madison for years. It’s just very gratifying to have the recognition of a national organization,” he continued.

The competition is blind, meaning that performing companies are not identified to judges. Those eligible include small professional opera companies and opera training programs from academic institutions, music conservatories, summer opera training programs, and opera outreach programs. Entries are separated into seven divisions by the judges; the criteria include the size and scope of institution’s music and opera program and the level of vocal training of the singers in the cast.

Congratulations to University Opera!

Mark your calendars now for University Opera’s spring show, Transformations, Conrad Susa’s thought-provoking opera from 1973. Susa’s chamber opera for eight singers and eight players is an adult re-telling of ten classic fairy tales (among them, Snow White, Rumpelstiltskin, Rapunzel and Hansel and Gretel) as seen through the eyes of poet Anne Sexton. Sexton’s struggle with mental illness frames the darkly humorous and audaciously recounted tales, filled with mid-twentieth-century references, both literary and musical. Performance dates are March 11-15, 2016. Buy tickets here.


Third “Schubertiade” coming January 30 to Mills Hall!

(Please note ticketing and parking tips below!)

In homage to a beloved composer, the UW-Madison School of Music will present its third annual Schubertiade, an evening of songs, piano duets and chamber music by Franz Schubert, one day before the composer’s 219th birthday.

All photographs by Michael R. Anderson

The concert will take place on Saturday evening, January 30 at 8 p.m. in Mills Concert Hall. The concert is hosted by pianist Martha Fischer, who is professor of collaborative piano and piano at the School of Music, and her pianist husband Bill Lutes, emeritus artist-in-residence. Alumna soprano Jamie-Rose Guarrine, who has sung with many major opera companies including Wolftrap in Washington, D.C., the Santa Fe Opera, the Minnesota Opera, as well as Milwaukee’s Florentine Opera and Madison Opera, will be a guest soloist. Guarrine now teaches at the University of Massachusetts at Amherst.

The program will include a major work for piano duet, the Allegro in A minor, known as “Lebensstürme” or Life’s Storms, performed by Fischer and Lutes. Guarrine will sing one of Schubert’s final works, the delightful “Shepherd on the Rock,” along with Fischer and clarinet faculty Wesley Warnhoff.

Additional guests will include UW-Madison voice faculty Mimmi Fulmer and Paul Rowe; current University Opera director David Ronis; alumni singers Daniel O’Dea and Benjamin Schultz; current DMA candidate Sara Guttenberg; soprano Marie McManama; UW-Madison horn faculty Daniel Grabois; UW-Madison faculty violinist Soh-hyun Park Altino; UW-Madison faculty violist Sally Chisholm; adjunct professor of clarinet Wesley Warnhoff; alumnus cellist Ben Ferris; and Leo Altino, cellist, the husband of Park Altino.

Read more here.

Tickets are $15.00 for adults. Students of all ages are free.

Tickets are available through the Union Theater Box Office. Patrons may buy online ($4 fee) or save the fee and buy in person at Memorial Union or in Mills lobby day of show.

Please note: We recommend that patrons arrive early, both to secure a parking spot and to buy a ticket (if you haven’t already). Parking will be tight due to UW hockey, but parking passes may be ordered two weeks in advance to guarantee a space.

To buy a parking spot, complete this online request form or call the Special Events Office at (608) 262-8683. Please allow two weeks for processing. In the box for “special instructions,” please indicate “Schubertiade.” [Note: This form may be used for any concert.]


Meanwhile, Martha Fischer has won “Musician of the Year” from local blogger and former Capital Times arts editor Jake Stockinger.

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He writes: “Fischer is a first-rate collaborator who performs and records regularly with other faculty instrumentalists and singers. They include UW trombonist Mark Hetzler, trumpeter John Aley and singers, baritone Paul Rowe and soprano Julia Faulkner, who has since moved on to the Lyric Opera of Chicago.

“A model of the Wisconsin Idea in action, Fischer also serves as a juror for piano competitions, gives talks around the state and helps recruit talented students.

“As a researcher, Fischer – who trained at the Juilliard School, Oberlin College and the New England Conservatory of Music — traveled to England and interviewed famous collaborative pianists about playing Schubert’s art songs.”  Thanks, Jake! Read his full post here.


And one more: UW-Madison’s classical side was lauded in Isthmus’s “Best of 2015” list, via concert reviewer and emeritus history professor John Barker. Among his favorites were last year’s “Schubertiade” concert in January with pianist Martha Fischer, Bill Lutes and many friends; pianist Christopher Taylor at the Madison Symphony in Feb; David Ronis, James Smith and University Opera’s Marriage of Figaro in Sept; David Ronis and Marc Vallon with Madison Bach Musicians; and many alumni who performed with the brand-new Willy Street Chamber Players over the summer. Meanwhile, jazz studies prof Johannes Wallmann was complimented by writer Marc Eisen. “A jazz scene plus,” Eisen writes.

Christopher Taylor
Christopher Taylor

Mark your calendar! Pianist Christopher Taylor will perform solo at the School of Music on February 26. On the program: the French Suite No.1 in D minor, BWV 812 of Johann Sebastian Bach; 12 Etudes, Op.8   of Aleksandr Scriabin; and Piano Sonata No.1, Op.1 of Johannes Brahms. Read more here.

Buy tickets in advance.

NEXT ISSUE: We’ll announce the winners of our annual Concerto Competition and invite you to hear them perform solo at Symphony Showcase, Feb. 14.


 

Alumni News: Nathaniel Wolkstein, Jonathan Posthuma.

http://www.music.wisc.edu/alumni-news/


Hire a Musician!

Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note: All arrangements are made between the students and the employer.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
Untitled


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.