Category Archives: Composers

News of Students, Graduation Celebration & Details of Final Concerts

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
April 25, 2017

Note: On Friday, May 12, from 2 to 4 PM, the School of Music will host an Awards & Graduation Celebration in Music Hall, the clock tower across from Humanities at the bottom of Bascom Hill. Join us for festivities, conversation, congratulations, and food!

Student accolades are rolling in!

Wisconsin native Jerod Reetz, a doctoral student in composition studying with now-retired professor Stephen Dembski, has received a commission to write a work for low flutes. Low flutes include the following instruments: alto flute, bass flute, contrabass flute, subcontrabass flute, and hyperbass flute.

Jerod Reetz

The $250 commission is the 2017 Peter Sheridan Low Flutes Opportunity Award, awarded by the Madison Flute Club during the Wisconsin Flute Festival in early March.


Bassoonist Ranveer Vasdev has been awarded the Leo and Jean Besozzi Scholarship, which provides a one-time, $1,500 award to a high achieving senior. In addition to pursuing his music degree, Ranveer is also currently doing research with the Department of Comparative  Bioscience. In early spring 2015 Ranveer was invited to play at an international wind band festival at Carnegie Hall. He also hopes to attain a MD/PhD practicing pediatric pulmonology and researching diaphragmatic and intercostal neuroplasticity.


Saxophonist Rachel Heuer has won the Ann Durra Scholarship from the College of Letters & Sciences. This scholarship provides a one-time, $3,000 award to a high achieving junior or senior pursuing a degree in mathematics, the physical sciences, or the natural sciences. In addition to pursuing her music degree in jazz performance, Rachel is also pursuing a degree in molecular biology. She has played self-composed original pieces at Jazz at Five weekly concerts on Capitol Square. She also works in a lab on campus studying heart disease.


Percussionist Aaron Gochberg has won a Hilldale Undergraduate Research Award for his past and continued research into Cuban music and folklore.


Will Porter

Doctoral trombonist Will Porter, a student of Mark Hetzler, has won a $10,000 dissertation fellowship from the Honor Society of Phi Kappa Phi. Porter is one of two UW-Madison doctoral candidates to win the award, and they are two of only ten winners in the United States.

Porter’s project is focused on music education in Mozambique. His doctoral research examines the relationship between classical-music education and social development. It focuses on the Xiquitsi (“Shi-keet-see”) Project in Mozambique, an emergent classical-music education and outreach project inspired by the El Sistema orchestral training program in Venezuela.


Weekend on Tap: Some Ticketed, Some Free

UW Wind Ensemble, Student Recitals, Concert Band, and a Quartet Performance round out the year. See http://www.music.wisc.edu/events/

See below for ticketing information.

Concert Choir with cellist Matt Haimovitz, violist Sally Chisholm and student soloists

Friday, April 28, 8 PM, Mills Hall
Beverly Taylor, conductor
$15 adults, $5 non-SOM students

Read the Isthmus preview by Jay Rath.

Conductor Beverly Taylor’s vision for this concert is “Art Born of Tragedy.” It includes the work Après moi, le deluge, a lament on the destruction of New Orleans in 2005 by Hurricane Katrina, with cellist Matt Haimovitz, and a work, on Paris, by faculty composer Laura Schwendinger about the 2015 bombings in Paris, with viola soloist Sally Chisholm. In addition are works by Robert Fountain, John Wilbye, Joseph Gregorio, as well as several spirituals. The Concert Choir is one of UW-Madison’s most advanced ensembles, and released a CD in 2016.

Beverly Taylor writes:
“To our listeners,
I’ve been thinking about this program for a long time.  In tragic circumstances, such as we’ve experienced in our lifetimes, and certainly in the last twenty years, many of us are caught in a web of grief and frustration.  Our need to be of help may come out in works of social justice or aid, or volunteerism.  But for many of us we also may feel that the circumstances of the event are so overwhelming that we may withdraw inside, unable to wrap our minds around a pathway to follow; we may grow a shell of busy-ness that keeps us from feeling both joy and sorrow.
“After 9/11, the Onion came out with an issue; I told one of my grad students at the time that nothing funny could follow such an incident, so I was unready to read the article he handed me.  But on some deep and ridiculous level the headline stayed with me:  Woman, not knowing what else to do, bakes flag cake.
“So we come to what artists may do in the wake of tragedies—large public tragedies and ones kept inside of us.  Artists may not bake a flag cake, but they turn their strong feelings and ideas into works that may plumb the sorrow, turn the sorrow into an idea, turn an idea into action, or make us view any tragedy in a new way.  Musical artists cannot necessarily predict the emotional or intellectual effects on the listeners; they can only present their ideas in sound, which are interpreted by the performers.
“And being the very mortal beings we are, it is hard to keep our contemplation centered on these ideas for long, as they are potent, so tonight we vary our content with music of several centuries, varying the gentle and the loud, early music with modern spirituals of overcoming adversity, works written long ago with those written this year, in the hope of bringing a fresh look and sound to profound ideas. Thank you for coming on this musical journey with us.”

Download the program here.

Matt Haimovitz will visit host Norman Gilliland on “The Midday,” Wisconsin Public Radio, this Thursday, April 27, at noon. 88.7 FM.


UW Jazz Week with bassist Linda Oh, the UW High School Honors Jazz Band, and the UW Jazz Orchestra

Friday, April 28, 8 PM, Music Hall
Johannes Wallmann, director
$15 adults, $5 non-SOM students.
Additional concerts Tuesday, April 25 & Thursday, April 27

Fresh off first place in the Big Band category at the Eau Claire Jazz Festival, the UW Jazz Orchestra is ready to swing to the music of Oliver Nelson, Clay Jenkins, Cedar Walton, Dave Douglas and Pat Metheny. The Honors Jazz Band plans to perform works by Kenny Wheeler, Jeff Jarvis, and Frederick “Dave” Snider.

Meanwhile, by happy coincidence, bassist Linda Oh is on the cover of April’s Jazz Times magazine. Oh is now appearing regularly with jazz guitarist Pat Metheny. “Linda is exactly right for me right now,” Metheny says. “because she embodies the kind of listening that I always love, but that I am particularly looking for at the moment. Simply, put, she is one of the most exciting new musicians I have heard in a long time on her instrument.”

Download the program here.

Linda Oh will appear on WORT Radio this Thursday, April 27, 3 PM, on the “Strictly Jazz” show with host Steven Braunginn.


Choral Union & UW Symphony – Two Concerts

Saturday, April 29 8 PM, Mills Hall
Sunday, April 30, 7:30 PM, Mills Hall
Beverly Taylor, conductor
Tickets: $15 adults, $8 students.

Presenting Paul Hindemith’s When lilacs last in the door-yard bloom’d (text by Walt Whitman).

A rarely done work because of its difficulty, this is an outstanding setting of Walt Whitman’s poem written about the death of Abraham Lincoln, and the train that carried his body to Springfield, Illinois.  The work was commissioned by Robert Shaw in memory of Franklin Roosevelt, whose funeral train carried his dead body from Georgia back to Washington.  The work is in memory of “those we loved.”

Our soloists will be Jennifer D’Agostino, soprano, and James Held, baritone.

Jennifer D’Agostino is currently assistant professor of music in voice at Walsh University in Canton, Ohio. She received her DMA at the University of Wisconsin-Madison in voice performance with a minor in opera production.

Jennifer has performed major operatic roles in The Magic FluteSusannahA Hand of BridgeSweeney ToddRoman FeverThe Mikado, Little WomenThe Most Happy Fella’, Maria Stuarda, and The Consul. She directed & premiered the role of ‘Ethyl Wormvarnish’ in Jerry Hui’s opera Wired for Love.

Internationally, Jennifer has performed as a soloist in Rossini’s Messa di Gloria in Pesaro, Italy with Benton Hess and under the baton of Eduoardo Mueller at AIMS in Graz, Austria.

She has been a participant, soloist and instructor with the Madison Early Music Festival. In 2012, she collaborated with pianist and UW grad Kirstin Ihde at the Baldwin-Wallace Art Song Festival. Jennifer was chosen as a NATS (National Association of Teachers of Singing) Intern, summer 2013. She presented at the Lily Conference in 2016 on teaching techniques in the private vocal lesson.

James Held is a versatile performer with experience in a variety of styles including musical theatre, new works, and traditional concert and operatic repertoire. Recent performances include King Henry VIII and Jesus the Beloved in Passion Trilogy with The Fisher Ensemble, Oliver Hix in Meredith Willson’s The Music Man and The Sacristan in Tosca with the Colorado Symphony, Sheriff Wells in Zach Redler’s A Song for Susan Smith, Guglielmo in Così fan tutte, The Pirate King in The Pirates of Penzance, and The Father in Hänsel und Gretel. Held was a Young Artist with the prestigious Seagle Music Colony where he performed such roles as Sid in Albert Herring and Leporello in Don Giovanni. He is currently the baritone studio artist with Madison Opera where he appeared as the Second Priest/Second Armored Man in Die Zauberflöte and Paris in Roméo et Juliette. Held holds a master of music degree from the University of Colorado-Boulder and a bachelor of music degree from the University of Wisconsin-Madison. He will be joining the Madison Symphony Chorus in Germany as the baritone soloist in Brahms’s Ein Deutsches Requiem.

Ticket information:

By Phone:
(608) 265-ARTS (2787)
By Mail:
Campus Arts Ticketing Box Office
800 Langdon Street
Madison, WI 53706
In person:
Box Office in Memorial Union, First Floor, 800 Langdon St
Box Office in Vilas Hall: 821 University Avenue, East Campus Mall side of the building.
Online: https://itkt.choicecrm.net/templates/UWIM/?prod=UWCA

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Take your pick: School of Music overflowing all April with beautiful noise

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
Wednesday, April 5, 2017

For this issue, we’ve prepared a special e-blast of selected final concerts at the School of Music. Many more, including student recitals and small ensemble concerts, can be found on our events calendar.

We hope you will make time to attend at least one!  (Click links to read musician biographies and learn about concert programs.)

The Perlman Trio holds its annual recital

Saturday, April 8, 3:30 PM, Morphy Hall. Free event.
The trio, comprised of Chan Mi Jean, piano; Adam Dorn, violin; and Micah Cheng, cello, is sponsored by longtime donor Kato Perlman. The ensemble is chosen carefully to blend personalities and styles, and each spring concert is a treat for audiences. This year’s trio will present works of Haydn, Dvorak, and Brahms. There will be a reception after the concert.

The 2016-2017 Perlman Trio: Micah Cheng, viola; Chan Mi Jean, piano; and Adam Dorn, violin. Photograph by Katherine Esposito.

32nd Annual Beethoven Piano Competition winners recital

2017 Beethoven Competition winners Kangwoo Jin, Leah Kang, and Alberto Peña-Cortes. Photograph by Katherine Esposito.

Sunday, April 9, 3:30 PM, Morphy Hall. Free event.
This long-running event is sponsored by former UW-Madison chancellor Irving Shain. The 2017 winners are Kangwoo Jin, Leah Kang, and Alberto Peña-Cortes. The program will include Beethoven’s Sonata in C Major, Op. 53 (“Waldstein”) (Kangwoo Jin); the Sonata in E Major, Op. 109 (Leah Kang); and the Sonata in A Major, Op. 101 (Alberto Peña-Cortes).


UW Symphony Orchestra Farewell Concert with Conductor James Smith

James Smith rehearses the UW Symphony for its final concert with him as conductor. Photograph by Katherine Esposito.

Sunday, April 9, 7:30 PM, Mills Hall. Free event.

Professor James Smith, conductor of the UW Symphony and University Opera, came to UW-Madison in 1984 to conduct the Wind and Symphonic Ensembles and assumed orchestral conducting duties following the departure of David Becker. He has also served as longtime conductor of the Wisconsin Youth Symphony Orchestra and will retire from that post as well.
Smith was a professional clarinetist prior to becoming a conductor.


The Hunt Quartet presents a spring concert

The Hunt Quartet, 2016-2017. L-R: Kyle Price, cello.; Vinicius “Vinny” Sant’Ana, violin; Blakeley Menghini, viola; Chang-En Lu, violin. Photograph by Katrin Talbot.

Tuesday, April 11, 8:30 PM, Morphy Hall. Free event.
The Hunt Quartet is the graduate string quartet at the School of Music, co-sponsored by Kato Perlman and the Madison Symphony Orchestra. The Quartet is an integral part of the Madison Symphony Orchestra’s “Up Close and Musical” program, visiting area schools to teach students about fundamentals of music and the string quartet. This year’s members are Kyle Price, cello; Vinicius “Vinny” Sant’Ana, violin; Blakeley Menghini, viola; and Chang-En Lu, violin.


Stephanie Jutt: Final Faculty Recital

Stephanie Jutt. Photograph by Katrin Talbot.

Thursday, April 13, 7:30 PM, Mills Hall. Free event.

Flutist Stephanie Jutt bids farewell after 27 years
While at UW-Madison, Professor Stephanie Jutt founded Bach Dancing & Dynamite, a summer chamber music festival; UW-Madison’s Arts Venture Challenge; and shepherded many flutists through undergraduate and graduate work. She plans to continue as principal flutist with the Madison Symphony Orchestra and as artistic director of Bach Dancing & Dynamite.


Emery Stephens: African-American Songs and Spirituals

(Rescheduled from March 13)
Wednesday, April 12, 6:30 PM, Music Hall.  Free event.
Emery Stephens, baritone, is assistant professor of voice at Wayne State University in Detroit, Michigan. Stephens will coach student singers and pianists in African-American songs and spirituals. Students will perform in a recital with Stephens and collaborative pianist professor Martha Fischer in a concert.


Pro Arte Quartet with guest artist Jazimina Macneil, mezzo-soprano

Wednesday, April 19, 7:30 PM, Mills Hall. Free event.

The Pro Arte’s  final concert of the academic year will feature a rising star singer and a world premiere by composer John Harbison.

String Quartet in E Major, Op. 54 No. 3 (1788)
Joseph Haydn

The Cross of Snow for Contralto and String Quartet (2016)
John Harbison
World Premiere of Version for Voice and String Quartet

String Quartet in A Minor, Op. 16 (1874)
Antonín Dvořák


Annual Varsity Band Concerts with Mike Leckrone

Mike Leckrone at the Cotton Bowl, January 2017. Photograph by Gary Smith.

April 20, 21 and 22, Kohl Center, 601 Dayton Street. All shows 7 PM. $23. Buy tickets.
Help us welcome Mike Leckrone back from his recent surgery! Learn more here.


UW Wind Ensemble

Scott Teeple, conductor.
Wednesday, April 26, 7:30 PM, Mills Hall.   Free event.

Scott Teeple. Photograph by Katherine Esposito.

The Wind Ensemble offers a Wisconsin premiere of a work by Japanese composer Jun Nagao, and the Concerto for Piano and Wind Ensemble by Igor Stravinsky with Christopher Taylor on piano.

Guest bassist Linda Oh performs with Jazz Orchestra and UW High School Honors Jazz Band

Friday, April 28, 8 PM, Music Hall.

$15 adults/$5 students. Buy tickets online; also sold at door.
Additional events Tuesday -Thursday in Morphy Hall; click here for more information.
Johannes Wallmann, director

Our annual spring Jazz Fest features talented high school jazz musicians, who rehearse with the UW Jazz Orchestra and a guest. This year, our guest is bassist Linda Oh from New York City, who is featured on the cover of April’s Jazz Times magazine. Oh has played with many top musicians; she’ll appear with Pat Metheny at Ravinia on June 14. The week’s events include two free concerts and a ticketed concert on Friday night.

 


UW Concert Choir with cellist Matt Haimovitz

Friday, April 28, 8 PM, Mills Hall.

$15 adults/$5 students. Buy tickets online; also sold at door.

Presenting “Après moi, le deluge” by composer Luna Pearl Woolf
and “for Paris,” a world premiere for solo viola and choir by UW-Madison composer Laura Schwendinger.

With the Concert Choir and Sally Chisholm, violist of the Pro Arte Quartet.

Beverly Taylor, conductor

“Ferociously talented” (New York Times) cellist Matt Haimovitz, known for his renditions of the Bach Cello Suites as well as Radiohead, will return to Madison on April 28 to perform a work that he premiered here 11 years ago with the UW Concert Choir, one of UW-Madison’s most advanced choirs.

Read full news release here.

Watch: Matt Haimovitz & Christopher O’Riley: NPR Music Tiny Desk Concert, 2015


UW Choral Union & UW Symphony Orchestra

Saturday, April 29 (8 PM) and Sunday, April 30 (7:30 PM), Mills Hall.

$15 adults/$8 students. Buy tickets online; also sold at door.

Beverly Taylor, conductor

Presenting Paul Hindemith’s When lilacs last in the door-yard bloom’d (text by Walt Whitman).

A rarely done work because of its difficulty, this is an outstanding setting of Walt Whitman’s poem written about the death of Abraham Lincoln, and the train that carried his body to Springfield, Illinois. The work was commissioned by Robert Shaw in memory of Franklin Roosevelt, whose funeral train carried his dead body from Georgia back to Washington. The work is in memory of “those we loved.”

Below: The New York Philharmonic performed this work in 1946.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

A musical thank-you to the Mead Witter Foundation; Shain Woodwind-Piano Duo Winners Announced; New Music Premieres & Papers at Musicology Consortium: “Jewish Archive” Project Continues Worldwide

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
March 8, 2017

Faculty Ensembles combine with Lincoln High students for a memorable concert

On February 9, two School of Music faculty ensembles – the Wisconsin Brass Quintet and the Wingra Wind Quintet – traveled to Wisconsin Rapids, the home of the Mead Witter Foundation, for a special concert to thank them for their support of the school of music. The two ensembles, plus the Wind Ensemble from Lincoln High School in Wisconsin Rapids, performed a side-by-side concert at the Performing Arts Center of Wisconsin Rapids after the students were coached by ensemble faculty and UW-Madison conductor Scott Teeple.

Afterwards, music engagement and outreach coordinator Beth Larson received this note from Jeanne Olson, director of bands at Lincoln High School: “Thank you so much for all of the time you spent organizing that event, my students loved it and learned so much! I had them write a reflection this week, and they were very positive and many listed countless things that they learned from the professors sitting in with them and then working with the small groups!! It was a very successful event!”
Photographs by Beth Larson.

Irving Shain Woodwind-Piano Duo Competition Winners to perform this Saturday

Irving Shain, former chancellor of the University of Wisconsin-Madison. Photograph by Jeff Miller, university communications.

March 11, 4 PM, Morphy Hall.

This years’ duo winners are Rayna Slavova, piano with Chia-Yu Hsu, bassoon; and Kangwoo Jin, piano, with Eleni Katz, bassoon. The four will perform their winning selections at a free concert this Saturday.  Learn about the winning musicians and download the program.

Meet Yasha Hoffman, Russian Studies and composition double major

Yasha Hoffman.

Yasha Hoffman, a Minnesota native, grew up with parents of Soviet/Russian heritage and as a young child, fell in love with Russian folk songs. “One of my favorite activities was putting on ‘concerts’ for my parents where I’d loudly sing Soviet children’s songs and bang on the piano,” he says. He loves the breadth of opportunity offered by classes at UW-Madison. Read more about Yasha Hoffman.

“Performing the Jewish Archive” project continues worldwide

UW-Madison professor Teri Dobbs in Israel, Jordan, Michigan, and Vienna (upcoming)

This past January, Professor Teri Dobbs, a member of the Performing the Jewish Archive team, spent two weeks in Israel and Jordan. During her time there, she was a guest at Tel Aviv University’s Moshe Dayan Center for Middle Eastern and African Studies, together with colleagues from UW-Madison’s Mosse-Weinstein Center for Jewish Studies. In addition, she conducted research in the Yad Vashem Archives, met with musicology/music education colleagues to discuss the possibility of future projects within Israel, and met with the family of piano prodigy and composer, Josima Feldschuh (d. 1943).

Teri Dobbs
Professor Teryl Dobbs. Photograph by Michael R. Anderson.

Professor Dobbs will present several conference papers this coming semester, most of which pertain to her work with Performing the Jewish Archive. Her paper, “Music Education and the Holocaust: So What?” was heard at the New Directions in Music Education Conference: “Musicking Equity: Enacting Social Justice Through Music Education,” Michigan State University, East Lansing, Michigan, February 17. Dobbs has been invited to present more two papers, one in collaboration with soprano and PtJA performer Elizabeth Hagedorn of Vienna, at the 25th European Association for Music in Schools/6th European International Society for Music Education regional conference, JOINT (AD)VENTURE MUSIC: Network as a Challenge for Music Educators, at the University Mozarteum, Salzburg, Austria, April 18 – 22, 2017.
Learn more here.

Read about prior Performing the Jewish Archive events in Madison, 2015-2016.


Selected Upcoming Events

Anthony Georgeson. Photograph by Thomas Bruce.

March 12, 7:30 PM, Mills Hall.
UW Symphony with alumnus Anthony Georgeson, bassoon, conducted by James Smith. Georgeson is principal bassoon with The Florida Orchestra in St. Petersburg. Georgeson will play the Mozart’s Bassoon Concerto in B flat major, K. 191.  Other works will include Un Sourire pour Orchestre by Olivier Messiaen and Scheherazade by Nikolai Rimsky-Korsakov.  This is the penultimate opportunity to see longtime conductor James Smith, who will retire this spring after 34 years at UW-Madison. His final appearance as conductor will be on April 9. 

James Smith, orchestra conductor.
James Smith, orchestra conductor.

March 14, 6:30 PM, Morphy Hall.
Emery Stephens, baritone, guest artist recital. Free concert.
Stephens is assistant professor of voice at Wayne State University in Detroit. Prof. Stephens will coach student singers and pianists in African-American songs and spirituals and perform with students in a recital, with Professor Martha Fischer as collaborative pianist.

Emery Stephens

The Midwest Graduate Music Consortium – Presenting Original Research and New Compositions

Friday, March 31 and Saturday, April 1, Memorial Union and Mead Witter School of Music. Free events.

The Midwest Graduate Music Consortium (MGMC) is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and the University of Wisconsin-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate students around the country. The 21st annual meeting will include paper sessions, a new music concert, and a keynote address. For the new music concert, seven composers’ works were chosen from a nationwide call for scores. The ensemble Sound Out Loud will perform the new works, each a world premiere. All of the composers will be in attendance.
Find the schedule and concert program at this link:
Midwest Graduate Music Consortium

Sound Out Loud

University Opera’s “Turn of the Screw” receives warm reviews

Katie Anderson (Governess) and Anna Polum (Miss Jessel) in ”The Turn of the Screw.” Photograph by Michael R. Anderson.

“Much of the overall success of the show begins with decisions by Ronis (and executed by costume designers Sydney Krieger and Hyewon Park) to resist all temptation to make the specters of Quint (former valet of Bly’s master, who is far removed from the action of the story) and former governess Miss Jessel in any way ghoulish. Alec Brown and Anna Polum, in the roles on Friday night, looked fully human—and that’s just fine. The otherworldliness—and palpable evil—that they exude is in the music and the libretto itself,” wrote Greg Hettsmanberger in his blog, What Greg Says.

Doctoral cellist Andrew Briggs performs with Middleton Community Orchestra

At the March 1 concert of the Middleton Community Orchestra, cellist Andrew Briggs played two works by Antonin Dvorak: Silent Woods, Op. 68, No. 5,and Rondo in G minor for Cello and Orchestra, Op. 94. “Briggs played both of these with affectionate sensitivity. Currently finishing his doctoral studies at the University of Wisconsin-Madison School of Music, he is an artist with an already expanding reputation and a great future,” wrote reviewer John Barker.

Andrew Briggs

On Monday, March 27, Andrew will perform a lecture/recital on his dissertation project, “Piatti and the Body: An Integrative Approach to Learning and Performing the 12 Caprices, Op. 25.”

Morphy Hall, 6:30 PM. Free.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

UW-Madison brings Virtuoso (and Maverick) Cellist to Town – April 28

UW CONCERT CHOIR WITH CELLIST MATT HAIMOVITZ

April 28, 8 PM, Mills Hall

Presenting “Après moi, le deluge” by composer Luna Pearl Woolf. With Matt Haimovitz, cello.
and “for Paris,” a world premiere for solo viola and choir by UW-Madison composer Laura Schwendinger. With Sally Chisholm, viola.
Beverly Taylor, Conductor

$15 adults/$5 students
Buy tickets online (on sale March 1) or in person at the Memorial Union Box Office.  Tickets will also be sold at the door.


“Ferociously talented” (New York Times) cellist Matt Haimovitz, known for his renditions of the Bach Cello Suites as well as contemporary works, will return to Madison on April 28 to perform a work that he premiered here 11 years ago with the UW Concert Choir, one of UW-Madison’s most advanced choirs.

Matt Haimovitz. Photo by Steph Mackinnon
Matt Haimovitz. Photo by Steph Mackinnon

“Après moi, le deluge,” a 22-minute composition for cello and choir, was written by his wife, composer Luna Pearl Woolf, to a text by poet Eleanor Wilner. Après Moi, le Déluge was written in the weeks and months after Hurricane Katrina struck New Orleans and the United States’ Gulf Coast in late August 2005.

“Après moi, le déluge” are reputed to be the last words of Louis XV, king of France from 1715-1774 and the heir of Louis XIV, the king for whom Louisiana was named. Louis XIV’s legacy to Louis XV was a nation bankrupted by war and imperial ambition, a debt levied on the peasantry while the nobility lived tax-free. Louis XV ruled ineffectively, lived luxuriously, and died the most unpopular king in French history. “The words ‘après moi le déluge’,” according to Paul Jay of Independent World Television News, “have come to epitomize the psychology of those who ruin people and the earth with no thought for tomorrow.”

Après Moi, le Déluge was commissioned by Haimovitz as part of his “Buck the Concerto” series of commissions for cello and unusual ensembles. It was premiered in 2006 by Haimovitz and the UW-Madison Concert Choir with Beverly Taylor and recorded live for Oxingale Records. Haimovitz and the choir later took Après Moi, le Déluge on tour, performing in New Orleans in November, 2006. Après Moi, le Déluge also forms half of a fine-press book entitled Waterlines, with woodcuts and etchings by Michael Kuch, from Oxingale Press and Double Elephant Press.

At Harvard University prior to 1995, Concert Choir conductor Beverly Taylor directed the international prize-winning Radcliffe Choral Society, where she met Woolf, then a student at Radcliffe.

Since the 2006 premiere at UW-Madison, “Après moi, le deluge” has been performed many times, including in New York’s Trinity Wall Street Church on June 3, 2012. That concert also featured one of Schwendinger’s works, “Six Choral Settings.”

New York Times reviewer Steve Smith called “Après moi, le deluge” a “strikingly allusive concerto for cello and chorus that movingly reflects on the devastation wrought by Hurricane Katrina. Somber, sardonic and bluesy, the episodic work received an impassioned account, with soulful solo work by Mr. Haimovitz, the soprano Martha Cluver and the bass-baritone Dashon Burton.”

Haimovitz, who is nominated for a Juno Award for Solo or Chamber Ensemble of the Year for his CD, “Overtures to Bach,” made his cello debut at age 13 with Zubin Mehta and the Israel Philharmonic. His first recording was for Deutsche Grammophon at age 17 with James Levine and the Chicago Symphony Orchestra. He is considered a musical pioneer, favoring innovative venues and approaches to music. He is professor of cello at McGill University in Montreal. The New Yorker calls Haimovitz a “maverick cello virtuoso, who has long marched to the beat of a different drummer.”

Another major work on the program will be a world premiere of a work for viola and choir, “for Paris,” written by UW-Madison composer Laura Schwendinger in response to the 2015 terrorist attacks in Paris. Sally Chisholm, violist of the Pro Arte Quartet, will be featured.

Schwendinger says: “The viola starts this short work by referencing only for a moment the merest idea of a “musette song,” one that might be heard on an evening in a Paris cafe. The choir enters with a simple refrain that repeats as an unanswered question of sorts. And each time the viola reenters the texture, it asks its question in a more pressing and poignant manner, until it arrives in its highest register, only to resolve with the choir with a quiet acquiescence in the knowledge that the answer may not be known.”

“Symphony Showcase” concerto winners Feb 12; UW Opera Announces Spring Show; Schwendinger’s “Artemisia” Premieres in NYC

News and Events from the Mead Witter School of Music – February 2, 2017

For Valentine’s Day: “Love Story, Steinway Version”

A treasured 1927 Steinway Baby Grand Piano, Model M, finds a new home at the Mead Witter School of Music. Click to read the story and view images behind the School’s newest donation, inspired by love.

mom_dadcrop


“Symphony Showcase” Concerto winners recital returns to delight and thrill

Watching a young musician solo on stage is always a treat, and every year we’re happy to show you some of our most talented, many already professionals. Please join us on Sunday, Feb. 12 at 7:30 PM in Mills Hall to hear and congratulate our students. Adult tickets are $10; children and all students are free. Tickets will be sold at the door. New this year: A reception at the University Club following the concert. The reception is included in the ticket price.

L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Photograph by Hannah Olson.
L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Not pictured: Nathan Froebe, composer. Photograph by Hannah Olson.

2016-2017 winners are:

  • Violinist Shing Fung (Biffa) Kwok, a doctoral student of Prof. David Perry and recipient of a Collins Fellowship. He will perform Tzigane by Maurice Ravel (1875-1937). Biffa is from Hong Kong.
  • Violinist Matthew Lee is an undergraduate senior, graduate of the Madison Memorial High School and alumnus of the Wisconsin Youth Symphony Orchestras. Matthew studies with Prof. Soh-Hyun Altino. He will perform the cadenza from the Violin Concerto No. 1 in A Minor, opus 77 of Dmitri Shostakovich (1906-1975).
  • Trumpeter Matthew Onstad, a native of Beaver Dam, Wisconsin. Matt is a master’s student of Prof. John Aley. He’ll perform the Trumpet Concerto in F Minor, Op. 18 by Oskar Böhme (1870-1938). Read about Matt in the Beaver Dam Daily Citizen: Beaver Dam native soars as trumpet player in Madison.
  • Soprano Anna Polum will sing “Amour, ranime mon courage,” written by Charles Gounod (1818-1893) for his opera adaptation of Romeo and Juliet. Anna studies with Professor James Doing and hails from Fairbanks, Alaska.
  • Pianist Shuk-Ki Wong, will perform the first movement of the Piano Concerto in G Major by Maurice Ravel (1875-1937). Shuk-ki studies with Professors Jessica Johnson and Christopher Taylor.
  • Composer Nathan Froebe, a doctoral student of Prof. Laura Schwendinger. The orchestra will perform the premiere of his Portrait d’une Femme, written for his friend and colleague, mezzo-soprano Jessica Kasinski.

University Opera to stage Britten’s “The Turn of the Screw” in March

Fresh from winning two major awards in the 2015-16 National Opera Association Competition, University Opera will present Benjamin Britten’s gothic ghost story, The Turn of the Screw, to round out its season.  In this, Britten’s last chamber opera, based on the Henry James novella of the same title, terror takes unexpected forms.  Premiered in 1954, The Turn of the Screw tells of a young governess who is hired to care for two children in an isolated country house in late 19th century England.  She soon realizes that the children are haunted by secrets and spirits that harm them in very real ways and she takes it upon herself to defend them.  In so doing, she is forced to confront the demons she perceives as threats, as well as her own internal ones.

Benjamin Britten in the mid-1960s (photograph by Hans Wild).
Benjamin Britten in the mid-1960s (photograph by Hans Wild).

The Turn of the Screw will be presented in English for three performances, all with projected supertitles.  March 3 at 7:30 PM, March 5 at 3:00 PM, and March 7 at 7:30 PM at Music Hall on the UW-Madison campus.  David Ronis, inaugural Karen K. Bishop Director of University Opera, will direct and graduate conducting assistant Kyle Knox will conduct the 13-member chamber orchestra.  Musical preparation will be by University Opera’s new vocal coach, Daniel Fung.

Click to read full news release.

Schwendinger opera “Artemisia” receives New York premiere

Next performance: Spring 2018, in San Francisco with the Left Coast Chamber Ensemble

On January 7, UW-Madison composer Laura Schwendinger unveiled Artemisia, a major new opera, at Trinity Church Wall Street in New York City as part of its Time’s Arrow Festival.  The opera is a story of passion, betrayal and art in 17th century Italy based on the life of Italian painter Artemisia Gentileschi. With a libretto by Ginger Strand, author of The Brothers Vonnegut, Artemisia is a recipient of a National Opera Center Discovery grant.

Real-life drama: Schwendinger’s “Artemisia” opera will premiere in New York City: Isthmus, 1.5.17

Preview in Broadway World, 1.7.17

Click to watch video of Artemisia’s premiere


Selected upcoming concerts and events:

Pro Arte Quartet, Saturday, Feb 4. With guest pianist Jee-Won Oh.

Wisconsin Brass Quintet, Final concert with retiring trumpeter John Aley, Sunday, Feb 26

Student Recitals: All semester.

Music Master Classes: Opportunities to observe guest musicians as they instruct and engage with college students.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

2017 Schubertiade to feature acclaimed soprano Emily Birsan

ALSO IN JANUARY: Violinist Soh-Hyun Altino and pianist Christopher Taylor team up for an afternoon of exquisite sonatas from Fauré and Corigliano. Sunday, January 22, 4 PM. Learn more here.


Join pianists Martha Fischer, Bill Lutes, and friends on the stage and seats of Mills Hall for January’s “Schubertiade,” an intimate homage to the music, loves and life of Romantic composer Franz Schubert.

The concert will take place Sunday, January 29, at a new time, 3:00 PM.

Fischer is a UW-Madison professor of collaborative piano and piano and Bill Lutes is emeritus artist-in-residence.

Martha Fischer & Bill Lutes. Image by Katrin Talbot.
Martha Fischer & Bill Lutes. Image by Katrin Talbot.

The concert will be followed by a reception (included in the ticket cost) at the University Club. Tickets are $15 per adult and $5 for students, available online, at the Memorial Union Box Office, or at the door.  The concert is sponsored by Madison resident Ann Boyer, an admirer of Franz Schubert’s music and the musical talents of Fischer and Lutes.

The evening will include a special guest, the much-acclaimed soprano and UW-Madison alumna, Emily Birsan. Among other works, she will sing Schubert’s Epistle to Josef von Spaun, D. 749 – a brilliant and humorous send-up of the Italian operatic style that was all the rage in Vienna during Schubert’s lifetime.

Emily Birsan
Emily Birsan

Other performers will include Mead-Witter School of Music faculty Mimmi Fulmer, soprano and Paul Rowe, baritone; School of Music alumni Daniel O’ Dea, tenor and Benjamin Schultz, baritone; and current graduate students Anna Polum, soprano, Rebecca Bechtel and Jessica Kasinski, mezzo sopranos, and Wesley Dunnagan, tenor.

Schubert was born on January 31, 1797, and lived only 31 years. In his day, his music was cherished, but mostly by his personal circle. UW-Madison’s “Schubertiade” extends that circle to include the entire seating chart in Mills Hall.

The theme for this year’s Schubertiade is “Circle of Friends,” says co-organizer Lutes.

He writes: “Moritz von Schwind, a important German painter of the 19th century, was a young man when he became part of the group that was present at the first Schubertiade — those social gatherings given over to charades, poetry reading, dancing and imbibing – but most particularly to the performance of Schubert’s music, often with the composer himself at the piano.

“These almost legendary occasions were immortalized by Schwind in his famous painting ‘A Schubert Evening at Josef von Spaun’s,’ created in 1868, when these glorious moments had become distant and cherished memories. Schubert is indeed at the piano, with the great baritone Johann Michael Vogel seated to the composer’s right. Depicted are many of the poets, artists, lawyers and civil servants, and close friends who first heard Schubert’s music. In some cases, they are individuals with whom Schubert collaborated in the creation of songs, and our program will include a many settings of poetry by Schubert’s friends: Schober, Mayrhofer, Spaun, Schlechta and others.

 

A Schubert Evening at the Home of Josef von Spaun on December 15, 1826. Sepia drawing by Moritz von Schwind (1804-1871), 1868.
A Schubert Evening at the Home of Josef von Spaun on December 15, 1826. Sepia drawing by Moritz von Schwind (1804-1871), 1868.

“In addition we will include a group of songs that Schubert assembled in 1816 and presented to Theresa Grob, a young soprano whom he had hoped to marry. Other highlights will be a Cantata written for the birthday of Vogl, for soprano, tenor, baritone and piano and a great piano duet composition, the Theme and Variations in A-flat major, D. 814.

“Emily Birsan will perform the ‘flower-ballad’ Viola, D. 786, and two Italian canzonas, D. 688 and the previously mentioned Epistle to Josef von Spaun. She will conclude the program with one of Schubert’s best-loved songs, Ellen’s 3rd Song from Scott’s The Lady of the Lake….also known as Ave Maria.”

“The concert will close with an audience singalong of ‘An die Musik.’

“We offer this program of musical collaboration in a spirit of camaraderie, good will, and love for Schubert and his music, in celebration of the composer’s 220th birthday on January 31. From Schubert’s Circle of Friends we reach out to our own Circle of Friends, including the sponsor of these Schubertiades: Ann Boyer.”

Tickets may be purchased online, at the Memorial Union Box Office or in Mills Hall, one hour before the concert.

Read this news story about our Schubertiade in 2015.

 

University Opera presents spring show, “Transformations”; Clarinet Day debut; cellist Andrew Briggs impresses Middleton audience

News and Concert Highlights from the UW-Madison School of Music – Feb. 29, 2016

University Opera presents its spring 2016 show:”Transformations”

Transformations, a 1970s chamber opera that explores serious psychological themes through the re-telling of Grimm’s fairy tales, will be staged March 11, 13 and 15 by UW-Madison University Opera. The opera was written by Conrad Susa based on poetry by Pulitzer-Prize winner Anne Sexton, who suffered from mental illness and depression, and took her own life in 1974 at age 45.
‘It’s a challenging and compelling piece of music theater,” said David Ronis, director. “It’s a great vehicle to teach skills to young opera singers, and stimulating thought and dialog across the university and community.”  While the opera is dark at times, it contains much humor as well.

Anne Sexton
Anne Sexton

Sexton’s writing was often confessional and overtly feminist. Her champions included Maxine Kumin, Robert Lowell, and Sylvia Plath. Transformations was commissioned of Susa in 1972 by the Minnesota Opera, known for its interest in contemporary works. The libretto includes eight cast members who play multiple roles from the fairy tales; the plot involves a middle-aged witch who is transformed into a young beauty pulled into a nightmare.

Transformations is conducted by graduate assistant conductor Kyle Knox.

Click this link to read much more about this production, including the cast list and backstage personnel.

Performance dates, times and prices:
Friday, Mar 11 @ 7:30pm (Pre-show discussion, 6 PM)
Sunday, Mar 13 @ 3:00pm
Tuesday, Mar 15 @ 7:30pm
General Admission: $25; Seniors: $20; Students: $10
Tickets available at the Memorial Union Box Office. Also available at the door.

Transformations is a thought-provoking and complex opera that benefits from thought and discussion. Join us for a pre-show discussion at 6:00 PM in Music Hall, March 11, with noted University scholars:
Lynn Keller – Professor of Poetry, UW-Madison
Thomas DuBois – Professor of Scandinavian Studies, Comparative Literature and Folklore Studies,UW-Madison
Laura Schwendinger – Professor of Composition, School of Music, UW-Madison
Karlos Moser – Emeritus Director of Opera, UW-Madison
David Ronis
– Interim Director of Opera, UW-Madison
Moderator: Susan Cook, Director, UW-Madison School of Music


Selected Concert Highlights, March 2016

The Hunt Quartet. Sunday, March 6, 6:00 PM, Morphy Hall, free and open to all. The Hunt Quartet is the graduate string quartet at UW-Madison, comprised of Paran Amirinazari, violin; Clayton Tillotson, violin; Blakeley Menghini, viola; and Andrew Briggs, cello. The quartet will play music of Beethoven, Webern, and Schubert. Funding is provided by Dr. Kato Perlman and the Madison Symphony Orchestra.

The Hunt Quartet. L-R: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello. Photograph by Katrin Talbot.
The Hunt Quartet. L-R: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello. Photograph by Katrin Talbot.

UW Chamber Orchestra
Wednesday, March 16, Mills Hall, 7:30 PM. The UWCO, conducted by James Smith, will perform works of Bela Bartok, Elliott Carter, and Einojuhani Rautavaara, one of Finland’s most important composers. Rautavaara’s style has been influenced by Orthodox liturgical music and Finnish fiddlers and is both Romantic and mystical; read about him at this link.

“Le Domaine Musical”
Friday, March 18, Morphy Hall, 8:00 PM. Free concert. An homage to the late composer Pierre Boulez, featuring music of Pierre Boulez, Anton Webern, Claude Debussy and Johann Sebastian Bach. Performers drawn from School of Music faculty as well as students.

 

See much more on our complete calendar: recitals, jazz, classical, voice and percussion concerts, colloquia, and opera: http://www.music.wisc.edu/events/


UW-Madison hosts its first “Clarinet Day”

On Saturday, February 20th, the clarinet studio and Wesley Warnhoff, adjunct professor of clarinet, hosted its first “Clarinet Day,” including Warnhoff and students performing works by Francis Poulenc and Eric Mandat, master classes with high school students, and chamber music sessions with college and high school students working side by side. The day concluded with the group attending a stunning performance by the UW Wind Ensemble conducted by Professor Scott Teeple. Warnhoff plans to turn this into an annual event; check back next year!

Clarinet Day 2016
Clarinet Day 2016

New on SoundCloud: Hear Martha Fischer, Wes Warnhoff and Jamie-Rose Guarrine perform “The Shepherd on the Rock” at last January’s annual “Schubertiade” concert. Fischer is prof. of piano and collaborative piano at UW-Madison. Guarrine received her DMA at UW-Madison and now teaches at the University of Massachusetts at Amherst.


Cellist Andrew Briggs earns ovation from Middleton Community Orchestra audience

“I must say that he gave me about the most satisfying experience of it that I have ever heard.” Reviewer John Barker, in his review of the MCO’s Feb. 24 concert, in which Briggs, a UW-Madison graduate student studying with Prof. Uri Vardi, played Antonin Dvorak’s Cello Concerto. “The reason for that is not only his playing skill but also his natural rapport with an audience: He communicates.”
Click to read the full post at The Well-Tempered Ear.

Andrew Briggs
Andrew Briggs

Faculty News: James Doing, Laura Schwendinger
Alumni News: Danny Kim


 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.