UW-MADISON PERCUSSION PROGRAM CELEBRATES 50 YEARS WITH A MARCH 20 CONCERT AND TRIP TO CHINA
“Fifty years is not a long time in the world of classical music, but it’s a very long time in the world of formal percussion studies. In the 1960s and before, the very notion of teaching percussion beyond the basic orchestral instruments caused music educators to simply shake their heads in disbelief.” So what happened? Read the full story on our main website here.
The University of Wisconsin Madison World Percussion Ensemble performs the Olodum classic A Visa La (May 2013). The arrangement was created by Nininho and A. Di Sanza.
HEAR THE MUSIC OF BRITISH COMPOSER CECILIA McDOWALL AND MEET THE COMPOSER, TOO
Heard any new choral music lately? You’ll get your chance this week when Cecilia McDowall, winner of the 2014 British Composer Award for her choral work, Night Flight, comes to Madison.
Please note: On Wednesday the 18th at noon, McDowall will be featured live on Wisconsin Public Radio’s Midday show with host Norman Gilliland (88.7 FM). On Thursday on WORT Radio (89.9 FM), host Rich Samuels plans a half-hour special on McDowall that he pre-recorded with organizer John Aley. At 7:15 AM.
Thursday, noon, Mills Hall: Colloquium with the composer. How does she impart those whispery Antarctic sounds into her music? Come to ask and find out how!
Friday, 8 PM, Mills Hall: We’ll feast on McDowall’s choral and instrumental music for ensembles and soloists, including her work about the ill-fated expedition of polar explorer Robert Falcon Scott. Selected faculty and student performers will include pianist Christopher Taylor, tenor James Doing, the UW Concert Choir and Madrigal Singers, and mezzo-soprano Elizabeth Hagedorn. Mike Duvernois of UW-Madison’s IceCube Antarctic research project will update us on the state of polar research today (hint: they don’t need sled dogs anymore). Tickets sold at the Memorial Union Box office and in Mills on day of show. Adults $20, all-age students free. http://www.uniontheater.wisc.edu/location.html
Saturday, 8 PM, Mills Hall: A concert devoted to smaller ensembles, including a trio with violinist Eleanor Bartsch, cellist Kyle Price, and pianist SeungWha Baek. They’ll perform “The Colour of Blossoms,” a meditation by McDowall after a 13th century Japanese story. Free concert. Listen here: https://soundcloud.com/cecilia-mcdowall/colour-of-blossoms
Sunday, 9:15 and 10:30 AM, Luther Memorial Church, 1021 University Avenue. Forum (9:15) and Church Service (10:30) featuring McDowall’s music, with the composer present.
WINNERS OF SHAIN WOODWIND-PIANO DUO COMPETITION ANNOUNCED
Our 2015 winners are Kai-Ju Ho, clarinet and SeungWha Baek, piano, and Iva Ugrcic, flute and Thomas Kasdorf, piano. Pedro Garcia, clarinet and Chan Mi Jean, piano, received honorable mention.
The competition is sponsored by former UW-Madison Chancellor Irving Shain. The winners will perform this Sunday, Feb. 22, at 3:30 PM in Morphy Hall. A reception will follow.
BENEFIT FOR STRICKEN TROMBONIST BRITTANY SPERBERG: MARCH 18
The Dairyland Jazz Band, with Sperberg on trombone, plays Ory’s Creole Trombone.
Undergraduate trombonist Brittany Sperberg, who performed in the UW’s Dairyland Jazz Band and many other ensembles, is now having serious medical problems and has withdrawn from school. Sperberg was featured in this blog in the fall of 2013. Her teacher, trombonist Mark Hetzler, has organized a benefit concert on Wednesday, March 18, 7:30 PM to raise donations to assist her family with unmet expenses. Please join us to help wish Brittany a speedy recovery! Donations may also be made at YouCaring.org. Learn much more at our website: http://www.music.wisc.edu/2015/02/07/sperberg_benefit/
STELLAR SINGING EXPECTED AT UNIVERSITY OPERA’S NEXT SHOW: MOZART’S THE MAGIC FLUTE
University costumers are already busy sewing Victorian bustle skirts and the classic South Asian attire known as the shalwar kameez for next month’s University Opera production of The Magic Flute. It’s all a product of visiting opera director David Ronis‘s imagined East-west setting for the show. Read the complete news release on our website.
New this spring: four performances, not just three, allowing for even double casting of all lead roles. The show dates are Friday, March 13, 7:30 p.m.; Saturday, March 14, 7:30 p.m.; Sunday, March 15, 3:00 p.m.; and Tuesday, March 17, 7:30 p.m.
SCHOOL OF MUSIC PHOTO EXHIBIT STARTS MARCH 1, LOWELL CENTER
Our friendly helpful photographer Mike Anderson has enlarged and framed about 25 images of student musicians to be placed on display in the Lowell Center Gallery, 610 Langdon Street. The exhibit runs from March 1 to April 30, and there will be a small reception on March 8. Read more here.
Below are a few of Mike’s images taken at our concerto winners concert (“Symphony Showcase”) that was held on February 8. (More information here.) Please check back this fall for our next winners recital date, and join us; it is always a joyous event!
Susan C. Cook, director of the UW-Madison School of Music.
Conductor James Smith and Keisuke Yamamoto.
Jason Kutz, with the UW Symphony Orchestra and conductor James Smith.
Kyle Knox, graduate assistant conductor.
Kyle Knox and composer competition winner, Adam Betz.
Ivana Ugrcic and Stephanie Jutt, professor of flute.
We thank you so much for all your support and enthusiasm in 2014 and look forward to 2015 — a year that will include a major groundbreaking for a new music hall! We hope you are just as excited as we, and that you will join us this spring for one of our many inspiring concerts.
NEW MUSIC BUILDING NAMED AFTER PAM AND GEORGE HAMEL
In early December, UW-Madison announced that the new music performance center at the corner of Lake Street and University Avenue will be named in honor of Pamela Hamel and her husband, UW-Madison alumnus George Hamel (BA’80, Communication Arts). Pamela is a member of the School’s Board of Visitors. Read the full story here.
We thank the Hamels for their generosity! If you would like to join them with a gift of your own, you may do so at this website.
MEET JOHN WUNDERLIN: BACK IN SCHOOL AT 50
At the School of Music’s “Horn Choir” concert at the Chazen Museum of Art last month, one could easily discern John Wunderlin from the swarm of horn players on the stage.
He was the only one with gray hair.
Last fall, business owner Wunderlin, 50, returned for a master’s degree in horn, studying with Daniel Grabois, assistant professor of horn. We asked John to tell us what inspired him to study music after all these years. Read the interview here.
CONCERTO COMPETITION WINNERS IN CONCERT WITH UW SYMPHONY: FEB. 8
Five talented students are winners of our annual Concerto Competition and will perform with the UW Symphony Orchestra in our “Symphony Showcase” concert, Sunday, Feb. 8, in Mills Hall. The concert will begin at 7 pm and will conclude with a free reception. We hope you will join us for what is always a joyous and unique event! Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.
Our winners and the works they will perform are:
Jason Kutz, piano, a master’s candidate studying with collaborative pianist Martha Fischer. Kutz, who also performs and composes jazz music, is a native of Kiel, Wisconsin, and studied recording technology and piano at UW-Oshkosh. He will perform Sergei Rachmaninoff’s Rhapsody on a Theme of Paganini, Op. 43.
Ivana Ugrcic, flute, a doctoral student and Collins Fellow studying with flutist Stephanie Jutt. A native of Serbia, Ugrcic has performed as a soloist and chamber musician all over Europe, and received her undergraduate and master’s degrees from University of Belgrade School of Music. She will perform Francois Borne’s Fantasie Brillante (on Themes from Bizet’s Carmen).
Keisuke Yamamoto, violin, an undergraduate student of Pro Arte violinist David Perry, earning a double degree in music performance and microbiology. Keisuke, born in Japan but raised in Madison, received a tuition remission scholarship through UW-Madison’s Summer Music Clinic, and also won honors in Madison Symphony Orchestra’s Bolz Competition, among others. He will perform Ernest Chausson’s Poème Op. 25.
Anna Whiteway, an undergraduate voice student, studying with Elizabeth Hagedorn, visiting professor of voice. Whiteway is a recipient of a Stamps Family Charitable Foundation scholarship as well as the Harker Scholarship for opera. Whiteway, who was praised in 2013 for her singing in University Opera’s production of Ariodante, will star in the Magic Flute this spring. For this night’s performance, she will sing Charles Gounod’s Je veux vivre (Juliette’s Aria).
Our composition winner this year is graduate student Adam Betz, a Two Rivers native who wrote a work titled Obscuration. Betz received his undergraduate degree from UW-Oshkosh, where he was named Outstanding Senior Composer. He also holds a master’s degree from Butler University in Indianapolis.
CATCH CHRISTOPHER TAYLOR IN HIS ONLY SOLO MADISON APPEARANCE- JAN. 23
Pianist Christopher Taylor will take the Mills stage on Friday, January 23, 8 pm, in his only solo Madison appearance this year. He will perform Johannes Brahms’ Sonata no. 3 in f minor, op. 5; William Bolcom’s Twelve Etudes; and Beethoven’s Symphony #6 as arranged by Franz Liszt. Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.
Last November, Taylor performed Bach’s Goldberg Variations at New York’s Metropolitan Museum on their historic double-keyboard Bösendorfer piano designed by Emáuel Moór. In Madison, Taylor not only performs and tours with the world’s only Steinway double-keyboard piano (owned by UW, and also designed by Moór) but holds a patent on a third double-keyboard piano, this one with electronic components.
The Wall Street Journal published a story about Taylor and the Met Museum’s unique piano. Read it here.
BACK BY POPULAR DEMAND: A SECOND “SCHUBERTIADE” WITH FISCHER & LUTES- JAN. 30
A Schubertiade is an intimate “house concert” featuring the songs (known as “lieder”) and chamber music of Franz Schubert. In the 19th century, Schubertiades became a popular form of informal entertainment among his friends and aficionados of his music, frequently with drink and food, and often with Schubert himself at the center. Nowadays, Schubertiades are often much larger multi-day affairs held in swank European locations.
Our Schubertiade, the brainchild of UW-Madison collaborative pianist Martha Fischer, will be presented on the Mills Hall stage festooned with chairs, rugs, and lamps. Join us! Friday, January 30, 8 pm, Mills Hall. Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.
Performers will include Fischer; her husband, pianist Bill Lutes; her brother, cellist Norman Fischer of Rice University’s Shepherd School of Music; singers Jennifer D’Agostino, Cheryl Bensman Rowe, Daniel O’Dea, Joshua Sanders, Michael Roemer and Paul Rowe; and violinist Leslie Shank. The program will include songs set to the poems of Friedrich Schiller, Johann Wolfgang von Goethe and Johann Mayrhofer, and will be capped by two Polonaises for piano duet, played by Fischer and Lutes.
GRADUATE COMPOSITION STUDENT WINS FIRST PRIZE IN COMPETITION
Congratulations to Sin Young Park, whose composition “Three Preludes for Piano” was recently selected as the winner of the 2015 Delta Omicron Triennial Composition Competition. Read more here.
GRADUATE FLUTIST ADVANCES TO FINAL ROUND OF ASTRAL ARTISTS COMPETITION
2014 concerto competition winner Mi Li Chang has advanced to the final round of the national Astral Artists Competition and will play in the final round on January 8 in Philadelphia. The mission of Astral Artists, which was founded in 1992, is to “discover the most promising classical musicians residing in the United States, assist their early professional career development, and present their world-class artistry to the community through concerts and engagement programs.” Congratulations and best wishes, Mi Li!
FACULTY TROMBONIST WINS $30,000 CREATIVE ARTS AWARD
And congratulations to Mark Hetzler, 2015 winner of the $30,000 UW-Madison Arts Institute Creative Arts Award, which recognizes and honors extraordinary artistic projects and endeavors of the highest quality carried out by tenured members of the UW-Madison arts faculty in the areas of Art, Communication Arts, Creative Writing, Dance, Environment, Textile and Design, Music Composition and Performance, and Theater and Drama.
DID YOU KNOW…that our new website has a page devoted just to PARKING?
We created a page just to make it a bit easier to visit the SOM. In a nutshell: Weekday parking is not free, but evening and weekend parking sometimes IS free and not that far away. It’s complicated, however, so your best bet is to click here and read!
(Editor’s note: For over six or seven years, the editor routinely visited the School of Music by car, attending concerts and WYSO rehearsals. She always paid for parking, but recently did some digging and learned that UW-Madison actually offers free parking at nights and on weekends. After realizing this, she sighed deeply at the thought of how much money she could have saved had she known…. but now she offers the same information to all our loyal readers as a reward for reading to the end of this newsletter post.)
LAST BUT NOT LEAST…
This fall, our alumni percussion ensemble Clocks in Motion put its own spin on a famous holiday tune while demonstrating the [somewhat variable] dance skills of its members. Thanks for the laugh, Clocks!
NEW FESTIVAL TO SHOWCASE LYRICISM AND POWER OF BRASS MUSIC
Audiences will be treated to some of the most beautiful and thrilling brass music ever written–including “Quidditch,” composed for the movie “Harry Potter and the Sorcerer’s Stone,” by legendary composer John Williams– at a six-day all-brass festival October 8-13 at UW-Madison.
Watch “In Medias” Brass Quintet performing “Four Sketches” by Anthony Plog, to be performed by the Wisconsin Brass Quintet on Wednesday, October 8.
The festival will feature world-renowned brass musicians performing four concerts, and master classes on all the brass instruments—from trumpet to tuba and everything in between. Students and the general public are encouraged to attend. Guest musicians include virtuoso solo tubist Oystein Baadsvik of Norway; renowned trumpeter and brass composer Anthony Plog; the Western Michigan Brass Quintet; the UW-Madison’s Wisconsin Brass Quintet; and San Francisco Symphony Orchestra horn player Jessica Valeri (BM, UW-Madison, 1997). Click here for the full schedule. All events free to the public except “Brass Alchemy” headline concert, October 11, which is ticketed.
Featured concert: “Brass Alchemy,” October 11, 8 PM, Mills Hall. Click to learn more.A full contingent of our soloists, guests, and students presenting dramatic and inspired works of John Williams, Morten Lauridsen, Juan Colomer, Ennio Morricone, Scott Hiltzik, Kevin Puts, Anthony DiLorenzo, and an original work of Baadsvik’s, “Fnugg.” School of Music professorScott Teeplewill conduct. Tickets for the general public are $25; UW music majors with ID are free; other students, $10.00. Ticketing info here.
Says John Aley, lead organizer and longtime professor of trumpet as well as principal trumpet of the Madison Symphony Orchestra: “Brass instruments are so much more expressive than many people assume. While brass players take great delight in the excitement of filling a concert hall with grandeur and power, it is the lyrical quality of each these instruments that touch the heart of the listener.”
PRO ARTE QUARTET PRESENTS ITS FINAL CENTENNIAL WORLD PREMIERE
Composer Pierre Jalbert’s “Howl” for clarinet and string quartet will receive its world premiere by the Pro Arte Quartet on Friday, Sept. 26, at the Wisconsin Union Theater on the UW-Madison campus. The event, free and open to the public, will be the first classical music concert to take place in the historic theater’s newly refurbished Shannon Hall.
The 8 p.m. concert will be preceded by a 7 p.m. concert preview discussion with Jalbert in Shannon Hall. In addition to Jalbert’s composition, the evening’s program includes the String Quartet No. 2 in A Major (1824) by Juan Crisóstomo Arriga and the Clarinet Quintet in A Major (1791) by Wolfgang Amadeus Mozart.
The concert will be repeated Sunday, Sept. 28, at 12:30 p.m. in Gallery III at the Chazen Museum of Art, also on the UW-Madison campus. Joining the Pro Arte for both concerts will be clarinetist Charles Neidich, a regular member of the Orpheus Chamber Orchestra and noted guest performer with orchestras and string quartets worldwide. Read about the inspiration behind the commission here.
PROFESSOR STUDIES HOLOCAUST CHILDREN’S OPERA
Hans Krása’s operetta Brundibár became indelibly associated with the Holocaust when the score was smuggled into the Theresienstadt concentration camp, and a production was mounted that lasted for more than 55 performances. Sung and acted by children, Brundibár was held as an example of the cultural programming offered to Jews at the Terezín “show camp” during the 1944 International Red Cross visit and the subsequent propaganda film, The Führer Gives the Jews a City. Associate Professor of Music Education and Jewish Studies affiliate Teryl L. Dobbs recently returned from a sabbatical trip to Prague and Terezín (the Czech name of the garrison town where the Theresienstadt camp was located), where she studied the history of the operetta. Read the full story here.
“SHOWCASE SERIES” CONCERTS TO HIGHLIGHT STUDENT/FACULTY MUSICIANS
Each concert $10.00; season passes available for $60.00; students free. Proceeds to the School of Music. Please note: Only seven concerts are ticketed– Most concerts at the School of Music are still free!
Seven student/faculty concerts will be “showcased” this year, starting with a all-faculty voice recital on November 2. Professors Mimmi Fulmer and Elizabeth Hagedorn, sopranos; James Doing, tenor; and Paul Rowe, baritone, each will sing. The program will include a premiere of a new work by composer and UW professor Les Thimmig, “White Clouds, Yellow Leaves,” a cantata on poems of ninth-century China.
Later in January, pianists Martha Fischer and Bill Lutes will be joined by cellist Norman Fischer of Rice University plus students and faculty for a second “Schubertiade” of chamber music. In early February, join us for a captivating evening of solo student performances as we present our annual concerto winners concert (the “Symphony Showcase”). A reception will follow this concert. Learn about all these special events here.
Tickets for the general public are $10.00, and a seven-concert “pass” is available for $60.00. Students from all schools are free with identification. To save on service fees, buy in person at the box office or on the day of the show. Ticket info here.
INHORNS RECEIVE AWARD FROM MADISON SYMPHONY ORCHESTRA
The inaugural DeMain Award for Outstanding Commitment to Music will be awarded to philanthropists Stan and Shirley Inhorn by the Madison Symphony Orchestra League at its fifth annual gala banquet at the Madison Concourse Hotel on Friday, Sept. 12. Named after music director John DeMain, the annual honor will go to an ardent supporter of the MSO and Madison-based music in general. The Inhorns are longtime and much-appreciated supporters of the UW-Madison School of Music. Read more here.
TANDEM PRESS ANNOUNCES NEW FRIDAY FALL JAZZ SERIES
Beginning this September, Tandem Press will host a concert series featuring several student ensembles from the UW-Madison School of Music’s Jazz Program under the leadership of Johannes Wallmann, Director of Jazz Studies at UW-Madison, and Les Thimmig, Professor of Saxophone.
UW Contemporary Jazz Ensemble, September 26, 5-7 pm
UW Jazz Composers’ Septet, October 24, 2014 – 5-7 pm
UW Blue Note Ensemble & the Latin Jazz Ensemble, November 21, 5-7 pm
Tandem Press is located at 1743 Commercial Avenue in Madison. Concerts are free and open to the public. Free parking is available, and refreshments will be served.
Tandem Press is one of only three professional fine art presses operating within a university in the United States. Founded in 1987, it is affiliated to the UW-Madison Art Department in the School of Education. Each year, a select number of internationally renowned artists are invited to participate in Tandem’s artist-in- residence program, where they collaborate with a team of master printers assisted by UW students to create exclusive editions of prints. Tandem prints hang in museums and corporations throughout the United States and Europe. This program is made possible with support from the Brittingham Fund.
ALUMNI PERCUSSION ENSEMBLE PRESENTS CONCERT AT GRACE EPISCOPAL CHURCH
Contemporary chamber ensemble Clocks in Motion brings new music, new instruments, and new sounds to the Grace Presents concert series Saturday, Sept. 20 at 12:00 p.m. with a program that highlights the power and diversity of percussion music. Their free program will include Marc Mellits’ new mallet quintet, “Gravity”; “Music for Pieces of Wood” minimalist pioneer Steve Reich; “Drumming Part 1”, also by Reich; “Four Miniatures,” an original composition by Clocks in Motion member Dave Alcorn; and “Third Construction”, by John Cage. Grace Church is located at 116 W. Washington Avenue, on the Capitol Square.
Formed in 2011, Clocks in Motion began as an extension of the University of Wisconsin-Madison’s Graduate Percussion Group, and now serves as the ensemble in residence with the UW-Madison percussion studio. In August, the group released its debut studio album, titled Escape Velocity, recorded in Madison, WI, at Audio for the Arts and available as both a digital download and hard copy. Links to purchase both digital and hard copies of the album can be found at Clocks in Motion’s website.
It was the colorful chalk drawings that drew Mike Fuller to sing with Fundamentally Sound, advertisements painted on sidewalks near the Humanities building last September. But it was Mike’s voice–and those of 16 others–that allowed them to win first place a few weeks ago in the first round of the International Championship of Collegiate A Cappella(ICCA), held at the University of Chicago. The group, open to students who either have “a voice and/or can make noises with your mouth,” according to their website, is an auditioned, all-male a cappella choir founded in 2005 that sings arrangements of Disney songs, rap, hip-hop and more. The group rehearses twice a week, performs regular shows and gigs, and even released a CD in the fall of 2012, “Sounding the Alarm.”
The next competition will be in Normal, Illinois, on April 5. The group will also perform April 25 at the Orpheum Theater on State Street in Madison; buy tickets here.
“It’s a fun escape from homework and studying,” says Mike, a freshman who sang in choirs at Pacelli High School in Stevens Point before entering college. He is not a music major–in fact his favorite class is Physics 109, the physics of light and sound–but is one of many students who take lessons to have fun and improve their skills. Along the way, they sometimes discover they have more talent than they realized.
Last fall he enrolled in Music 144, a group voice lesson class open to non-majors that was taught by Jordan Wilson, a graduate student; this semester, he’s taking lessons from Elizabeth Hagedorn, visiting assistant professor of voice.
The voice lessons have given him much better range, he says. And he’s made a bevy of great new friends. “I feel it was one of the best decisions I made this year at UW-Madison.”
Albany music director and SOM alumnus Brian Gurley is really glad winter is over
Brian Gurley, SOM alumnus in choral conducting (M.M., 2011), moved from Wisconsin last summer to take the position of music director of the 162-year-old Cathedral of the Immaculate Conception in Albany, New York, a church built during the height of the Irish potato famine that served as a refuge for persecuted Irish. Over its century-and-a-half, church activities included welcoming the Archbishop of Canterbury, hosting a “forgiveness ceremony” between Catholics and Jews, and avoiding demolition in the 1960s. Lately, the church had been undergoing significant restoration that included replacement of deteriorated sandstone with imported stone from England, new granite steps and a unique rolled lead roof. But this past winter (the one we’re all hoping is finally OVER), as Gurley played a Steinway piano for a choir rehearsal, he heard the sound of dripping water. “My stomach kind of went in my mouth and I thought oh my gosh, they spent all this time and money on the restoration and now the roof leaks,” Gurley told reporter Paul Grondahl of the Albany Times-Union. Want to know what went wrong?Click here to read the entire story.
Pro Arte premiere of new Benoit Mernier string quartet draws appreciative crowd as well as positive critical reviews
The fifth of six world premieres commissioned by Madison’s own Pro Arte String Quartet took place on March 1 in Mills Hall, and was enthusiatically received by former UW-Madison history professor and music critic John Barker (who also helped to plan the centennial events). The new work, funded by both the Pro Arte Quartet and the Serge Koussevitzky Music Foundation, deliberately hailed the quartet’s roots in Belgium, as Mernier is from that country, and “was the most musically satisfying of all the commissioned works presented so far,” according to Barker in a post on The Well-Tempered Ear, Madison’s classical music blog. “Met honestly, the score has a logic and even power to it that one might compare to Bela Bartók’s quartets — and we have all caught up with those by now, haven’t we?” The final commission, a clarinet quintet by French-Canadian composer Pierre Jalbert, will be performed next September.
School of Music music ed students band together to support music education in public schools
Over 40 music ed students have launched a UW-Madison chapter of the National Association for Music Education (NAfME).Membership will allow students to network for job and educational advancement, as well as finding ways to assist area schools, according to Dan Joosten, co-president. The chapter is advised by Teri Dobbs, associate professor of music education and Darin Olson, assistant director of bands.
With over 130,00 members, NAfME bills itself as the world’s oldest arts education organization, and includes students, faculty, and professional teachers, both active and retired. According to its website, “NAfME developed the National Standards for Music Education and administered the overall development of the National Standards for Arts Education (1994) under a grant from the U.S. Department of Education, the National Endowment for the Humanities, and the National Endowment for the Arts. The National Standards represent the first comprehensive set of educational standards for K–12 arts instruction.” The group meets Wednesday nights at 8PM in Humanities. For more information, contact Dan Joosten at email@example.com, or Jenny Deroche at firstname.lastname@example.org.
Piano Extravaganza High School Competition announces winners
Saturday, March 1 was the inaugural UW-Madison School of Music Piano Extravaganza Competition. Nine finalists from Wisconsin and Minnesota competed for cash prizes. The 1st prize winner ($1,500) was Vivian Wilhelms, a freshman at Waunakee High School. Vivian is a student of William Lutes and was a finalist of the 2010 Chopin Piano Competition in Milwaukee, 2011 winner of the Fall Youth Concerto Competition sponsored by the Madison Symphony Orchestra, and 2013 winner of the Wisconsin Youth Symphony Orchestra Concerto Competition. The 2nd prize winner ($1,000) was Garrick Olsen, of Madison. Garrick studies with William Lutes and plans to major in piano performance in college next fall. Garrick will make his subscription concert debut with the Madison Symphony Orchestra in May 2015, playing Gershwins’ I Got Rhythm Variations. He is the winner of a number of competitions, including the Wisconsin Public Radio’s 2013 Neale-Silva Young Artist Competition, the 2012 PianoArts award for Best Performance of a North American Competition, the Madison Symphony Orchestra’s 2012 Bolz Young Artist Competition (“Final Forte”) as well as MSO’s 2003 Fall Youth Concerto Competition. 3rd prize ($500) went to Quinton Nennig from Sherwood, Wisconsin. Quinton currently studies at the Interlochen Arts Academy with Dr. TJ Lymenstull, where he is the recipient of a merit scholarship. Previous studies were with Nina Mink. His many accomplishments include winning Lawrence University’s Piano Festival (2009-2012), and 1st place in the WMTA Badger Competition in 2010 and 2012. Honorable mention went to Theodore Liu, a sophomore at Waunakee Community High School. Theodore studies with Shu-Ching Chuang and plays trumpet in band and the Wisconsin Youth Symphony Orchestra. He is very fond of mathematics and science due to their precision and logic.
Judges for the competition were Jess Johnson, Christopher Taylor, John Stowe, Todd Welbourne, Dino Mulic and Seungwha Baek.
The Piano Extravaganza Competition was sponsored by the Evjue Foundation and Former Chancellor Irving Shain.
Pianist Christopher Taylor receives patent for new double keyboard
It’s official: The new digital double keyboard piano invented by UW-Madison pianist Christopher Taylor, modeled after a unique double Steinway that resides in Taylor’s office, is the owner of patent number 8,664,497, issued to the Wisconsin Alumni Research Association on March 4. As described in San Francisco’s Classical Voice: “The instrument setup is an unusual one in that a console, with the two sets of 88 keys, will drive two “slave” pianos, remotely. The console piano will not produce any sound. Instead, an electronic sensor will record what a pianist is playing and instantaneously send that information across the stage, MIDI style, to two normal pianos that will produce the music.” Taylor has worked extensively with scientists and technicians at the Wisconsin Institutes for Discovery to perfect the instrument.
It’s not built yet, though. What it means is that anyone with an interest in something very musical and very new could apply for a license to pursue actual construction of the piano, says WARF spokeswoman Emily Bauer, license manager. “It’s a cool case. We’d love to see it licensed and commercialized,” Bauer says.
Taylor hopes that in a couple of years, he’ll be able to unveil both the first iteration of this new piano and a new piece written especially for it. He’s already talked to composer Derek Bermel about the idea. “Bermel welcomes the idea of writing music for an instrument where limitations are not known. The possibilities for new music are many, said Bermel, who wrote his first work for Taylor — a solo piano piece titled Turning — in 1995,” wrote Classical Voice writer Edward Ortiz. “ ‘[Repeated] notes on one set of hammers are pretty tough to play, but with two sets of hammers you can repeat notes by playing one note on one keyboard and a note on the other; then you can get this incredible, drumroll-like effect,’ said Bermel. “ ‘Also, there are some chords you cannot play on the piano because they would be too wide —– you would need fingers that were two feet long!’ ”
SAVE THE DATE! SELECTED UPCOMING CONCERTS AT THE SCHOOL OF MUSIC
Paul Rowe, Julia Foster, and Martha Fischer perform the Italienisches Liederbuch of Hugo Wolf
Austrian-born Hugo Wolf(1860-1903), a child prodigy who became a devotee of Richard Wagner, was known for his “concentrated expressive intensity” in his compositions, especially his lieder (songs). On March 26, at 7:30 PM in Mills Hall, voice professor Paul Rowe, alumna Julia Foster (now assistant professor of voice and opera at Rollins College in Winter Park, Florida) and pianist Martha Fischer will perform his “Italian Songs.” Read about the program here (PDF): Notes on the “Italienisches Liederbuch” of Hugo Wolf
Cello professor Uri Vardi bridges a cultural divide with trans-Middle Eastern music
On April 5 at 8 PM, cello professor Uri Vardi, oud artist Taiseer Elias, and composer/pianist Menachem Wiesenberg will present a concert, “Fusions,” of Arabic and Israeli music on the stage of Mills Hall, co-sponsored by UW’s Center for Jewish Studies. Elias is founder and conductor of the first Orchestra of Classical Arabic Music in Israel and is currently the musical director and conductor of the Arab-Jewish Youth Orchestra; he is the head of the Eastern Music Department at the Jerusalem Music Academy and is a professor of musicology at Bar Ilan University. Wiesenberg is a professor and dean of composition, conducting, and music education at the Jerusalem Academy of Music and Dance and also a senior consultant to the Jerusalem Music Center. Cellist and pedagogue Uri Vardi has performed as a recitalist, soloist, and chamber player across the United States, Europe, South America, Asia, and his native Israel. Born in Szeged, Hungary, Vardi grew up on kibbutz Kfar Hahoresh, Israel. He studied at the Rubin Academy in Tel Aviv, was an Artist Diploma student at Indiana University, and earned his Master’s degree from Yale University.
The concert will be repeated on Sunday, April 6 on Wisconsin Public Radio’s Live at the Chazen afternoon show, starting at 12:30 PM. It will also be held in Milwaukee that evening. Learn more here.
Final Farlow opera to be staged April 11, 13, and 15 in Music Hall
Put it on your calendar: After 15 years with University Opera, director William Farlow will retire after this spring’s performance of Hector Berlioz’s Béatrice et Bénédict, a comic opera in two acts that was Berlioz’s last work; according to a National Public Radio story from 2009, it “combines the signature brilliance and bombast of composer with the sly, comedic insights of Shakespeare’s Much Ado About Nothing.” Berlioz wrote both the libretto and the music. Look for an official news release very soon. Hear the overture in this YouTube video clip.
Tickets are $22.00 for the general public, $18.00 for senior citizens and $10.00 for UW-Madison students, available in advance through the Campus Arts Ticketing office at (608) 265-ARTS and online at (click “buy tickets” on the site): http://www.uniontheater.wisc.edu/location.html
JUST ANNOUNCED: OPERA STAR SUSANNE MENTZER TO CONDUCT MASTER CLASS AT SCHOOL OF MUSIC
Opera singer Susanne Mentzer, in town for Madison Opera’s April 25-27 production of Dead Man Walking, will conduct a master class on Monday, April 7 at the School of Music, 1:15 to 3:15 in Room 1321 (one floor below below Mills Hall). This event is free and open to the public. Ms. Mentzer will be working one-on-one with students, performing a signature aria for the class, conducting a Q&A session, and staying to meet and greet all attendees. From her online bio: “Ms. Mentzer has appeared with nearly all the major opera companies, orchestras and festivals of North and South America, Europe and Japan. For over 20 years she has sung leading roles at the Metropolitan Opera. She has collaborated with many of the world’s great conductors and singers including James Levine, Riccardo Muti, Zubin Mehta, Kurt Masur, Lorin Maazel, Pierre Boulez and Christoph Eschenbach, Joan Sutherland, Shirley Verrett, Placido Domingo, Natalie Dessay, Renee Fleming, Deborah Voigt, Carol Vaness, Thomas Hampson and Samuel Ramey, Frederica von Stade to name just a few.” Read more here: http://www.susannementzer.com/index.html
Our School of Music is famous for its voice faculty, counting among them luminaries such as baritone Paul Rowe (an organizer of Madison’s nationally-known Early Music Festival); soprano Mimmi Fulmer (former teacher of Broadway star National Stampley); soprano Julia Faulkner (now on leave to Chicago’s Lyric Opera and replaced by Elizabeth Hagedorn, recently returned from many roles in Europe); and James Doing, a tenor who three years ago made a splash with a recital of “Teaching Songs for the Voice Studio,” a recital of songs that Doing assigns to his college students to sing, which taught those in the audience what it is like to be a voice student and would-be students what to expect in Doing’s studio. It also educated listeners about the classical and modern canon in the vocal repertoire.
Local writer Jacob Stockinger has this to say about Doing’s 2010 recital: “It educated the audience. It was kind of like sitting in on Art Song 101. It let us listeners into the studio and allowed us to hear what makes for good repertoire, a good program and a good lesson. It was also great to see a professor sharing the recital stage with his students. To be sure, each will continue, and should continue, to perform his or her own individual solo recitals. But Doing is primarily an opera and oratorio singer so he was much like the students when it came to these first public performances of art songs.
“But sharing the stage lends credibility to the teaching process. It projects a certain solidarity and cohesion. It also projects cordiality, which is no small thing, even as we see different singing and performing styles. (Doing himself, to my ears, excelled especially in the songs by Italian, English and German Baroque composers such as Caccini, Conti, Purcell and Handel, and with French composers such as Ravel, Debussy, Faure and an exquisite song by Reynaldo Hahn.) And the results were highly successful — both enjoyable and instructive, the twin ideals of the Age of Enlightenment.”
This Saturday, October 19, at 8 pm in Mills Hall, Professor Doing will present another in what will not only be a series of “Teaching Favorites,” but will be a step toward a book on the same subject. He will be joined by Professor Martha Fischer on piano and student singers CatieLeigh Laszewski, Jenny Marsland, Olivia Pogodzinski, Melanie Traeger, and Sheila Wilhelmi. Songs will include Strike the Viol (Henry Purcell) from Come, ye Sons of Art; Và godendo (G.F. Handel from Serse, Melanie Traeger, soprano); and Mozart’s Giùnse alfin il momento . . . Deh vieni, non tardar (from Le Nozze di Figaro, CatieLeigh Laszewski, soprano). And many more.
Here, Prof. Doing explains the concept behind the next concert.
“Three years ago I presented a Teaching Favorites for the Voice Studio recital complete with program notes about vocal technique, diction, and so on, and it was well received.
“On Saturday, October 19th at 8:00 my students and I are going to be singing another Teaching Favorites for the Voice Studio in Mills Hall (free admission) and I would love to have many singers and teachers from the community come and share the evening with me and my students. I’ll be performing eighteen songs and five of my female voice students will assist by singing eight selections.
“Historical notes are being provided by Chelsie Propst, a fine young soprano who completed her MM in Voice with Paul Rowe and is now a PhD candidate in Musicology. I add some Performance Notes/Suggestions and Diction pointers. For this concert of 26 songs we will provide the full notes on about 10 songs and I will provide my own translations and International Phonetic Alphabet transcriptions for all of them (except the final set of English songs). This concert is the second in a series of four with number three taking place April 3rd, 2014 in Mills Hall and number four taking place during the 2014-15 school year.
“The goal/plan at this point is to eventually complete a book tentatively entitled “100 Teaching Favorites for the Voice Studio.” The book will begin with some chapters on vocal pedagogy, diction, ornamentation, and other issues followed by information about performing each of the 100 songs. Each song will have historical background written by Ms. Propst, followed by performance and diction pointers, translations and IPA.”
You can learn more about Prof. Doing on his websiteand YouTube channel.And we look forward to seeing all of you at his recital, which looks to be a highlight of the fall semester. 8 pm in Mills Hall.
“Why do we so often agree on what is beautiful? Why do we even care about beauty? Can we turn ugliness into beauty?”
Those are the questions asked by Daniel Grabois, assistant professor of horn at the UW-Madison School of Music, whose highly successful “SoundWaves” music & science lectures begin a new season on September 26 at 4:30 pm. The events take place in the DeLuca Forum in the WID building (330 N. Orchard Street, at the corner of University Avenue – the Forum is the round area right in the middle of the ground floor). SoundWaves is free and open to the public.
The first event is titled “The Eye and Ear of the Beholder,” and features several guests who will explore these ideas from different perspectives. Visiting assistant professor of voice Elizabeth Hagedorn will demonstrate beauty in a performance of Gustav Mahler’s Rückert-Lieder, a five-part song cycle written in 1901 based on poems written by Friedrich Rückert. She will be accompanied by UW pianist Martha Fischer.
The event will be part of the Wisconsin Science Festival, and will also feature chemist, Holocaust survivor and Nobel Prize winner Roald Hoffmann from Cornell University, who will discuss beauty in science.
SoundWaves combines scientific lectures about the world with live classical music performances. Each event revolves around a theme, exploring it first from many scientific angles and then through the lens of music. The program concludes with a live performance of music related to the evening’s theme.
The science lectures are delivered using language that the curious layman can understand, with a minimum of jargon and formulas. The music lectures, while demanding careful listening, are likewise designed for the layman and not the specialist.
Every SoundWaves event brings UW–Madison scientists from several departments together with UW–Madison School of Music faculty performers to explore a topic that is relevant to our world and our lives.
Says Dan Grabois: “I always like to speak at the events, and I will give a brief talk about dissonance. Many of our audience members are there to learn some science, and they know very little about music but are open to learning more. Probably a lot of these people think they hate dissonance, so I aim to show them how important dissonance is in harmonic motion and in creating character in music.”
NOTE: The second SoundWaves event will be held October 25, 7:30 pm, in the same place; the topic concerns the notion of group behavior, in life and in music. Stay tuned….
SoundWaves curator Daniel Grabois, assistant professor of horn at the UW-Madison School of Music, introduces the May 2013 SoundWaves discussion on “humans and the tools we use.”.
Written by Tina Hunter, Academic Department Manager, UW-Madison School of Music
Autumn colors and family time are among the things that Vienna-based dramatic soprano Elizabeth Hagedorn is looking forward to enjoying upon her return to Wisconsin. A native of Milwaukee, Hagedorn will be replacing soprano Julia Faulkner on the voice faculty while Faulkner spends the coming year teaching at the Lyric Opera of Chicago. With siblings in Waterloo, Cedarburg, and Madison (brother Henry is a retired entomologist who runs UW-Madison’s Journal of Insect Science), Hagedorn will have the opportunity to catch up with family as well as to enjoy the trees turning color this year. Hagedorn says that in addition to her family, she has missed what she calls, “the typical fall panorama (that) is a phenomenon of Northern America.”
Hagedorn will spend a year as the Visiting Associate Professor of Voice, a sweet homecoming for her. She earned a Bachelor’s degree in Music Education and English summa cum laude from UW-Stevens Point before heading to the University of Colorado to earn a Master’s degree in Music and Voice Pedagogy cum laude. Hagedorn notes that, “The most exciting thing about coming to Madison is being a part of an environment in which exactly those things I’ve learned and experienced are what can make a difference for the students ready to take a step toward becoming an artist. I love the feeling of coming full circle, back to my home state, back to education, and returning energy to the same kind of system that made my unlikely life as an opera singer a reality.”
Thanks to her father’s love of song, Hagedorn spent her childhood steeped in music. While her father was a Milwaukee postal service employee by day, in his free time he, too, was a very active musician. Mr. Hagedorn sang in the chorus of the Florentine Opera, conducted church choirs, created a Mail Chorus with his postal colleagues, and sang with the Cream City Four Barbershop Quartet. Many rehearsals occurred in the family living room, with young Elizabeth soaking it all in.
Fast forward a couple of decades and a few thousand miles, and we find Hagedorn now in her twenty-fourth year as an opera singer in Europe. Hagedorn has performed over fifty leading roles, debuting as a lyric-coloratura (Violetta, Konstanze, Elvira), and developing through the heavier lyric roles (Mimi, Rusalka, Suor Angelica, Don Carlo Elisabetta) to spinto and jugendlich-dramatic repertoire (Salome, Ariadne, Elsa, Ellen Orford, Tosca, Fidelio Leonore, Senta, Wozzeck Marie). Various world and European premieres of contemporary operas included the first Austrian performance of Michael Nyman’s “The Man who mistook his Wife for a Hat,” and a world premiere recording of Veerhoff’s “Desiderata” at the Gewandhaus in Leipzig.
SInce 2010, Hagedorn and her husband, the conductor Andreas Stoehr, have lived in Vienna. She established “Wien.Oper.Intensiv” performance workshops in Vienna, and has taught master classes at UW-Madison, UW-Stevens Point, University of Colorado – Boulder, and the University of Northern Colorado in Greeley.
Hagedorn has spent the summer teaching as a member of the voice faculty at the American Institute for Musical Studies(AIMS) in Graz, Austria, the program through which she initially made her way to Europe. She has voice students eagerly awaiting her arrival with the beginning of the school year, and her first public performance is scheduled. On September 26, she will join pianist Martha Fischer to perform songs by composer Gustav Mahler for a performance during SoundWaves, the interdisciplinary music and scientific talk series curated by UW professor of horn, Daniel Grabois. By then the leaves should be changing color and her siblings should be well-visited. Welcome home, Elizabeth Hagedorn!