Happy New Year from the Mead Witter School of Music! And welcome to the first issue of A Tempo! for 2017
Two More Awards for UW-Madison University Opera
University Opera scores again with national recognition
Awards for two shows in 2015-2016
UW-Madison’s University Opera is on a roll. Both shows from last year, Transformations and Mozart’s Le nozze diFigaro, have won awards in the National Opera Association’s (NOA) Opera Production Competition for 2015-2016. It is the second year in a row that UW-Madison has garnered an award from NOA, and the first time that each production was separately recognized. University Opera produces only two operas each year.
October 2015’s Le nozze diFigaro, with orchestra conducted by James Smith, placed second in Division IV, and March 2016’s Transformations, conducted by graduate assistant conductor Kyle Knox, garnered a first place award in Division III.
Both productions were directed by David Ronis, inaugural Karen K. Bishop Director of Opera, who is now a six-time winner of the competition. His previous awards occurred while he worked at Queens College in New York.
In December, Madison’s weekly newspaper Isthmus devoted a cover story to our burgeoning jazz program and its director, Johannes Wallmann
“By bringing more jazz to the university and beyond, Wallmann hopes to promote the notion that jazz isn’t just about the past, with its storied history and legendary names. It’s now also about highly trained musicians pushing the boundaries of the genre,” wrote author Jane Burns in her story, “Making a Scene.”
“ ‘Look up any end-of-the-year Top 10 list on NPR, Downbeat or The New York Times, and listen to what this generation of 20- and 30-somethings are up to, it’ll blow your mind,’ ” Wallmann says. “ ‘We want to prepare our students to be part of that.’ ”
…meanwhile, Wisconsin Public TV spotlights the jazz program as part of its “Young Performers” Initiative
For over a year, a dedicated crew from WPT – including alumna Megan Aley, who served as a producer – filmed Wallmann and his staff as they shepherded high school students through auditions for the UW High School Honors Jazz Band. The videos are intended to help aspiring musicians prepare for professional careers and college auditions.
Juliana Mesa-Jaramillo came from the country of Colombia to study bassoon performance with Marc Vallon, professor of bassoon. We asked her how she became involved in music, with the bassoon, and why she chose Wisconsin.
“I did my undergrad in music performance in the University El Bosque in Bogotá. I studied with Leonardo Guevara, the principal bassoonist of the National Symphony Orchestra. I learned very much while at school and I was able to play with many chamber ensembles when I was still in school. My first job as a bassoonist was in the Symphonic Band of Cundinamarca, and I worked there for a year during my last year of school. It was challenging, but I learned very much from this experience.
“In 2010, I received a master’s in bassoon performance with Saxton Rose at the University of North Carolina-School of the Arts. As I started to look into going back to school, I talked him, and he recommended that I applied to study with Marc Vallon at UW-Madison. I think it is one of the best decisions I have made in my life!”
Sing with Choral Union this spring! Drop-in auditions will be held on January 18 for community members interested in singing a rare work: Paul Hindemith’s When lilacs last in the door-yard bloom’d. A rarely done work because of its difficulty, this is an outstanding setting of Walt Whitman’s poem written about the death of Abraham Lincoln, and the train that carried his body to Springfield, Illinois. The work was commissioned by Robert Shaw in memory of Franklin Roosevelt, whose funeral train carried his dead body from Georgia back to Washington. The work is in memory of “those we loved.” Two concerts, April 29 & 30. Learn more here.
Inviting high school pianists to take part in Pathways to Artistry: From the Practice Room to the Stage. A free, day-long event featuring workshops, masterclasses and performances hosted by UW-Madison’s keyboard faculty. High school pianists are encouraged to participate in the master classes and an honors recital. More information and registration is at the link below. The deadline to register is January 31.
Violinist Soh-Hyun Altino and pianist Christopher Taylor, both faculty artists, perform the Sonata for Violin and Piano by John Corigliano (1963) and the Sonata in A Major by Gabriel Fauré (1875-76). Tickets are $15 for adults and $5 for non-UW music students. Learn more here.
Sunday, January 29, 3 PM, Mills Hall
Our Annual Schubertiade: “Circle of Friends”
This year’s Schubertiade with pianists Martha Fischer and Bill Lutes will feature acclaimed alumna soprano Emily Birsan. The concert will be followed by a reception (included in the ticket cost) at the University Club. Tickets are $15 per adult and $5 for non-UW music students. The concert is sponsored by Madison resident Ann Boyer, an admirer of Franz Schubert’s music and the musical talents of Fischer and Lutes. Learn more here.
Two violinists, one pianist, one trumpeter, and one vocalist will solo with UW Symphony Orchestra with conductor James Smith.
In addition, the music of composition student Nathan Froebe will be performed.
The concert is in Mills Hall at 7:30 PM. There will be a free public reception immediately following at the University Club, 803 State Street.
Ticketed: $10 adults; students & children free. Buy tickets here or at the door.
The winners are:
Violinist Shing Fung (Biffa) Kwok, a doctoral student of Prof. David Perry and recipient of a Collins Fellowship. He will perform Tzigane by Maurice Ravel (1875-1937).
Violinist Matthew Lee, an undergraduate senior who studies with Prof. Soh-Hyun Altino. He will perform the cadenza from the Violin Concerto No. 1 in A Minor, opus 77 of Dmitri Shostakovich (1906-1975).
Trumpeter Matthew Onstad, a master’s student of Prof. John Aley. He’ll perform the Trumpet Concerto in F Minor, Op. 18 by Oskar Böhme (1870-1938).
Soprano Anna Polum, who will sing “Amour, ranime mon courage,” written by Charles Gounod (1818-1893) for his opera adaptation of Romeo and Juliet. Anna studies with voice professor James Doing.
Pianist Shuk-Ki Wong, to perform the first movement of the Piano Concerto in G Major by Maurice Ravel (1875-1937). Shuk-ki studies with Professors Christopher Taylor and Jessica Johnson.
Composition student Nathan Froebe (not pictured) is the winner of this year’s composer’s contest. More information coming soon.
A native of Hong Kong, Biffa Kwok began his violin lessons at the age of ten, studying with Chu Tong Lo. In 2004, Kwok entered the Hong Kong Academy for Performing Arts and graduated in 2013 with a bachelor of music degree in violin performance. Kwok also holds a master’s degree in violin performance and literature from the Eastman School of Music, where he studied with Mikhail Kopelman, former leader of the Borodin and Tokyo String Quartets.
Kwok has received many awards, including the ExxonMobil Scholarship, Chan Ho Choi Enchanting Music Scholarship during his studies at the Hong Kong Academy for Performing Arts; the Eastman Graduate Assistantship during his master program at the Eastman School of Music, and the James R. Smith Orchestral Leadership award during his studies at the Mead Witter School of Music.
Kwok has collaborated with many artists such as Trevor Pinnock, Uroš Lajovic, Perry So, Kokman Liu, Neil Varon, Brad Lubman, Zhu Dan, Nobuko Imai, and John Demain. A strong advocate of chamber music, Kwok actively participated in many chamber performances, including masterclasses with the Chilingirian; the Endellion; the Penderecki; the Ying, and the Dover string quartets. Kwok also actively performed in orchestral performances including participation in the Academy (Hong Kong) Symphony Orchestra; Eastman Philharmonia; Eastman Graduate Chamber Orchestra; Orchestra of the Southern Finger Lakes (Elmira, NY), the Dubuque (Iowa) Symphony Orchestra, and the Madison Symphony Orchestra. He is also a member of Sound Out Loud, an ensemble based in Madison that specializes in performing contemporary music.
At UW, Kwok studies violin performance and arts administration. The ten-minute work he will perform, “Tzigane” by Maurice Ravel, is a Hungarian-styled rhapsody written in the early 1920s and first played by the Hungarian-English violinist Jelly d’Aranyi—a great-niece of the violin virtuoso Joseph Joachim— in 1924. The name “Tzigane” is derived from the generic European term for gypsy, and it shows Ravel’s interest in violin showmanship in the manner of Paganini and Sarasota.
Violinist Matthew Lee is a Madison native and former member of the Wisconsin Youth Symphony Orchestra is is majoring in music performance and biology. Matthew began playing the violin at age 6 and studied with Hiram Pearcy for eleven years prior to entering college. He performed with WYSO orchestras for eight years, serving as concertmaster for the Youth Orchestra from 2011-12, including during their Eastern European Tour in 2012. He was a winner of the Youth Orchestra Concerto Competition in 2013, received honorable mentions in the Madison Symphony Orchestra Bolz concerto competition. At UW-Madison, his teachers have included Eugene Purdue and Prof. Altino.
“I chose this piece because I love Shostakovich’s work in general,” says Matthew. “His violin concerto is significant because it was written during a time when Shostakovich was scrutinized carefully by the Soviet government, in a time of increased arrests of people who wrote in an anti-Soviet manner. The violin concerto was therefore hidden from the public until after Stalin’s death. I love the whole concerto, but the cadenza and fourth movement stand out because of the desolate, barren quality of the cadenza transitioning into the exaggerated, frenzied movement of the burlesque.”
Trumpeter Matthew Onstad, who hails from Beaver Dam, is pursuing a master’s degree in trumpet performance, studying with Prof. John Aley. He is a member of the Wisconsin Brass Quintet and recently won the post of principal trumpet with the Quad City Symphony Orchestra, where he holds the Francis Neiswanger Memorial Principal Trumpet chair. Aside from his duties with the Wisconsin Brass Quintet, Matthew has been a member of the 132nd US Army National Guard Band since 2012, and has performed with the Madison and Oshkosh Symphony Orchestras. Matthew received his bachelor’s of music degree at the University of Wisconsin-Oshkosh where he studied with Marty Robinson and Robert Levy.
“The Böhme is one of the very few well-known trumpet concerti that was written in the Romantic era of music,” Matt says.”Although it is not a ‘standard’ in the trumpet repertoire, it certainly deserves the title, with all of the different colors it offers to the audience. It’s outer movements demonstrate virtuosic and acrobatic technique, while the inner movement possesses such beauty and sensitivity, thus making it one of my favorite pieces of music to perform.”
Soprano Anna Polum is a native of Kodiak, Alaska, and is pursuing a master’s degree in voice performance, studying with Prof. James Doing. She holds degrees in music education and voice performance from the University of Alaska-Fairbanks. Anna has won or placed in competitions offered by the National Organization of Teachers of Singing in both Alaska and Wisconsin. Recently, she sang Contessa Almaviva in University Opera’s production of Le Nozze di Figaro, and next spring will sing Miss Jessel in University Opera’s production of The Turn of the Screw. For the 2016-2017 season, Anna is the soprano studio artist for Madison Opera and covered the roles of Juliet in the company’s performances of Romeo and Juliet; Chan Parker in Charlie Parker’s Yardbird; and Pamina in Die Zauberflöte (The Magic Flute). She will also sing the role of Papagena in the same production of Die Zauberflöte.
Gounod’s operatic adaption of Romeo & Juliet premiered in 1867 at the Théâtre Lyrique in Paris. While Gounod is now better known for Faust, Romeo & Juliet was a bigger success at its premiere, and has stayed in the repertoire for 150 years due to its beautiful music, genuine passion mingled with wit, and exciting fight scenes.
“I covered Juliet with Madison Opera this past November, so this role is fresh for me,” Anna says. “The setting is quite dramatic, especially in the middle recitative section, where Juliet envisions Tybalt’s ghost coming for her and Romeo. Between her fear of losing Romeo and her love for Romeo, she decides to take the poison that Friar Lawrence gives her, claiming ‘je bois a toi!,’ meaning ‘I drink to thee (meaning Romeo).’ I love the dramatic flair to this piece, especially since the rest of the opera is quite mellow, flowing in and out of love duets and party scenes.”
Hong Kong native Shuk-Ki Wong is a doctoral pianist who studies piano performance and pedagogy with Professors Christopher Taylor and Jessica Johnson. She was a winner of the 31st Annual Beethoven Piano Competition at UW-Madison as well as the Exhibition Award from Trinity College London, and has appeared as soloist at the Hong Kong Cultural Centre, Hong Kong City Hall and Verbrugghen Hall in Australia. During her studies, Shuk-Ki was invited to perform at the Hong Kong International Chamber Music Festival and the Asia-Pacific Music Summit, and she has participated in master classes with Colin Stone, Sa Chen, Stephen Savage, Murray McLachlan and Jack Winerock. Shuk-Ki is also on the piano faculty at the School of Professional and Continuing Education in Madison Technical College, where she teaches students with diverse interests and abilities.
Shuk-Ki obtained her bachelor of music degree and diploma of music from the Hong Kong Academy for Performing Arts with the support of the First Initiative Foundation Music Scholarship and Grantham Scholarship. She subsequently received the Molly McAulay Memorial Scholarship to fully support her graduate studies at the University of Sydney, Australia, under the tutelage of Mr. Clemens Leske.
“The brightness, energy, and the blend of ‘light-hearted and brilliant’ qualities and jazz music in Ravel’s Piano Concerto in G Major have drawn my interest, and I am excited to perform this masterpiece with the UW-Madison Symphony Orchestra,” she says.
Jessica Johnson holds out hope for pianists with small hands
How big are your hands? If you aspire to be a professional pianist, that’s an important question. On average, women have smaller hands than men, and are frequently stymied when trying to stretch their fingers to reach the larger octaves written into many major concertos, such as those by Liszt and Rachmaninoff. That simple fact bears on another simple fact: There are fewer women in the top echelons of professional concert pianists. Injuries are also common.
On Sat., Feb. 20, Jessica Johnson, professor of piano and piano pedagogy, will hold a full day of all-free events to demonstrate what has been working for her: The adoption of a specially sized piano that is 7/8 of normal size. Made by Steinbuhler & Co., one of these is now owned by the School of Music, and Prof. Johnson has found that playing it has been a “life-changing” experience.
Join us on Feb. 20 at 2:30 for a workshop, master class, hands-on demonstrations, and concert, all featuring the Steinbuhler DS 5.5 7/8 piano. Learn more here. And watch for an article about this revolutionary new approach in an upcoming story by Gayle Worland, in the Wisconsin State Journal.
Trumpeter & Cuban Music Expert Mike Davison to perform with the UW Jazz Orchestra
Master class: Mon Feb 22, Mills Hall; Concert: Weds., Feb. 24, 7:30 PM, Music Hall. Read more here.
Even after a semester with Juan de Marcos, we’re still feeding on Cuban music! This month, we’re bringing Mike Davison (DMA, trumpet performance 1987) to campus from the University of Richmond, where he teaches and performs. He’ll join the UW Jazz Orchestra, the Waunakee High School Jazz Ensemble I and the UW Latin Jazz Ensemble in an evening of rousing Caribbean tunes. Davison’s bio includes concerts around the world, four recorded jazz CDs, and performances with well-known singers, musicians, and even for a pope.
UW Wind Ensemble travels to Verona and west Madison for concerts
Find the UW Wind Ensemble in your corner of Dane County! Last December, the Wind Ensemble made an appearance at the Sun Prairie High School and will continue its out of town concerts this spring. Find them at Verona High School on Feb. 19, at Oakwood Village – West (Mineral Point Road) on March 31, and of course at the School of Music as well (Feb. 20). Both February concerts will feature Tom Curry, adjunct professor of tuba, in a work titled “Heavy Weather,” by the composer Jess Turner.
Summer Music Clinic registration now underway
Registration is open through May 2 for UW-Madison’s legendary Summer Music Clinic, which offers dozens of classes in all kinds of musical skills for kids completing grades 6-8 (junior session) and 9-12 (senior session). For one week, students live in UW dorms and attend classes that they choose from a lengthy list, including band, orchestra and choir; sight-singing; jazz improvisation; opera; swing dance; yoga; and even specialized classes on subjects ranging from the music of film composer John Williams to Stephen Sondheim to rock’n roll. Instructors are all highly skilled; many are university professors or other working professionals. Taste the fun by visiting SMC’s Facebook page! For more information, email email@example.com.
Below: Summer Music Clinic photographs by Michael R. Anderson.
Our final issue of the 2014-2015 academic year contains news about a few new graduates and updates from some already out in the working world. We never fail to be inspired by all of the creative ways that music students both indulge their passions for the art form and their obligation to support themselves. Music may not be a sure ticket to fortune, but for most it is a ticket to personal growth and happiness, provided students are motivated and receive support from teachers, friends and family. We are proud to present these stories about graduates of the UW-Madison School of Music.
Valerie Clare Sanders (B.M., violin performance, 2015). Student of Felicia Moye (now at McGill University) and Leslie Shank.
In September, I will be moving to London, England to study with Simon Fischer at Guildhall School of Music and Drama in their postgraduate Orchestral Artistry program. This program is a partnership with Guildhall, the London Symphony Orchestra, and the Barbican Centre, and it involves intensive side-by-side training with members of the London Symphony Orchestra.
I’ve been a member of the Madison Symphony Orchestra for three years, have served as acting concertmaster of the Middleton Community Orchestra and was also a member of the Perlman Piano Trio, which is sponsored by longtime School of Music supporter Kato Perlman.
As a violinist I maintain a strong love for performing and continuing to develop my interpretive facility but am also become very passionate about exploring classical music in the context of a larger cultural discourse, joining and starting new conversations about why musicians do what they do, how they can learn to do it in new ways, and exploring the psychological nature of what it means to be a classical musician today. UW has proved to be a great springboard for this sort of inquisitive energy.
Duangkamon Wattanasak (B.M., keyboards, 2015). Student of John Chappell Stowe.
This fall, Duangkamon will attend the State University of New York at Stony Brook to pursue a master’s degree in harpsichord performance. This past year, she received a Hilldale Undergraduate Faculty Research Fellowship this past academic year to work on a project editing German Baroque music with Prof. Jeanne Swack. She presented part of her research in the form of a performance of Sebastian Bodinus’s Sonata for Flute and Basso continuo in E minor at the Undergraduate Research Symposium on April 16 in Union South with Mi-Li Chang, Baroque flute and Andrew Briggs, Baroque cello.
Hinano Ishii (B.M., flute performance, 2015). Student of Stephanie Jutt.
Four years ago around this time, I was preparing for my concerto debut at Alice Tully Hall, Lincoln Center and certain about pursuing a career in music. Now, I’m looking forward to my post-graduation plan: working in operations and education at Bravo! Vail, a summer music festival in Colorado featuring the New York Philharmonic, The Philadelphia Orchestra, Dallas Symphony and many other renowned musicians.
My enthusiasm for arts administration, sparked by an Arts Enterprise course taught by my flute professor Stephanie Jutt, quickly led to my election as president of Arts Enterprise at UW-Madison. I produced a series of workshops on topics including grant writing and arts law, and founded an Arts Career Resource Center on campus. From the connections I made through UW, I took on positions as the Programming and Community Engagement Intern at Overture Center and Marketing Assistant for PROJECT Trio. Eager to advance my skills, I also worked at The John F. Kennedy Center for the Performing Arts in Washington D.C. as a National Symphony Orchestra Operations Intern. This gave me the opportunity to assist in planning rehearsals, concerts, and events including two nationally broadcasted performances at the U.S. Capitol. In my final year on campus, I was the assistant to Katherine Esposito, the School’s concert manager and publicist, helping to organize festivals and concerts, while also working at the Overture Center as the Development Intern.
Meanwhile, I’ve pursued my flute studies, performing with the symphony orchestra and in solo recitals. In my junior year, I was featured on UW-Madison’s homepage with an article highlighting my accomplishments and performed on a PBS annual science show hosted by UW-Madison’s chemistry professor, Bassam Shakashiri.
It is with mixed emotions to be leaving this wonderful university. I am extremely lucky to have found what I love doing best and having all the resources and connections available in Madison to create opportunities in arts administration. Although I am a music performance major, the environment allowed me to pursue my aspiration while also advancing my flute playing which makes UW-Madison an extraordinary educational experience. I am happy to have taken full advantage as a student and thankful for my mentors, parents and friends who have supported my work for the past four years! On Wisconsin!
Vince Mingils (M.M. 2015, percussion performance). Student of Anthony Di Sanza, Todd Hammes.
Mingils, a recipient of a Paul Collins Distinguished Graduate Fellowship at the School of Music, will move to Florida to serve as the Director of Percussion Studies and Assistant Director of Bands at Matanzas High School and Indian Trails Middle School in Palm Coast. Mingils also holds a bachelor of music education degree summa cum laude from Stetson University.
In addition to performing with the percussion ensembles at UW-Madison, Vince coached ensembles and occasionally joined UW-Madison’s resident/alumni percussion ensemble, Clocks in Motion. He also traveled with the UW Wind Ensemble to Carnegie Hall and Beijing and Shenyang, China for the studio’s first international tour (see story below). In addition to studying classical percussion, his UW teachers helped foster his burgeoning interests in composition, improvisation, Middle Eastern music, and hand drumming.
Tim Morris(B.M., music performance and political science). Student of Matthew Mireles, John Stevens (emeritus) and Tom Curry.
This fall, Tim will pursue a master’s degree in euphonium performance at the University of Georgia. While in Madison, he played in the Wind Ensemble, Low Brass Ensemble and competed in the Leonard Falcone Euphonium Student Competition and the International Tuba Euphonium Conference’s Young Artist Euphonium Competition. He also spent two years as a legislative intern in the Wisconsin State Senate, leading to a better understanding of the political process and the issues facing the State of Wisconsin.
“The School of Music has provided me with countless life-changing experiences,” Tim writes. “I have benefited tremendously from an extremely talented and supportive faculty who have helped me realize many of my musical goals. With their guidance I have been fortunate enough to participate in international music competitions, perform for many people and travel all over the world in the process. I have no doubt that I would not be the same musician I am today without the teachings of my mentors as well as the support of the musicians here that I have the distinct privilege of calling my friends and colleagues.”
Amanda Fry (B.M., music performance, horn). Student of Daniel Grabois.
Next fall, Amanda will attend the University of Maryland at College Park to work toward a master’s degree in horn performance, studying with Gregory Miller. At UW-Madison, she performed with the UW Symphony, the Wind Ensemble, and the UW Horn Choir. As a member of a student brass quintet, she completed a residential clinic at a middle and high school, performing and conducting master classes, and coached small chamber ensembles as they prepared for the state Solo and Ensemble competition. She also spent a semester in Vienna through the Study Abroad program, and feels “incredibly fortunate” to have played on stage this spring at Carnegie Hall with the UW Wind Ensemble.
“Studying in Vienna was incredibly valuable in many ways,” Amanda says. “Not only did I gain confidence from living on my own in a foreign country, but I also met a lot of amazing people and made some awesome friendships. I was incredibly fortunate to explore new places around the world and experience other cultures – albeit for a short amount of time. As for my experience at UW, I am very happy with my choice to study here. I’ve had opportunities here that have been invaluable to my growth as a global citizen. I couldn’t be happier about my decision to earn a degree from this university.”
Jeremy Kienbaum (B.M., music performance, viola/violin.) Student of David Perry (violin) and Sally Chisholm (viola).
Starting in September, I will be attending The Juilliard School to study viola with Samuel Rhodes, the former violist of the Juilliard String Quartet and chair of the Juilliard Viola Department. I am very honored to work with him, and excited to learn from and be surrounded by exceptional musicians.
I am eternally grateful for this opportunity to have studied with two fantastic professors, Sally Chisholm and David Perry; my musicality and technical facility have developed immensely through their teaching and guidance. Studying chamber music with Pro Arte quartet cellist Parry Karp has also been a rare treat; the devotion and joy he brings to coaching students makes every lesson meaningful, not to mention the wealth of musical knowledge he has shared with me over the last four years. I am truly in debt to all of my professors and colleagues here, who have helped to deepen my love and passion for music. I’m looking forward to the opportunity to take in all the arts New York City has to offer, but I’ll miss all of my friends at UW and cheese curds at the Terrace.
Daniel Black (B.M., composition, 2002), received a 2015 Career Assistance Award from the Solti Foundation U.S.. Former student of Joel Naumann (emeritus, composition); Stephen Dembski (composition) and David Becker (conducting, now at Texas Tech in Lubbock, Texas).
Sergio Acosta (BM, flute performance, 2011; MM, bassoon performance, 2013) now with The U.S. Army Field Band. Former student of Stephanie Jutt and Marc Vallon.
Jamie-Rose Guarrine (MM in vocal performance, 2002; DMA in vocal performance, 2005), will join the faculty of the University of Massachusetts-Amherst as Assistant Professor of Voice. Former student of James Doing.
Ben Davis (B.M., music education, 2014), now in a master’s composition program at DePaul University and will participate in the Summer Academy for Young Composers at Akademie Schloss Solitude. Former student of John Aley (trumpet); also studied composition with Stephen Dembski and Filippo Santoro, DMA 2014.
Paola Savvidou (MM in Piano Performance and Pedagogy, May 2008; DMA in Piano Performance and Pedagogy, May 2012) is Assistant Professor of Piano Pedagogy at the University of Missouri. Former student of Jessica Johnson.
Jonathan Kuuskoski (MM in piano performance & pedagogy, 2009), now Director of Entrepreneurship and Community Programs at the university of Missouri. Former student of Christopher Taylor and Jessica Johnson.
Julia Marion (BM, bassoon performance 2008), was a member of the inaugural class of The Juilliard School’s Historical Performance Program and now freelances extensively in Europe and the U.S. Former student of Marc Vallon.
Chris Van Hof (DMA, trombone performance, 2013), is the tenure-track Assistant Professor of Trombone and Euphonium at Colorado State University. Former student of Mark Hetzler.
Join us to wish bon voyage to our newest grads!
The School of Music Graduation & Awards Recognition Ceremonywill be held in Music Hall on Friday, May 15, 2015 from 2:30 p.m. to 4:30 p.m.
Please join us to recognize our generous donors and the fortunate and talented student recipients of scholarships and awards, as well as all the graduates of the School of Music who plan to walk at Camp Randall this May, in summer, or in winter of 2015. We’ll follow with a light reception of hors d’oeuvres and refreshments.
Parking on campus is free starting at noon on Friday until Sunday morning.
Click here for information about the official UW-Madison commencement ceremony at Camp Randall Stadium, Friday, May 15 and Saturday, May 16.
Cellist wins Yamaha Young Performing Artists Prize
Kyle Price, 22, a first year master’s cello student at UW-Madison and artistic director and founder of the Caroga Lake Music Festival, was recently announced as a prize winner of the Yamaha Young Performing Artists Competition. As a Yamaha Young Artist awardee, he will be invited to attend an all-expense paid weekend at the Music for All Summer Symposium and receive a once in a lifetime performance opportunity in front of thousands. Additional benefits include national press coverage, recording and photos of the live performance, and participation in workshops designed to launch a professional music career. Winners also enjoy many of the privileges of a Yamaha Artist, including services and communication with Yamaha’s Artist Relations department. Among other recent accomplishments, Kyle was also named a finalist in the G. Gershwin International Music Competition 2015 and semifinalist in the Maurice Ravel International Composition Competition (Italy). Kyle Price is a student of Prof. Uri Vardi and a Distinguished Paul Collins Fellow at the UW-Madison.
Percussion Ensemble makes new friends and plays music in China
by Anthony Di Sanza
Shenyang Conservatory students during Tony Di Sanza’s darabukka masterclass.
Vince Mingils, Trevor Maliborski and Lucas Gutierrez trying on the local Manchurian head ware at the Shenyang palace.
Our host in Shenyang and Tony Di Sanza’s dear friend, Professor Qingshan Lu.
Selfies aplenty after our first concert in Shenyang!
Shenyang Conservatory and UW-Madison students enjoy a meal together.
Members of the UW Percussion Ensemble (Megan Hobbs, DeLane Doyle and Jacob Bicknase) after a dinner with our new friends from Shenyang Conservatory.
At the Shenyang Emperor’s Palace. This was the palace used by the first three Emperors of the Ching Dynasty before the seat of power was moved to the Forbidden City in Beijing.
UW and Shenyang students rehearse for a concert featuring the music of Chinese composers.
(Click photos for captions)
On April 4, after a solid year of planning, fundraising and marathon rehearsals, the fourteen members of the UW-Madison Percussion Program–celebrating its 50th year– and its three faculty members traveled to Beijing and Shenyang, China, for their first international concert tour. They were invited by percussion professor Lu Qingshan of the Shenyang Conservatory, whose former student, Zhang Yuqi, is now a master’s candidate at UW-Madison. Faculty members from UW-Madison included Prof. Anthony Di Sanza and instructors Todd Hammes and Tom Ross. Concerts included music of the United States, Brazil, El Salvador, and China, plus a collaboration with Shenyang students on two jazzy percussion works.
While in China, the students also visited Tiananmen Square and the Beijing Olympic Park, and even snuck in some Badgers basketball updates while walking the Great Wall. As they moved from one location to another, they received practical lessons in how to set up and dismantle bulky percussion equipment, how to rehearse in unfamiliar concert halls, and how to create a seamless performance on a tight schedule with musical strangers (who then became friends).
“The best thing was just watching our students interact with the Chinese students,” says Prof. Di Sanza. “They went to lunch together, shopped together, drank together, rehearsed together, gave each others nicknames, and a bunch of us went to a pool hall late one night.” They even took selfies with each other (see above photos).
“We will treasure the relationships we built along the way,” he adds. “None of this would have been possible without the support of our sponsors in the United States, including the UW China Initiative, The UW-Madison Division of International Studies, Dr. and Mrs. Robert W. Graebner and the UW-Madison School of Music. We are forever grateful for their support and confidence.”
UW’s Contemporary Jazz Ensemble wins a first prize in Eau Claire
On April 17, the CJE, directed by Assistant Professor Johannes Wallmann, won first place in the college combo category at the Eau Claire Jazz Festival. The group performed compositions by saxophonist Joshua Redman and trumpeter Dave Douglas, and “Bon Voyage – An Ode to Adventure,” a new composition by the ensemble’s saxophonist Geoff McConohy, a UW senior from Menomonie. Because the ensemble finished first in its category, the group performed on the festival’s evening concert for an audience of a thousand at Eau Claire’s State Theater that featured headline artists The New York Voices. Student performers in the ensemble include students from the School of Music, the College of Engineering, the College of Agricultural and Life Sciences, and the School of Business. The Eau Claire Jazz Festival, now in its 48th year, is one of the oldest jazz competitions in the country, with participating middle school, high school, and college and university bands from around the Midwest.
University Opera secures Morgridge Grant and private bequests to create endowed directorship
Karen Bishop returned to school later in life to pursue her love of opera, earning a master’s and DMA from UW-Madison Opera. In January, she died of cancer. Her late husband, Charlie Bishop, has carried out her wish to support the program by providing funds which will be matched by the University’s Morgridge Fund. Donations are still being accepted. Read the full April 21, 2015 news release here.
Make Music this Summer with Summer Band!
Celebrate the 150th anniversary of the ending of the Civil War and historical Camp Randall with this free annual favorite, the UW–Madison Summer Band conducted by Prof. Scott Teeple. Community members, teachers, students alike can join in this music-making experience. Seven rehearsals and a single performance make this ensemble an exciting way to keep your musical chops in working order. The program will focus on music of the Revolutionary War and that time period to honor the anniversary. Click here to learn more.
We are pleased to announce a sneak peek at several guest artist/School of Music events planned for next year: please save these dates!
(Please note: Concerts may be ticketed. More information will be available in late summer.)
SUNDAY, SEPTEMBER 27, 7:30 PM, MILLS HALL: Brenda Rae, alumna soprano, sings Reinhold Glière‘s Concerto for Coloratura Soprano (1943) with the UW Symphony Orchestra. Benefit for University Opera. Tickets $25, on sale in July at the Memorial Union Box Office.
WEDNESDAY, OCTOBER 7, 7:30 PM, MILLS HALL: Renowned violist Noboku Imai performs with the Pro Arte Quartet.
OCTOBER 8-11, MILLS HALL: Celebrate Brass 2015!Festival with Axiom Brass and UW faculty & students.Ticketing & event details to come.
JANUARY 19-24, MILLS & MORPHY HALLS: Student Recital Festival. A full week of free performances by our own talented students! Check back in fall for details.
MONDAY, MARCH 14, 7:30 PM, MORPHY HALL: duoJalalbrings its mix of classical, Middle Eastern, jazz and Klezmer music to Madison. With Kathryn Lockwood on viola and Yousif Sheronick on percussion. Ticketing & event details to come.
APRIL 26-29, MILLS & MORPHY HALLS: UW Jazz Festival with Bob Sheppard, LA-based multi-woodwind performer, recording artist, and jazz musician. Ticketing & event details to come.
AUGUST 30, 2015 & MAY 2-5, 2016: “Performing the Jewish Archive”:The U.S. component of a major international research project led by the University of Leeds, in England, will shine new light on forgotten works by Jewish artists. In Madison, partners include the UW-Madison School of Music (Prof. Teryl Dobbs, chair of music education, faculty lead) as well as the Center for Jewish Studies, the Mayrent Institute, and the Arts Institute at UW-Madison, and Bach Dancing & Dynamite Society. Click here for more information.
Wingra Celebrates 50 Years
The Wingra Woodwind Quintet honored itself with a party and short concert on April 25 at the University Club. Many former members were in attendance. They also bid farewell to hornist Linda Kimball and clarinetist Linda Bartley. Stay tuned for the group’s roster next year!
A message from Susan C. Cook, Director of the School of Music
On May 16, as part of the University’s entire Commencement weekend, the School of Music held its inaugural Graduation and Awards Recognition. It was a lively and celebratory event that provided the opportunity to recognize the achievements of our graduates, to honor award recipients and to recognize and, in some cases, to thank personally the many donors who have made those student awards possible. Thus, for many of us, the 2013-14 academic year has ended, and so this is the last Fanfare blog post you’ll receive from us until August.
However, the School of Music, as I’ve learned, never truly goes silent. Our facilities in the Mosse Humanities Building and in Music Hall will continue to thrum with activity of all kinds—from summer classes, ensembles and Community Music Lessons to special events like the National Summer Cello Institute (now in session), the Summer Music Clinic and the Madison Early Music Festival. Over the summer, music study continues, both in more leisurely and more intensive ways. We’re also planning to carry out some much needed renovations, ones that will benefit both our classroom teaching and our on-stage performances.
Looking back over the year I continue to be struck by how much we do and how well we do it. Primary in my mind are the high quality performances by our students as they’ve worked alone and collaboratively in our libraries, practice rooms, offices, studios, classrooms and, on stage and off. The creativity, energy and commitment they display towards their creative work never ceases to amaze me; it makes my job as director enormously rewarding.
I look forward to welcoming you back to campus, even if only virtually, in August. We have a lot of exciting things planned for next year as we continue to be a music school on the move, living out the Wisconsin Idea within our state and the world.
Thank you for your support throughout the past year. I always welcome hearing from our alums and friends, so feel free to stop by my office or drop me an email message at firstname.lastname@example.org
On, Wisconsin and the summer!
Susan C. Cook
Scroll down for photos from the May 16 ceremony at Music Hall. For a list of all graduates, click here.
UW pianist Yeaji Kim profiled in Wisconsin State Journal
Yeaji Kim, a visually disabled pianist and brand-new DMA in piano performance and pedagogy, developed a dissertation project that has the potential to not only change the way blind musicians learn to play music, but help blind and sighted musicians and teachers to collaborate and learn more easily.
Kim ‘s story was featured in a May 18 front-page story by reporter Gayle Worland in the Wisconsin State Journal as well as in a four-minute video made by the university.
Jessica Johnson, professor of piano pedagogy, calls Kim’s work, which involves a three-dimensional staff and notes that both sighted and sight-impaired people can understand, “revolutionary.” Read the full (very interesting) story here. More information is available at this blog.
Composer Filippo Santoro uses architecture as metaphor to create new works
Santoro, a native of Italy who just received his DMA in composition from UW-Madison, describes his composing process in a recent blog post. “A good architect will begin by observing the architectural style of the surrounding buildings, the nature of the soils at the building site, how the space is currently used and the building’s proposed purpose. Similarly, a piece of music always develops from a small idea, like a seed, that you may want to take care of even long before it becomes a piece,” he writes. Read more here.
Collins Fellow Philip Bergman earns spot in Japanese training orchestra
Bergman, who received his master’s degree this spring, studied with cello professor Uri Vardi and received a fellowship provided by longtime donor Paul Collins. “I had the opportunity to meet Mr. Collins this past fall when I performed with a quintet at a banquet. I thanked Mr. Collins not only for his support of my education, but for his role in creating some of the finest positions available to student musicians in this country,” he writes. Read more here.
Photographs from 2014 Awards and Graduation Ceremony
All photos by Michael R. Anderson. Click for captions.
The scene in Music Hall.
Susan Lipp, a member of the school’s board of visitors, with assistant director Ben Schultz and associate director Janet Jensen.
A congratulatory moment.
David Glickstein (BM, saxophone); Barb Douglas, concert bands coordinator.
Associate Director Janet Jensen.
Tatiana Koike (BM, flute)
Lisa Garza (BM, percussion) and Ben Davis (BM, music education/trumpet).
CatieLeigh Laszewski (MM, voice); Sara Giusti (MM, piano), Yana Groves (MM, piano); Christina Kay (MM, voice).
Peter Miliczky (MM, violin) and Elspeth Stalter-Clouse (MM, violin).
Christina Kay (voice, MM); and Yana Groves (piano, MM).
Philip Bergman (cello, MM); Madlen Breckbill (BM, violin).)
Choral Conductor Beverly Taylor.
Director Susan C. Cook.
Doctoral trombonist wins the 2014 Esther Taylor Graduate Arts Fellowship
Alan Carr, a DMA candidate in bass trombone and a Paul Collins Distinguished Fellow at the School of Music, has received the Esther Taylor Graduate MFA Fellowship, designed to support and encourage graduate students in the visual and performing arts by supporting public presentation of their work in conjunction with their degree program. The fellowship carries a grant of $1,500.
The fellowship will help Carr to complete his dissertation that will culminate in a solo CD project called The Elephant in the Room. The CD will feature previously unrecorded works for bass trombone and also offers two new pieces, including a new sonata by UW-Madison tuba professor (retired as of this semester) John Stevens. Carr assembled a consortium of 12 leading bass trombone players from around the world to commission the Stevens sonata.The consortium includes bass trombonists from the Atlanta Symphony, Boston Symphony, Detroit Symphony, Malaysia Philharmonic, Metropolitan Opera Orchestra, National Symphony, New York City Ballet, San Francisco Symphony, St. Louis Symphony, and several others.
This new work will be a substantial contribution to the bass trombone repertoire and will be dedicated to the late Edward Kleinhammer of the Chicago Symphony, who passed away in November 2013.
In addition to his graduate studies, Carr is also adjunct professor of low brass at Concordia University Wisconsin in Mequon and an active performer, having appeared with the Baltimore, Dubuque, and Hartford Symphony Orchestras, and with Ensemble ACJW at Carnegie Hall in New York City. For seven years, he was the bass trombonist in the King’s Brass, performing nearly 1,000 concerts and recording six CDs during that time. Carr has performed throughout the world, including concerts in Austria, Dominican Republic, Germany, Italy, China, Korea, and the US Virgin Islands, as well as all 48 continental US states. In March, Carr gave a solo performance at the 2014 Eastern Trombone Workshop in Washington, D.C. Carr received his Master of Music from The Juilliard School and a Bachelor of Music from the Peabody Conservatory of the Johns Hopkins University. He also holds an Artist Diploma from Yale University. Carr can be heard on Summit, Naxos, and Albany record labels, and is an Edwards Instrument performing artist.
Doctoral musicologist receives three fellowships to further her research
Isidora Miranda, a PhD candidate in historical musicology who studies with musicology professor Pamela Potter, has been awarded a Summer Fellowship at the Institute of Philippine Culture at the Ateneo de Manila University, a UW-Madison Center for Southeast Asian Studies Fellowship, and a UW-Madison Center for Southeast Asian Studies Field Research Award. Isidora earned her undergraduate degree in music at the University of the Philippines and her master’s degree in Violin Performance and Musicology at Western Illinois University. She writes: “The research work I am planning to do this summer is scour through the Raymundo Bañas Collection at the National Library in Manila. The collection comprises of original manuscripts, printed sheet music, prints, anthologies, silent movie scores, religious music for the local Roman Catholic churches, music programs from local concerts and musical events, and mimeographs of other music historical sources. In 1924, Raymundo Bañas (1894-1962) published The Music and Theater of the Filipino People, a compendium of music and musicians from the late-nineteenth century up to the time of his publication. As preliminary questions, I would like to know how much of Bañas’s musical archive informed his writing, and perhaps more importantly, what was the impetus for building a repository and authoring a narrative that sought to represent a “national” conception of music that is Filipino? This is particularly interesting in light of the growing push towards a Philippine self-government and a re-assertion of Spanish colonial identities in opposition to American influences at the time when Bañas was amassing his library.”
Senior composition major wins University Bookstore’s Academic Excellence Award
Daria Tennikova, whose work, “Poema for Saxophone and Orchestra” was a winner of the school’s annual concerto competition, has been awarded a 2014 University Book Store Academic Excellence Award in the amount of $1,000. The awards are made to undergraduate students who best exemplify the principle that excellence can be achieved through independent study. This summer, Daria will attend the summer music festival, New Music on the Point.based in Lake Dunmore, Vermont.
Horn alumnus wins Lawrence University’s “Outstanding Teacher” Award
Eric Anderson (B.M. Music Education, 1998), music department chairman and band director at Verona Area High School, was honored Sunday, May 4 with Lawrence University’s 2014 Outstanding Teaching in Wisconsin Award, along with Lynette Schultz, an English teacher at Williams Bay Jr./Sr. High School. Eric is now band director at Verona Area High School and also sits on the board of directors of the UW-Madison School of Music Alumni Association. He also frequently conducts the orchestras for Children’s Theater of Madison and Four Seasons Theater.
The recipients are nominated by Lawrence seniors and selected on their abilities to communicate effectively, create a sense of excitement in the classroom, motivate their students to pursue academic excellence while showing a genuine concern for them in and outside the classroom. Since launching the award program in 1985, Lawrence has recognized 62 high school teachers.
Anderson has directed the concert band, wind ensemble and symphonic band while also teaching AP music theory at Verona High School since 2006. Additionally, he directs pep band, oversees rehearsals for school musicals and organizes tours around the country for all of the band students.
Note: Eric is the son of the School’s very generous volunteer photographer, Mike Anderson!
UW’s Pro Arte Quartet surmounts travel difficulties to successfully complete its planned tour of Belgium
String quartet members aren’t generally known as lawbreakers, but due to new federal regulations about international shipments of ivory (intended to protect endangered African elephants), the Pro Arte’s Sally Chisholm and Parry Karp, who each own old instruments with tiny amounts of ivory in them from long-deceased elephants, found themselves briefly detained at the Brussels airport at the beginning of their Belgium tour in late May. The tour was intended to commemorate the quartet’s 100th birthday and origination in Belgium. (Read earlier Fanfare post here.)
Tour manager Sarah Schaffer explained to Belgian authorities that the quartet had received special permission to travel with their instruments, obtained through the intervention of Wisconsin Congresswoman Tammy Baldwin, but it took a few hours before Chisholm and Karp were allowed to leave, instruments in hand.
They had a concert scheduled for that very night, so their release was just in time.
Prior to their departure, Madison music blogger Jake Stockinger (“The Well-Tempered Ear”) asked Schaffer and the musicians to write blog posts about every step of the tour, which was well-received. The tour is now over, but the stories live on and can be found here:
Chelcy Bowles, professor of music, Van Hise Outreach Teaching Award
Bowles is one of ten to receive this year’s Distinguished Teaching Awards, an honor given since 1953 to recognize the university’s finest educators. Chancellor Rebecca Blank will present the awards at a ceremony to be held in conjunction with the Teaching and Learning Symposium from 4:30 to 6 p.m. May 19 at Union South in Varsity Hall. The event is sponsored by the Wisconsin Alumni Association in conjunction with the Office of the Secretary of the Faculty.
Bowles is nationally and internationally renowned as one of the foremost experts on lifelong learning and engagement in music and the arts. She has developed and taught a variety of non-credit courses for adult learners and has been instrumental in the founding of music outreach programs at the state, national and international levels. Among the many initiatives she has spearheaded is the Madison Early Music Festival, now in its 15th year, which is approaching its 15th year and draws artists from around the world to showcase medieval and Renaissance music.
Professor Anthony Di Sanza, School of Music, Kellett Mid-Career Award
This award is intended to recognize and support mid-career faculty, seven to twenty years past their first promotion to a tenured position. The Kellett Mid-Career Awards were created to provide needed support and encouragement to faculty at a critical stage of their careers and are made possible by the research efforts of UW-Madison faculty and staff. Technology arising from faculty and staff research is licensed to industry by the patent management organization, the Wisconsin Alumni Research Fund (WARF). Income from successful licenses is returned to the Graduate School to fund a variety of research activities throughout the divisions on campus.
Professor Laura Schwendinger, School of Music, Vilas Associate Award
The Vilas Associate Award Program is made possible by the generosity of the Vilas Trustees. The award provides summer salary support and a flexible research fund for two years to non-tenured and tenured faculty.
Schwendinger will also be in residence at three festivals this summer, at Yaddo Artists Retreat in Saratoga Springs NY, the Oberpfälzer Künstlerhaus in Schwandorf, Bavaria and at Moulin à Nef Studio Center in Auvillar, France. In addition she will be a faculty composer at the Bennington Chamber Music Conference. Alumnus composer Thomas Lang (MM ’07, DMA ’11) will be the composer fellow.
Professor Jessica Johnson wins American Music Teacher Article of the Year Award
MTNA’s American Music Teacher Article of the Year Award is presented to the author of an outstanding feature article written expressly for the AMT. This year’s award is presented to Jessica Johnson, NCTM, for her article “Feeling The Sound: Reflections On Claiming One’s Own Musical Voice.” The article was published in the August/September 2013 issue of American Music Teacher magazine, the official journal of the Music Teachers National Association.
This article investigates how multi-sensory learning and use of whole-brain processes may enhance our practicing and teaching, leading us to a more artistic, authentic experience. It explores how the use of imagery, metaphor, fantasy, intuition, imagination and instinct nurtures the discovery of one’s own musical voice. Read the article:“Feeling the Sound.”
Last April, a unique concert, “Fusions,” devoted to an amalgam of Jewish and Arab art music with musicians and collaborators Uri Vardi (cello), Taiseer Elias (oud) and Menachem Wiesenberg (piano) was held in Mills Hall. The concert was recorded; a video is below.Videography and editing by Robert Lughai.
All good friends at the 29th Annual Beethoven Piano Competition, sponsored by Emeritus Chancellor Irving Shain
Sunday, April 6, 3:30 PM, Morphy Hall. Reception to follow.
When its comes to beautiful music, political differences are all but irrelevant. That will be nicely shown this Sunday at the annual winners recital of the Beethoven Piano Competition, in which UW-Madison School of Music pianists from Ukraine, Russia and China will perform their winning works.
The competition was held last weekend and is now in its 29th year. It is sponsored by former University Chancellor Irving Shain. Winners receive cash honoraria.
The winners are Zijin Yao of China; Oxana Khramova, a Russian native; and Yana Groves, a native of Ukraine. Zijin Yao is a doctoral student in piano performance and pedagogy who studies with professors Martha Fischer and Jessica Johnson. Oxana Khramova is a doctoral student in piano performance and pedagogy who studies with Professor Christopher Taylor. Yana Groves will finish her master’s degree this spring and begin doctoral studies next fall in the studio of Christopher Taylor.
All will perform music composed by Ludvig van Beethoven. The program will include Sonata in D Major, Op. 10 no. 3 (Khramova); 15 Variations and Fugue in Eb Major, op. 35 (“Eroica”) (Zijin Yao); and Sonata in Eb Major, Op. 27 no. 1 (Groves).
The winners will appear in recital on Sunday, April 6 at 3:30 p.m. in Morphy Hall. Admission is free, and there will be a post-concert reception for audience and musicians.
The judge for the competition was Karen Boe from UW-Whitewater, who also awarded an honorable mention to Haley O’Neil, who studies with Christopher Taylor.
Here are biographies of the winning students.
Pianist Zijin Yao was born in China’s Hubei province and received her bachelor’s degree at China Conservatory of Music in Beijing in 2010. In the same year, she was admitted by the Graduate School of China, Conservatory of Music on a full scholarship and received a master’s degree in 2013. A passionate performer, Zijin is the winner of the 2013 Beijing Piano Festival, recipient of the Gold Award of the Piano Group at the 2012 National Music and Dance Competition in Beijing. A committed piano teacher, she has focused on exploring piano pedagogy alongside the art of piano performance. She has published six articles on piano performing and teaching in several major academic journals in China during the last three years.
Oxana Khramova began her musical career at the age of seven. During her studies, Oxana played many solo and chamber music recitals and was a prize winner at the All Russian Piano Competition in 1996. In 2010 Oxana moved to the United States and completed her master’s degree in piano performance at the University of Northern Iowa. Oxana is a teaching assistant at the School of Music, and a piano instructor for the Piano Pioneers program and at Farley’s House of Pianos.
Yana Groves is originally from Kharkiv, Ukraine, where she attended Music School # 9 and studied with Glazirina Tatiana, majoring in piano performance. She began her US studies with Dr. Karen Becker at SUNY Plattsburgh in 2007 and has participated in master classes with Evgenia Tzarov and Helen Huang. In the spring of 2011 Groves made her debut as soloist with the Manhattan Chamber Orchestra, playing Mozart’s Piano Concerto K. 488. She completed her bachelor’s degree with a double major in music and accounting in May 2012, graduating summa cum laude. In the spring of 2013, Yana and flutist Danielle Breisach were the winners of the Annual Shain Woodwind-Piano Duo Competition.
Richard Davis to speak on WORT radio about the Black Music Ensemble, his work on racism and music relevant to black history
On Thursday, February 13 from 9 to 10 am, bass professor Richard Davis, recently dubbed a “Jazz Master” by the National Endowment for the Arts, will be a guest on WORT radio’s “Diaspora” show with host Terry O’Laughlin, who describes his show as “a weekly journey across the musical spectrum.” Davis is the founder of the Institute for the Healing of Racism, which offers a ten-week series of Thursday evening classes to address issues of racism and allow discussion and solutions to heal it. (Click here for class info.) That evening, Feb. 13 at 8:30 PM in Morphy Hall, Davis’s Black Music Ensemble will present a concert of jazz, soul, and blues, and songs by artists such as Sam Cooke, John Legend, Snarky Puppy and Nat King Cole. Says BME member Ellen Breen: “There’s no a better way to celebrate Black History month than by coming out to the concert and enjoying the gifts black artists have given to the musical world!”
Meanwhile, registration is now open for Davis’s 21st annual Foundation for Young Bassists conference, to be held April 18-19 in Madison at the Pyle Center. Learn more here: http://www.richarddavisfoundation.org/
UW-Madison Wind Ensemble and the Wisconsin Brass Quintet to tour western Wisconsin and Eastern Minnesota
Do you live near Bloomer, Wisconsin, or Mankato, Minnestota? If so, you’ll have an opportunity to watch the UW Wind Ensemble and the Wisconsin Brass Quintet in live performances in late February, as the two groups wend their ways on a chartered bus through western Wisconsin and eastern Minnesota in order to showcase the School of Music’s band program while livening up the winter with a bit of brassy cheer. Not only do the tours spread Wisconsin Badger pride, they are also an important illustration of the Wisconsin Idea: that the boundaries of the campus are the boundaries of the state (stretching the boundary a bit, though, in this case).
The tour, the Wind Ensemble’s fifth, is scheduled for February 25 through the 28th; specific stops include high schools in Cameron and Bloomer, Wisconsin, plus five small cities in Minnesota: Mankato, Rosemount, Watertown, Owatonna, and Edina. At each stop, the two groups will offer an evening concert, with afternoon workshops in some locations. All events are free. The program will include Amazing Grace (Traditional/Himes), Lincolnshire Posy (Percy Grainger/Fennell), First Suite in E-flat for Military Band (Gustav Holst), March from “Symphonic Metamorphosis” (Paul Hindemith) and Shadowcatcher, for brass quintet and wind ensemble (Eric Ewazen).
In Madison, the Wind Ensemble will perform on February 22 in Mills Hall, presenting music of Karl Husa, Roger Zare (Wisconsin premiere) and Steven Byrant.
The Wind Ensemble, conducted by Professor Scott Teeple, is a 41-member group of wind and percussion players, both undergraduate and graduate students. Entrance is by audition. For more information about the tour, contact Barb Douglas at the School of Music, email@example.com.
Violinist Todd Reynolds and laptop in concert February 19
Think of great composer-performers of the past. Think of great singer-songwriters of the present. Now, meet violinist Todd Reynolds. A virtuoso performer, Todd writes much of the music he performs. He has collaborated with countless other musicians, but his most frequent partner in his solo work is the electronics software on his computer.
Todd will be in at UW-Madison February 19-21, performing and leading masterclasses and workshops. His recital on Wednesday, Feb. 19 at 7:30 PM in Mills Hall will include some of his own music and some works written for him, all played on violin with electronics. He will be holding a variety of other events during his visit that will reach many School of Music students and community members. These will include:
A violin masterclass: Friday, Feb. 21, 2:30-3:30PM , Morphy Hall.
“How I Did It: A Career Workshop”: Thursday, Feb. 20, 12:00-1:00PM, 1321 Humanities.
The violinist of choice for Steve Reich, Meredith Monk, and Bang on a Can who has also performed with electronic cellist Zoe Keating, Todd Reynolds’ compositional and performance style is a hybrid of old and new technology, multi-disciplinary aesthetic and pan-genre composition and improvisation. He has released a double CD of solo works on Innova Records which was rated best of classical by Amazon. His music is soulful but edgy and filled with brilliant violin playing.
Todd is on the faculty of the Manhattan School of Music and the New School Mannes College of Music, and was a frequent collaborator with School of Music horn professor Daniel Grabois, who was based in New York City for many years.
Horn professor presents concert of UW-Madison composed music
Speaking of Dan Grabois: On Wednesday, February 12 at 7:30 pm, Dan and and piano professor Jessica Johnson will offer a faculty recital comprised of all-UW-Madison-composed music, some only recently. Dan writes:
“John Stevens wrote his ‘Sonata’ in 2008. Like much of his music, it is written in a lyrical style that has a jazz influence lurking under the surface.
“Les Thimmig’s ‘Four Ballads,’ from 2000, are pure emotional song.
“My own ‘Antilogy’ was written last week. It alternates sections of driving Bulgarian style odd-meter rhythms with sections of slow lyrical writing.
“And the final piece was written by Alex Charland, who is a sophomore sax major here at the SOM. He is a Stamps Scholar, and as such a member of a group of six undergraduate high-achieving musicians whom I advise. Alex is an extremely talented player and composer. He offered to write this piece, ‘War Suite,’ for this recital – an offer that was gladly accepted. The piece was completed over winter break this year.”
Mernier Composition Brings Pro Arte Quartet Full Circle
New Chamber Work to Premiere in Madison March 1, 2014
Mernier’s String Quartet No. 3 will receive its world premiere by the Pro Arte on Saturday, March 1, at Mills Concert Hall in the Mosse Humanities Building on the UW-Madison campus. The 8:00 p.m. event is free and open to the public, with no tickets required.
The March 1 concert will be preceded on Thurs, Feb. 27, by an open rehearsal from 9 a.m. to noon, also at Mills Hall, during which the composer will coach the Pro Arte as they prepare for the premiere of the work, composed in honor of the quartet’s Belgian heritage.