“Sounding Beckett” – The Intersection of Music and Drama, featuring the Cygnus Ensemble
Friday, March 23, 7:30 PM, Mills Hall.
An event focused on music inspired by the Nobel Prize-winning playwright, Samuel Beckett. Featuring a concert by New York’s Cygnus Ensemble, instrumental master classes, a lecture and panel discussion with Patricia Boyette, UW-Madison professor of theatre & drama and Laura Schwendinger, UW-Madison faculty composer and professor of composition.
With its pairs of plucked strings, bowed strings and woodwinds, Cygnus has a precedent in the Elizabethan “broken consort.” The members –Tara Helen O’Connor, flute; Robert Ingliss, oboe; William Anderson and Oren Fader, classical and electric guitars/mandolin/banjo; Calvin Wiersma, violin; Susannah Chapman, violoncello–are all virtuoso players with a great wealth of experience with some of our most cherished musical institutions, including the New York Philharmonic, the Chamber Music Society of Lincoln Center, and the Metropolitan Opera Chamber Players.
Celebrating a milestone with students, faculty and special guest, trumpeter Marquis Hill
This April, UW-Madison’s annual Jazz Week will celebrate the 50th anniversary season of the UW Jazz Orchestra, the first jazz ensemble at UW-Madison’s Mead Witter School of Music.
Jazz Week 2018 will feature performances by the UW Jazz Orchestra, the UW Jazz Composers Group, the UW Contemporary Jazz Ensemble, the UW High School Honors Jazz Band, and a faculty jazz quartet, all to be joined by special guest trumpet soloist Marquis Hill, the winner of the 2014 Thelonious Monk Competition.
Hill is a Chicago native who now makes his home in New York City. “His music crystallizes the hard-hitting, hard-swinging spirit of Chicago jazz,” writes Howard Reich of the Chicago Tribune. “Hill commands a nimble technique, a fluid way of improvising and a pervasively lyrical manner.”
UW’s Jazz Week 2018 features three concerts:
Tuesday, April 24: Marquis Hill with the UW Jazz Composers Group and the UW Contemporary Jazz Ensemble. Morphy Hall, 7:30 PM. Free concert.
Thursday, April 26: Marquis Hill with a faculty jazz quartet led by pianist and Director of Jazz Studies Johannes Wallmann with Les Thimmig, saxophones; Nick Moran, bass; and Matt Endres, drums. Morphy Hall, 8:00 PM. Ticketed concert: $15 adults, $5 non-music majors.
Friday, April 27: Marquis Hill with the UW Jazz Orchestra and the UW High School Honors Jazz Band. Music Hall, 8:00 PM. Ticketed concert: $15 adults, $5 non-music majors.
The UW High School Honors Jazz Band is an auditioned 18-member big band for high school students from about a dozen Madison-region schools who are looking for an additional opportunity to perform advanced jazz repertoire.
You may also purchase in person or at the door. For more information about ticketing and parking options, click here.
“We don’t want THAT word uttered in OUR school”: Listen to our audio stories on SoundCloud about the history of jazz at UW-Madison and at American colleges. With university saxophonist and professor Les Thimmig, who arrived at UW-Madison in 1971, just as the jazz program was getting started. To listen, click the icon below.
Speaking of jazz:
Alumnus trumpeter Eric Siereveld releases debut CD
In 2015, trumpeter Eric Siereveld was wooed from New York City to become the instructor of jazz trumpet and director of the Afro-Cuban Jazz Ensemble at the School of Music. In 2017, with a brand-new DMA under his arm, he returned to New York City to pursue a multi-pronged career, including performing with his Organic Quintet, working as a private instructor at the United Nations International School in Manhattan, gigs on and off Broadway, and playing in many small groups and big bands.
Eric writes: “As a DMA student at UW-Madison, I was provided the opportunity to pursue the musical endeavors that I felt a personal connection to. Under the guidance of tremendous professors like Johannes Wallmann and John Aley, they taught me to focus my energy toward musical pursuits that were both professionally and artistically fulfilling. It’s with that spirit that I approached this debut recording. This album reflects the creative spirit and artistic integrity at UW. The compositions on “Walk the Walk” are deeply rooted in the musical process I was going through while completing my DMA. I am particularly proud that this album was recorded, mixed and mastered in Madison and Milwaukee. Without the support of my professors and colleagues at UW and Madison, I do not believe this recording would have been as successful. I hope my teachers, mentors and colleagues at UW-Madison enjoy this recording and that the university shares this album with incoming DMA students. “Walk the Walk” is an example of the type of creative thinking that the DMA program at the Mead Witter School of Music allows its candidates to pursue.”
April 7 Wind Ensemble concert to be livestreamed on YouTube
Livestreaming in the Humanities building has always been a challenge, but new technology has made this a bit easier. So, on April 7, set your dials (a/k/a your browser URLs) to the School of Music’s YouTube page. There, you’ll find the UW Wind Ensemble with conductor Scott Teeple overseeing a concert of music by emeritus composer John Stevens, Francis Poulenc, Cindy McTee, Gustav Holst and Gerard Schwartz. Livestream Link Here
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..
We’ve announced this before, but here’s a reminder: Our annual concerto winners solo recital (a/k/a “Symphony Showcase”) takes place at 7:30 PM on March 18 in Mills Hall.
Our 2018 winners are Kaleigh Acord, violin (Beethoven, Concerto for Violin and Orchestra in D major, first movement); Aaron Gochberg, percussion (Keiko Abe, Prism Rhapsody); Eleni Katz, bassoon (Mozart, Bassoon Concerto in B flat major); Eric Tran, piano (Bach, Concerto No. 4 in A Major); and Mengmeng Wang, composer (premiere: “Blooming”).
Tickets are only $10 for adults, free to students, and there’s a free reception after the show in Mills Hall. Buy tickets here or at the door.
Meet Satoko Hayami, graduate pianist
Satoko, a doctoral student in Professor Martha Fischer‘s studio, is a member of Sound Out Loud, a recent winner of The American Prize. Here’s an excerpt from our recent Q&A with Satoko:
“The idea of starting a contemporary chamber music ensemble came to me in searching for ways to better connect with more diverse audiences. I felt that the diverse musical language in contemporary repertoire might have as much or even more potential to be relevant to the different kinds of audiences including young people and non-classical music fans than older repertoire, if presented in appropriate ways. I wanted to team up with people who are open to different, sometimes unconventional ways to present music, and was lucky to find people who share the similar interests, openness and enthusiasm right away.”
Emeritus Professor of Percussion James Latimer won aLifetime Achievement Award at annual Wisconsin Days of Percussion event, January 27, 2018 in Milwaukee. While at UW-Madison, Latimer spearheaded a Duke Ellington Festival, started the Madison Marimba Quartet, initiated the first of 300 Young Audience Concerts held in public schools from 1969 to 1984, and hosted the Wisconsin Percussive Arts Society “Days of Percussion.”
Shain Woodwind/Piano Duo winners concert
3:30 pm, Sunday, March 4, Morphy Hall
A competition and recital sponsored by former UW-Madison Chancellor Irving Shain
Winners were announced on Tuesday, February 27. They include: Juliana Mesa-Jaramillo, bassoon and Satoko Hayami, piano; Anna Fisher-Roberts, flute and Eric Tran, piano.
“University Opera’s “La Bohème” proves a complete success on all counts – from the staging and the costumes to the singing and the orchestra” Larry Wells,The Well-Tempered Ear, Feb. 27.
“Ronis’ able hand was evident in the players’ acting. The cast was consistently believable, and consequently I was drawn into their world and suffered along with their despair over love’s inconsistencies and death’s sting. Using my acid test for a performance’s success, I never glanced at my watch either night. I was fully engaged.
“The orchestra was a marvel. Conductor Chad Hutchinson let it soar when it was appropriate, but the orchestra never overshadowed the singers. In fact, the key term that kept occurring to me both evenings was balance. The acting, the back-and-forth between the singers, and the interplay between the orchestra and the singers were consistently evenhanded.
“As for the singers, the primary roles were double cast. Friday’s Mimi was Shaddai Solidum whose first aria “Mi chiamano Mimi” was a lesson in the mastery of legato. Saturday’s Mimi was Yanzelmalee Rivera who possesses a bell-like voice of remarkable agility.”
University Opera Offers a Gem in a Bejewelled Setting
Greg Hettsmanberger, What Greg Says, 2.27.18
“Again we have been given much to look forward to; certainly it is unrealistic to see University Opera in Shannon Hall every season, but we can hope that it becomes a semi-regular occurrence. The greater lesson from Sunday’s performance however is this: wherever Ronis and his “kids” show up, the audience is in store for some memorable opera. The national awards and recognition that the program are consistently earning are richly deserved, and our town is clearly the richer for what these folks are giving us.”
“It was that combination of vision, leadership and expertise as a pianist and composer that quickly pushed him to the top of UW–Madison’s list of candidates for director of jazz studies. During [Director of Jazz Studies Johannes] Wallmann’s first year of teaching here, in 2012-2013, he sought out and performed with many local jazz musicians as a means of building relationships and moving the music program forward.
“In less than five years, Wallmann took the Jazz Studies undergraduate program from zero enrollees to 17. It’s an important part of the efforts to revitalize Madison’s jazz community.”
The American Prize first-place vocal winner coming to Madison on March 19 & 20
Vocalist Kristina Bachrach, recent winner of The American Prize in Vocal Performance and the Friedrich and Virginia Schorr Memorial Award, will perform a concert on March 20 at 7:00 PM in Music Hall. Accompanied by faculty pianist Daniel Fung, she’ll sing selections from “The Recovered Voices Initiative,” started by James Conlon and Los Angeles Opera, which focuses on musical works and musicians that were either suppressed or killed by the Nazi regime in World War II.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..
Happy New Year from the Mead Witter School of Music! And welcome to the first issue of A Tempo! for 2017
Two More Awards for UW-Madison University Opera
University Opera scores again with national recognition
Awards for two shows in 2015-2016
UW-Madison’s University Opera is on a roll. Both shows from last year, Transformations and Mozart’s Le nozze diFigaro, have won awards in the National Opera Association’s (NOA) Opera Production Competition for 2015-2016. It is the second year in a row that UW-Madison has garnered an award from NOA, and the first time that each production was separately recognized. University Opera produces only two operas each year.
October 2015’s Le nozze diFigaro, with orchestra conducted by James Smith, placed second in Division IV, and March 2016’s Transformations, conducted by graduate assistant conductor Kyle Knox, garnered a first place award in Division III.
Both productions were directed by David Ronis, inaugural Karen K. Bishop Director of Opera, who is now a six-time winner of the competition. His previous awards occurred while he worked at Queens College in New York.
In December, Madison’s weekly newspaper Isthmus devoted a cover story to our burgeoning jazz program and its director, Johannes Wallmann
“By bringing more jazz to the university and beyond, Wallmann hopes to promote the notion that jazz isn’t just about the past, with its storied history and legendary names. It’s now also about highly trained musicians pushing the boundaries of the genre,” wrote author Jane Burns in her story, “Making a Scene.”
“ ‘Look up any end-of-the-year Top 10 list on NPR, Downbeat or The New York Times, and listen to what this generation of 20- and 30-somethings are up to, it’ll blow your mind,’ ” Wallmann says. “ ‘We want to prepare our students to be part of that.’ ”
…meanwhile, Wisconsin Public TV spotlights the jazz program as part of its “Young Performers” Initiative
For over a year, a dedicated crew from WPT – including alumna Megan Aley, who served as a producer – filmed Wallmann and his staff as they shepherded high school students through auditions for the UW High School Honors Jazz Band. The videos are intended to help aspiring musicians prepare for professional careers and college auditions.
Juliana Mesa-Jaramillo came from the country of Colombia to study bassoon performance with Marc Vallon, professor of bassoon. We asked her how she became involved in music, with the bassoon, and why she chose Wisconsin.
“I did my undergrad in music performance in the University El Bosque in Bogotá. I studied with Leonardo Guevara, the principal bassoonist of the National Symphony Orchestra. I learned very much while at school and I was able to play with many chamber ensembles when I was still in school. My first job as a bassoonist was in the Symphonic Band of Cundinamarca, and I worked there for a year during my last year of school. It was challenging, but I learned very much from this experience.
“In 2010, I received a master’s in bassoon performance with Saxton Rose at the University of North Carolina-School of the Arts. As I started to look into going back to school, I talked him, and he recommended that I applied to study with Marc Vallon at UW-Madison. I think it is one of the best decisions I have made in my life!”
Sing with Choral Union this spring! Drop-in auditions will be held on January 18 for community members interested in singing a rare work: Paul Hindemith’s When lilacs last in the door-yard bloom’d. A rarely done work because of its difficulty, this is an outstanding setting of Walt Whitman’s poem written about the death of Abraham Lincoln, and the train that carried his body to Springfield, Illinois. The work was commissioned by Robert Shaw in memory of Franklin Roosevelt, whose funeral train carried his dead body from Georgia back to Washington. The work is in memory of “those we loved.” Two concerts, April 29 & 30. Learn more here.
Inviting high school pianists to take part in Pathways to Artistry: From the Practice Room to the Stage. A free, day-long event featuring workshops, masterclasses and performances hosted by UW-Madison’s keyboard faculty. High school pianists are encouraged to participate in the master classes and an honors recital. More information and registration is at the link below. The deadline to register is January 31.
Violinist Soh-Hyun Altino and pianist Christopher Taylor, both faculty artists, perform the Sonata for Violin and Piano by John Corigliano (1963) and the Sonata in A Major by Gabriel Fauré (1875-76). Tickets are $15 for adults and $5 for non-UW music students. Learn more here.
Sunday, January 29, 3 PM, Mills Hall
Our Annual Schubertiade: “Circle of Friends”
This year’s Schubertiade with pianists Martha Fischer and Bill Lutes will feature acclaimed alumna soprano Emily Birsan. The concert will be followed by a reception (included in the ticket cost) at the University Club. Tickets are $15 per adult and $5 for non-UW music students. The concert is sponsored by Madison resident Ann Boyer, an admirer of Franz Schubert’s music and the musical talents of Fischer and Lutes. Learn more here.
Choral Union presents Joseph Haydn’s “The Creation”
Beverly Taylor, conductor
Mills Hall, Sunday, April 24, 3:30 PM
Haydn’s “The Creation,” written between 1797 and 1798, is considered one of the great masterworks of western music and civilization. It has beautiful and exciting choral writing, demanding, intricate and soaring solos, and some of the most inventive orchestral writing of its time, both in the opening depiction of Chaos—the pre-creation state, and in the pictorial writing about animals, water, and light, all at their beginning stages. Part I depicts the stages of creation, Part II a celebration of that creation, and Part III the new love between Adam and Eve.
“The Creation” debuted in London and was sung in English. Our production uses the Robert Shaw version of the English text, which clears up some of the original strange grammar which resulted from the Haydn’s libretto going through a German translation and back to English. The libretto mixes Biblical language with new language for the soloists.
Our soloists include alumna Jamie-Rose Guarrine, as angels Gabriel and Eve; Voice Professor James Doing as angel Uriel; alumnus Benjamin Schultz as angel Raphael; and current student Benjamin Li as Adam.
Tickets: $15 general public, $8 students. Buy online here or in person at the Memorial Union Box Office or at the door.
UW Symphony Orchestra with Guest Conductor Andreas Stoehr
Mills Hall, Friday, April 22, 8:00 PM- Free concert
Vienna native Andreas Stoehr will lead the university orchestra in performances of Overture to Der Freischütz (Carl Maria von Weber), Wesendonck Lieder (Richard Wagner), and Symphony No. 6 (Piotr Ilyich Tchaikovsky). With soprano Elizabeth Hagedorn.
“At first glance our program appears to be a nice bouquet of romantic pieces, but as I believe that music and philosophy share the same spiritual source, one can see that each composer tries to answer the main question: ‘Where is the exit from the burden of life?’ ” says Prof. Stoehr.
“Carl Maria von Weber’s answer: ‘There is God, there is hope, therefore good wins over evil.’ Wagner leads us to ‘unbewusst, höchste Lust’ (unaware, sublime desire; the last lines of Tristan and Isolde ) expressing his belief in uncontrollable, germinating power of love. The poetry by Mathilde Wesendonck, Wagner’s muse, reflects their profound, but impossible relationship and inspired him to Tristan and Isolde as his unique philosophy of escaping the world through an idealized love. Tchaikovsky’s ‘Pathétique’ Symphony No. 6 does not try at all to answer the question. We sense in his music his personal struggle between good and evil, right and wrong, light and darkness. Like the most famous literary works of his time by Tolstoy or Dostoyevsky, Tchaikovsky’s masterpiece comes to us as a drama, but without words. When life is over – it’s over.”
Nine area high schools to participate in final concert
April 26, 28, 29 – Various times and locations
The Jazz Studies program, led by Professor Johannes Wallmann, will present a weeklong residency with LA-based Bob Sheppard, worldwide multi-woodwind performer, recording artist, and jazz musician.
The three-day event includes master classes and two concerts. It will feature the UW Jazz Ensembles, the UW Jazz Orchestra, the UW High School Honors Jazz Band, and the Johannes Wallmann Quartet. The 2016 Honors Jazz Band, directed by UW Director of Jazz Studies Johannes Wallmann and co-conductor Eric Siereveld, is a twenty-member big band that includes top jazz students from Edgewood, James Madison Memorial, Madison East, Madison West, Middleton, New Glarus, Portage, Sun Prairie, and Waunakee High Schools.
—Free Master Class/Concert Tue, April 26, 8 PM, Morphy Hall (with the Composers Septet & Contemporary Jazz Ensemble)
—Concert Thur, April 28, 8 PM, Morphy Hall (with the Johannes Wallmann Quartet) Ticketed $15 single
—Concert Fri, April 29, 8 PM, Music Hall (with the UW Jazz Orchestra & High School Honors Jazz Band) Ticketed $15 single
$25 both Thursday and Friday shows. Students of all ages free!
U.S. Air Force “Freedom Winds” percussion/wind quintet to perform April 21 – Free concert
Music Hall, Thursday, April 21, 7:30 PM
The School of Music is honored to present the Freedom Winds, a visiting ensemble from the United States Air Force Band of Mid-America. Composed of six virtuoso Airman Musicians, the group adds percussion to the traditional woodwind quintet instrumentation to enhance standard literature and increase their musical capabilities. Repertoire includes jazz and ragtime classics along with popular themes from Broadway’s hit shows to Hollywood’s greatest films. Please join us for what promises to be a fun and memorable concert!
“Out of the Shadows” Rediscovering Jewish Music, Literature and Theater
May 1-5, 2016, Madison, various locations and times
“Piecing together lost generations of creativity”: that’s how the Wisconsin State Journal’s Gayle Worland phrased it in her news story last summer. Generations of Jewish creativity lost due to the Holocaust and the diaspora, now placed front and center in a worldwide effort to discover those that were lost, reclaim those that are forgotten, and perform those that have been neglected.
From May 1 through May 5, that creativity will be on display in Madison as part of “Out of the Shadows,” coordinated by music education professor Teryl Dobbs and faculty at the University of Leeds, England. Over five days, events ranging from cabaret to ethnomusicology discussions to chamber music to theater will be presented at various locations in Madison. Ticket prices range from $5 to $10.00. Buy tickets here.
The three-year “Performing the Jewish Archive” project involves a large number of partners, exploring archives, delivering community and educational projects, holding at least two international conferences and a series of symposia at the British National Library, as well as mounting five international performance festivals––in the United States (Madison, WI), the Czech Republic, South Africa, Australia, and the United Kingdom.
Jessica Johnson holds out hope for pianists with small hands
How big are your hands? If you aspire to be a professional pianist, that’s an important question. On average, women have smaller hands than men, and are frequently stymied when trying to stretch their fingers to reach the larger octaves written into many major concertos, such as those by Liszt and Rachmaninoff. That simple fact bears on another simple fact: There are fewer women in the top echelons of professional concert pianists. Injuries are also common.
On Sat., Feb. 20, Jessica Johnson, professor of piano and piano pedagogy, will hold a full day of all-free events to demonstrate what has been working for her: The adoption of a specially sized piano that is 7/8 of normal size. Made by Steinbuhler & Co., one of these is now owned by the School of Music, and Prof. Johnson has found that playing it has been a “life-changing” experience.
Join us on Feb. 20 at 2:30 for a workshop, master class, hands-on demonstrations, and concert, all featuring the Steinbuhler DS 5.5 7/8 piano. Learn more here. And watch for an article about this revolutionary new approach in an upcoming story by Gayle Worland, in the Wisconsin State Journal.
Trumpeter & Cuban Music Expert Mike Davison to perform with the UW Jazz Orchestra
Master class: Mon Feb 22, Mills Hall; Concert: Weds., Feb. 24, 7:30 PM, Music Hall. Read more here.
Even after a semester with Juan de Marcos, we’re still feeding on Cuban music! This month, we’re bringing Mike Davison (DMA, trumpet performance 1987) to campus from the University of Richmond, where he teaches and performs. He’ll join the UW Jazz Orchestra, the Waunakee High School Jazz Ensemble I and the UW Latin Jazz Ensemble in an evening of rousing Caribbean tunes. Davison’s bio includes concerts around the world, four recorded jazz CDs, and performances with well-known singers, musicians, and even for a pope.
UW Wind Ensemble travels to Verona and west Madison for concerts
Find the UW Wind Ensemble in your corner of Dane County! Last December, the Wind Ensemble made an appearance at the Sun Prairie High School and will continue its out of town concerts this spring. Find them at Verona High School on Feb. 19, at Oakwood Village – West (Mineral Point Road) on March 31, and of course at the School of Music as well (Feb. 20). Both February concerts will feature Tom Curry, adjunct professor of tuba, in a work titled “Heavy Weather,” by the composer Jess Turner.
Summer Music Clinic registration now underway
Registration is open through May 2 for UW-Madison’s legendary Summer Music Clinic, which offers dozens of classes in all kinds of musical skills for kids completing grades 6-8 (junior session) and 9-12 (senior session). For one week, students live in UW dorms and attend classes that they choose from a lengthy list, including band, orchestra and choir; sight-singing; jazz improvisation; opera; swing dance; yoga; and even specialized classes on subjects ranging from the music of film composer John Williams to Stephen Sondheim to rock’n roll. Instructors are all highly skilled; many are university professors or other working professionals. Taste the fun by visiting SMC’s Facebook page! For more information, email email@example.com.
Below: Summer Music Clinic photographs by Michael R. Anderson.
We’re headed into the home stretch at the School of Music! Here are highlights from the next month; please check our full calendar for many more concerts (including the Pro Arte Quartet, the Low Brass Ensemble, student recitals, and many others). Next month’s newsletter will be devoted to short stories about students and alumni; keep watch for that!
Late-breaking news: The School of Music announces winners of the 30th annual Beethoven Piano Competition, sponsored by former university chancellor Irving Shain. The winners are Kangwoo Jin, SeungWha Baek, and Luis Alberto Peña. The all-Beethoven winners recital will take place this Sunday, April 19, at 3:30 p.m. in Morphy Hall, with a reception to follow.
JACK Quartet Premieres Work of Laura Schwendinger at Memorial Union-May 8
New York City’s JACK Quartet, stalwart champions of of contemporary music, will come to the Memorial Union’s Shannon Hall to present a new work written by UW-Madison composer Laura Schwendingercalled “Creature Quartet.”
Schwendinger, a Guggenheim winner and the first composer recipient of the Berlin Prize, wrote the Creature Quartet, a one-movement work for string quartet, with “portraits in music” of extinct, mythological, or endangered creatures.
“Each of the quartet’s movements feature different creatures such as extinct birds, like the ivory billed woodpecker, the passenger pigeon, the marvelously funny looking dodo bird as depicted in Alice’s Adventures in Wonderland, as well as mythological creatures like the Yeti, Chupacabra, and the famous ‘sea monster’ Nessy,” says Schwendinger. The music will be accompanied by an animated video created by Pauline Gagniarre.
On Monday, March 9, the UW Wind Ensemble took the stage at Carnegie Hall in New York City to perform the closing concert for the New York Wind Band Festival. The UW–Madison Wind Ensemble is the first UW-Madison School of Music student ensemble to receive an invitation to perform in what is arguably the most recognized venue in the world and, what a debut!
Planning began a year before the trip. Students raised a portion of the funds needed; donors included Lau and Bea Christensen; Roger and Lynn White; the UW-Madison School of Music Alumni Association; Michael George; John Stevens; Michael Keller, and Heid Music. Many thanks to all who donated.
On the way to New York, the Wind Ensemble also performed at Valparaiso High School in Indiana and State College Area High School in State College, Pennsylvania. While in State College, Penn State University Director of Bands Dennis Glocke met with and guest conducted the ensemble. Mr. Glocke is a graduate of the UW–Madison School of Music, a former clarinet player with the UW Wind Ensemble and, early in his career, was a public school music teacher at Oconomowoc Middle School.
At the New York performance, we held a celebratory reception for UW alumni, School of Music donors, friends and family members. The program included Festive Overture by Dmitri Shostakovich, Blue Shades by Frank Ticheli, and The Frozen Cathedral by John Mackey. The ensemble performed magnificently, filling every corner of the hall with a beautiful, lush sound. “It was honor and a fantastic way to bring a close to my stay at Madison,” said Amanda Fry, a senior horn player.
Are you an adult musician in the area? Would you like to perform with the musicians who played on stage at Carnegie Hall? The ensemble will play its final concert this season on Friday, April 24th at 7:30. You are invited to perform with the UW Wind Ensemble for the second half. Please contact Barb Douglas in the UW-Madison band department for information. Space is limited.
Emeritus Percussion Professor James Latimer welcomed at 50th Anniversary Concert
On March 20, the UW Percussion program celebrated its 50th year of existence with a concert that returned its founder, emeritus professor James Latimer, to the stage. Latimer conducted an ensemble performing Carlos Chavez’s Toccata for Percussion, which was performed at the inaugural concert in 1965. The concert also included ensembles of varying sizes performing works by Fan Zheming, Steve Reich, Michael Camilo, and UW-Madison percussion instructor Todd Hammes, as well as several others. A week later, the ensemble departed on a tour of China to perform at two conservatories in Beijing and Shenyang. More about the China trip in our next issue!
Benefit Concert for Brittany Sperberg raises money and her spirits
The School’s March 18 mostly-brass concert for ailing trombone student Brittany Sperberg not only raised nearly $3,000 in donations, but boosted her spirits as well, says her teacher, trombone professor Mark Hetzler. Combined with an online donation website, about $6,000 has been contributed to help her family defray medical expenses.
Sperberg was stricken last fall with an as-yet-undiagnosed illness that caused her to withdraw from school. Writes Hetzler: “She and her family were absolutely overjoyed by the event. Her aunt was telling me that the greatest thing about the concert was getting to see Brittany smile again. I am so proud to be a part of a School of Music with folks who care so deeply for each other.”
Pianist Christopher Taylor solos with Madison Symphony, earns accolades
UW-Madison’s Christopher Taylor captivated the crowd this past weekend with his performances of J.S. Bach’s Clavier Sonata No. 4 and Franz Liszt’s Concerto No. 1 for Piano. “Taylor’s intellectual and expressive approach to the music was as supple as his technique. The resulting performance was intense yet intimate, deeply emotional but never stagey,” wrote Capital Times reviewer Jessica M. Courtier. Click here to read the review.
Wingra Woodwind Quintet celebrates 50 years with a short concert and party: April 25
The event will feature a short concert of works written or arranged by former members of the quintet, plus appetizers and drinks. Former members who have already responded include Glenn Bowen, Marc Fink, Richard Lottridge, and Douglas Hill. Students are welcome! The party will be held at the University Club, 803 State Street, in Madison, from 4 to 6 p.m. on Saturday, April 25. If your name isn’t yet on this list, send your RSVP to firstname.lastname@example.org.
Chorale, Concert Choir and Madrigal Singers Combine Forces – April 17
On April 17 at 7:30 PM, three UW-Madison choirs, under the direction of conductor Bruce Gladstone with assistance from graduate conductor Sara Guttenberg and harpsichordist John Chappell Stowe, will sing a joint concert at Luther Memorial Church, 1021 University Avenue. The program is called “Transfixed, Transported, Transformed: The Consequence of Beauty,” and will feature a wide range of works, including the traditional song Shenandoah;Lady, When I Beheld, written by 16th century composer John Wilbye; and Missa “O Pulchritudo” by Gian Carlo Menotti, taken from the Roman Catholic Mass. Download the full program here.
Writes Bruce Gladstone: “As artists and specifically, musicians, we at times are so focused on the work we do – the perfecting our craft, the research and rehearsals, the programming and the public relations – that we sometimes lose sight and connection with the beauty of our art. Beauty surprises, enchants, shocks, tempts, disconcerts, soothes, awakens, haunts, entices, lifts, and sends us; this concert seeks to offer in word and music, a glimpse of those moments when beauty has done just that.”
Perlman Piano Trio (+Two) in Concert- April 18
Mark Saturday, April 18 for the annual concert of the Perlman Piano Trio, a classical ensemble supported by retired scientist Kato Perlman. This year’s free concert and reception is scheduled for Saturday, April 18, at 3:30 p.m. in Morphy Hall. The members include SeungWha Baek, piano, Valerie Sanders, violin, and Daniel Ma, violoncello, with violinist Keisuke Yamamoto and violist Jeremy Kienbaum performing with the trio on two works. The program will include Haydn’s Piano Trio in Eb Major, Hoboken XV: 29; Arensky’s Piano Quintet in D Major, Op. 51; and Brahms’ Piano Trio in B Major, Op. 8 (original version).
UW Jazz Hosts the High School Honors Jazz Band- April 29
The third annual High School Honors Jazz Band, an auditioned big band ensemble comprised of 18 students from the greater Madison and southcentral Wisconsin, will join the UW Jazz Orchestra in what has evolved into a very festive annual concert. This year’s concert (click here for info) will be held Wednesday, April 29, at 7:30 PM in Music Hall. This is our only ticketed jazz event of the year and promises to be a festive event for high school musicians, their families and the School of Music. Tickets are $10.00 for adults, free to students of all ages. You can buy tickets here or at Music Hall the day of the show.
This year’s featured soloist will be trumpeter Greg Bush, a freelance jazz trumpet player, arranger and composer. Greg has performed with his own band in jazz clubs, concert halls and jazz festivals across Canada, Australia, Fiji, Germany and in Switzerland at the famous Montreux Jazz Festival. Bush is currently professor of music at Vancouver Island University (British Columbia, Canada), where in addition to conducting the VIU Wind Ensemble he heads the trumpet studio, teaches Jazz Improvisation, Jazz Composition, Instrumental Conducting and Pedagogy. Learn more about the Honors Band at this link: http://www.wisconsinjazz.org/
Speaking of jazz, retired jazz professor, pianist and music theorist Joan Wildman reminisced recently about the “sorry state” of jazz back in 1985, which led to the founding of the Madison Music Collective. The MMC held a reunion concert on April 12 at the Brink Lounge. Both Isthmus and the Wisconsin State Journal carried stories about Wildman and jazz’s early days in Madison.
NEW FESTIVAL TO SHOWCASE LYRICISM AND POWER OF BRASS MUSIC
Audiences will be treated to some of the most beautiful and thrilling brass music ever written–including “Quidditch,” composed for the movie “Harry Potter and the Sorcerer’s Stone,” by legendary composer John Williams– at a six-day all-brass festival October 8-13 at UW-Madison.
Watch “In Medias” Brass Quintet performing “Four Sketches” by Anthony Plog, to be performed by the Wisconsin Brass Quintet on Wednesday, October 8.
The festival will feature world-renowned brass musicians performing four concerts, and master classes on all the brass instruments—from trumpet to tuba and everything in between. Students and the general public are encouraged to attend. Guest musicians include virtuoso solo tubist Oystein Baadsvik of Norway; renowned trumpeter and brass composer Anthony Plog; the Western Michigan Brass Quintet; the UW-Madison’s Wisconsin Brass Quintet; and San Francisco Symphony Orchestra horn player Jessica Valeri (BM, UW-Madison, 1997). Click here for the full schedule. All events free to the public except “Brass Alchemy” headline concert, October 11, which is ticketed.
Featured concert: “Brass Alchemy,” October 11, 8 PM, Mills Hall. Click to learn more.A full contingent of our soloists, guests, and students presenting dramatic and inspired works of John Williams, Morten Lauridsen, Juan Colomer, Ennio Morricone, Scott Hiltzik, Kevin Puts, Anthony DiLorenzo, and an original work of Baadsvik’s, “Fnugg.” School of Music professorScott Teeplewill conduct. Tickets for the general public are $25; UW music majors with ID are free; other students, $10.00. Ticketing info here.
Says John Aley, lead organizer and longtime professor of trumpet as well as principal trumpet of the Madison Symphony Orchestra: “Brass instruments are so much more expressive than many people assume. While brass players take great delight in the excitement of filling a concert hall with grandeur and power, it is the lyrical quality of each these instruments that touch the heart of the listener.”
PRO ARTE QUARTET PRESENTS ITS FINAL CENTENNIAL WORLD PREMIERE
Composer Pierre Jalbert’s “Howl” for clarinet and string quartet will receive its world premiere by the Pro Arte Quartet on Friday, Sept. 26, at the Wisconsin Union Theater on the UW-Madison campus. The event, free and open to the public, will be the first classical music concert to take place in the historic theater’s newly refurbished Shannon Hall.
The 8 p.m. concert will be preceded by a 7 p.m. concert preview discussion with Jalbert in Shannon Hall. In addition to Jalbert’s composition, the evening’s program includes the String Quartet No. 2 in A Major (1824) by Juan Crisóstomo Arriga and the Clarinet Quintet in A Major (1791) by Wolfgang Amadeus Mozart.
The concert will be repeated Sunday, Sept. 28, at 12:30 p.m. in Gallery III at the Chazen Museum of Art, also on the UW-Madison campus. Joining the Pro Arte for both concerts will be clarinetist Charles Neidich, a regular member of the Orpheus Chamber Orchestra and noted guest performer with orchestras and string quartets worldwide. Read about the inspiration behind the commission here.
PROFESSOR STUDIES HOLOCAUST CHILDREN’S OPERA
Hans Krása’s operetta Brundibár became indelibly associated with the Holocaust when the score was smuggled into the Theresienstadt concentration camp, and a production was mounted that lasted for more than 55 performances. Sung and acted by children, Brundibár was held as an example of the cultural programming offered to Jews at the Terezín “show camp” during the 1944 International Red Cross visit and the subsequent propaganda film, The Führer Gives the Jews a City. Associate Professor of Music Education and Jewish Studies affiliate Teryl L. Dobbs recently returned from a sabbatical trip to Prague and Terezín (the Czech name of the garrison town where the Theresienstadt camp was located), where she studied the history of the operetta. Read the full story here.
“SHOWCASE SERIES” CONCERTS TO HIGHLIGHT STUDENT/FACULTY MUSICIANS
Each concert $10.00; season passes available for $60.00; students free. Proceeds to the School of Music. Please note: Only seven concerts are ticketed– Most concerts at the School of Music are still free!
Seven student/faculty concerts will be “showcased” this year, starting with a all-faculty voice recital on November 2. Professors Mimmi Fulmer and Elizabeth Hagedorn, sopranos; James Doing, tenor; and Paul Rowe, baritone, each will sing. The program will include a premiere of a new work by composer and UW professor Les Thimmig, “White Clouds, Yellow Leaves,” a cantata on poems of ninth-century China.
Later in January, pianists Martha Fischer and Bill Lutes will be joined by cellist Norman Fischer of Rice University plus students and faculty for a second “Schubertiade” of chamber music. In early February, join us for a captivating evening of solo student performances as we present our annual concerto winners concert (the “Symphony Showcase”). A reception will follow this concert. Learn about all these special events here.
Tickets for the general public are $10.00, and a seven-concert “pass” is available for $60.00. Students from all schools are free with identification. To save on service fees, buy in person at the box office or on the day of the show. Ticket info here.
INHORNS RECEIVE AWARD FROM MADISON SYMPHONY ORCHESTRA
The inaugural DeMain Award for Outstanding Commitment to Music will be awarded to philanthropists Stan and Shirley Inhorn by the Madison Symphony Orchestra League at its fifth annual gala banquet at the Madison Concourse Hotel on Friday, Sept. 12. Named after music director John DeMain, the annual honor will go to an ardent supporter of the MSO and Madison-based music in general. The Inhorns are longtime and much-appreciated supporters of the UW-Madison School of Music. Read more here.
TANDEM PRESS ANNOUNCES NEW FRIDAY FALL JAZZ SERIES
Beginning this September, Tandem Press will host a concert series featuring several student ensembles from the UW-Madison School of Music’s Jazz Program under the leadership of Johannes Wallmann, Director of Jazz Studies at UW-Madison, and Les Thimmig, Professor of Saxophone.
UW Contemporary Jazz Ensemble, September 26, 5-7 pm
UW Jazz Composers’ Septet, October 24, 2014 – 5-7 pm
UW Blue Note Ensemble & the Latin Jazz Ensemble, November 21, 5-7 pm
Tandem Press is located at 1743 Commercial Avenue in Madison. Concerts are free and open to the public. Free parking is available, and refreshments will be served.
Tandem Press is one of only three professional fine art presses operating within a university in the United States. Founded in 1987, it is affiliated to the UW-Madison Art Department in the School of Education. Each year, a select number of internationally renowned artists are invited to participate in Tandem’s artist-in- residence program, where they collaborate with a team of master printers assisted by UW students to create exclusive editions of prints. Tandem prints hang in museums and corporations throughout the United States and Europe. This program is made possible with support from the Brittingham Fund.
ALUMNI PERCUSSION ENSEMBLE PRESENTS CONCERT AT GRACE EPISCOPAL CHURCH
Contemporary chamber ensemble Clocks in Motion brings new music, new instruments, and new sounds to the Grace Presents concert series Saturday, Sept. 20 at 12:00 p.m. with a program that highlights the power and diversity of percussion music. Their free program will include Marc Mellits’ new mallet quintet, “Gravity”; “Music for Pieces of Wood” minimalist pioneer Steve Reich; “Drumming Part 1”, also by Reich; “Four Miniatures,” an original composition by Clocks in Motion member Dave Alcorn; and “Third Construction”, by John Cage. Grace Church is located at 116 W. Washington Avenue, on the Capitol Square.
Formed in 2011, Clocks in Motion began as an extension of the University of Wisconsin-Madison’s Graduate Percussion Group, and now serves as the ensemble in residence with the UW-Madison percussion studio. In August, the group released its debut studio album, titled Escape Velocity, recorded in Madison, WI, at Audio for the Arts and available as both a digital download and hard copy. Links to purchase both digital and hard copies of the album can be found at Clocks in Motion’s website.
The UW Pro Arte Quartet will return to its roots in May with a concert tour of Belgium, where the group was first formed in 1912.
The trip is the capstone of the Pro Arte’s centennial season and is believed to be the quartet’s first return to its homeland since being stranded in the U.S. when Nazi forces invaded Belgium, and UW responded by creating a residency for the group. The tour will feature the European premiere of the quartet’s latest commission, String Quartet No. 3 by Belgian composer Benoît Mernier.
Mernier’s composition received its world premiere by the Pro Arte on March 1 at Mills Concert Hall in the Mosse Humanities Building on the UW-Madison campus. The European premiere is scheduled for May 26 at the Brussels Conservatory, where the Pro Arte itself originated. Read a review of the Madison concert here.
The Pro Arte will kick off the weeklong tour on May 22 with a performance in Studio 1 of the Flagey Building, home to Belgium’s broadcast industry. The program will include compositions by Mozart, César Franck and Randall Thompson. Studio 1 has historic significance for the Pro Arte, too. An earlier iteration of the quartet recorded a Beethoven cycle there in 1938.
On May 23, the Pro Arte will perform an afternoon concert in the Arthur de Greef Auditorium of the Royal Library of Belgium in Brussels. The library series features works important to the library’s collections, and Pro Arte will present a program featuring works by Bartok and Haydn, since the library holds first editions of these composers. Know any Dutch? If so, you may read the announcement here:http://www.kbr.be/actualites/concerts/programme/23_05_nl.html
On May 24, the Pro Arte will travel to Dolhain Limburg, birthplace of the quartet’s founding violinist Alphonse Onnou for a reception, dinner and performance at Kursaal Dolhain. The evening program will include compositions by Mozart, Franck, Haydn and Alexander Glazunov. The Mernier European premiere at the Brussels Conservatory follows on May 26, along with compositions by Mozart, Thompson and Samuel Barber.
The final performance of the tour on May 27 will take place at the Catholic University of Louvain-la-Neuve. In addition to the Mernier work, the performance would include works by Mozart and Barber. In addition, the audience will view a 1975 documentary film about the Pro Arte by Pierre Bartholomée that includes interviews with composers Darius Milhaud, Igor Stravinsky and others.
Final arrangements for the trip are in the works pending the resolution of some current restrictions regarding international travel.
The Pro Arte Quartet issued a commemorative CD last year. Read about the CD here. To purchase it, click here.
The School of Music will add three visiting professors next year. One, David Ronis of New York City, will replace retiring opera director William Farlow. A second, Tom Curry, will replace retiring tuba professor John Stevens, And a third, Leslie Shank, will replace violin professor Felicia Moye, who has accepted a position at McGill University in Montreal.
The School has issued separate news releases for all new faculty.
Percussion professor wins Phi Beta Kappa Teaching Award
Nominated by one of his students
Anthony Di Sanza, professor of percussion in the School of Music, has received the Phi Beta Kappa Teaching Award, nominated by percussion student Jacob Wolbert(who was published in this space last summer), who was himself inducted into the society on April 12. Phi Beta Kappa is the nation’s oldest academic honor society and honors undergraduates for outstanding scholarly achievement. Students elected into Phi Beta Kappa are asked to nominate a deserving faculty whose teaching is exemplary and who encouraged their love of learning. Wolbert nominated di Sanza.
“Professor DiSanza found a way to transfer my musical skills into my non-musical ones and has encouraged my endeavors, providing wisdom and guidance even when they are unrelated to music,” says Wolbert. “Overall, he recognizes the value of music in an interdisciplinary education, a crucial tenet of what it means to receive an undergraduate liberal arts education here at UW-Madison.”
“I am deeply honored by this award and even more so by the fact that Jacob Wolbert, this engaged, talented and thought-provoking student, would think highly enough of my efforts to nominate me,” says di Sanza. Read the full press release here.
Speaking of choral: Sing this Summer! Auditions are now open for Madison Summer Choir
The Madison Summer Choiris an approximately 80-voice, auditioned choir performing a cappella, piano-accompanied, and choral-orchestral works, conducted by alumnus Ben Luedcke. We are supported by singers, the larger Madison community, and UW-Madison School of Music. 2014 will be our sixth year keeping summer choral arts alive – please join us on stage or in the audience! Rehearsals start in room 1351 Humanities, Monday May 19th, 5:15-7:15 pm, and are open to all current UW choral singers, as well as the community. The final concert is June 27, 7:30 pm, at First Congregational United Church of Christ. On the program: Schicksalslied, Op. 54, of Johannes Brahms, and Te Deum, by Georges Bizet.
Graduate wins Elliott Carter Rome Prize for music composition
Paula Matthusen, a 2001 graduate in composition who studied with professor Stephen Dembski and is now Assistant Professor of Music at Wesleyan University has received the Elliot Carter Rome Prize from the American Academy in Rome. The prize is awarded annually to about thirty people “who represent the highest standard of excellence in the arts and humanities,” according to the academy’s website. Winners receive a fellowship and are invited to live in Rome for up to two years. Read a 2009 review of Paula’s work here.
Grammy-award winning jazz trumpeter Brian Lynch will perform May 1 as a guest of the UW Jazz Orchestra. Lynch, a native of Milwaukee who now makes his home in New York City, will appear in concert with the orchestra and the High School Honors Jazz Band, an auditioned ensemble comprised of the best jazz musicians that Madison-area schools have to offer. Student tickets $5/general public $10. http://www.uniontheater.wisc.edu/Season13-14/Brian-Lynch.html
UW Contemporary Jazz ensemble wins first place in UW-Eau Claire Jazz Festival
Jazz Orchestra is runner-up in separate category
Two School of Music jazz ensembles directed by Assistant Professor Johannes Wallmann were recognized at the 47th Annual Eau Claire Jazz Festival this past weekend: The UW Contemporary Jazz Ensemble won first place in the college combo category (out of ten participating bands), and the UW Jazz Orchestra was the runner-up in the college big band category (out of seven bands). As a result of their first- and second-place finishes, both groups were invited to perform at the festival’s evening concert for an audience of several hundred festival participants and community members.
The UW Contemporary Jazz Ensemble is a sextet consisting of trumpet, alto saxophone, tenor saxophone, piano, bass, and drums, that performs pieces composed in the last couple of decades by significant jazz artists, UW visiting guest artists, ensemble students, and its director. The ensemble’s winning set included London-based trumpeter Kenny Wheeler’s “Foxy Trot,” Wallmann’s “Arbutus,” and the ballad “Jurre” by Chicago guitarist Zvonimir Tot, who had performed as a guest artist with the ensemble in March at UW. The ensemble was founded in 2012 by Prof. Wallmann when he joined the faculty of the School of Music.
The UW Jazz Orchestra was first established in 1968 in the classic big band format. Its present incarnation focuses on repertoire from the 1950s to today, with an emphasis on the music of guest composers and performers. The UWJO’s festival set included New York trombonist Pete McGuinness’s “The Swagger,” Thad Jones’s “Cherry Juice,” and Wallmann’s “Your Silence Will Not Protect You.”
Alex Charland (tenor sax), Peter Garofalo (piano), Ben Knox (alto sax), and Erik Olsen (trombone) all received outstanding soloist awards at the festival. This marks the second year that UW jazz ensembles have participated in the Eau Claire jazz festival. Last year’s ensemble came in second and third in their respective categories. Congratulations to all!
Noted jazz trumpeter to perform with college and high school students on May 1
Meanwhile, in Mills Hall at 7:30 PM on May 1, Grammy-award winning jazz trumpeter Brian Lynch will cap off the jazz season as a guest of the UW Jazz Orchestra. Lynch, a native of Milwaukee who now makes his home in New York City, will appear in concert with the orchestra and the High School Honors Jazz Band, an auditioned ensemble comprised of the best jazz musicians that Madison-area schools have to offer. Scroll to the bottom of this page for a list of every high school student who will perform in the orchestra.
Lynch went to Nicolet High School, and learned from local artists first hand. After graduating from the Wisconsin Conservatory of Music, Lynch moved to New York, where he performed with Art Blakey and the Jazz Messengers and the Horace Silver Quintet, and collaborated with greats such as Hector Lavoe, Eddie Palmieri, Benny Golson, Toshiko Akiyoshi, Lila Downs, and Prince. Click herefor a 2007 New York Times story about Lynch and Eddie Palmieri performing at the 92nd Street Y.
Going on to produce 15 albums and teach as Professor of Jazz Trumpet at the Frost School of Music at the University of Miami, Lynch has made a name due to his ability to draw from a wide range of jazz styles and inspirations. “I think that to be a jazz musician now means drawing on a wider variety of things than 30 or 40 years ago,” Lynch says. “Not to play a little bit of this or a little bit of that, but to blend everything together into something that has integrity and sounds good.” This concert is presented by Wisconsin Union Directorate’s Performing Arts Committee and Isthmus Weekly and supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. WORT 89.9 FM is the media sponsor. This event is ticketed: prices range from $5 for students to $15 for adults. For tickets, click here.
Please note: Lynch will offer a master class on May 1 at 1:30 PM, Mills Hall.The public is welcome.
World premiere of new Schwendinger work to be broadcast live on WFMT radio
The Grammy-nominated Lincoln Trio will premiere Laura Elise Schwendinger’s Arc of Fire, commissioned in 2012 by Chamber Music America, on Saturday, April 19, 2014 at Gottlieb Hall at the Merit School of Music in Chicago. It will also be broadcast live on WFMT’s show, “Relevant Tones.” The Lincoln Trio will also be playing Stacy Garrop’s Sanctuary. in 2012, Schwendinger won the extremely competitive award with the Lincoln Trio, hailed in FANFARE Magazine as “one of the hottest young trios in the business.” Arc of Fire, composed in August, 2013, is dedicated to the memory of Gene Chinn, Schwendinger’s father-in-law. It is an intense and virtuosic 22 minute work that follows the stages of fire:
I. incipient… spark II. smoldering III. flames… IV. inferno V. false ebbing… VI. flare up VII. ebbing… (decay) and VIII. memento mori (melancholy waltz) for what has been lost, IX. decay…embers.
Meanwhile…save the date! The world premiere of Laura Schwendinger’s “Creature Quartet,” performed by the JACK Quartet, will be held on Friday, May 8, 2015, 8 pm at the renovated Shannon Hall, Wisconsin Union Theater, as part of the theater’s celebratory 75th anniversary.
New professor Jerome Camal augments growing “global music studies” program
With the appointment of Professor Jerome Camal, a faculty appointment in the Department of Anthropology, this semester marked a new beginning for ethnomusicology at UW-Madison’s School of Music. The new initiative, a “global music studies” program, examines music’s constitution as a cultural force woven into the social and political fabric. The university will offer courses and certificates at both the undergraduate and graduate levels with the expectation of initiating formal degrees in the future. It is made possible through support from the Mellon Foundation. Click here to read more.
“Grace presents” Baroque music for a Saturday at noon
At the Square on Saturday for the just-opened Farmers’ Market? Stop in to Grace Episcopal Church, 116 W. Washington Avenue, for an hour of free R&R. On April 26, the church will offer a concert of new plus historic music for baroque flute, featuring Mi-Li Chang and Danielle Breisach on baroque flute; John Chappell Stowe on harpsichord; Stephanie Jutt on modern flute; and Eric Miller on viola da gamba. The program will include compositions by David MacBride, Robert Strizich, François Couperin, and Johann Sebastian Bach, as well as UW-Madison composers Stephen Dembski and Marc Vallon.
Javanese music and dance in Mills Hall, April 26
On Saturday, April 26 at 3:00 pm in Mills Hall, the University of Wisconsin School of Music, Department of Dance, Center for Southeast Asian Studies, and Indonesian Students’ Association present “Across Regional Boundaries: A Javanese Music and Dance Concert. The program is a collaboration between the UW Javanese Gamelan Ensemble in its first year under the direction of Steve Laronga and the UW Javanese Dance troupe, directed by Prof. Peggy Choy. The concert will present the closely related but sharply contrasting repertories and performance styles of the Central Javanese court music tradition of Yogyakarta and the lively popular traditions of East Java. Joining the UW Javanese Gamelan will be guest artists Prof. Christina Sunardi (University of Washington), an expert on East Javanese dance, and Yogyanese music and dance experts Prof. Roger Vetter (Grinnell College) and Val Vetter (Grinnell College). For more information, please contact Steve Laronga at email@example.com. Read more.
School of Music to hold a combo awards & graduation celebration
The School of Music will be honoring and celebrating the achievements of the Class of 2014 as well as recipients of student awards on Friday, May 16, 2014 at 2:30 p.m. in Music Hall.
All graduates and award recipients are encouraged to attend this special recognition along with their family, friends and guests. Members of the School of Music administration, faculty, and staff will be hosting the event. Other guests of honor are the School’s generous scholarship and award donors, the School of Music Board of Visitors, members of the School of Music Alumni Association, representatives from the UW Foundation, and the School’s Academic Associate Dean from the College of Letters & Science. A catered reception of hors d’oeuvres and light refreshments will follow the ceremony.
Parking on campus will be free and open to the public starting at 12 p.m. on Friday afternoon. Guests are welcome to park in any UW-Madison parking ramp and surface lot. To view a map of parking options, please click here.
Music Hall offers accessible seating. Please call 263-1900 to specify your needs for accessible seating so we are able to accommodate you.
The College of Letters & Science will host a pre-commencement reception in the Field House at Camp Randall Stadium on Saturday, May 17, 2014 from 9:00 a.m. to 11:00 a.m. Please click here for more details.
Hyperion Fox Trot Orchestra to hold reunion concert May 19
A benefit for the Karlos and Melinda Moser Opera Ticket Fund
The original Hyperion Oriental Fox Trot Orchestra was a “hot dance” revival orchestra, complete with strings, which performed an eclectic survey of early Twentieth Century popular American music. From Ragtime classics, through the transitional Tin Pan Alley idiom which names the orchestra, to masterpieces of the Jazz Age, the repertoire is sourced from collections of original published scores and manuscripts and includes a few transcriptions from famous recordings of the times.
The orchestra was very popular in Madison gigs in the 1970’s. Spearheaded by former University Opera director Karlos Moser and Madison Symphony Orchestra executive director Rick Mackie (who will both reprise their original roles in this 15-person orchestra) the May 19 concert will celebrate the Hyperion’s original debut at the Grand Benefit Ball for the Wisconsin Ballet on April 4, 1974. The program will be a mélange of New Orleans music and some famous derivatives, featuring music of Jelly Roll Morton, Fats Waller, and Duke Ellington. Karlos Moser will open the concert with Magnetic Rag, Scott Joplin’s last, a poignant end to the era of ragtime as jazz kicked-in the door. Special Guest Jacqueline Colbert will perform several vocals expressing the influence of the blues which was and is so pervasive in jazz. Hyperion will have audience dancing in the aisles with a playlist including Joplin’s “Magnetic Rag”; Jelly Roll Morten’s “New Orleans Blues,” “Jungle Blues,” and “I Wish I Could Shimmy like My Sister Kate”; Fats Waller’s “Ain’t Misbehavin’ “; and Duke Ellington’s “It Don’t Mean a Thing if It Ain’t Got That Swing.”
This concert will reunite artists who have played with the orchestra over the decades, including six of the original members present at its debut performance. Violinists Karen Smith (now with the Milwaukee Symphony), Wendy Buehl (Madison Symphony) and Leyla Sanyer (formerly Madison Symphony) were there from the beginning, with Buehl taking on the special task of cataloguing the unique collection of rarities in the orchestra’s library. Originals Melinda Moser, piano, Rick Mackie, drums and Pete Deakman, bass, also join Moser for this performance. The reed section will include tenor saxophonist Dick Lottridge, another UW School of Music faculty veteran best known as professor of bassoon and former principle bassoonist of the Madison Symphony. Lottridge has been a member since 1980, the year in which violinist Diane Mackie made her first Hyperion appearance. UW Professor of Trumpet John Aley has been in the first chair since 1982. Download press release: Hyperion Press release
Below: Watch Karlos and Melinda Moser perform in a “Music in Performance” class at the School of Music, Spring 2013, a one-credit class popular with non-majors and the community that seeks to introduce newcomers to the varied genres of music. To learn more about this class, see http://music.wisc.edu/mip.
Former percussion professor and studio to hold summer reunion
Students of Professor Emeritus Jim Latimer have planned an all-percussion reunion of former students (and their families) and are trying to spread the word to reach as many former students as possible. This includes students of the applied area, percussion ensemble and techniques classes.
Jim Latimer was professor of music, head of the percussion area and director of the UW Percussion Ensemble at UW-Madison from 1968 until his retirement in June 1999. He was also timpanist with the Madison Symphony for the same 31 years. From 1972 to 1978, he was Music Director of the Wisconsin Youth Symphony Orchestras and took the orchestras on the first out-of-state tours, including representing Wisconsin at the Bicentennial Parade of American Music and the Kennedy Center in Washington DC in 1976. He has conducted one of Wisconsin’s finest concert bands, the Capitol City Band, since 1981 and continues to play concerts in the park with CCB each summer. He also conducts the volunteer community band, the VFW Band, is the founding member of the Madison Marimba Quartet and plays percussion with his own dance ensemble. He can be reached at firstname.lastname@example.org
Saturday, June 28, 3:00 pm to 9:00 pm (open mic at 4 pm). Rennebohm Park, 115 N Eau Claire Ave, Madison, WI
RSVP by May 1 to one of the following alums:
MaryJo Biechler email@example.com
Connie Coghlan firstname.lastname@example.org
Nancy (Kath) Riesch-Flannery email@example.com
David Pedracine at firstname.lastname@example.org
Did you know that the School of Music Alumni Association has its own website? Here’s where you can read and contribute news of alumni, become a member, find out about special events, and contribute money toward much-needed student scholarships at the School of Music. http://uwsomaa.org/
The 2014 High School Honors Jazz Band
Performing Thursday, May 1, Mills HAll, with Brian Lynch and the UW Jazz Orchestra.
Edgewood High School – teacher: Carrie Backman
-Benjamin Drummond, alto saxophone (alumnus of UW Summer Music Clinic) Madison Memorial High School – teachers: Ben Jaeger (bands) & Ben Ferris (jazz, SoM UW ’13 Music Ed alumnus)
-Gabriel Guglielmina, trombone
-Lindsey Kermgard, trumpet
-Kameron Kudick, drums/percussion
-Sam Szotkowski, trumpet Madison West High School – teacher: Dr. Scott Eckel
-Marie Kaczmarek, trumpet (alumna of UW Summer Music Clinic) McFarland High School – teachers: Joe Hartson and Benjamin Petersen
-Maria Hilgers, baritone saxophone Middleton High School – teacher: Brad Schneider
-Eli Bucheit, piano
-Burton Copeland, trumpet
-Tanner Tanyeri, drums/percussion Sun Prairie High School – teacher: Steve Sveum
-Ryan Kruger, bass trombone
-Sam Olson, bass
-Xavier Payne, tenor saxophone
-Alexander Valigura, trombone Stoughton High School – teacher: Dan Schmidt
-Lucas Myers, guitar Verona Area High School – teachers: Paul Heinecke (jazz) and Eric Anderson (band)
-Philip Rudnitzky, tenor saxophone Waunakee High School – teachers: Sam Robinson and Ryan Gill (UW SoM music ed alum)
-Andrew Maxfield, alto saxophone
A round of applause for Sarah Brailey, a 2007 master’s graduate who studied with vocal professor Paul Rowe and received the School’s prestigious Collins Fellowship, who has been lately appearing on stages from continent to continent, including New York’s Carnegie Hall, the Barbican in London, and Electric Lady in Greenwich Village. Sarah is a full-time member of the Choir of Trinity Church on Wall Street and has been a part-time writer for the Natural Resources Defense Council (“who are totally supportive of my singing and are willing to let me have a very flexible schedule”). Nowadays, though, singing is taking the biggest role in her life.
Sarah, who received a bachelor’s degree from the Eastman School of Music, is originally from LaCrosse, Wisconsin. While in Madison, she played the role of Donna Elvira in Mozart’s Don Giovanni with University Opera.
Here’s what Sarah says about her work these days: “I’ve been on tour with the Choir of Trinity Wall Street and The English Concert, doing Handel’s Theodora. Among the incredible soloists are David Daniels, Dorothea Röschmann, and Sarah Connolly. We have been to Sonoma and Costa Mesa, California, Chapel Hill, and will have concerts at Carnegie Hall, the Barbican in London, Town Hall in Birmingham (England), and the Théâtre des Champs Élysées in Paris.
“I have recently started working with legendary composer John Zorn. This past summer, we premiered his “Madrigals” at the Guggenheim Museum.” Wrote the New York Times’s Steve Smith: “Those singers and three more — the sopranos Lisa Bielawa and Sarah Brailey, and the mezzo-soprano Abby Fischer — brought the same exactitude and luster to “Madrigals,” for which Mr. Zorn assembled phrases inspired by reading Percy Bysshe Shelley. Harmonically consonant, often unambiguously melodic and rhythmically effervescent, these half-dozen songs could easily slip into standard repertory.”
“We also sang his piece, ‘Holy Visions,’ based on the writings of Hildegard von Bingen, at the Metropolitan Museum of Art as part of an entire day dedicated to his works that were performed throughout the museum. We traveled to Huddersfield, England to perform both pieces in the Huddersfield Contemporary Music Festival and will be recording Holy Visions this spring.
“I have also worked on and off this season with the Grammy-winning contemporary a cappella vocal group, Roomful of Teeth. The photograph is from a recording session we did in August with Merrill Garbus of tUnE-yArDs at Electric Lady in Greenwich Village. Electric Lady was originally built by Jimi Hendrix and has been used by artists such as John Lennon, Bob Dylan, Kiss, Daft Punk, and AC/DC.
National alumni, take note! Sarah’s other upcoming performances include:
Feb 26, 5pm, CUNY Grad Center: I’m performing a song cycle by André Brégégère with text by French-Carribean poet Édouard Glissant on CUNY’s Composers Now Festival. March 4, 8pm, Alice Tully Hall: I’m soloing with The American Classical Orchestra in Handel’s Samson under the direction of Nicholas McGegan. March 14 in Aiken, S. Carolina; March 16 in Morrow, GA; March 17 at Alice Tully in NYC: Bach’s St. Matthew Passion with The Choir of Trinity Wall Street and Juilliard 415. March 29-30: I’m performing Steve Reich’s Music for 18 Musicians at the Big Ears Festival in Knoxville, TN. April 18: I’m performing Josep Sanz’s King Lear with Ekmeles at the MATA Festival in NYC.
Wingra Woodwind Quintet and Wisconsin Brass Quintet on tour to northern Wisconsin and eastern Minnesota
The Wisconsin Idea is alive and well in the School of Music. This week, two of our four ensembles-in-residence will be on the road, offering a wonderful opportunity for classical music aficionados who don’t live in Madison (and we know there are many!) to hear some beautiful music.
In Madison, you can see the quintet perform on March 29, at 8 Pm in Mills Hall.
Wingra Woodwind Quintet:
This Wednesday in Madison, the Wingra Woodwind Quintet will perform at a new location, Capital Lakes Retirement Community, 333 West Main Street, 7:30 pm. The quintet will also perform at a special dinner concert at the University Club on May 8.
Meanwhile, here in Madison we have a few special events on the docket for this weekend and next week….including the Pro Arte Quartet’s world premiere of String Quartet No. 3 by Belgian composer Benoit Mernier (read this week’s story by local blogger Jake Stockinger) and a residency by three musicians of the Sibelius Academy, in Helsinki, Finland. That residency begins with a master class for singers and collaborative pianist on March 2. Read more, including the complete schedule, here.
Piano Extravaganza! to feature well-known pianists as well as rising stars
Hear the UW’s best collegiate pianists, faculty and high school talents at an all-day festival this Saturday at UW-Madison. Masterclasses, workshops and performances hosted by UW-Madison faculty and students. This year’s Piano Extravaganza will feature piano works influenced by jazz and blues. Here is the schedule of events:
Friday, February 28, 2014
8:00 PM: Mills Concert Hall: Christopher Taylor, Faculty Concert Series
Saturday, March 1, 2014
8:30-11:00 AM: Piano Extravaganza Competition
11:00 AM-12:00 PM: Professor Johannes Wallmann, Jazz Improvisation Workshop
1:30-3:30 PM: Masterclass and Q&A with UW Piano Faculty
3:45-6:30 PM: Jazz and Blues in Classical Music (Performed by UW-Madison Piano Majors)