Coloratura soprano Brenda Rae returns to alma mater to raise funds for University Opera
Gazing at herself in a bewitched mirror, she is obsessed with her radiant beauty; she caresses her own face and simpers at an imagined lover. That would be Brenda Rae in Seattle Opera’s February production of Handel’s “Semele,” where she was described by Opera News as “sensual,” “dazzling,” and “moving.”
Above: Brenda sings “Myself I shall adore” in Seattle Opera’s Semele.
Discover the dazzle for yourself on September 27, when Appleton native and School of Music/Juilliard alumna Brenda Rae – who has spent most of the last decade performing in Frankfurt, Berlin and other major European opera halls – visits Mills Hall at 7:30 PM to sing a benefit concert for University Opera. She’ll be paired with the UW Symphony Orchestra as she sings Gliere’s Concerto for Coloratura Soprano, having just finished a run in Milwaukee Symphony’s Cosi fan Tutti. She’ll then fly to Paris’s du Théâtre des Champs-Elysées to sing Zerbinetta in Richard Strauss’s Ariadne auf Naxos.
Brenda’s return is part of a larger three-day fund drive to place University Opera – which has existed at UW-Madison for 57 years, but relies mostly on ticket sales and donations to finance productions – on secure financial footing. On Friday, there will be a free master class in Music Hall from 5-7 PM. On Saturday, two special donor events are planned: the first, a VIP dress rehearsal followed by a private University Club reception for event sponsors. The weekend’s events comprise a fund drive that honors opera alumna Karen K. Bishop, who passed away in January. Her husband, Charlie Bishop, donated $500,000 to the opera program in her name, now matched by a $1 million gift from the Morgridge Fund and local supporters. Read a story in the Wisconsin State Journal about the larger effort.
You are invited to join the many others in Madison who love opera and who have supported University Opera for all or part of its history. Please consider becoming a sponsor:
Includes admission for you and one guest to the private University Club reception with Brenda Rae on Saturday and two tickets to the Sunday concert in a prime seating area.
The Prima Donna
Includes the benefits of the Impresario level, plus your name(s) will appear in the concert program as a master class sponsor.
The Bishop Circle
$1,000 or more
Includes the benefits of the Prima Donna level, plus your name(s) will appear in the concert program as a concert sponsor. You and one guest will also receive admission to the VIP dress rehearsal on Saturday.
Give a gift of $2,500 or more, and you will receive a reserved table in your name for a maximum of eight people at the private University Club reception on Saturday. This includes all the benefits of the Bishop Circle level for the named sponsor, so your name will appear in the concert program at the Bishop Circle level.
Tickets for the Sunday evening concert are $25 for adults, and are available online now; they will also be sold at the door, day of show. Students are free. We invite you to pack Mills Hall and see her now… before she hits the stratosphere!
Legendary “Buena Vista Social Club” musician Juan de Marcos here to teach, perform and inspire
UW-Madison will host legendary Cuban musician, Juan de Marcos González, a driving force behind the Buena Vista Social Club, as the Fall 2015 Arts Institute’s Interdisciplinary Artist in Residence.
During his residency, notable Cuban artists and groups including Afro-Cuban All Stars, Telmary Diaz, Pellejo Seco, and musical members of his family (who also are part of Afro-Cuban All Stars) will perform in Madison. He will present numerous lectures on the history of Cuban music and teach a lecture course called “Afro-Cuban Music: Roots, Jazz, Hip Hop” and a production course “Music Production: Afro-Cuban and Hip Hop Music.” A complete schedule of classes and performances is listed at this website: http://artsinstitute.wisc.edu/iarp/juandemarcos/
Juan de Marcos González was born in Havana, Cuba and grew up surrounded by music. As a musician, composer, and producer, it is his mission to showcase the wealth, diversity, and vitality of Afro-Cuban music to the world. Through his work with the Afro-Cuban All Stars, the Buena Vista Social Club, Rubén González, Ibrahim Ferrer, Sierra Maestra, and others, he has made an extraordinary contribution to raising the profile of Cuban music throughout the world. He has been nominated for a Latin Billboard Award and multiple times for Grammy Awards. During his career, Juan de Marcos has arranged, conducted, produced/co-produced, and/or performed on more than twenty-five albums.
The fall semester begins next week: Wednesday, September 2. We hope all our readers enjoyed a wonderful summer with just enough activities to allow you to feel rested, but not exhausted. We have much to tell you and many invitations to enjoy performances and events at Mills, Morphy, and Music Halls this year.
Students travel the world during summer
We asked our students to tell us what they did during the summer — and now we all wish we could have joined them! Here are a few stories.
Joshua Junig, a tenor and a student of Elizabeth Hagedorn, spent the last few weeks in Rock River Repertory‘s production of “Miss Saigon,” portraying the role of Thuy. Directed by Jim Tropp, the show ran for two weekends at the Edgerton Performing Arts Center in Edgerton, Wisconsin. This year, Joshua plans to take music theory, vocal instruction and piano, and graduate in 2018 with degree in choral music education.
For eight weeks, Elliot Stalter, a violin performance major in the studio of Professor David Perry, attended the Aspen Music Festival and School. He enjoyed studying privately with Paul Kantor and playing in weekly orchestral concerts as well as attending masterclasses and concerts. This year he looks forward to taking classes in world music and conducting and will graduate in 2017.
DMA cellist Andrew Briggs, student of Uri Vardi, spent the summer performing music and traveling in Europe. In late June, he worked with cellist Lluis Caret at the Master Classes at Fontfroide (download 2 MB PDF) (Narbonne, France) and attended the Holland Music Sessions (Bergen, Netherlands) in July and August. Between the courses, he traveled to Paris and Berlin, and played chamber music with his musical relatives in Amsterdam.
Timothy Young, an instrumental/general music education major and bassoonist, spent a week on a production crew assembling, operating, and tearing down staging, audio, and lighting for the inaugural Eaux Claires Music Festival. The rest of his time was spent practicing, working as a sound and lighting technician for the Wisconsin Union, counseling at UW-Madison’s Summer Music Clinic, and visiting family and friends.
In July, voice performance major Alannah Spencer, a student of Paul Rowe, attended the Illinois-based young artist program, the Midwest Institute of Opera. Here she worked with coaches and teachers from around the U.S. and performed the role of La Bergere/La Chouette in Ravel’s opera “L’enfant est les sortileges.” This year Alannah will be wrapping up both her music and her anthropology degrees while serving as the concert office assistant for the School of Music.
Recent alumna and flutist Hinano Ishii (B.M., 2015), who plans a career in arts administration, enjoyed her summer working as an operations and education intern at Bravo! Vail Music Festival in Colorado. Her responsibilities included coordinating logistics and assisting on-site production for the New York Philharmonic, The Philadelphia Orchestra, Dallas Symphony Orchestra and various quartets. In addition, she worked closely with guest artists and conductors including Alan Gilbert, Midori, Augustin Hadelich, Alisa Weilerstein and Christopher O’Riley.
This summer pianist Ian Tomaz, a student of Martha Fischer, spent six weeks at the Brevard Music Center in North Carolina as a participant in the 79th Annual BMC Summer Music Festival, where he studied with Elisabeth Pridonoff and Donna Lee, working on new repertoire in addition to participating in recitals and masterclasses. This semester he will be taking classes in piano and vocal repertoire, “Survey of the Classical Era” with musicology professor Charles Dill, and a philosophy course entitled “The Meaning of Life”, in addition to chamber music and lessons. He will graduate with a BM in piano performance in 2017.
Isidora Miranda, a PhD candidate in Historical Musicology and a student of Pamela Potter, recently concluded a six-month research trip to the Philippines. Her research took her to various archives in Manila, looking at zarzuela and operetta scores from the first two decades of the 20th century, and perusing rare documents from the early American colonial period. Before heading back to the Midwest, Isi gave a presentation on the 1904 zarzuela Minda Mora at the European Association for Southeast Asian Studies held on August 12, 2015 at the University of Vienna.
In June, DMA saxophone student Steve Carmichael, a student of Les Thimmig, attended the James Houlik Saxophone Retreat and the Wild Acres Flute Retreat in Little Switzerland, North Carolina, where he studied with classical saxophone virtuoso James Houlik and baroque flute expert Stephen Preston. He performed new works for saxophone, as well as the music of Toru Takemitsu. Steve also performed recitals through out the Midwest and southern states. This year he plans to present four recitals and take Music of the Romantic Period, saxophone instruction, and perform in the Wind Ensemble and Contemporary Composers Ensemble.
We also placed the following photo and paragraph on our Facebook page, which is steadily acquiring new fans! (are you one?)
Junior trombonist Tom Kelly won the concerto competition at the Sewanee Summer Music Festival. DMA horn candidate Sarah Gillespie traveled to the Max Planck institute in Germany to take real-time MRI video of the vocal folds of horn players as a pilot study for her dissertation. Master’s student and baritone Gavin Waid learned the role of the Count for UW-Madison University Opera’s upcoming production of Mozart’s The Marriage of Figaro.
Meet our new faculty: Violinist Soh-Hyun Park Altino and Clarinetist Wesley Warnhoff
A warm welcome to our new assistant professor of violin, Soh-Hyun Park Altino, who moved here in July to take the tenure-track position previously held by Prof. Felicia Moye, who now teaches at McGill University in Toronto. In Memphis, where she served on the faculty of the University of Memphis for fourteen years, Prof. Altino performed with the Ceruti Quartet and also in the Dúnamis Trio with pianist Victor Asunción and cellist husband Leonardo Altino. Prof. Altino has traveled worldwide to give master classes and participate in educational programs. Read about Prof. Altino on our website.
And reserve November 13, 8 PM in Mills Hall, for your first chance to hear Prof. Altino in concert. She will perform works of Bach, Brahms, and Ives, accompanied by Martha Fischer, professor of piano. Tickets $12 adults/students free. Buy here or at the hall day of show.
We also welcome Dr. Wesley Warnhoff, new adjunct professor of clarinet, who replaces the now-retired Linda Bartley, former professor of clarinet. Dr. Warnhoff is a founding member of the VCP International Trio, a violin, clarinet, piano trio that advocates new music performance, and he is also the principal clarinet of the Battle Creek Symphony Orchestra in Michigan. In Madison, he will perform with the Wingra Woodwind Quintet. Read about Dr. Warnhoff here.
The world rediscovers long-lost works of Jewish performance, literature and visual art – starting this weekend in Madison
Researchers from the University of Leeds in England fly into Madison this week to participate in the first event of a yearlong foray to explore and discover previously unknown works of Jewish art from the early part of the 20th century, including works created during the Holocaust. School of Music music education professor Teryl Dobbsis the Madison link to the worldwide project, which continues in Minneapolis in September and then back to Madison in May, plus many performances and discussions in England and Ireland next spring and summer.
The August 30 events consist of a brunch with researchers ($12); a “Sound Salon” with the Mayrent Institute; a concert with the Bach Dancing & Dynamite Society; and a two-act cabaret evening. Please note: Some venues may have reached capacity. Check link here.
37th Annual Karp Family Concert this Labor Day, Monday, Sept. 7
7:30 PM, Mills Hall. Free
Family patriarch and emeritus piano professor Howard Karp passed away last summer, and pianist Frances Karp is injured, but the family will carry on with its end-of-summer tradition of family concerts. Performers will include Isabel Karp, narrating a Shakespeare poem to the music of viola (Katrin Talbot) and cello (Parry Karp). Pianist Christopher Karp and Parry Karp will perform Beethoven’s Sonata in A Major for Piano and Cello, and Parry Karp will present several solo works for cello.
Our final issue of the 2014-2015 academic year contains news about a few new graduates and updates from some already out in the working world. We never fail to be inspired by all of the creative ways that music students both indulge their passions for the art form and their obligation to support themselves. Music may not be a sure ticket to fortune, but for most it is a ticket to personal growth and happiness, provided students are motivated and receive support from teachers, friends and family. We are proud to present these stories about graduates of the UW-Madison School of Music.
Valerie Clare Sanders (B.M., violin performance, 2015). Student of Felicia Moye (now at McGill University) and Leslie Shank.
In September, I will be moving to London, England to study with Simon Fischer at Guildhall School of Music and Drama in their postgraduate Orchestral Artistry program. This program is a partnership with Guildhall, the London Symphony Orchestra, and the Barbican Centre, and it involves intensive side-by-side training with members of the London Symphony Orchestra.
I’ve been a member of the Madison Symphony Orchestra for three years, have served as acting concertmaster of the Middleton Community Orchestra and was also a member of the Perlman Piano Trio, which is sponsored by longtime School of Music supporter Kato Perlman.
As a violinist I maintain a strong love for performing and continuing to develop my interpretive facility but am also become very passionate about exploring classical music in the context of a larger cultural discourse, joining and starting new conversations about why musicians do what they do, how they can learn to do it in new ways, and exploring the psychological nature of what it means to be a classical musician today. UW has proved to be a great springboard for this sort of inquisitive energy.
Duangkamon Wattanasak (B.M., keyboards, 2015). Student of John Chappell Stowe.
This fall, Duangkamon will attend the State University of New York at Stony Brook to pursue a master’s degree in harpsichord performance. This past year, she received a Hilldale Undergraduate Faculty Research Fellowship this past academic year to work on a project editing German Baroque music with Prof. Jeanne Swack. She presented part of her research in the form of a performance of Sebastian Bodinus’s Sonata for Flute and Basso continuo in E minor at the Undergraduate Research Symposium on April 16 in Union South with Mi-Li Chang, Baroque flute and Andrew Briggs, Baroque cello.
Hinano Ishii (B.M., flute performance, 2015). Student of Stephanie Jutt.
Four years ago around this time, I was preparing for my concerto debut at Alice Tully Hall, Lincoln Center and certain about pursuing a career in music. Now, I’m looking forward to my post-graduation plan: working in operations and education at Bravo! Vail, a summer music festival in Colorado featuring the New York Philharmonic, The Philadelphia Orchestra, Dallas Symphony and many other renowned musicians.
My enthusiasm for arts administration, sparked by an Arts Enterprise course taught by my flute professor Stephanie Jutt, quickly led to my election as president of Arts Enterprise at UW-Madison. I produced a series of workshops on topics including grant writing and arts law, and founded an Arts Career Resource Center on campus. From the connections I made through UW, I took on positions as the Programming and Community Engagement Intern at Overture Center and Marketing Assistant for PROJECT Trio. Eager to advance my skills, I also worked at The John F. Kennedy Center for the Performing Arts in Washington D.C. as a National Symphony Orchestra Operations Intern. This gave me the opportunity to assist in planning rehearsals, concerts, and events including two nationally broadcasted performances at the U.S. Capitol. In my final year on campus, I was the assistant to Katherine Esposito, the School’s concert manager and publicist, helping to organize festivals and concerts, while also working at the Overture Center as the Development Intern.
Meanwhile, I’ve pursued my flute studies, performing with the symphony orchestra and in solo recitals. In my junior year, I was featured on UW-Madison’s homepage with an article highlighting my accomplishments and performed on a PBS annual science show hosted by UW-Madison’s chemistry professor, Bassam Shakashiri.
It is with mixed emotions to be leaving this wonderful university. I am extremely lucky to have found what I love doing best and having all the resources and connections available in Madison to create opportunities in arts administration. Although I am a music performance major, the environment allowed me to pursue my aspiration while also advancing my flute playing which makes UW-Madison an extraordinary educational experience. I am happy to have taken full advantage as a student and thankful for my mentors, parents and friends who have supported my work for the past four years! On Wisconsin!
Vince Mingils (M.M. 2015, percussion performance). Student of Anthony Di Sanza, Todd Hammes.
Mingils, a recipient of a Paul Collins Distinguished Graduate Fellowship at the School of Music, will move to Florida to serve as the Director of Percussion Studies and Assistant Director of Bands at Matanzas High School and Indian Trails Middle School in Palm Coast. Mingils also holds a bachelor of music education degree summa cum laude from Stetson University.
In addition to performing with the percussion ensembles at UW-Madison, Vince coached ensembles and occasionally joined UW-Madison’s resident/alumni percussion ensemble, Clocks in Motion. He also traveled with the UW Wind Ensemble to Carnegie Hall and Beijing and Shenyang, China for the studio’s first international tour (see story below). In addition to studying classical percussion, his UW teachers helped foster his burgeoning interests in composition, improvisation, Middle Eastern music, and hand drumming.
Tim Morris(B.M., music performance and political science). Student of Matthew Mireles, John Stevens (emeritus) and Tom Curry.
This fall, Tim will pursue a master’s degree in euphonium performance at the University of Georgia. While in Madison, he played in the Wind Ensemble, Low Brass Ensemble and competed in the Leonard Falcone Euphonium Student Competition and the International Tuba Euphonium Conference’s Young Artist Euphonium Competition. He also spent two years as a legislative intern in the Wisconsin State Senate, leading to a better understanding of the political process and the issues facing the State of Wisconsin.
“The School of Music has provided me with countless life-changing experiences,” Tim writes. “I have benefited tremendously from an extremely talented and supportive faculty who have helped me realize many of my musical goals. With their guidance I have been fortunate enough to participate in international music competitions, perform for many people and travel all over the world in the process. I have no doubt that I would not be the same musician I am today without the teachings of my mentors as well as the support of the musicians here that I have the distinct privilege of calling my friends and colleagues.”
Amanda Fry (B.M., music performance, horn). Student of Daniel Grabois.
Next fall, Amanda will attend the University of Maryland at College Park to work toward a master’s degree in horn performance, studying with Gregory Miller. At UW-Madison, she performed with the UW Symphony, the Wind Ensemble, and the UW Horn Choir. As a member of a student brass quintet, she completed a residential clinic at a middle and high school, performing and conducting master classes, and coached small chamber ensembles as they prepared for the state Solo and Ensemble competition. She also spent a semester in Vienna through the Study Abroad program, and feels “incredibly fortunate” to have played on stage this spring at Carnegie Hall with the UW Wind Ensemble.
“Studying in Vienna was incredibly valuable in many ways,” Amanda says. “Not only did I gain confidence from living on my own in a foreign country, but I also met a lot of amazing people and made some awesome friendships. I was incredibly fortunate to explore new places around the world and experience other cultures – albeit for a short amount of time. As for my experience at UW, I am very happy with my choice to study here. I’ve had opportunities here that have been invaluable to my growth as a global citizen. I couldn’t be happier about my decision to earn a degree from this university.”
Jeremy Kienbaum (B.M., music performance, viola/violin.) Student of David Perry (violin) and Sally Chisholm (viola).
Starting in September, I will be attending The Juilliard School to study viola with Samuel Rhodes, the former violist of the Juilliard String Quartet and chair of the Juilliard Viola Department. I am very honored to work with him, and excited to learn from and be surrounded by exceptional musicians.
I am eternally grateful for this opportunity to have studied with two fantastic professors, Sally Chisholm and David Perry; my musicality and technical facility have developed immensely through their teaching and guidance. Studying chamber music with Pro Arte quartet cellist Parry Karp has also been a rare treat; the devotion and joy he brings to coaching students makes every lesson meaningful, not to mention the wealth of musical knowledge he has shared with me over the last four years. I am truly in debt to all of my professors and colleagues here, who have helped to deepen my love and passion for music. I’m looking forward to the opportunity to take in all the arts New York City has to offer, but I’ll miss all of my friends at UW and cheese curds at the Terrace.
Daniel Black (B.M., composition, 2002), received a 2015 Career Assistance Award from the Solti Foundation U.S.. Former student of Joel Naumann (emeritus, composition); Stephen Dembski (composition) and David Becker (conducting, now at Texas Tech in Lubbock, Texas).
Sergio Acosta (BM, flute performance, 2011; MM, bassoon performance, 2013) now with The U.S. Army Field Band. Former student of Stephanie Jutt and Marc Vallon.
Jamie-Rose Guarrine (MM in vocal performance, 2002; DMA in vocal performance, 2005), will join the faculty of the University of Massachusetts-Amherst as Assistant Professor of Voice. Former student of James Doing.
Ben Davis (B.M., music education, 2014), now in a master’s composition program at DePaul University and will participate in the Summer Academy for Young Composers at Akademie Schloss Solitude. Former student of John Aley (trumpet); also studied composition with Stephen Dembski and Filippo Santoro, DMA 2014.
Paola Savvidou (MM in Piano Performance and Pedagogy, May 2008; DMA in Piano Performance and Pedagogy, May 2012) is Assistant Professor of Piano Pedagogy at the University of Missouri. Former student of Jessica Johnson.
Jonathan Kuuskoski (MM in piano performance & pedagogy, 2009), now Director of Entrepreneurship and Community Programs at the university of Missouri. Former student of Christopher Taylor and Jessica Johnson.
Julia Marion (BM, bassoon performance 2008), was a member of the inaugural class of The Juilliard School’s Historical Performance Program and now freelances extensively in Europe and the U.S. Former student of Marc Vallon.
Chris Van Hof (DMA, trombone performance, 2013), is the tenure-track Assistant Professor of Trombone and Euphonium at Colorado State University. Former student of Mark Hetzler.
Join us to wish bon voyage to our newest grads!
The School of Music Graduation & Awards Recognition Ceremonywill be held in Music Hall on Friday, May 15, 2015 from 2:30 p.m. to 4:30 p.m.
Please join us to recognize our generous donors and the fortunate and talented student recipients of scholarships and awards, as well as all the graduates of the School of Music who plan to walk at Camp Randall this May, in summer, or in winter of 2015. We’ll follow with a light reception of hors d’oeuvres and refreshments.
Parking on campus is free starting at noon on Friday until Sunday morning.
Click here for information about the official UW-Madison commencement ceremony at Camp Randall Stadium, Friday, May 15 and Saturday, May 16.
Cellist wins Yamaha Young Performing Artists Prize
Kyle Price, 22, a first year master’s cello student at UW-Madison and artistic director and founder of the Caroga Lake Music Festival, was recently announced as a prize winner of the Yamaha Young Performing Artists Competition. As a Yamaha Young Artist awardee, he will be invited to attend an all-expense paid weekend at the Music for All Summer Symposium and receive a once in a lifetime performance opportunity in front of thousands. Additional benefits include national press coverage, recording and photos of the live performance, and participation in workshops designed to launch a professional music career. Winners also enjoy many of the privileges of a Yamaha Artist, including services and communication with Yamaha’s Artist Relations department. Among other recent accomplishments, Kyle was also named a finalist in the G. Gershwin International Music Competition 2015 and semifinalist in the Maurice Ravel International Composition Competition (Italy). Kyle Price is a student of Prof. Uri Vardi and a Distinguished Paul Collins Fellow at the UW-Madison.
Percussion Ensemble makes new friends and plays music in China
by Anthony Di Sanza
Members of the UW Percussion Ensemble (Megan Hobbs, DeLane Doyle and Jacob Bicknase) after a dinner with our new friends from Shenyang Conservatory.
Vince Mingils, Trevor Maliborski and Lucas Gutierrez trying on the local Manchurian head ware at the Shenyang palace.
At the Shenyang Emperor’s Palace. This was the palace used by the first three Emperors of the Ching Dynasty before the seat of power was moved to the Forbidden City in Beijing.
Selfies aplenty after our first concert in Shenyang!
Shenyang Conservatory and UW-Madison students enjoy a meal together.
UW and Shenyang students rehearse for a concert featuring the music of Chinese composers.
Shenyang Conservatory students during Tony Di Sanza’s darabukka masterclass.
Our host in Shenyang and Tony Di Sanza’s dear friend, Professor Qingshan Lu.
(Click photos for captions)
On April 4, after a solid year of planning, fundraising and marathon rehearsals, the fourteen members of the UW-Madison Percussion Program–celebrating its 50th year– and its three faculty members traveled to Beijing and Shenyang, China, for their first international concert tour. They were invited by percussion professor Lu Qingshan of the Shenyang Conservatory, whose former student, Zhang Yuqi, is now a master’s candidate at UW-Madison. Faculty members from UW-Madison included Prof. Anthony Di Sanza and instructors Todd Hammes and Tom Ross. Concerts included music of the United States, Brazil, El Salvador, and China, plus a collaboration with Shenyang students on two jazzy percussion works.
While in China, the students also visited Tiananmen Square and the Beijing Olympic Park, and even snuck in some Badgers basketball updates while walking the Great Wall. As they moved from one location to another, they received practical lessons in how to set up and dismantle bulky percussion equipment, how to rehearse in unfamiliar concert halls, and how to create a seamless performance on a tight schedule with musical strangers (who then became friends).
“The best thing was just watching our students interact with the Chinese students,” says Prof. Di Sanza. “They went to lunch together, shopped together, drank together, rehearsed together, gave each others nicknames, and a bunch of us went to a pool hall late one night.” They even took selfies with each other (see above photos).
“We will treasure the relationships we built along the way,” he adds. “None of this would have been possible without the support of our sponsors in the United States, including the UW China Initiative, The UW-Madison Division of International Studies, Dr. and Mrs. Robert W. Graebner and the UW-Madison School of Music. We are forever grateful for their support and confidence.”
UW’s Contemporary Jazz Ensemble wins a first prize in Eau Claire
On April 17, the CJE, directed by Assistant Professor Johannes Wallmann, won first place in the college combo category at the Eau Claire Jazz Festival. The group performed compositions by saxophonist Joshua Redman and trumpeter Dave Douglas, and “Bon Voyage – An Ode to Adventure,” a new composition by the ensemble’s saxophonist Geoff McConohy, a UW senior from Menomonie. Because the ensemble finished first in its category, the group performed on the festival’s evening concert for an audience of a thousand at Eau Claire’s State Theater that featured headline artists The New York Voices. Student performers in the ensemble include students from the School of Music, the College of Engineering, the College of Agricultural and Life Sciences, and the School of Business. The Eau Claire Jazz Festival, now in its 48th year, is one of the oldest jazz competitions in the country, with participating middle school, high school, and college and university bands from around the Midwest.
University Opera secures Morgridge Grant and private bequests to create endowed directorship
Karen Bishop returned to school later in life to pursue her love of opera, earning a master’s and DMA from UW-Madison Opera. In January, she died of cancer. Her late husband, Charlie Bishop, has carried out her wish to support the program by providing funds which will be matched by the University’s Morgridge Fund. Donations are still being accepted. Read the full April 21, 2015 news release here.
Make Music this Summer with Summer Band!
Celebrate the 150th anniversary of the ending of the Civil War and historical Camp Randall with this free annual favorite, the UW–Madison Summer Band conducted by Prof. Scott Teeple. Community members, teachers, students alike can join in this music-making experience. Seven rehearsals and a single performance make this ensemble an exciting way to keep your musical chops in working order. The program will focus on music of the Revolutionary War and that time period to honor the anniversary. Click here to learn more.
We are pleased to announce a sneak peek at several guest artist/School of Music events planned for next year: please save these dates!
(Please note: Concerts may be ticketed. More information will be available in late summer.)
SUNDAY, SEPTEMBER 27, 7:30 PM, MILLS HALL: Brenda Rae, alumna soprano, sings Reinhold Glière‘s Concerto for Coloratura Soprano (1943) with the UW Symphony Orchestra. Benefit for University Opera. Tickets $25, on sale in July at the Memorial Union Box Office.
WEDNESDAY, OCTOBER 7, 7:30 PM, MILLS HALL: Renowned violist Noboku Imai performs with the Pro Arte Quartet.
OCTOBER 8-11, MILLS HALL: Celebrate Brass 2015!Festival with Axiom Brass and UW faculty & students.Ticketing & event details to come.
JANUARY 19-24, MILLS & MORPHY HALLS: Student Recital Festival. A full week of free performances by our own talented students! Check back in fall for details.
MONDAY, MARCH 14, 7:30 PM, MORPHY HALL: duoJalalbrings its mix of classical, Middle Eastern, jazz and Klezmer music to Madison. With Kathryn Lockwood on viola and Yousif Sheronick on percussion. Ticketing & event details to come.
APRIL 26-29, MILLS & MORPHY HALLS: UW Jazz Festival with Bob Sheppard, LA-based multi-woodwind performer, recording artist, and jazz musician. Ticketing & event details to come.
AUGUST 30, 2015 & MAY 2-5, 2016: “Performing the Jewish Archive”:The U.S. component of a major international research project led by the University of Leeds, in England, will shine new light on forgotten works by Jewish artists. In Madison, partners include the UW-Madison School of Music (Prof. Teryl Dobbs, chair of music education, faculty lead) as well as the Center for Jewish Studies, the Mayrent Institute, and the Arts Institute at UW-Madison, and Bach Dancing & Dynamite Society. Click here for more information.
Wingra Celebrates 50 Years
The Wingra Woodwind Quintet honored itself with a party and short concert on April 25 at the University Club. Many former members were in attendance. They also bid farewell to hornist Linda Kimball and clarinetist Linda Bartley. Stay tuned for the group’s roster next year!