Category Archives: Laura Schwendinger

News of Students, Graduation Celebration & Details of Final Concerts

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
April 25, 2017

Note: On Friday, May 12, from 2 to 4 PM, the School of Music will host an Awards & Graduation Celebration in Music Hall, the clock tower across from Humanities at the bottom of Bascom Hill. Join us for festivities, conversation, congratulations, and food!

Student accolades are rolling in!

Wisconsin native Jerod Reetz, a doctoral student in composition studying with now-retired professor Stephen Dembski, has received a commission to write a work for low flutes. Low flutes include the following instruments: alto flute, bass flute, contrabass flute, subcontrabass flute, and hyperbass flute.

Jerod Reetz

The $250 commission is the 2017 Peter Sheridan Low Flutes Opportunity Award, awarded by the Madison Flute Club during the Wisconsin Flute Festival in early March.


Bassoonist Ranveer Vasdev has been awarded the Leo and Jean Besozzi Scholarship, which provides a one-time, $1,500 award to a high achieving senior. In addition to pursuing his music degree, Ranveer is also currently doing research with the Department of Comparative  Bioscience. In early spring 2015 Ranveer was invited to play at an international wind band festival at Carnegie Hall. He also hopes to attain a MD/PhD practicing pediatric pulmonology and researching diaphragmatic and intercostal neuroplasticity.


Saxophonist Rachel Heuer has won the Ann Durra Scholarship from the College of Letters & Sciences. This scholarship provides a one-time, $3,000 award to a high achieving junior or senior pursuing a degree in mathematics, the physical sciences, or the natural sciences. In addition to pursuing her music degree in jazz performance, Rachel is also pursuing a degree in molecular biology. She has played self-composed original pieces at Jazz at Five weekly concerts on Capitol Square. She also works in a lab on campus studying heart disease.


Percussionist Aaron Gochberg has won a Hilldale Undergraduate Research Award for his past and continued research into Cuban music and folklore.


Will Porter

Doctoral trombonist Will Porter, a student of Mark Hetzler, has won a $10,000 dissertation fellowship from the Honor Society of Phi Kappa Phi. Porter is one of two UW-Madison doctoral candidates to win the award, and they are two of only ten winners in the United States.

Porter’s project is focused on music education in Mozambique. His doctoral research examines the relationship between classical-music education and social development. It focuses on the Xiquitsi (“Shi-keet-see”) Project in Mozambique, an emergent classical-music education and outreach project inspired by the El Sistema orchestral training program in Venezuela.


Weekend on Tap: Some Ticketed, Some Free

UW Wind Ensemble, Student Recitals, Concert Band, and a Quartet Performance round out the year. See http://www.music.wisc.edu/events/

See below for ticketing information.

Concert Choir with cellist Matt Haimovitz, violist Sally Chisholm and student soloists

Friday, April 28, 8 PM, Mills Hall
Beverly Taylor, conductor
$15 adults, $5 non-SOM students

Read the Isthmus preview by Jay Rath.

Conductor Beverly Taylor’s vision for this concert is “Art Born of Tragedy.” It includes the work Après moi, le deluge, a lament on the destruction of New Orleans in 2005 by Hurricane Katrina, with cellist Matt Haimovitz, and a work, on Paris, by faculty composer Laura Schwendinger about the 2015 bombings in Paris, with viola soloist Sally Chisholm. In addition are works by Robert Fountain, John Wilbye, Joseph Gregorio, as well as several spirituals. The Concert Choir is one of UW-Madison’s most advanced ensembles, and released a CD in 2016.

Beverly Taylor writes:
“To our listeners,
I’ve been thinking about this program for a long time.  In tragic circumstances, such as we’ve experienced in our lifetimes, and certainly in the last twenty years, many of us are caught in a web of grief and frustration.  Our need to be of help may come out in works of social justice or aid, or volunteerism.  But for many of us we also may feel that the circumstances of the event are so overwhelming that we may withdraw inside, unable to wrap our minds around a pathway to follow; we may grow a shell of busy-ness that keeps us from feeling both joy and sorrow.
“After 9/11, the Onion came out with an issue; I told one of my grad students at the time that nothing funny could follow such an incident, so I was unready to read the article he handed me.  But on some deep and ridiculous level the headline stayed with me:  Woman, not knowing what else to do, bakes flag cake.
“So we come to what artists may do in the wake of tragedies—large public tragedies and ones kept inside of us.  Artists may not bake a flag cake, but they turn their strong feelings and ideas into works that may plumb the sorrow, turn the sorrow into an idea, turn an idea into action, or make us view any tragedy in a new way.  Musical artists cannot necessarily predict the emotional or intellectual effects on the listeners; they can only present their ideas in sound, which are interpreted by the performers.
“And being the very mortal beings we are, it is hard to keep our contemplation centered on these ideas for long, as they are potent, so tonight we vary our content with music of several centuries, varying the gentle and the loud, early music with modern spirituals of overcoming adversity, works written long ago with those written this year, in the hope of bringing a fresh look and sound to profound ideas. Thank you for coming on this musical journey with us.”

Download the program here.

Matt Haimovitz will visit host Norman Gilliland on “The Midday,” Wisconsin Public Radio, this Thursday, April 27, at noon. 88.7 FM.


UW Jazz Week with bassist Linda Oh, the UW High School Honors Jazz Band, and the UW Jazz Orchestra

Friday, April 28, 8 PM, Music Hall
Johannes Wallmann, director
$15 adults, $5 non-SOM students.
Additional concerts Tuesday, April 25 & Thursday, April 27

Fresh off first place in the Big Band category at the Eau Claire Jazz Festival, the UW Jazz Orchestra is ready to swing to the music of Oliver Nelson, Clay Jenkins, Cedar Walton, Dave Douglas and Pat Metheny. The Honors Jazz Band plans to perform works by Kenny Wheeler, Jeff Jarvis, and Frederick “Dave” Snider.

Meanwhile, by happy coincidence, bassist Linda Oh is on the cover of April’s Jazz Times magazine. Oh is now appearing regularly with jazz guitarist Pat Metheny. “Linda is exactly right for me right now,” Metheny says. “because she embodies the kind of listening that I always love, but that I am particularly looking for at the moment. Simply, put, she is one of the most exciting new musicians I have heard in a long time on her instrument.”

Download the program here.

Linda Oh will appear on WORT Radio this Thursday, April 27, 3 PM, on the “Strictly Jazz” show with host Steven Braunginn.


Choral Union & UW Symphony – Two Concerts

Saturday, April 29 8 PM, Mills Hall
Sunday, April 30, 7:30 PM, Mills Hall
Beverly Taylor, conductor
Tickets: $15 adults, $8 students.

Presenting Paul Hindemith’s When lilacs last in the door-yard bloom’d (text by Walt Whitman).

A rarely done work because of its difficulty, this is an outstanding setting of Walt Whitman’s poem written about the death of Abraham Lincoln, and the train that carried his body to Springfield, Illinois.  The work was commissioned by Robert Shaw in memory of Franklin Roosevelt, whose funeral train carried his dead body from Georgia back to Washington.  The work is in memory of “those we loved.”

Our soloists will be Jennifer D’Agostino, soprano, and James Held, baritone.

Jennifer D’Agostino is currently assistant professor of music in voice at Walsh University in Canton, Ohio. She received her DMA at the University of Wisconsin-Madison in voice performance with a minor in opera production.

Jennifer has performed major operatic roles in The Magic FluteSusannahA Hand of BridgeSweeney ToddRoman FeverThe Mikado, Little WomenThe Most Happy Fella’, Maria Stuarda, and The Consul. She directed & premiered the role of ‘Ethyl Wormvarnish’ in Jerry Hui’s opera Wired for Love.

Internationally, Jennifer has performed as a soloist in Rossini’s Messa di Gloria in Pesaro, Italy with Benton Hess and under the baton of Eduoardo Mueller at AIMS in Graz, Austria.

She has been a participant, soloist and instructor with the Madison Early Music Festival. In 2012, she collaborated with pianist and UW grad Kirstin Ihde at the Baldwin-Wallace Art Song Festival. Jennifer was chosen as a NATS (National Association of Teachers of Singing) Intern, summer 2013. She presented at the Lily Conference in 2016 on teaching techniques in the private vocal lesson.

James Held is a versatile performer with experience in a variety of styles including musical theatre, new works, and traditional concert and operatic repertoire. Recent performances include King Henry VIII and Jesus the Beloved in Passion Trilogy with The Fisher Ensemble, Oliver Hix in Meredith Willson’s The Music Man and The Sacristan in Tosca with the Colorado Symphony, Sheriff Wells in Zach Redler’s A Song for Susan Smith, Guglielmo in Così fan tutte, The Pirate King in The Pirates of Penzance, and The Father in Hänsel und Gretel. Held was a Young Artist with the prestigious Seagle Music Colony where he performed such roles as Sid in Albert Herring and Leporello in Don Giovanni. He is currently the baritone studio artist with Madison Opera where he appeared as the Second Priest/Second Armored Man in Die Zauberflöte and Paris in Roméo et Juliette. Held holds a master of music degree from the University of Colorado-Boulder and a bachelor of music degree from the University of Wisconsin-Madison. He will be joining the Madison Symphony Chorus in Germany as the baritone soloist in Brahms’s Ein Deutsches Requiem.

Ticket information:

By Phone:
(608) 265-ARTS (2787)
By Mail:
Campus Arts Ticketing Box Office
800 Langdon Street
Madison, WI 53706
In person:
Box Office in Memorial Union, First Floor, 800 Langdon St
Box Office in Vilas Hall: 821 University Avenue, East Campus Mall side of the building.
Online: https://itkt.choicecrm.net/templates/UWIM/?prod=UWCA

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

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UW-Madison brings Virtuoso (and Maverick) Cellist to Town – April 28

UW CONCERT CHOIR WITH CELLIST MATT HAIMOVITZ

April 28, 8 PM, Mills Hall

Presenting “Après moi, le deluge” by composer Luna Pearl Woolf. With Matt Haimovitz, cello.
and “for Paris,” a world premiere for solo viola and choir by UW-Madison composer Laura Schwendinger. With Sally Chisholm, viola.
Beverly Taylor, Conductor

$15 adults/$5 students
Buy tickets online (on sale March 1) or in person at the Memorial Union Box Office.  Tickets will also be sold at the door.


“Ferociously talented” (New York Times) cellist Matt Haimovitz, known for his renditions of the Bach Cello Suites as well as contemporary works, will return to Madison on April 28 to perform a work that he premiered here 11 years ago with the UW Concert Choir, one of UW-Madison’s most advanced choirs.

Matt Haimovitz. Photo by Steph Mackinnon
Matt Haimovitz. Photo by Steph Mackinnon

“Après moi, le deluge,” a 22-minute composition for cello and choir, was written by his wife, composer Luna Pearl Woolf, to a text by poet Eleanor Wilner. Après Moi, le Déluge was written in the weeks and months after Hurricane Katrina struck New Orleans and the United States’ Gulf Coast in late August 2005.

“Après moi, le déluge” are reputed to be the last words of Louis XV, king of France from 1715-1774 and the heir of Louis XIV, the king for whom Louisiana was named. Louis XIV’s legacy to Louis XV was a nation bankrupted by war and imperial ambition, a debt levied on the peasantry while the nobility lived tax-free. Louis XV ruled ineffectively, lived luxuriously, and died the most unpopular king in French history. “The words ‘après moi le déluge’,” according to Paul Jay of Independent World Television News, “have come to epitomize the psychology of those who ruin people and the earth with no thought for tomorrow.”

Après Moi, le Déluge was commissioned by Haimovitz as part of his “Buck the Concerto” series of commissions for cello and unusual ensembles. It was premiered in 2006 by Haimovitz and the UW-Madison Concert Choir with Beverly Taylor and recorded live for Oxingale Records. Haimovitz and the choir later took Après Moi, le Déluge on tour, performing in New Orleans in November, 2006. Après Moi, le Déluge also forms half of a fine-press book entitled Waterlines, with woodcuts and etchings by Michael Kuch, from Oxingale Press and Double Elephant Press.

At Harvard University prior to 1995, Concert Choir conductor Beverly Taylor directed the international prize-winning Radcliffe Choral Society, where she met Woolf, then a student at Radcliffe.

Since the 2006 premiere at UW-Madison, “Après moi, le deluge” has been performed many times, including in New York’s Trinity Wall Street Church on June 3, 2012. That concert also featured one of Schwendinger’s works, “Six Choral Settings.”

New York Times reviewer Steve Smith called “Après moi, le deluge” a “strikingly allusive concerto for cello and chorus that movingly reflects on the devastation wrought by Hurricane Katrina. Somber, sardonic and bluesy, the episodic work received an impassioned account, with soulful solo work by Mr. Haimovitz, the soprano Martha Cluver and the bass-baritone Dashon Burton.”

Haimovitz, who is nominated for a Juno Award for Solo or Chamber Ensemble of the Year for his CD, “Overtures to Bach,” made his cello debut at age 13 with Zubin Mehta and the Israel Philharmonic. His first recording was for Deutsche Grammophon at age 17 with James Levine and the Chicago Symphony Orchestra. He is considered a musical pioneer, favoring innovative venues and approaches to music. He is professor of cello at McGill University in Montreal. The New Yorker calls Haimovitz a “maverick cello virtuoso, who has long marched to the beat of a different drummer.”

Another major work on the program will be a world premiere of a work for viola and choir, “for Paris,” written by UW-Madison composer Laura Schwendinger in response to the 2015 terrorist attacks in Paris. Sally Chisholm, violist of the Pro Arte Quartet, will be featured.

Schwendinger says: “The viola starts this short work by referencing only for a moment the merest idea of a “musette song,” one that might be heard on an evening in a Paris cafe. The choir enters with a simple refrain that repeats as an unanswered question of sorts. And each time the viola reenters the texture, it asks its question in a more pressing and poignant manner, until it arrives in its highest register, only to resolve with the choir with a quiet acquiescence in the knowledge that the answer may not be known.”

“Symphony Showcase” concerto winners Feb 12; UW Opera Announces Spring Show; Schwendinger’s “Artemisia” Premieres in NYC

News and Events from the Mead Witter School of Music – February 2, 2017

For Valentine’s Day: “Love Story, Steinway Version”

A treasured 1927 Steinway Baby Grand Piano, Model M, finds a new home at the Mead Witter School of Music. Click to read the story and view images behind the School’s newest donation, inspired by love.

mom_dadcrop


“Symphony Showcase” Concerto winners recital returns to delight and thrill

Watching a young musician solo on stage is always a treat, and every year we’re happy to show you some of our most talented, many already professionals. Please join us on Sunday, Feb. 12 at 7:30 PM in Mills Hall to hear and congratulate our students. Adult tickets are $10; children and all students are free. Tickets will be sold at the door. New this year: A reception at the University Club following the concert. The reception is included in the ticket price.

L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Photograph by Hannah Olson.
L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Not pictured: Nathan Froebe, composer. Photograph by Hannah Olson.

2016-2017 winners are:

  • Violinist Shing Fung (Biffa) Kwok, a doctoral student of Prof. David Perry and recipient of a Collins Fellowship. He will perform Tzigane by Maurice Ravel (1875-1937). Biffa is from Hong Kong.
  • Violinist Matthew Lee is an undergraduate senior, graduate of the Madison Memorial High School and alumnus of the Wisconsin Youth Symphony Orchestras. Matthew studies with Prof. Soh-Hyun Altino. He will perform the cadenza from the Violin Concerto No. 1 in A Minor, opus 77 of Dmitri Shostakovich (1906-1975).
  • Trumpeter Matthew Onstad, a native of Beaver Dam, Wisconsin. Matt is a master’s student of Prof. John Aley. He’ll perform the Trumpet Concerto in F Minor, Op. 18 by Oskar Böhme (1870-1938). Read about Matt in the Beaver Dam Daily Citizen: Beaver Dam native soars as trumpet player in Madison.
  • Soprano Anna Polum will sing “Amour, ranime mon courage,” written by Charles Gounod (1818-1893) for his opera adaptation of Romeo and Juliet. Anna studies with Professor James Doing and hails from Fairbanks, Alaska.
  • Pianist Shuk-Ki Wong, will perform the first movement of the Piano Concerto in G Major by Maurice Ravel (1875-1937). Shuk-ki studies with Professors Jessica Johnson and Christopher Taylor.
  • Composer Nathan Froebe, a doctoral student of Prof. Laura Schwendinger. The orchestra will perform the premiere of his Portrait d’une Femme, written for his friend and colleague, mezzo-soprano Jessica Kasinski.

University Opera to stage Britten’s “The Turn of the Screw” in March

Fresh from winning two major awards in the 2015-16 National Opera Association Competition, University Opera will present Benjamin Britten’s gothic ghost story, The Turn of the Screw, to round out its season.  In this, Britten’s last chamber opera, based on the Henry James novella of the same title, terror takes unexpected forms.  Premiered in 1954, The Turn of the Screw tells of a young governess who is hired to care for two children in an isolated country house in late 19th century England.  She soon realizes that the children are haunted by secrets and spirits that harm them in very real ways and she takes it upon herself to defend them.  In so doing, she is forced to confront the demons she perceives as threats, as well as her own internal ones.

Benjamin Britten in the mid-1960s (photograph by Hans Wild).
Benjamin Britten in the mid-1960s (photograph by Hans Wild).

The Turn of the Screw will be presented in English for three performances, all with projected supertitles.  March 3 at 7:30 PM, March 5 at 3:00 PM, and March 7 at 7:30 PM at Music Hall on the UW-Madison campus.  David Ronis, inaugural Karen K. Bishop Director of University Opera, will direct and graduate conducting assistant Kyle Knox will conduct the 13-member chamber orchestra.  Musical preparation will be by University Opera’s new vocal coach, Daniel Fung.

Click to read full news release.

Schwendinger opera “Artemisia” receives New York premiere

Next performance: Spring 2018, in San Francisco with the Left Coast Chamber Ensemble

On January 7, UW-Madison composer Laura Schwendinger unveiled Artemisia, a major new opera, at Trinity Church Wall Street in New York City as part of its Time’s Arrow Festival.  The opera is a story of passion, betrayal and art in 17th century Italy based on the life of Italian painter Artemisia Gentileschi. With a libretto by Ginger Strand, author of The Brothers Vonnegut, Artemisia is a recipient of a National Opera Center Discovery grant.

Real-life drama: Schwendinger’s “Artemisia” opera will premiere in New York City: Isthmus, 1.5.17

Preview in Broadway World, 1.7.17

Click to watch video of Artemisia’s premiere


Selected upcoming concerts and events:

Pro Arte Quartet, Saturday, Feb 4. With guest pianist Jee-Won Oh.

Wisconsin Brass Quintet, Final concert with retiring trumpeter John Aley, Sunday, Feb 26

Student Recitals: All semester.

Music Master Classes: Opportunities to observe guest musicians as they instruct and engage with college students.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

University Opera presents spring show, “Transformations”; Clarinet Day debut; cellist Andrew Briggs impresses Middleton audience

News and Concert Highlights from the UW-Madison School of Music – Feb. 29, 2016

University Opera presents its spring 2016 show:”Transformations”

Transformations, a 1970s chamber opera that explores serious psychological themes through the re-telling of Grimm’s fairy tales, will be staged March 11, 13 and 15 by UW-Madison University Opera. The opera was written by Conrad Susa based on poetry by Pulitzer-Prize winner Anne Sexton, who suffered from mental illness and depression, and took her own life in 1974 at age 45.
‘It’s a challenging and compelling piece of music theater,” said David Ronis, director. “It’s a great vehicle to teach skills to young opera singers, and stimulating thought and dialog across the university and community.”  While the opera is dark at times, it contains much humor as well.

Anne Sexton
Anne Sexton

Sexton’s writing was often confessional and overtly feminist. Her champions included Maxine Kumin, Robert Lowell, and Sylvia Plath. Transformations was commissioned of Susa in 1972 by the Minnesota Opera, known for its interest in contemporary works. The libretto includes eight cast members who play multiple roles from the fairy tales; the plot involves a middle-aged witch who is transformed into a young beauty pulled into a nightmare.

Transformations is conducted by graduate assistant conductor Kyle Knox.

Click this link to read much more about this production, including the cast list and backstage personnel.

Performance dates, times and prices:
Friday, Mar 11 @ 7:30pm (Pre-show discussion, 6 PM)
Sunday, Mar 13 @ 3:00pm
Tuesday, Mar 15 @ 7:30pm
General Admission: $25; Seniors: $20; Students: $10
Tickets available at the Memorial Union Box Office. Also available at the door.

Transformations is a thought-provoking and complex opera that benefits from thought and discussion. Join us for a pre-show discussion at 6:00 PM in Music Hall, March 11, with noted University scholars:
Lynn Keller – Professor of Poetry, UW-Madison
Thomas DuBois – Professor of Scandinavian Studies, Comparative Literature and Folklore Studies,UW-Madison
Laura Schwendinger – Professor of Composition, School of Music, UW-Madison
Karlos Moser – Emeritus Director of Opera, UW-Madison
David Ronis
– Interim Director of Opera, UW-Madison
Moderator: Susan Cook, Director, UW-Madison School of Music


Selected Concert Highlights, March 2016

The Hunt Quartet. Sunday, March 6, 6:00 PM, Morphy Hall, free and open to all. The Hunt Quartet is the graduate string quartet at UW-Madison, comprised of Paran Amirinazari, violin; Clayton Tillotson, violin; Blakeley Menghini, viola; and Andrew Briggs, cello. The quartet will play music of Beethoven, Webern, and Schubert. Funding is provided by Dr. Kato Perlman and the Madison Symphony Orchestra.

The Hunt Quartet. L-R: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello. Photograph by Katrin Talbot.
The Hunt Quartet. L-R: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello. Photograph by Katrin Talbot.

UW Chamber Orchestra
Wednesday, March 16, Mills Hall, 7:30 PM. The UWCO, conducted by James Smith, will perform works of Bela Bartok, Elliott Carter, and Einojuhani Rautavaara, one of Finland’s most important composers. Rautavaara’s style has been influenced by Orthodox liturgical music and Finnish fiddlers and is both Romantic and mystical; read about him at this link.

“Le Domaine Musical”
Friday, March 18, Morphy Hall, 8:00 PM. Free concert. An homage to the late composer Pierre Boulez, featuring music of Pierre Boulez, Anton Webern, Claude Debussy and Johann Sebastian Bach. Performers drawn from School of Music faculty as well as students.

 

See much more on our complete calendar: recitals, jazz, classical, voice and percussion concerts, colloquia, and opera: http://www.music.wisc.edu/events/


UW-Madison hosts its first “Clarinet Day”

On Saturday, February 20th, the clarinet studio and Wesley Warnhoff, adjunct professor of clarinet, hosted its first “Clarinet Day,” including Warnhoff and students performing works by Francis Poulenc and Eric Mandat, master classes with high school students, and chamber music sessions with college and high school students working side by side. The day concluded with the group attending a stunning performance by the UW Wind Ensemble conducted by Professor Scott Teeple. Warnhoff plans to turn this into an annual event; check back next year!

Clarinet Day 2016
Clarinet Day 2016

New on SoundCloud: Hear Martha Fischer, Wes Warnhoff and Jamie-Rose Guarrine perform “The Shepherd on the Rock” at last January’s annual “Schubertiade” concert. Fischer is prof. of piano and collaborative piano at UW-Madison. Guarrine received her DMA at UW-Madison and now teaches at the University of Massachusetts at Amherst.


Cellist Andrew Briggs earns ovation from Middleton Community Orchestra audience

“I must say that he gave me about the most satisfying experience of it that I have ever heard.” Reviewer John Barker, in his review of the MCO’s Feb. 24 concert, in which Briggs, a UW-Madison graduate student studying with Prof. Uri Vardi, played Antonin Dvorak’s Cello Concerto. “The reason for that is not only his playing skill but also his natural rapport with an audience: He communicates.”
Click to read the full post at The Well-Tempered Ear.

Andrew Briggs
Andrew Briggs

Faculty News: James Doing, Laura Schwendinger
Alumni News: Danny Kim


 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Help for Small-Handed Pianists, with Jessica Johnson; Pianist Christopher Taylor solo recital; Cuba Trumpet Expert performs with UW Jazz; and more!

News and Concert Highlights from the UW-Madison School of Music. February 9, 2016

Join us this Sunday for Symphony Showcase: UW Concerto Winners perform solo. Sunday, Feb 14, Mills Hall, 7:30 PM. $10 general public/all age students free. And see our complete calendar, including recitals, jazz, classical, voice and percussion concerts, colloquia, and opera, at this link: http://www.music.wisc.edu/events/


A Solo Recital with Pianist Christopher Taylor, Feb. 26, 8 PM, Mills Hall
Christopher Taylor
Christopher Taylor

On Feb. 26, acclaimed pianist Christopher Taylor will play music of Bach, Brahms, and Scriabin in his only solo Madison concert this academic year. On the program: J.S. Bach’s French Suite No. 1 in D Minor, Aleksandr Scriabin’s 12 Etudes, and the lovely Johannes Brahms’s Piano Sonata No. 1, Op. 1.

Read Jessica Courtier’s review of Taylor’s 2015 performance with the Madison Symphony Orchestra. “We in Wisconsin are privileged to call Christopher Taylor one of our own,” she wrote. Tickets are $15 for the general public; free for students of all ages.


Jessica Johnson holds out hope for pianists with small hands

How big are your hands? If you aspire to be a professional pianist, that’s an important question. On average, women have smaller hands than men, and are frequently stymied when trying to stretch their fingers to reach the larger octaves written into many major concertos, such as those by Liszt and Rachmaninoff. That simple fact bears on another simple fact: There are fewer women in the top echelons of professional concert pianists. Injuries are also common.

Jessica Johnson
Jessica Johnson

On Sat., Feb. 20, Jessica Johnson, professor of piano and piano pedagogy, will hold a full day of all-free events to demonstrate what has been working for her: The adoption of a specially sized piano that is 7/8 of normal size. Made by Steinbuhler & Co., one of these is now owned by the School of Music, and Prof. Johnson has found that playing it has been a “life-changing” experience.

Join us on Feb. 20 at 2:30 for a workshop, master class, hands-on demonstrations, and concert, all featuring the Steinbuhler DS 5.5 7/8 piano. Learn more here. And watch for an article about this revolutionary new approach in an upcoming story by Gayle Worland, in the Wisconsin State Journal.

handspan

Trumpeter & Cuban Music Expert Mike Davison to perform with the UW Jazz Orchestra

Master class: Mon Feb 22, Mills Hall; Concert: Weds., Feb. 24, 7:30 PM, Music Hall. Read more here.

Even after a semester with Juan de Marcos, we’re still feeding on Cuban music! This month, we’re bringing Mike Davison (DMA, trumpet performance 1987)  to campus from the University of Richmond, where he teaches and performs. He’ll join the UW Jazz Orchestra, the Waunakee High School Jazz Ensemble I and the UW Latin Jazz Ensemble in an evening of rousing Caribbean tunes. Davison’s bio includes concerts around the world, four recorded jazz CDs, and performances with well-known singers, musicians, and even for a pope.


UW Wind Ensemble travels to Verona and west Madison for concerts
Tom Curry
Tom Curry

Find the UW Wind Ensemble in your corner of Dane County! Last December, the Wind Ensemble made an appearance at the Sun Prairie High School and will continue its out of town concerts this spring. Find them at Verona High School on Feb. 19, at Oakwood Village – West (Mineral Point Road) on March 31, and of course at the School of Music as well (Feb. 20). Both February concerts will feature Tom Curry, adjunct professor of tuba, in a work titled “Heavy Weather,” by the composer Jess Turner.

 


Summer Music Clinic registration now underway

Registration is open through May 2 for UW-Madison’s legendary Summer Music Clinic, which offers dozens of classes in all kinds of musical skills for kids completing grades 6-8 (junior session) and 9-12 (senior session). For one week, students live in UW dorms and attend classes that they choose from a lengthy list, including band, orchestra and choir; sight-singing; jazz improvisation; opera; swing dance; yoga; and even specialized classes on subjects ranging from the music of film composer John Williams to Stephen Sondheim to rock’n roll. Instructors are all highly skilled; many are university professors or other working professionals. Taste the fun by visiting SMC’s Facebook page! For more information, email anne.aley@wisc.edu.

Below: Summer Music Clinic photographs by Michael R. Anderson.


Faculty News: Daniel Grabois, Laura Schwendinger.

Alumni News: Violist Elias Goldstein.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

UW-Madison’s Top Musicians to Solo in Annual “Symphony Showcase”

News and Events from the UW-Madison School of Music – January 26, 2016

“Symphony Showcase” brings out the best, literally

They’ve prepared for months and now are ready to show off a bit on the stage of Mills Hall: Our annual Symphony Showcase, a concert featuring the winners of our annual concerto competition in solo performances with the UW Symphony Orchestra, conducted by James Smith.  This year’s winners are all graduate students with impressive worldwide resumés; one is a composer whose new work will be premiered by the orchestra. Please join us on Sunday, February 14, at 7:30 PM for our concert and reception in Mills Hall! (Note: Parking is free on Sundays in Grainger Hall.) Concert tickets are $10 but are free for students of all ages. Buy in advance ($4 fee) or in person in Mills lobby.

Concerto winners
L-R:
Kangwoo Jin, piano; Luis Alberto Peña, piano; Garrett Mendelow, percussion; and Paran Amininazari, violin. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.

Meet the winners and the works they will play, and read full biographies on this webpage.

Violinist Paran Amininazari, doctoral student of Assistant Professor Soh-Hyun Park Altino. Paran is also a member of the Madison Symphony Orchestra and a founding member of the Willy St. Chamber Players. Sergei Prokofiev’s Violin Concerto No. 2 in G minor, Op. 63, one movement.

Yunkyung Hong, a doctoral composer studying with Professors Laura Schwendinger and Stephen Dembski. “Yun” has won many awards and commissions worldwide and is employed by UW-Madison’s MOOCS (massive online courses) program as a sound designer. Her new work is called Transparency.

Pianist and Collins Fellow Kangwoo Jin, doctoral student of Professors Christopher Taylor and Jessica Johnson. Kangwoo is a winner of many competitions and received his master’s degree from Indiana University. He is also a teacher in the school’s Community Music Lessons program. Rachmaninoff’s Piano Concerto No. 2 in C minor Op. 18, third movement.

Garrett Mendelow, doctoral percussionist and Collins Fellow studying with Professor Anthony Di Sanza. In 2012, Mendelow won second place in the biennial Tromp Percussion Competition in The Netherlands, and in 2014, he was a semifinalist at the ARD International Music Competition in Munich, Germany. Arena Concerto, by Swedish composer Tobias Broström.

Luis Alberto Peña, a doctoral piano student of Professor Christopher Taylor.  Luis has soloed with many orchestras and won awards in Colombia, Costa Rica, Venezuela and the USA. Richard Strauss’s Burleske in D Minor for Piano and Orchestra.


The Wisconsin Idea at Its Most Audible

Did you know that the Wisconsin Brass Quintet, the Wingra Wood Quintet and the Pro Arte Quartet are our contribution to the Wisconsin Idea? Over decades, the three ensembles have logged thousands of miles giving concerts and master classes in high schools, concert halls and colleges all over Wisconsin. And we want to visit your town!

We’ve given it a new name: the “Music Engagement & Outreach Program,” and we have a new coordinator, Beth Larson,  a violinist who graduated from UW-Madison in 2011 and performs with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and the Willy Street Chamber Players.  With Beth’s help, the three groups have begun an exciting new partnership with Milwaukee’s High School of the Arts, working not only with bands and orchestra but with literature and science classes as well. Contact Beth to learn more.

ThreeEnsembles-Web2015-16

Find the ensembles in your corner of Wisconsin! Upcoming concerts include:

Pro Arte Quartet (please note: due to injury, the Pro Arte concert for Feb. 3 in Mills Hall has been canceled)
2/23/16 5:30 PM Concert & Clinic | Wisconsin Philharmonic | Waukesha, WI
2/28/16 2:00 PM Concert | Marcus Center for the Performing Arts | Milwaukee, WI
4/5/16 7:00 PM Concert | University of Wisconsin – Platteville | Platteville, WI
4/7/16 7:00 PM Concert | Oakwood Village – University Woods | Madison, WI
4/11/16 7:30 PM Concert | Three Lakes Arts Association | Three Lakes, WI
5/14/16 7:30 PM Concert | Midsummer’s Music | Sister Bay, WI
Wisconsin Brass Quintet
3/4/16 7:30 PM Concert | Concordia University | Mequon, WI
Wingra Wind Quintet
2/11/16 3:30 PM Concert | Coventry Village | Madison, WI
2/18/16 10:00 AM Educational Concert | Edgewood High School | Madison, WI
2/26/16 7:30 PM Concert | Nicolet Live @ Nicolet College | Rhinelander, WI


Music reviewer Greg Hettsmanberger gets his own TV blog

Blogger Greg Hettsmanberger has been writing about classical music for Madison Magazine for several years now, and has now begun a stint on TV as well and started a new personal blog, “What Greg Says,” mostly about music. You can catch his TV segment on occasional Wednesday mornings just after 6:30 AM on WISC-TV/Ch. 3. In his debut appearance, he included our upcoming Schubertiade as one of his recommendations.

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Meanwhile, another faithful classical music critic, Jake Stockinger, just passed the 1.4 million mark in hits to his blog, The Well-Tempered Ear, in continuous publication since 2009. Congratulations, Jake!


Want to burnish those rusty piano or trombone skills? UW-Madison’s Community Music Lessons can help

The CML program was founded in 1968 and is still busy offering lessons to students young and old(er) in our community. Our teachers are graduate students recommended by their major professors, and are available in the areas of instrumental, voice, and even composition. Registration for the spring semester just opened; click here to learn more.
Read biographies of our current teachers.


Faculty News: Laura Schwendinger, Uri Vardi & David Perry.

Alumni News: Violist Elias Goldstein.


Hire a Musician!

Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note: All arrangements are made between the students and the employer.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
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You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

JACK Quartet Premieres Schwendinger Work; Perlman Piano Trio & Beethoven Winners in Performance; Jazz Showcase April 29

We’re headed into the home stretch at the School of Music! Here are highlights from the next month; please check our full calendar for many more concerts (including the Pro Arte Quartet, the Low Brass Ensemble, student recitals, and many others). Next month’s newsletter will be devoted to short stories about students and alumni; keep watch for that!

Full concert calendar: http://www.music.wisc.edu/events/

Late-breaking news: The School of Music announces winners of the 30th annual Beethoven Piano Competition, sponsored by former university chancellor Irving Shain. The winners are Kangwoo Jin, SeungWha Baek, and Luis Alberto Peña. The all-Beethoven winners recital will take place this Sunday, April 19, at 3:30 p.m. in Morphy Hall, with a reception to follow. 

JACK Quartet Premieres Work of Laura Schwendinger at Memorial Union-May 8

New York City’s JACK Quartet, stalwart champions of of contemporary music, will come to the Memorial Union’s Shannon Hall to present a new work written  by UW-Madison composer Laura Schwendinger called “Creature Quartet.”

The JACK Quartet. Photo by Henrik Olund.

Schwendinger, a Guggenheim winner and the first composer recipient of the Berlin Prize, wrote the Creature Quartet, a one-movement work for string quartet, with “portraits in music” of extinct, mythological, or endangered creatures.

“Each of the quartet’s movements feature different creatures such as extinct birds, like the ivory billed woodpecker, the passenger pigeon, the marvelously funny looking dodo bird as depicted in Alice’s Adventures in Wonderland, as well as mythological creatures like the Yeti, Chupacabra, and the famous ‘sea monster’ Nessy,” says Schwendinger. The music will be accompanied by an animated video created by Pauline Gagniarre.

The JACK Quartet has recorded the music of John Luther Adams, Huck Hodge, Amy Williams, György Ligeti, Iannis Xenakis, and Helmut Lachenmann, among others. The Washington Post’s Stephen Brooks recently described the quartet as the “go-to quartet for contemporary music, tying impeccable musicianship to intellectual ferocity and a take-no-prisoners sense of commitment.” The group had just performed music by composer Morton Feldman at the National Gallery of Art in Washington, D.C.

Click here to learn more about the concert and purchase tickets. Note: the JACK Quartet will offer a separate concert on May 7 at Shannon Hall.

UW Wind Ensemble Performs in Carnegie Hall

by Scott Teeple, Wind Ensemble Conductor

On Monday, March 9, the UW Wind Ensemble took the stage at Carnegie Hall in New York City to perform the closing concert for the New York Wind Band Festival.  The UW–Madison Wind Ensemble is the first UW-Madison School of Music  student ensemble to receive an invitation to perform in what is arguably the most recognized venue in the world and, what a debut!

Jamie Wozniak
Principal trumpeter with the UW Wind Ensemble, Jamie Wozniak, warmed up in the hotel just before taking the stage at Valparaiso High School in Indiana. “I am very excited to perform this evening and share our music with these outstanding high school students and the community,” he said. Photo by Steve Carmichael.

Planning began a year before the trip. Students raised a portion of the funds needed; donors included Lau and Bea Christensen; Roger and Lynn White; the UW-Madison School of Music Alumni Association; Michael George; John Stevens; Michael Keller, and Heid Music. Many thanks to all who donated.

On the way to New York, the Wind Ensemble also performed at Valparaiso High School in Indiana and State College Area High School in State College, Pennsylvania.  While in State College, Penn State University Director of Bands Dennis Glocke met with and guest conducted the ensemble.  Mr. Glocke is a graduate of the UW–Madison School of Music, a former clarinet player with the UW Wind Ensemble and, early in his career, was a public school music teacher at Oconomowoc Middle School.

At the New York performance, we held a celebratory reception for UW alumni, School of Music donors, friends and family members. The program included Festive Overture by Dmitri Shostakovich, Blue Shades by Frank Ticheli, and The Frozen Cathedral by John Mackey.  The ensemble performed magnificently, filling every corner of the hall with a beautiful, lush sound. “It was honor and a fantastic way to bring a close to my stay at Madison,” said Amanda Fry, a senior horn player.

Are you an adult musician in the area?  Would you like to perform with the musicians who played on stage at Carnegie Hall? The ensemble will play its final concert this season on Friday, April 24th at 7:30.  You are invited to perform with the UW Wind Ensemble for the second half. Please contact Barb Douglas in the UW-Madison band department for information.  Space is limited.

Emeritus Percussion Professor James Latimer welcomed at 50th Anniversary Concert

On March 20, the UW Percussion program celebrated its 50th year of existence with a concert that returned its founder, emeritus professor James Latimer, to the stage. Latimer conducted an ensemble performing Carlos Chavez’s Toccata for Percussion, which was performed at the inaugural concert in 1965. The concert also included ensembles of varying sizes performing works by Fan Zheming, Steve Reich, Michael Camilo, and UW-Madison percussion instructor Todd Hammes, as well as several others.  A week later, the ensemble departed on a tour of China to perform at two conservatories in Beijing and Shenyang. More about the China trip in our next issue!

Read an article in the Wisconsin State Journal about the 50th Anniversary concert.

A beaming James Latimer enjoys a post concert reception in the Mills Hall lobby.
A beaming James Latimer enjoys a post concert reception in the Mills Hall lobby.

 

Benefit Concert for Brittany Sperberg raises money and her spirits

The School’s March 18 mostly-brass concert for ailing trombone student Brittany Sperberg not only raised nearly $3,000 in donations, but boosted her spirits as well, says her teacher, trombone professor Mark Hetzler. Combined with an online donation website, about $6,000 has been contributed to help her family defray medical expenses.

Sperberg was stricken last fall with an as-yet-undiagnosed illness that caused her to withdraw from school. Writes Hetzler: “She and her family were absolutely overjoyed by the event. Her aunt was telling me that the greatest thing about the concert was getting to see Brittany smile again. I am so proud to be a part of a School of Music with folks who care so deeply for each other.”

Pianist Christopher Taylor solos with Madison Symphony, earns accolades

UW-Madison’s Christopher Taylor captivated the crowd this past weekend with his performances of J.S. Bach’s Clavier Sonata No. 4 and  Franz Liszt’s Concerto No. 1 for Piano. “Taylor’s intellectual and expressive approach to the music was as supple as his technique. The resulting performance was intense yet intimate, deeply emotional but never stagey,” wrote Capital Times reviewer Jessica M. Courtier. Click here to read the review.

Wingra Woodwind Quintet celebrates 50 years with a short concert and party: April 25

RSVP now for this unique anniversary celebration featuring past and present members of the Wingra Woodwind Quintet!
Wingra Woodwind 50th Anniversary Invitation

The event will feature a short concert of works written or arranged by former members of the quintet, plus appetizers and drinks. Former members who have already responded include Glenn Bowen, Marc Fink, Richard Lottridge, and Douglas Hill. Students are welcome! The party will be held at the University Club, 803 State Street, in Madison, from 4 to 6 p.m. on Saturday, April 25. If your name isn’t yet on this list, send your RSVP to news@music.wisc.edu.

Chorale, Concert Choir and Madrigal Singers Combine Forces – April 17

On April 17 at 7:30 PM, three UW-Madison choirs, under the direction of conductor Bruce Gladstone with assistance from graduate conductor Sara Guttenberg and harpsichordist John Chappell Stowe, will sing a joint concert at Luther Memorial Church, 1021 University Avenue. The program is called “Transfixed, Transported, Transformed:  The Consequence of Beauty,” and will feature a wide range of works, including the traditional song Shenandoah;  Lady, When I Beheld, written by 16th century composer John Wilbye; and Missa “O Pulchritudo” by Gian Carlo Menotti, taken from the Roman Catholic Mass. Download the full program here.

Writes Bruce Gladstone: “As artists and specifically, musicians, we at times are so focused on the work we do – the perfecting our craft, the research and rehearsals, the programming and the public relations – that we sometimes lose sight and connection with the beauty of our art. Beauty surprises, enchants, shocks, tempts, disconcerts, soothes, awakens, haunts, entices, lifts, and sends us; this concert seeks to offer in word and music, a glimpse of those moments when beauty has done just that.” 

Perlman Piano Trio (+Two) in Concert- April 18
The Perlman Trio + Two. L-R: Keisuke Yamamoto; Valerie Sanders; Daniel Ma; Jeremy Kienbaum; Seungwha Baek. Photo by Tori Rogers.

Mark Saturday, April 18 for the annual concert of the Perlman Piano Trio, a classical ensemble supported by retired scientist Kato Perlman. This year’s free concert and reception is scheduled for Saturday, April 18, at 3:30 p.m. in Morphy Hall. The members include SeungWha Baek, piano, Valerie Sanders, violin, and Daniel Ma, violoncello, with violinist Keisuke Yamamoto and violist Jeremy Kienbaum performing with the trio on two works. The program will include Haydn’s Piano Trio in Eb Major, Hoboken XV: 29; Arensky’s Piano Quintet in D Major, Op. 51; and Brahms’ Piano Trio in B Major, Op. 8 (original version).

UW Jazz Hosts the High School Honors Jazz Band- April 29

The third annual High School Honors Jazz Band, an auditioned big band ensemble comprised of 18 students from the greater Madison and southcentral Wisconsin, will join the UW Jazz Orchestra in what has evolved into a very festive annual concert. This year’s concert (click here for info)  will be held Wednesday, April 29, at 7:30 PM in Music Hall. This is our only ticketed jazz event of the year and promises to be a festive event for high school musicians, their families and the School of Music. Tickets are $10.00 for adults, free to students of all ages. You can buy tickets here or at Music Hall the day of the show.

The High School Honors Jazz Band, Spring 2013. Photo by Mike Anderson.
The High School Honors Jazz Band, Spring 2013. Photo by Mike Anderson.

 

This year’s featured soloist will be trumpeter Greg Bush, a freelance jazz trumpet player, arranger and composer. Greg has performed with his own band in jazz clubs, concert halls and jazz festivals across Canada, Australia, Fiji, Germany and in Switzerland at the famous Montreux Jazz Festival. Bush is currently professor of music at Vancouver Island University (British Columbia, Canada), where in addition to conducting the VIU Wind Ensemble he heads the trumpet studio, teaches Jazz Improvisation, Jazz Composition, Instrumental Conducting and Pedagogy. Learn more about the Honors Band at this link: http://www.wisconsinjazz.org/

Speaking of jazz, retired jazz professor, pianist and music theorist Joan Wildman reminisced recently about the “sorry state” of jazz back in 1985, which led to the founding of the Madison Music Collective. The MMC held a reunion concert on April 12 at the Brink Lounge. Both Isthmus and the Wisconsin State Journal carried stories about Wildman and jazz’s early days in Madison.

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