Choral Union presents Joseph Haydn’s “The Creation”
Beverly Taylor, conductor
Mills Hall, Sunday, April 24, 3:30 PM
Haydn’s “The Creation,” written between 1797 and 1798, is considered one of the great masterworks of western music and civilization. It has beautiful and exciting choral writing, demanding, intricate and soaring solos, and some of the most inventive orchestral writing of its time, both in the opening depiction of Chaos—the pre-creation state, and in the pictorial writing about animals, water, and light, all at their beginning stages. Part I depicts the stages of creation, Part II a celebration of that creation, and Part III the new love between Adam and Eve.
“The Creation” debuted in London and was sung in English. Our production uses the Robert Shaw version of the English text, which clears up some of the original strange grammar which resulted from the Haydn’s libretto going through a German translation and back to English. The libretto mixes Biblical language with new language for the soloists.
Our soloists include alumna Jamie-Rose Guarrine, as angels Gabriel and Eve; Voice Professor James Doing as angel Uriel; alumnus Benjamin Schultz as angel Raphael; and current student Benjamin Li as Adam.
Tickets: $15 general public, $8 students. Buy online here or in person at the Memorial Union Box Office or at the door.
UW Symphony Orchestra with Guest Conductor Andreas Stoehr
Mills Hall, Friday, April 22, 8:00 PM- Free concert
Vienna native Andreas Stoehr will lead the university orchestra in performances of Overture to Der Freischütz (Carl Maria von Weber), Wesendonck Lieder (Richard Wagner), and Symphony No. 6 (Piotr Ilyich Tchaikovsky). With soprano Elizabeth Hagedorn.
“At first glance our program appears to be a nice bouquet of romantic pieces, but as I believe that music and philosophy share the same spiritual source, one can see that each composer tries to answer the main question: ‘Where is the exit from the burden of life?’ ” says Prof. Stoehr.
“Carl Maria von Weber’s answer: ‘There is God, there is hope, therefore good wins over evil.’ Wagner leads us to ‘unbewusst, höchste Lust’ (unaware, sublime desire; the last lines of Tristan and Isolde ) expressing his belief in uncontrollable, germinating power of love. The poetry by Mathilde Wesendonck, Wagner’s muse, reflects their profound, but impossible relationship and inspired him to Tristan and Isolde as his unique philosophy of escaping the world through an idealized love. Tchaikovsky’s ‘Pathétique’ Symphony No. 6 does not try at all to answer the question. We sense in his music his personal struggle between good and evil, right and wrong, light and darkness. Like the most famous literary works of his time by Tolstoy or Dostoyevsky, Tchaikovsky’s masterpiece comes to us as a drama, but without words. When life is over – it’s over.”
Nine area high schools to participate in final concert
April 26, 28, 29 – Various times and locations
The Jazz Studies program, led by Professor Johannes Wallmann, will present a weeklong residency with LA-based Bob Sheppard, worldwide multi-woodwind performer, recording artist, and jazz musician.
The three-day event includes master classes and two concerts. It will feature the UW Jazz Ensembles, the UW Jazz Orchestra, the UW High School Honors Jazz Band, and the Johannes Wallmann Quartet. The 2016 Honors Jazz Band, directed by UW Director of Jazz Studies Johannes Wallmann and co-conductor Eric Siereveld, is a twenty-member big band that includes top jazz students from Edgewood, James Madison Memorial, Madison East, Madison West, Middleton, New Glarus, Portage, Sun Prairie, and Waunakee High Schools.
—Free Master Class/Concert Tue, April 26, 8 PM, Morphy Hall (with the Composers Septet & Contemporary Jazz Ensemble)
—Concert Thur, April 28, 8 PM, Morphy Hall (with the Johannes Wallmann Quartet) Ticketed $15 single
—Concert Fri, April 29, 8 PM, Music Hall (with the UW Jazz Orchestra & High School Honors Jazz Band) Ticketed $15 single
$25 both Thursday and Friday shows. Students of all ages free!
U.S. Air Force “Freedom Winds” percussion/wind quintet to perform April 21 – Free concert
Music Hall, Thursday, April 21, 7:30 PM
The School of Music is honored to present the Freedom Winds, a visiting ensemble from the United States Air Force Band of Mid-America. Composed of six virtuoso Airman Musicians, the group adds percussion to the traditional woodwind quintet instrumentation to enhance standard literature and increase their musical capabilities. Repertoire includes jazz and ragtime classics along with popular themes from Broadway’s hit shows to Hollywood’s greatest films. Please join us for what promises to be a fun and memorable concert!
“Out of the Shadows” Rediscovering Jewish Music, Literature and Theater
May 1-5, 2016, Madison, various locations and times
“Piecing together lost generations of creativity”: that’s how the Wisconsin State Journal’s Gayle Worland phrased it in her news story last summer. Generations of Jewish creativity lost due to the Holocaust and the diaspora, now placed front and center in a worldwide effort to discover those that were lost, reclaim those that are forgotten, and perform those that have been neglected.
From May 1 through May 5, that creativity will be on display in Madison as part of “Out of the Shadows,” coordinated by music education professor Teryl Dobbs and faculty at the University of Leeds, England. Over five days, events ranging from cabaret to ethnomusicology discussions to chamber music to theater will be presented at various locations in Madison. Ticket prices range from $5 to $10.00. Buy tickets here.
The three-year “Performing the Jewish Archive” project involves a large number of partners, exploring archives, delivering community and educational projects, holding at least two international conferences and a series of symposia at the British National Library, as well as mounting five international performance festivals––in the United States (Madison, WI), the Czech Republic, South Africa, Australia, and the United Kingdom.
The fall semester begins next week: Wednesday, September 2. We hope all our readers enjoyed a wonderful summer with just enough activities to allow you to feel rested, but not exhausted. We have much to tell you and many invitations to enjoy performances and events at Mills, Morphy, and Music Halls this year.
Students travel the world during summer
We asked our students to tell us what they did during the summer — and now we all wish we could have joined them! Here are a few stories.
Joshua Junig, a tenor and a student of Elizabeth Hagedorn, spent the last few weeks in Rock River Repertory‘s production of “Miss Saigon,” portraying the role of Thuy. Directed by Jim Tropp, the show ran for two weekends at the Edgerton Performing Arts Center in Edgerton, Wisconsin. This year, Joshua plans to take music theory, vocal instruction and piano, and graduate in 2018 with degree in choral music education.
For eight weeks, Elliot Stalter, a violin performance major in the studio of Professor David Perry, attended the Aspen Music Festival and School. He enjoyed studying privately with Paul Kantor and playing in weekly orchestral concerts as well as attending masterclasses and concerts. This year he looks forward to taking classes in world music and conducting and will graduate in 2017.
DMA cellist Andrew Briggs, student of Uri Vardi, spent the summer performing music and traveling in Europe. In late June, he worked with cellist Lluis Caret at the Master Classes at Fontfroide (download 2 MB PDF) (Narbonne, France) and attended the Holland Music Sessions (Bergen, Netherlands) in July and August. Between the courses, he traveled to Paris and Berlin, and played chamber music with his musical relatives in Amsterdam.
Timothy Young, an instrumental/general music education major and bassoonist, spent a week on a production crew assembling, operating, and tearing down staging, audio, and lighting for the inaugural Eaux Claires Music Festival. The rest of his time was spent practicing, working as a sound and lighting technician for the Wisconsin Union, counseling at UW-Madison’s Summer Music Clinic, and visiting family and friends.
In July, voice performance major Alannah Spencer, a student of Paul Rowe, attended the Illinois-based young artist program, the Midwest Institute of Opera. Here she worked with coaches and teachers from around the U.S. and performed the role of La Bergere/La Chouette in Ravel’s opera “L’enfant est les sortileges.” This year Alannah will be wrapping up both her music and her anthropology degrees while serving as the concert office assistant for the School of Music.
Recent alumna and flutist Hinano Ishii (B.M., 2015), who plans a career in arts administration, enjoyed her summer working as an operations and education intern at Bravo! Vail Music Festival in Colorado. Her responsibilities included coordinating logistics and assisting on-site production for the New York Philharmonic, The Philadelphia Orchestra, Dallas Symphony Orchestra and various quartets. In addition, she worked closely with guest artists and conductors including Alan Gilbert, Midori, Augustin Hadelich, Alisa Weilerstein and Christopher O’Riley.
This summer pianist Ian Tomaz, a student of Martha Fischer, spent six weeks at the Brevard Music Center in North Carolina as a participant in the 79th Annual BMC Summer Music Festival, where he studied with Elisabeth Pridonoff and Donna Lee, working on new repertoire in addition to participating in recitals and masterclasses. This semester he will be taking classes in piano and vocal repertoire, “Survey of the Classical Era” with musicology professor Charles Dill, and a philosophy course entitled “The Meaning of Life”, in addition to chamber music and lessons. He will graduate with a BM in piano performance in 2017.
Isidora Miranda, a PhD candidate in Historical Musicology and a student of Pamela Potter, recently concluded a six-month research trip to the Philippines. Her research took her to various archives in Manila, looking at zarzuela and operetta scores from the first two decades of the 20th century, and perusing rare documents from the early American colonial period. Before heading back to the Midwest, Isi gave a presentation on the 1904 zarzuela Minda Mora at the European Association for Southeast Asian Studies held on August 12, 2015 at the University of Vienna.
In June, DMA saxophone student Steve Carmichael, a student of Les Thimmig, attended the James Houlik Saxophone Retreat and the Wild Acres Flute Retreat in Little Switzerland, North Carolina, where he studied with classical saxophone virtuoso James Houlik and baroque flute expert Stephen Preston. He performed new works for saxophone, as well as the music of Toru Takemitsu. Steve also performed recitals through out the Midwest and southern states. This year he plans to present four recitals and take Music of the Romantic Period, saxophone instruction, and perform in the Wind Ensemble and Contemporary Composers Ensemble.
We also placed the following photo and paragraph on our Facebook page, which is steadily acquiring new fans! (are you one?)
Junior trombonist Tom Kelly won the concerto competition at the Sewanee Summer Music Festival. DMA horn candidate Sarah Gillespie traveled to the Max Planck institute in Germany to take real-time MRI video of the vocal folds of horn players as a pilot study for her dissertation. Master’s student and baritone Gavin Waid learned the role of the Count for UW-Madison University Opera’s upcoming production of Mozart’s The Marriage of Figaro.
Meet our new faculty: Violinist Soh-Hyun Park Altino and Clarinetist Wesley Warnhoff
A warm welcome to our new assistant professor of violin, Soh-Hyun Park Altino, who moved here in July to take the tenure-track position previously held by Prof. Felicia Moye, who now teaches at McGill University in Toronto. In Memphis, where she served on the faculty of the University of Memphis for fourteen years, Prof. Altino performed with the Ceruti Quartet and also in the Dúnamis Trio with pianist Victor Asunción and cellist husband Leonardo Altino. Prof. Altino has traveled worldwide to give master classes and participate in educational programs. Read about Prof. Altino on our website.
And reserve November 13, 8 PM in Mills Hall, for your first chance to hear Prof. Altino in concert. She will perform works of Bach, Brahms, and Ives, accompanied by Martha Fischer, professor of piano. Tickets $12 adults/students free. Buy here or at the hall day of show.
We also welcome Dr. Wesley Warnhoff, new adjunct professor of clarinet, who replaces the now-retired Linda Bartley, former professor of clarinet. Dr. Warnhoff is a founding member of the VCP International Trio, a violin, clarinet, piano trio that advocates new music performance, and he is also the principal clarinet of the Battle Creek Symphony Orchestra in Michigan. In Madison, he will perform with the Wingra Woodwind Quintet. Read about Dr. Warnhoff here.
The world rediscovers long-lost works of Jewish performance, literature and visual art – starting this weekend in Madison
Researchers from the University of Leeds in England fly into Madison this week to participate in the first event of a yearlong foray to explore and discover previously unknown works of Jewish art from the early part of the 20th century, including works created during the Holocaust. School of Music music education professor Teryl Dobbsis the Madison link to the worldwide project, which continues in Minneapolis in September and then back to Madison in May, plus many performances and discussions in England and Ireland next spring and summer.
The August 30 events consist of a brunch with researchers ($12); a “Sound Salon” with the Mayrent Institute; a concert with the Bach Dancing & Dynamite Society; and a two-act cabaret evening. Please note: Some venues may have reached capacity. Check link here.
37th Annual Karp Family Concert this Labor Day, Monday, Sept. 7
7:30 PM, Mills Hall. Free
Family patriarch and emeritus piano professor Howard Karp passed away last summer, and pianist Frances Karp is injured, but the family will carry on with its end-of-summer tradition of family concerts. Performers will include Isabel Karp, narrating a Shakespeare poem to the music of viola (Katrin Talbot) and cello (Parry Karp). Pianist Christopher Karp and Parry Karp will perform Beethoven’s Sonata in A Major for Piano and Cello, and Parry Karp will present several solo works for cello.
The “economical and elegant” music of Grammy and Pulitzer winning avant-garde composer George Crumb will be on display at the School of Music when violinist Miranda Cuckson comes to town. The festival — a total of four concerts over four days — is sponsored by UW-Madison resident composer Laura Schwendinger, whose work “The Violinists in My Life” will be on Cuckson’s program.
“Crumb’s music, economical and elegant from the start, has mesmerized and enchanted broad audiences as well as fellow composers and musicians. He has made us think about time and sonority in new ways and has forged contemporary links between music, sentiment, and ideas…” — Leon Botstein, from his American Symphony Orchestra website.
Cuckson will also perform works by composers George Crumb, Augusta Read Thomas and Sebastian Currier.
Hear Miranda Cuckson perform a new work by composer Michael Hersch.
Other events include:
MONDAY, March 23,8PM, Morphy Hall: Due East, a duo consisting of Erin Lesser on flute and Greg Beyer on percussion. Due East will be joined by New York City-based harpist Jacqui Kerrod and musicians from Dal Niente, vocalist Amanda deBoer and bassist Mark Buchner, in a multi-media interpretation of George Crumb’s well-known Madrigals, Books 1-4. In Due East’s performance, a set of three video screens and projectors are set at odd-angles in and amongst the musicians and create a triptych video montage that becomes a magical and powerful “environment.” Tickets: $10.00 adults, students free. Buy here.
SATURDAY, March 21, 7:30 PM, Music Hall: UW’s Contemporary Chamber Ensemble, featuring cellist Parry Karp performing Crumb’s Sonata for Solo Cello. Free concert.
FRIDAY, March 20, 8 PM, Music Hall. Lakeshore Rush, a Chicago-based new music ensemble co-founded by music alumni Erin K. Murphy and Laura McLaughlin, will perform Crumb’s Vox Balaenae by contemporary composer George Crumb. Free concert.
NOTE: Watch for a preview of the George Crumb Festival in Isthmus, on newsstands and online this week.
STUDENT SOLOISTS NOW ON SOUNDCLOUD
Those wonderful performances you heard (or perhaps missed, to your regret!) back on February 8 can now be heard on our SoundCloud audio channel (a YouTube for audio). They include Keisuke Yamamoto, violin; Adam Betz, composition; Ivana Ugrcic, flute; Anna Whiteway, voice; and Jason Kutz, piano. Audio provided by Lance Ketterer. Click here to listen: https://soundcloud.com/uw-madisonsom/sets/student-soloists-and-concerto
One of those soloists, soprano Anna Whiteway, will appear in University Opera’s production of The Magic Flute, starting this weekend in Music Hall. Shows are Friday, Saturday, Sunday, and Tuesday. Learn more here: http://www.music.wisc.edu/2015/02/12/magic-flute/
And watch Anna here:
MUSIC THEORY, DEMONSTRATED
Our year-long analysis of the music of 18th-century composer Jean-Philippe Rameau continues with a discussion of his lasting influence on tonality, harmonic progression, and harmony. On Wednesday of this week (March 11), with chemist Rod Schreiner, music theorist Lee Blasius, and harpsichordist John Chappell Stowe. Meet them in the Chemistry Building, Room 1315, at 7 PM. Free.
Says Charles Dill, lead organizer and Rameau expert: “If you hit a note loudly enough on a piano, with the dampers off, other, different notes will ring sympathetically. That’s because they share certain overtones in the harmonic series.”
The Wingra Woodwind Quintet[click here to read new bio] turns 50 this year and plans a party! Embodying the Wisconsin Idea and serving as role models to our students, the Wingra Quintet has a rich tradition and will honor current and former members. Former members who plan to attend are Robert Cole, flute, Marc Fink, oboe, Glenn Bowen, clarinet, Richard Lottridge, bassoon, Douglas Hill, horn, and Nancy Becknell, horn. A short program of 20 minutes is planned and then we will celebrate with hors d’oeuvres and beverages catered by the University Club. Everyone is invited to enjoy the food, music, and good company of current and former members of the Wingra Quintet. On the program:
Oodles of Noodles – Jimmy Dorsey, arr. Glenn Bowen Ode to a Toad – Ray Pizzi. arr. Glenn Bowen Suite Française – Francis Poulenc, arr. Richard Lottridge
UW’S WIND ENSEMBLE PLAYS CARNEGIE HALL
Last week, the UW Wind Ensemble trekked to the East Coast in a double-decker bus to play a series of concerts in several states and in Carnegie Hall as part of the New York Wind Band Festival. “I am very excited to perform this evening and share our music with these outstanding high school students and the community,” said principal trumpeter Jamie Wozniak, warming up in the hotel as he prepared for a performance at Valparaiso High School in Indiana.
STUDENT CONCERTS AND RECITALS
Recitals: We encourage our students to list their recitals on our concert calendar: search “recital” in the upper right side spotlight box to find them. All are free and open to the public.
Coffee Houses: Many students also perform in coffee houses across Madison. The Jason Kutz Quintet plays at Ancora Coffee (112 King Street) each week in March – Friday 3/13, Friday 3/20, and Thursday 3/26. This group features Eric Siereveld (trumpet), Jeff Williams (bass), Ed Dewey (trombone), Nat Schwartz (drums), and Jason Kutz (piano).
The Hunt Quartet, a graduate string quartet funded by the Madison Symphony Orchestra and the School of Music, will perform on Thursday, March 26, at 6:30PM in Morphy Hall. The Hunt Quartet regularly plays music for elementary children in the public schools as part of the Up Close & Musical! program of the Madison Symphony Orchestra. Click here for info; full program will be posted soon!
FACULTY MUSICIANS IN CONCERT
Trombonist Mark Hetzler and his group Sinister Resonance debut their newest CD at the High Noon Saloon, Monday, March 16, 8:30 PM. This recording features original compositions by Mark Hetzler and Todd Hammes, as well as arrangements of rock, classical and experimental electro-acoustic styles. Click here to learn more.
Flutist Stephanie Jutt presents “Flautistico!” at the Overture Center’s Promenade Hall, Friday, March 20, 8 PM. A one-time-only performance including flute plus piano, voice, clarinet, three tango dancers, and beautiful visual installation and film. Click to learn more and buy tickets.
We invite you to explore and yes, feel free to send comments. We may not be able to accommodate all ideas, but we’ll try!
The new site is “responsive,” which means it is viewable on a smartphone. It contains dozens of brand-new photographs taken by Mike Anderson, father of Eric Anderson, a SOM alumnus and band teacher at Verona High School. We thank him for all his efforts.
We’ve also established a SoundCloud audio page, perfect for the dozens of audio files being routinely collected by our engineer Lance Ketterer.
Second: For the time being and for a variety of reasons, we have opted to continue publishing the newsletter in this format. However, we’ve updated and renamed it to better distinguish ourselves from a bevy of other publications called “Fanfare.” To join the mailing list, please send an email to email@example.com
Third: And, in addition to a basketful of faculty concerts, student ensembles and solo guests, we’ve planned a series of multi-day festivals that we know will appeal to a very broad spectrum of the community. We hope to attract young and old, performers and non-performers. The festivals will include concerts, master classes, and colloquia. Click links below to learn more.
Celebrate Brass!Featuring Oystein Baadsvik, Norwegian tuba soloist; the Western Michigan and Wisconsin Brass Quintets; SOM alumna hornist Jessica Valeri, now with the San Francisco Symphony; and composer/blogger Anthony Plog. October 9-13, 2014
Rediscovering RameauA yearlong examination of the works and accomplishments of French baroque composerJean-Phillippe Rameau on the occasion of the 250th anniversary of his death. First concert: Marc Vallon, professor of bassoon, performs works of Rameau on Nov. 14. Many events yet to be scheduled; we’ll keep you updated.
Meanwhile, in June, we were saddened by the death of Howard Karp, professor of piano at UW-Madison from 1972 to 2000. Prof. Karp was the father of Parry Karp, cellist in the Pro Arte quartet. His loss is felt nationwide.
For decades, the Karp family has been famous for its annual September concerts that often featured multiple members of the family, including Prof. Karp’s second son, Christopher; wife Frances; daughter-in-law Katrin Talbot; and granddaughters Isabel, Natasha and Ariana.
This year’s concert, originally scheduled for September 1, has been replaced by a tribute event on August 31, in Mills Hall starting at 3 PM. The public is welcome; a reception will follow.
Note: On Sunday, August 17, Anthony Tommasini of the New York Times published a retrospective article about the careers of Howard Karp and Leonard Shure, another virtuoso pianist who chose to remain in academia instead of seeking the limelight as a concertizing pianist. Read it here.
We hope you will join us for this important commemoration, and as always, we hope to see you in the concert halls for many other events this season.First up: Flutist Stephanie Jutt, with pianists Elena Abend and Christopher Taylor on piano. The program will include works of Astor Piazzolla, Carlos Guastavino, Johannes Brahms, and Angel Lasala. Morphy Hall, September 6, 8 pm.
Thank you for your support of the UW-Madison School of Music!
A message from Susan C. Cook, Director of the School of Music
On May 16, as part of the University’s entire Commencement weekend, the School of Music held its inaugural Graduation and Awards Recognition. It was a lively and celebratory event that provided the opportunity to recognize the achievements of our graduates, to honor award recipients and to recognize and, in some cases, to thank personally the many donors who have made those student awards possible. Thus, for many of us, the 2013-14 academic year has ended, and so this is the last Fanfare blog post you’ll receive from us until August.
However, the School of Music, as I’ve learned, never truly goes silent. Our facilities in the Mosse Humanities Building and in Music Hall will continue to thrum with activity of all kinds—from summer classes, ensembles and Community Music Lessons to special events like the National Summer Cello Institute (now in session), the Summer Music Clinic and the Madison Early Music Festival. Over the summer, music study continues, both in more leisurely and more intensive ways. We’re also planning to carry out some much needed renovations, ones that will benefit both our classroom teaching and our on-stage performances.
Looking back over the year I continue to be struck by how much we do and how well we do it. Primary in my mind are the high quality performances by our students as they’ve worked alone and collaboratively in our libraries, practice rooms, offices, studios, classrooms and, on stage and off. The creativity, energy and commitment they display towards their creative work never ceases to amaze me; it makes my job as director enormously rewarding.
I look forward to welcoming you back to campus, even if only virtually, in August. We have a lot of exciting things planned for next year as we continue to be a music school on the move, living out the Wisconsin Idea within our state and the world.
Thank you for your support throughout the past year. I always welcome hearing from our alums and friends, so feel free to stop by my office or drop me an email message at firstname.lastname@example.org
On, Wisconsin and the summer!
Susan C. Cook
Scroll down for photos from the May 16 ceremony at Music Hall. For a list of all graduates, click here.
UW pianist Yeaji Kim profiled in Wisconsin State Journal
Yeaji Kim, a visually disabled pianist and brand-new DMA in piano performance and pedagogy, developed a dissertation project that has the potential to not only change the way blind musicians learn to play music, but help blind and sighted musicians and teachers to collaborate and learn more easily.
Kim ‘s story was featured in a May 18 front-page story by reporter Gayle Worland in the Wisconsin State Journal as well as in a four-minute video made by the university.
Jessica Johnson, professor of piano pedagogy, calls Kim’s work, which involves a three-dimensional staff and notes that both sighted and sight-impaired people can understand, “revolutionary.” Read the full (very interesting) story here. More information is available at this blog.
Composer Filippo Santoro uses architecture as metaphor to create new works
Santoro, a native of Italy who just received his DMA in composition from UW-Madison, describes his composing process in a recent blog post. “A good architect will begin by observing the architectural style of the surrounding buildings, the nature of the soils at the building site, how the space is currently used and the building’s proposed purpose. Similarly, a piece of music always develops from a small idea, like a seed, that you may want to take care of even long before it becomes a piece,” he writes. Read more here.
Collins Fellow Philip Bergman earns spot in Japanese training orchestra
Bergman, who received his master’s degree this spring, studied with cello professor Uri Vardi and received a fellowship provided by longtime donor Paul Collins. “I had the opportunity to meet Mr. Collins this past fall when I performed with a quintet at a banquet. I thanked Mr. Collins not only for his support of my education, but for his role in creating some of the finest positions available to student musicians in this country,” he writes. Read more here.
Photographs from 2014 Awards and Graduation Ceremony
All photos by Michael R. Anderson. Click for captions.
Peter Miliczky (MM, violin) and Elspeth Stalter-Clouse (MM, violin).
David Glickstein (BM, saxophone); Barb Douglas, concert bands coordinator.
Tatiana Koike (BM, flute)
Susan Lipp, a member of the school’s board of visitors, with assistant director Ben Schultz and associate director Janet Jensen.
CatieLeigh Laszewski (MM, voice); Sara Giusti (MM, piano), Yana Groves (MM, piano); Christina Kay (MM, voice).
Christina Kay (voice, MM); and Yana Groves (piano, MM).
Choral Conductor Beverly Taylor.
Lisa Garza (BM, percussion) and Ben Davis (BM, music education/trumpet).
Associate Director Janet Jensen.
A congratulatory moment.
Philip Bergman (cello, MM); Madlen Breckbill (BM, violin).)
The scene in Music Hall.
Director Susan C. Cook.
Doctoral trombonist wins the 2014 Esther Taylor Graduate Arts Fellowship
Alan Carr, a DMA candidate in bass trombone and a Paul Collins Distinguished Fellow at the School of Music, has received the Esther Taylor Graduate MFA Fellowship, designed to support and encourage graduate students in the visual and performing arts by supporting public presentation of their work in conjunction with their degree program. The fellowship carries a grant of $1,500.
The fellowship will help Carr to complete his dissertation that will culminate in a solo CD project called The Elephant in the Room. The CD will feature previously unrecorded works for bass trombone and also offers two new pieces, including a new sonata by UW-Madison tuba professor (retired as of this semester) John Stevens. Carr assembled a consortium of 12 leading bass trombone players from around the world to commission the Stevens sonata.The consortium includes bass trombonists from the Atlanta Symphony, Boston Symphony, Detroit Symphony, Malaysia Philharmonic, Metropolitan Opera Orchestra, National Symphony, New York City Ballet, San Francisco Symphony, St. Louis Symphony, and several others.
This new work will be a substantial contribution to the bass trombone repertoire and will be dedicated to the late Edward Kleinhammer of the Chicago Symphony, who passed away in November 2013.
In addition to his graduate studies, Carr is also adjunct professor of low brass at Concordia University Wisconsin in Mequon and an active performer, having appeared with the Baltimore, Dubuque, and Hartford Symphony Orchestras, and with Ensemble ACJW at Carnegie Hall in New York City. For seven years, he was the bass trombonist in the King’s Brass, performing nearly 1,000 concerts and recording six CDs during that time. Carr has performed throughout the world, including concerts in Austria, Dominican Republic, Germany, Italy, China, Korea, and the US Virgin Islands, as well as all 48 continental US states. In March, Carr gave a solo performance at the 2014 Eastern Trombone Workshop in Washington, D.C. Carr received his Master of Music from The Juilliard School and a Bachelor of Music from the Peabody Conservatory of the Johns Hopkins University. He also holds an Artist Diploma from Yale University. Carr can be heard on Summit, Naxos, and Albany record labels, and is an Edwards Instrument performing artist.
Doctoral musicologist receives three fellowships to further her research
Isidora Miranda, a PhD candidate in historical musicology who studies with musicology professor Pamela Potter, has been awarded a Summer Fellowship at the Institute of Philippine Culture at the Ateneo de Manila University, a UW-Madison Center for Southeast Asian Studies Fellowship, and a UW-Madison Center for Southeast Asian Studies Field Research Award. Isidora earned her undergraduate degree in music at the University of the Philippines and her master’s degree in Violin Performance and Musicology at Western Illinois University. She writes: “The research work I am planning to do this summer is scour through the Raymundo Bañas Collection at the National Library in Manila. The collection comprises of original manuscripts, printed sheet music, prints, anthologies, silent movie scores, religious music for the local Roman Catholic churches, music programs from local concerts and musical events, and mimeographs of other music historical sources. In 1924, Raymundo Bañas (1894-1962) published The Music and Theater of the Filipino People, a compendium of music and musicians from the late-nineteenth century up to the time of his publication. As preliminary questions, I would like to know how much of Bañas’s musical archive informed his writing, and perhaps more importantly, what was the impetus for building a repository and authoring a narrative that sought to represent a “national” conception of music that is Filipino? This is particularly interesting in light of the growing push towards a Philippine self-government and a re-assertion of Spanish colonial identities in opposition to American influences at the time when Bañas was amassing his library.”
Senior composition major wins University Bookstore’s Academic Excellence Award
Daria Tennikova, whose work, “Poema for Saxophone and Orchestra” was a winner of the school’s annual concerto competition, has been awarded a 2014 University Book Store Academic Excellence Award in the amount of $1,000. The awards are made to undergraduate students who best exemplify the principle that excellence can be achieved through independent study. This summer, Daria will attend the summer music festival, New Music on the Point.based in Lake Dunmore, Vermont.
Horn alumnus wins Lawrence University’s “Outstanding Teacher” Award
Eric Anderson (B.M. Music Education, 1998), music department chairman and band director at Verona Area High School, was honored Sunday, May 4 with Lawrence University’s 2014 Outstanding Teaching in Wisconsin Award, along with Lynette Schultz, an English teacher at Williams Bay Jr./Sr. High School. Eric is now band director at Verona Area High School and also sits on the board of directors of the UW-Madison School of Music Alumni Association. He also frequently conducts the orchestras for Children’s Theater of Madison and Four Seasons Theater.
The recipients are nominated by Lawrence seniors and selected on their abilities to communicate effectively, create a sense of excitement in the classroom, motivate their students to pursue academic excellence while showing a genuine concern for them in and outside the classroom. Since launching the award program in 1985, Lawrence has recognized 62 high school teachers.
Anderson has directed the concert band, wind ensemble and symphonic band while also teaching AP music theory at Verona High School since 2006. Additionally, he directs pep band, oversees rehearsals for school musicals and organizes tours around the country for all of the band students.
Note: Eric is the son of the School’s very generous volunteer photographer, Mike Anderson!
UW’s Pro Arte Quartet surmounts travel difficulties to successfully complete its planned tour of Belgium
String quartet members aren’t generally known as lawbreakers, but due to new federal regulations about international shipments of ivory (intended to protect endangered African elephants), the Pro Arte’s Sally Chisholm and Parry Karp, who each own old instruments with tiny amounts of ivory in them from long-deceased elephants, found themselves briefly detained at the Brussels airport at the beginning of their Belgium tour in late May. The tour was intended to commemorate the quartet’s 100th birthday and origination in Belgium. (Read earlier Fanfare post here.)
Tour manager Sarah Schaffer explained to Belgian authorities that the quartet had received special permission to travel with their instruments, obtained through the intervention of Wisconsin Congresswoman Tammy Baldwin, but it took a few hours before Chisholm and Karp were allowed to leave, instruments in hand.
They had a concert scheduled for that very night, so their release was just in time.
Prior to their departure, Madison music blogger Jake Stockinger (“The Well-Tempered Ear”) asked Schaffer and the musicians to write blog posts about every step of the tour, which was well-received. The tour is now over, but the stories live on and can be found here:
Chelcy Bowles, professor of music, Van Hise Outreach Teaching Award
Bowles is one of ten to receive this year’s Distinguished Teaching Awards, an honor given since 1953 to recognize the university’s finest educators. Chancellor Rebecca Blank will present the awards at a ceremony to be held in conjunction with the Teaching and Learning Symposium from 4:30 to 6 p.m. May 19 at Union South in Varsity Hall. The event is sponsored by the Wisconsin Alumni Association in conjunction with the Office of the Secretary of the Faculty.
Bowles is nationally and internationally renowned as one of the foremost experts on lifelong learning and engagement in music and the arts. She has developed and taught a variety of non-credit courses for adult learners and has been instrumental in the founding of music outreach programs at the state, national and international levels. Among the many initiatives she has spearheaded is the Madison Early Music Festival, now in its 15th year, which is approaching its 15th year and draws artists from around the world to showcase medieval and Renaissance music.
Professor Anthony Di Sanza, School of Music, Kellett Mid-Career Award
This award is intended to recognize and support mid-career faculty, seven to twenty years past their first promotion to a tenured position. The Kellett Mid-Career Awards were created to provide needed support and encouragement to faculty at a critical stage of their careers and are made possible by the research efforts of UW-Madison faculty and staff. Technology arising from faculty and staff research is licensed to industry by the patent management organization, the Wisconsin Alumni Research Fund (WARF). Income from successful licenses is returned to the Graduate School to fund a variety of research activities throughout the divisions on campus.
Professor Laura Schwendinger, School of Music, Vilas Associate Award
The Vilas Associate Award Program is made possible by the generosity of the Vilas Trustees. The award provides summer salary support and a flexible research fund for two years to non-tenured and tenured faculty.
Schwendinger will also be in residence at three festivals this summer, at Yaddo Artists Retreat in Saratoga Springs NY, the Oberpfälzer Künstlerhaus in Schwandorf, Bavaria and at Moulin à Nef Studio Center in Auvillar, France. In addition she will be a faculty composer at the Bennington Chamber Music Conference. Alumnus composer Thomas Lang (MM ’07, DMA ’11) will be the composer fellow.
Professor Jessica Johnson wins American Music Teacher Article of the Year Award
MTNA’s American Music Teacher Article of the Year Award is presented to the author of an outstanding feature article written expressly for the AMT. This year’s award is presented to Jessica Johnson, NCTM, for her article “Feeling The Sound: Reflections On Claiming One’s Own Musical Voice.” The article was published in the August/September 2013 issue of American Music Teacher magazine, the official journal of the Music Teachers National Association.
This article investigates how multi-sensory learning and use of whole-brain processes may enhance our practicing and teaching, leading us to a more artistic, authentic experience. It explores how the use of imagery, metaphor, fantasy, intuition, imagination and instinct nurtures the discovery of one’s own musical voice. Read the article:“Feeling the Sound.”
Last April, a unique concert, “Fusions,” devoted to an amalgam of Jewish and Arab art music with musicians and collaborators Uri Vardi (cello), Taiseer Elias (oud) and Menachem Wiesenberg (piano) was held in Mills Hall. The concert was recorded; a video is below.Videography and editing by Robert Lughai.
It is an annual ritual at the School of Music: sending our talented students off into the wider world to pursue their dreams as they are able. We will begin with a story written by Philip Bergman, a cellist graduating with a master’s in music performance. We congratulate Philip and wish him many successes!
“I grew up in Iowa City, Iowa, which I describe to Madisonians as a kind of mini-Madison: a Big-Ten college town with an enormous culture-to-population ratio. Iowa City was a spectacular place to grow up, especially for someone with hopes of becoming a classical musician. I began studying cello at the age of five after seeing my pediatric dentist play acoustic bass with his bluegrass band (it’s a long story). I studied for several years with a local Suzuki teacher, and then with a neighbor, a talented cellist and teacher. Later I studied with Amos Yang, the cellist in the Maia String Quartet (who is now a member of the San Francisco Symphony), and then with his successor in that position, Hannah Holman, who is now a member of the New York City Ballet Orchestra.
“I began my bachelors degree in 2008 at the University of Illinois at Urbana-Champaign where I studied with Brandon Vamos of the Pacifica String Quartet (now in residence at the Jacobs School of Music at Indiana University-Bloomington). I am so grateful for the time I spent at Illinois working with Brandon and the many other incredible musicians on faculty, as well as the friends and colleagues I had there, and the many performing opportunities I had available to me. When I was assembling my list for grad schools, I had the opportunity to study with Professor Steven Doane from the Eastman School of Music for several weeks at a summer festival. I asked Professor Doane for some suggestions of schools to consider and he said, “You must look up my friend Uri Vardiat the University of Wisconsin.” With little more information than that, I took a lesson with Professor Vardi, and was immediately struck by his warmth, creativity, and musicianship.
“I applied to several other schools, but chose to come to UW to study with Professor Vardi in part because I was lucky enough to be offered a Paul Collins Distinguished Wisconsin Fellowship. I had the opportunity to meet Mr. Collins this past fall when I performed with a quintet at a banquet. I thanked Mr. Collins not only for his support of my education, but for his role in creating some of the finest positions available to student musicians in this country. The last two years have been two of the best years of my life. Living in Madison is spectacular, and working with Professor Vardi has been a life-changing experience for me: truly some of the most inspirational work I have ever had the opportunity to do. I’ve found the whole faculty here to be incredibly supportive, seeking to create a nurturing environment in an effort to encourage students to become not only fine musicians, but fantastic human beings. I will take the lessons I’ve learned in Madison with me for the many years ahead.
“This September, I begin a new adventure. Following an application process, and a live audition in Chicago, I was offered a position as a Core Member of the Hyogo Performing Arts Center Orchestra (HPAC), a resident orchestra affiliated with Hyogo Performing Arts Center, which was built after the Hanshin-Awaji Earthquake of 1995 (special note: cellist and SOM alumna Andrea Kleesattel (DMA, 2012) is currently performing with the orchestra). The position is offered on a year-by-year basis for up to three years. HPAC is located in Nishinomiya, Japan, just between Osaka and Kobe, about 300 miles west of Tokyo. The organization was founded in 2005, and in many ways resembles the New World Symphony in Miami. Members are paid a salary and housed by the orchestra. They perform a full season of subscription concerts, chamber orchestra concerts, and masterworks concerts with the orchestra, as they would with a professional symphony, but are also provided opportunities to work with guest artists and perform chamber music recitals, often with those guest artists. HPAC is also dedicated to community outreach, performing educational concerts, as well as a variety of concerts throughout the area. I currently speak no Japanese, but I am excited to begin learning useful phrases, and hopefully when my time in Nishinomiya is over I will have learned enough to do more than figure out where I am and how to eat (speaking of which, I have always loved seafood, especially sushi, so I think I’ll be fairly happy with the food in my new home).
“I’m certain that the freedom and inspiration I gained during my time in Madison was a large reason why I was able to gain such an exciting position. I am so thankful for my time here, and I’m ready to move forward and begin my journey as a professional cellist.”
New Chamber Work to Premiere in Madison March 1, 2014
Sarah Schaffer 608/217-6786 Mike Muckian 608/287-6261
MADISON, Wis. — Belgian composer Benoît Mernier writes music he says communicates with audience members in a variety of ways. He believes firmly that there is no single right way to experience music providing audience members are open to its messages.
Mernier’s String Quartet No. 3, commissioned by the University of Wisconsin-Madison’s Pro Arte Quartet as part of its ongoing centennial celebration, embraces a lyrical path that takes the composer in new directions.
“My favorite instrument is the voice, because the singing voice is the most expressive of all instruments,” says Mernier, who studied organ and composition at the Royal College of Music in Liege, Belgium, and records for the European label Cypres. “The song is the model for all instrumentalists, and theoretical treatises in ancient music tell the players to imitate the voice in their performances.”
Mernier’s String Quartet No. 3 will receive its world premiere by the Pro Arte on Saturday, March 1, at Mills Concert Hall in the Mosse Humanities Building on the UW-Madison campus. The 8:00 p.m. event is free and open to the public, with no tickets required.
The March 1 concert will be preceded on Thurs, Feb. 27, by an open rehearsal from 9 a.m. to noon, also at Mills Hall, during which the composer will coach the Pro Arte as they prepare for the premiere of the work, composed in honor of the quartet’s Belgian heritage.
New Chamber Work Taps Pro Arte’s Belgian Roots
The Quatuor Pro Arte of Brussels, first formed in 1911-1912, was performing at the Wisconsin Union Theatre on the UW campus on May 10, 1940, when Belgium was overrun and occupied by Nazi forces, turning three of its original four musicians into war orphans. By October of that year, the group had officially become the UW Pro Arte Quartet, making it the first artist ensemble-in-residence at any university in the world. Pro Arte also is the world’s oldest continuously performing string quartet.
Other events surrounding the concert include a March 1 dinner and cocktails with the composer at the Chazen Museum of Art, 750 University Ave. (for details and reservations visit email@example.com or call 608-217-6786.) The cost is $35. There also will be a pre-concert conversation with Mernier at Mills Hall at 7:00 p.m. just prior to the March 1 performance.
In addition to the Mernier premiere, the concert will include Haydn’s String Quartet in D Major Opus 20, No. 4, composed in 1772, and Bruckner’s String Quartet in F Major, written in 1879. Frequent Pro Arte collaborator and violist Samuel Rhodes, a member of the Juilliard String Quartet, will perform with the Pro Arte’s four musicians on the Bruckner composition.
On Sun., March 2, both the Mernier and the Bruckner pieces will be performed live at the Chazen as part of the art museum’s regularly scheduled Sunday Afternoon Live from the Chazen broadcast at 12:30 p.m. on Wisconsin Public Radio.
Linear Structure, Musical Flow
Mernier’s 25-minute composition consists of nine specific movements, all of which have a compositional relationship with each other. Some movements are distinct and deliberate, while others flow into one another in an attempt to create a multi-dimensional structure, the composer says.
“The structural idea is to have a sort of linear music that moves in different directions,” Mernier says. “But at the end of the work there is a global sensation, like a story with different chapters. It will be up to the listener to structure and unify the different parts of the story.”
Mernier, who also writes opera, finds composing for a string quartet challenging, since there is only one family of instruments, limiting the voice of the composition. Employing different musical styles, from pizzicato to arco and playing sul ponticello (on the instrument’s bridge) or sul tasto (on the fingerboard), has helped the composer broaden the work’s tonal appeal.
“When you compose a string quartet, you are faced with a pure musical phenomenon,” Mernier says. “You can’t be on the periphery; you must be in the heart of things.”
Mernier’s experience writing for voice shows through the finesse applied to his string quartet, according to David Perry, one of Pro Arte’s two violinists.
“I was not surprised to hear that Mernier’s favorite instrument is voice, as there is extensive use of portamenti and glissandi,” says Perry. “I have never encountered a piece with more specific gradations of sul ponticello, or bowing close to the bridge for different shades of sounds with lots of high overtones. This technique can result in some unusual, and often beautiful colors.”
Mernier’s style and status among his European musical colleagues helped Pro Arte choose him for its fifth centennial commission. Based on the composition and its challenges, the quartet’s choice was a good one, says Sally Chisholm, Pro Arte’s violist.
“The many quick changes of sonorities from our most intimate to our most electrifying are exciting techniques that demanded much practice,” says Chisholm. “The required virtuosity of string writing in the second half of the quartet is quite challenging. Paganini would be a warm-up for some of the viola writing!”
A New CD, A Belgian Tour, A Wisconsin Public Television Special
In addition to the Mernier commission, Pro Arte Quartet’s 2013-2014 is filled with activity.
Performances of Pro Arte’s four previous centennial commissions by American composers William Bolcom, John Harbison, Walter Mays and Paul Schoenfield have been issued as an Albany Records 2-CD set. The release date was Dec. 10.
Later this spring, Wisconsin Public Television will air a one-hour documentary about Pro Arte and its work, featuring interviews with the musicians and excerpts from performances of the centennial works. The broadcast dates have yet to be determined.
The Mernier commission represents the first non-U.S. composer in the centennial series. It also brings the Pro Arte full-circle to its Belgian roots, a course that will include several concert dates in Brussels in May 2014. The Belgian connection is something that makes the String Quartet No. 3 a very special work, Mernier says.
“In the history of modern music, the Pro Arte Quartet is very important,” Mernier says. “I know the commission is a very great symbol.”
The Madison-based quartet agrees with the composer, citing Mernier’s work as a strong contribution to its long tradition of commissioning and premiering new work. Pro Arte’s list includes Samuel Barber’s famous Adagio for Strings, which the quartet premiered in Rome in 1936.
“Just like the other four commissions, this new work represents a beautiful and serious addition to the chamber music repertoire,” Chisholm says.
In addition to Chisholm and Perry, current musicians in the Pro Arte include violinist Suzanne Beia and cellist Parry Karp.
MADISON, Wis. – The Pro Arte Quartet, the string ensemble-in-residence at the University of Wisconsin, has released The Pro Arte Quartet Centennial Anniversary Commissions on the Albany Records label. The double-CD, which contains the first four compositions commissioned to celebrate the Pro Arte’s 2011-2012 100th anniversary season, is now available.
The four new compositions recorded by the Pro Arte, considered the world’s oldest continuously performing string quartet, will soon be joined by a fifth commissioned work, the String Quartet No. 3 by Belgian composer Benoît Mernier. The world premiere of Mernier’s work is scheduled to take place March 1, 2014, in Mills Concert Hall in the Mosse Humanities Building on the UW-Madison campus, and will bring the Pro Arte full-circle to its Belgian roots.
The Quatuor Pro Arte of Brussels, founded in 1911, was performing at the Wisconsin Union Theatre on the UW campus on May 10, 1940, when Belgium was overrun and occupied by Nazi forces, turning three of its original four musicians into war orphans. By October of that year, the group had officially become the UW Pro Arte Quartet, making it the first artist ensemble-in-residence at any university in the world.
The recording, produced by multiple Grammy Award-winning classical producer Judith Sherman, contains commissioned work by American composers Walter Mays, Paul Schoenfield, William Bolcom and John Harbison. The Mays and Schoenfield string quartets were recorded in December 2011 in Mills Hall, where each received its world premiere, and the Bolcom and Harbison piano quintets were recorded in May 2012, also in Mills Hall.
Mays’ String Quartet No. 2 “Dreaming Butterfly” is based on writings in the second chapter of the Zhuangzi, the ancient book of Chinese Taoist philosophy. The work is a follow-up to Mays’ String Quartet in G Minor, written for the Pro Arte during the summer of 1998. The new work takes as its inspiration Master Zhuang’s dream of being a butterfly, floating free of worldly cares, then awakening to wonder if he wasn’t really a butterfly dreaming that it was the Taoist philosopher.
“’Dreaming Butterfly’is laid out in five connected sections, three scherzo adventures surrounded by two ‘sleep music’ episodes,” says Mays, a member of Kansas’s Wichita State University composition faculty. “There is also a brief codetta, inspired by Zhuang’s idea that he might still be a butterfly. An important feature is the virtuosity of the first violin part, which represents the spirit of the butterfly.”
Schoenfield’s Three Rhapsodies for Piano Quintet combines three very different influences to comprise a 25-minute work inspired by literature, Yiddish ceremony and even 1950s pop music.
“Every time I sit down to compose a piece of music, a little voice in my head asks, ‘When are you going to get a real job?’” says Schoenfiled, a Detroit native and professor of music composition at the University of Michigan in Ann Arbor. “So that became the first movement of my work.”
The composition’s first rhapsody is based on the 1957 Silhouettes doo-wop hit “Get A job.” The second rhapsody takes both its title and tone from “The Beach of Desolation,” an elliptical Henry James story about unrequited love, a threatened breach-of-promise suit, and a surprise solution. The third rhapsody, “Klezmorim,” is “joyfully” composed and performed in Hasidic fashion, the composer says.
Brian (Keng-Lun) Hsu, a former University of Michigan doctoral student in piano studies and now assistant professor at Loyola University in New Orleans, performs with the Pro Arte on the Schoenfield composition.
Bolcom’s Piano Quintet No. 2 fulfills the composer’s mission to mirror society. “It’s a very broad and passionate piece,” says Bolcom, a Pulitzer Prize- and Grammy Award-winning composer who retired as musical composition teacher at the University of Michigan in 2008. “It’s kind of a warning, even a lament, perhaps, of what we’ve become in our world today.”
Bolcom’s four-movement composition features UW School of Music Professor Christopher Taylor on piano. Taylor, the recipient of numerous honors and accolades including the Van Cliburn Bronze Medal, had previously recorded Bolcom’s 12 New Etudes in 2000.
Harbison’s String Quartet No. 5, which completes the CD’s lineup, is comprised of 10 short movements. It’s an approach that Harbison, winner of the prestigious MacArthur Foundation genius award, the Pulitzer Prize and the Heinz Award in the Arts and Humanities, had never before taken in his string quartets.
“Many of these movements were longer when they started out,” says Harbison. “I retained the parts of each that were closest to the central theme.”
The composition replicates in structure the Leonard Stein Anagrams, a piano work Harbison composed in honor of the late Leonard Stein, composer Arnold Schoenberg’s personal assistant and former head of the Arnold Schoenberg Institute in Los Angeles. Stein’s predilection to turn names of friends and acquaintances into anagrams inspired Harbison’s short-movements approach to both the piano work and string quartet.
Review copies of The Pro Arte Quartet Centennial Anniversary Commissions are available to critics and journalists upon request. Please contact Sarah Schaffer at the UW School of Music, 608-217-6786 or firstname.lastname@example.org for more information.
Older releases (dating back to 1931) by the Pro Arte Quartet can be found here.