News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
Reminder: The UW Wind Ensemble concert this Saturday, April 7, will be streamed live. The start time is 7:30 PM. Click here for the link.
A panoramic view of the Hamel Music Center under construction, March 2018
Music Lessons after 55!
Retired physician Tim Shaw has a new hobby: taking violin lessons from UW-Madison doctoral student Paula Su. “I’m lucky to have found Paula as a violin teacher,” he says. “She inspires me.” Shaw, who’s currently practicing the well-known tune, “Danny Boy,” says he discovered the Community Music Lessons program via an online search.
Paula writes: “I was born in Taiwan, and I completed most of my education in Taiwan. After my master’s degree in violin performance and chamber music at University of Michigan, I played in Civic Orchestra of Chicago and also taught in the String Preparatory Academy in University of Michigan. Knowing that I enjoy teaching and also have some experience, Professor David Perry recommended that I join the CML program. The students in this program are very diverse. Some of them are undergraduate college students, some are PhD students, some are Epic employees, Tim is a retired doctor.”
“It is really fun to interact with different ages of people from different backgrounds. I draw much inspiration from my students and can also view myself through the teaching process.”
The Community Music Lessons program was founded in 1968 to help college students acquire experience teaching applied music lessons for children and adults. Lessons are provided by undergraduate and graduate students enrolled in the School of Music who are overseen by individual faculty members, an experienced graduate coordinator, and a staff supervisor. Lessons are taught on campus, in the Mosse Humanities Building.
The program plans an informal recital on Sunday, April 29 in Morphy Hall from 3:00 to 5:00 PM.
Farewell and thank you to Irving Shain
Last month, we bade farewell to former Chancellor Irving Shain, who passed away on March 6 at the age of 92. Chancellor Shain was a champion of the piano, founding both the Shain Piano/Woodwind Duo Competition (recent concert on March 4) and the Beethoven Piano Competition, now in its 33rd year with a winners’ recital concert scheduled for April 15 at 3:30 PM in Morphy Hall. His contributions to the School of Music were significant. We have missed his presence at these concerts and we remember him with fondness.
Annual Perlman Trio concert April 14
With Kangwoo Jin, piano; Luke Valmadrid, violin and viola; Micah Cheng, violoncello; Suzanne Beia, violin; and Chang En Lu, violin.
The Perlman Piano Trio is comprised of students at the University of Wisconsin-Madison and is generously supported by Kato Perlman who loves the magnificent piano chamber music repertoire. Members of the group are chosen on the basis of their outstanding work in the chamber music program at the University.
The program will include Haydn’s Piano Trio in C Major, Hob. XV:27; Schumann’s Piano Trio no.1 Op. 63; and Brahms’s Piano Quartet in G minor, Op. 25.
Student recitals in abundance
Morphy and Mills Hall and other venues (many off-campus) are now packed with student recitals. Upcoming performers include pianist Eric Tran, a recent winner of our concerto competition; Zachary Pulse, an oboist incorporating electro-acoustic methods into his music; and singer Talia Engstrom, performing music by Grieg, Mozart, Rossini, and others. See events calendar here.
Student at the podium
Flutist Anna Fisher-Roberts was inspired to create her own orchestra, and will present her first concert on Sunday, April 15 at 3:30 PM in Mills Hall. The program consists of one work: Aaron Copland’s Appalachian Spring.
“This project has been an exciting and enlightening journey,” writes Anna. “I came to music school intending to become a conductor, but since there are no undergraduate conducting programs, it’s difficult to get podium experience. I decided to put this project together mainly to get some time in front of an ensemble, but also for the opportunity to conduct Aaron Copland’s Appalachian Spring, one of my favorite pieces in the orchestral repertoire. This 13-piece orchestra is entirely Mead Witter students, and is run solely by me and the members of the ensemble.
“I have been soaking up as much conducting as I possibly can; I’ve been taking a conducting class since the beginning of the school year and took over conducting the flute ensemble in January. It’s very different being on the podium than sitting within the orchestra! I am looking at the music in a very different way than I do as a flutist, thinking about how to communicate gesturally and soundlessly to convey musical ideas. Throughout this process, I have had the privilege to work with conductors at the university: Scott Teeple, Chad Hutchinson, and Beverly Taylor. All have generously set aside time to help me to learn the score, and Dr. Hutchinson and Professor Teeple have even reviewed my video footage of my rehearsals and helped me to improve my rehearsal strategies and baton technique. I have also requested and welcomed suggestions from the musicians about how I can be more helpful to them as a conductor, and they always have excellent advice. As I continue in my career, I want to stay in touch with the musicians in my ensembles, to make the music as evocative as it can be.
“I plan to continue my conducting ventures this summer, starting with the Vienna Summer Music Festival Conducting Institute. This is a three-week program where I will work with conductors in front of a live orchestra, as well as take classes and have private lessons. In August, I will attend the Lyceum Music Festival in Utah as a conducting student of Kayson Brown, a conductor with whom I’ve worked in festivals before and who I greatly respect. For next year at UW-Madison, I would also like to create and conduct another student ensemble. I hope that this will be a continuing tradition, as it’s a wonderful opportunity for students interested in conducting to learn and receive feedback.”
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..
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