Category Archives: University Opera

A musical thank-you to the Mead Witter Foundation; Shain Woodwind-Piano Duo Winners Announced; New Music Premieres & Papers at Musicology Consortium: “Jewish Archive” Project Continues Worldwide

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
March 8, 2017

Faculty Ensembles combine with Lincoln High students for a memorable concert

On February 9, two School of Music faculty ensembles – the Wisconsin Brass Quintet and the Wingra Wind Quintet – traveled to Wisconsin Rapids, the home of the Mead Witter Foundation, for a special concert to thank them for their support of the school of music. The two ensembles, plus the Wind Ensemble from Lincoln High School in Wisconsin Rapids, performed a side-by-side concert at the Performing Arts Center of Wisconsin Rapids after the students were coached by ensemble faculty and UW-Madison conductor Scott Teeple.

Afterwards, music engagement and outreach coordinator Beth Larson received this note from Jeanne Olson, director of bands at Lincoln High School: “Thank you so much for all of the time you spent organizing that event, my students loved it and learned so much! I had them write a reflection this week, and they were very positive and many listed countless things that they learned from the professors sitting in with them and then working with the small groups!! It was a very successful event!”
Photographs by Beth Larson.

Irving Shain Woodwind-Piano Duo Competition Winners to perform this Saturday

Irving Shain, former chancellor of the University of Wisconsin-Madison. Photograph by Jeff Miller, university communications.

March 11, 4 PM, Morphy Hall.

This years’ duo winners are Rayna Slavova, piano with Chia-Yu Hsu, bassoon; and Kangwoo Jin, piano, with Eleni Katz, bassoon. The four will perform their winning selections at a free concert this Saturday.  Learn about the winning musicians and download the program.

Meet Yasha Hoffman, Russian Studies and composition double major

Yasha Hoffman.

Yasha Hoffman, a Minnesota native, grew up with parents of Soviet/Russian heritage and as a young child, fell in love with Russian folk songs. “One of my favorite activities was putting on ‘concerts’ for my parents where I’d loudly sing Soviet children’s songs and bang on the piano,” he says. He loves the breadth of opportunity offered by classes at UW-Madison. Read more about Yasha Hoffman.

“Performing the Jewish Archive” project continues worldwide

UW-Madison professor Teri Dobbs in Israel, Jordan, Michigan, and Vienna (upcoming)

This past January, Professor Teri Dobbs, a member of the Performing the Jewish Archive team, spent two weeks in Israel and Jordan. During her time there, she was a guest at Tel Aviv University’s Moshe Dayan Center for Middle Eastern and African Studies, together with colleagues from UW-Madison’s Mosse-Weinstein Center for Jewish Studies. In addition, she conducted research in the Yad Vashem Archives, met with musicology/music education colleagues to discuss the possibility of future projects within Israel, and met with the family of piano prodigy and composer, Josima Feldschuh (d. 1943).

Teri Dobbs
Professor Teryl Dobbs. Photograph by Michael R. Anderson.

Professor Dobbs will present several conference papers this coming semester, most of which pertain to her work with Performing the Jewish Archive. Her paper, “Music Education and the Holocaust: So What?” was heard at the New Directions in Music Education Conference: “Musicking Equity: Enacting Social Justice Through Music Education,” Michigan State University, East Lansing, Michigan, February 17. Dobbs has been invited to present more two papers, one in collaboration with soprano and PtJA performer Elizabeth Hagedorn of Vienna, at the 25th European Association for Music in Schools/6th European International Society for Music Education regional conference, JOINT (AD)VENTURE MUSIC: Network as a Challenge for Music Educators, at the University Mozarteum, Salzburg, Austria, April 18 – 22, 2017.
Learn more here.

Read about prior Performing the Jewish Archive events in Madison, 2015-2016.


Selected Upcoming Events

Anthony Georgeson. Photograph by Thomas Bruce.

March 12, 7:30 PM, Mills Hall.
UW Symphony with alumnus Anthony Georgeson, bassoon, conducted by James Smith. Georgeson is principal bassoon with The Florida Orchestra in St. Petersburg. Georgeson will play the Mozart’s Bassoon Concerto in B flat major, K. 191.  Other works will include Un Sourire pour Orchestre by Olivier Messiaen and Scheherazade by Nikolai Rimsky-Korsakov.  This is the penultimate opportunity to see longtime conductor James Smith, who will retire this spring after 34 years at UW-Madison. His final appearance as conductor will be on April 9. 

James Smith, orchestra conductor.
James Smith, orchestra conductor.

March 14, 6:30 PM, Morphy Hall.
Emery Stephens, baritone, guest artist recital. Free concert.
Stephens is assistant professor of voice at Wayne State University in Detroit. Prof. Stephens will coach student singers and pianists in African-American songs and spirituals and perform with students in a recital, with Professor Martha Fischer as collaborative pianist.

Emery Stephens

The Midwest Graduate Music Consortium – Presenting Original Research and New Compositions

Friday, March 31 and Saturday, April 1, Memorial Union and Mead Witter School of Music. Free events.

The Midwest Graduate Music Consortium (MGMC) is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and the University of Wisconsin-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate students around the country. The 21st annual meeting will include paper sessions, a new music concert, and a keynote address. For the new music concert, seven composers’ works were chosen from a nationwide call for scores. The ensemble Sound Out Loud will perform the new works, each a world premiere. All of the composers will be in attendance.
Find the schedule and concert program at this link:
Midwest Graduate Music Consortium

Sound Out Loud

University Opera’s “Turn of the Screw” receives warm reviews

Katie Anderson (Governess) and Anna Polum (Miss Jessel) in ”The Turn of the Screw.” Photograph by Michael R. Anderson.

“Much of the overall success of the show begins with decisions by Ronis (and executed by costume designers Sydney Krieger and Hyewon Park) to resist all temptation to make the specters of Quint (former valet of Bly’s master, who is far removed from the action of the story) and former governess Miss Jessel in any way ghoulish. Alec Brown and Anna Polum, in the roles on Friday night, looked fully human—and that’s just fine. The otherworldliness—and palpable evil—that they exude is in the music and the libretto itself,” wrote Greg Hettsmanberger in his blog, What Greg Says.

Doctoral cellist Andrew Briggs performs with Middleton Community Orchestra

At the March 1 concert of the Middleton Community Orchestra, cellist Andrew Briggs played two works by Antonin Dvorak: Silent Woods, Op. 68, No. 5,and Rondo in G minor for Cello and Orchestra, Op. 94. “Briggs played both of these with affectionate sensitivity. Currently finishing his doctoral studies at the University of Wisconsin-Madison School of Music, he is an artist with an already expanding reputation and a great future,” wrote reviewer John Barker.

Andrew Briggs

On Monday, March 27, Andrew will perform a lecture/recital on his dissertation project, “Piatti and the Body: An Integrative Approach to Learning and Performing the 12 Caprices, Op. 25.”

Morphy Hall, 6:30 PM. Free.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

“Symphony Showcase” concerto winners Feb 12; UW Opera Announces Spring Show; Schwendinger’s “Artemisia” Premieres in NYC

News and Events from the Mead Witter School of Music – February 2, 2017

For Valentine’s Day: “Love Story, Steinway Version”

A treasured 1927 Steinway Baby Grand Piano, Model M, finds a new home at the Mead Witter School of Music. Click to read the story and view images behind the School’s newest donation, inspired by love.

mom_dadcrop


“Symphony Showcase” Concerto winners recital returns to delight and thrill

Watching a young musician solo on stage is always a treat, and every year we’re happy to show you some of our most talented, many already professionals. Please join us on Sunday, Feb. 12 at 7:30 PM in Mills Hall to hear and congratulate our students. Adult tickets are $10; children and all students are free. Tickets will be sold at the door. New this year: A reception at the University Club following the concert. The reception is included in the ticket price.

L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Photograph by Hannah Olson.
L-R: Shuk-Ki Wong; Matthew Lee; Anna Polum; Matthew Onstad; Biffa Kwok. Not pictured: Nathan Froebe, composer. Photograph by Hannah Olson.

2016-2017 winners are:

  • Violinist Shing Fung (Biffa) Kwok, a doctoral student of Prof. David Perry and recipient of a Collins Fellowship. He will perform Tzigane by Maurice Ravel (1875-1937). Biffa is from Hong Kong.
  • Violinist Matthew Lee is an undergraduate senior, graduate of the Madison Memorial High School and alumnus of the Wisconsin Youth Symphony Orchestras. Matthew studies with Prof. Soh-Hyun Altino. He will perform the cadenza from the Violin Concerto No. 1 in A Minor, opus 77 of Dmitri Shostakovich (1906-1975).
  • Trumpeter Matthew Onstad, a native of Beaver Dam, Wisconsin. Matt is a master’s student of Prof. John Aley. He’ll perform the Trumpet Concerto in F Minor, Op. 18 by Oskar Böhme (1870-1938). Read about Matt in the Beaver Dam Daily Citizen: Beaver Dam native soars as trumpet player in Madison.
  • Soprano Anna Polum will sing “Amour, ranime mon courage,” written by Charles Gounod (1818-1893) for his opera adaptation of Romeo and Juliet. Anna studies with Professor James Doing and hails from Fairbanks, Alaska.
  • Pianist Shuk-Ki Wong, will perform the first movement of the Piano Concerto in G Major by Maurice Ravel (1875-1937). Shuk-ki studies with Professors Jessica Johnson and Christopher Taylor.
  • Composer Nathan Froebe, a doctoral student of Prof. Laura Schwendinger. The orchestra will perform the premiere of his Portrait d’une Femme, written for his friend and colleague, mezzo-soprano Jessica Kasinski.

University Opera to stage Britten’s “The Turn of the Screw” in March

Fresh from winning two major awards in the 2015-16 National Opera Association Competition, University Opera will present Benjamin Britten’s gothic ghost story, The Turn of the Screw, to round out its season.  In this, Britten’s last chamber opera, based on the Henry James novella of the same title, terror takes unexpected forms.  Premiered in 1954, The Turn of the Screw tells of a young governess who is hired to care for two children in an isolated country house in late 19th century England.  She soon realizes that the children are haunted by secrets and spirits that harm them in very real ways and she takes it upon herself to defend them.  In so doing, she is forced to confront the demons she perceives as threats, as well as her own internal ones.

Benjamin Britten in the mid-1960s (photograph by Hans Wild).
Benjamin Britten in the mid-1960s (photograph by Hans Wild).

The Turn of the Screw will be presented in English for three performances, all with projected supertitles.  March 3 at 7:30 PM, March 5 at 3:00 PM, and March 7 at 7:30 PM at Music Hall on the UW-Madison campus.  David Ronis, inaugural Karen K. Bishop Director of University Opera, will direct and graduate conducting assistant Kyle Knox will conduct the 13-member chamber orchestra.  Musical preparation will be by University Opera’s new vocal coach, Daniel Fung.

Click to read full news release.

Schwendinger opera “Artemisia” receives New York premiere

Next performance: Spring 2018, in San Francisco with the Left Coast Chamber Ensemble

On January 7, UW-Madison composer Laura Schwendinger unveiled Artemisia, a major new opera, at Trinity Church Wall Street in New York City as part of its Time’s Arrow Festival.  The opera is a story of passion, betrayal and art in 17th century Italy based on the life of Italian painter Artemisia Gentileschi. With a libretto by Ginger Strand, author of The Brothers Vonnegut, Artemisia is a recipient of a National Opera Center Discovery grant.

Real-life drama: Schwendinger’s “Artemisia” opera will premiere in New York City: Isthmus, 1.5.17

Preview in Broadway World, 1.7.17

Click to watch video of Artemisia’s premiere


Selected upcoming concerts and events:

Pro Arte Quartet, Saturday, Feb 4. With guest pianist Jee-Won Oh.

Wisconsin Brass Quintet, Final concert with retiring trumpeter John Aley, Sunday, Feb 26

Student Recitals: All semester.

Music Master Classes: Opportunities to observe guest musicians as they instruct and engage with college students.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Two More Opera Awards; Jazz Program Highlighted; Student Spotlight; Opportunities for Community Members

Happy New Year from the Mead Witter School of Music! And welcome to the first issue of A Tempo! for 2017

Two More Awards for UW-Madison University Opera

University Opera scores again with national recognition

Awards for two shows in 2015-2016

UW-Madison’s University Opera is on a roll. Both shows from last year, Transformations and Mozart’s Le nozze di Figaro, have won awards in the National Opera Association’s (NOA) Opera Production Competition for 2015-2016. It is the second year in a row that UW-Madison has garnered an award from NOA, and the first time that each production was separately recognized. University Opera produces only two operas each year.

William Ottow and Rebecca Buechel in Transformations. Image by Michael R. Anderson.
William Ottow and Rebecca Buechel in Transformations. Image by Michael R. Anderson.

October 2015’s Le nozze di Figaro, with orchestra conducted by James Smith, placed second in Division IV, and March 2016’s Transformations, conducted by graduate assistant conductor Kyle Knox, garnered a first place award in Division III.

Both productions were directed by David Ronis, inaugural Karen K. Bishop Director of Opera, who is now a six-time winner of the competition. His previous awards occurred while he worked at Queens College in New York.

Read the full news release.

UW-Madison Jazz Program highlighted- twice!

In December, Madison’s weekly newspaper Isthmus devoted a cover story to our burgeoning jazz program and its director, Johannes Wallmann

“By bringing more jazz to the university and beyond, Wallmann hopes to promote the notion that jazz isn’t just about the past, with its storied history and legendary names. It’s now also about highly trained musicians pushing the boundaries of the genre,” wrote author Jane Burns in her story, “Making a Scene.”

“ ‘Look up any end-of-the-year Top 10 list on NPR, Downbeat or The New York Times, and listen to what this generation of 20- and 30-somethings are up to, it’ll blow your mind,’ ” Wallmann says. “ ‘We want to prepare our students to be part of that.’ ”

…meanwhile, Wisconsin Public TV spotlights the jazz program as part of its “Young Performers” Initiative

For over a year, a dedicated crew from WPT – including alumna Megan Aley, who served as a producer – filmed Wallmann and his staff as they shepherded high school students through auditions for the UW High School Honors Jazz Band. The videos are intended to help aspiring musicians prepare for professional careers and college auditions.

New videos from Making Jazz web series will be released each Monday through Feb. 6. Learn more about the Young Performers Initiative and sign up for weekly releases of the jazz videos.

Meet our students: Juliana Mesa-Jaramillo, bassoonist

Juliana Mesa-Jaramillo came from the country of Colombia to study bassoon performance with Marc Vallon, professor of bassoon.  We asked her how she became involved in music, with the bassoon, and why she chose Wisconsin.

Juliana Mesa-Jaramillo
Juliana Mesa-Jaramillo

“I did my undergrad in music performance in the University El Bosque in Bogotá. I studied with Leonardo Guevara, the principal bassoonist of the National Symphony Orchestra. I learned very much while at school and I was able to play with many chamber ensembles when I was still in school. My first job as a bassoonist was in the Symphonic Band of Cundinamarca, and I worked there for a year during my last year of school. It was challenging, but I learned very much from this experience.

“In 2010, I received a master’s in bassoon performance with Saxton Rose at the University of North Carolina-School of the Arts. As I started to look into going back to school, I talked him, and he recommended that I applied to study with Marc Vallon at UW-Madison. I think it is one of the best decisions I have made in my life!”

Read Juliana’s story here, and click the arrow to learn about more of our students.

Two Community Opportunities – Deadlines Included

Sing with Choral Union this spring! Drop-in auditions will be held on January 18 for community members interested in singing a rare work: Paul Hindemith’s When lilacs last in the door-yard bloom’d. A rarely done work because of its difficulty, this is an outstanding setting of Walt Whitman’s poem written about the death of Abraham Lincoln, and the train that carried his body to Springfield, Illinois.  The work was commissioned by Robert Shaw in memory of Franklin Roosevelt, whose funeral train carried his dead body from Georgia back to Washington.  The work is in memory of “those we loved.”  Two concerts, April 29 & 30. Learn more here. 

Inviting high school pianists to take part in Pathways to Artistry: From the Practice Room to the Stage. A free, day-long event featuring workshops, masterclasses and performances hosted by UW-Madison’s keyboard faculty. High school pianists are encouraged to participate in the master classes and an honors recital.  More information and registration is at the link below. The deadline to register is January 31.

http://www.music.wisc.edu/event/pathways-to-artistry-uw-madison-keyboard-day/

pathways-to-artistry-graphic

Two Concerts – Seats Available

Sunday, January 22, 4 PM, Mills Hall

Sonatas for Violin and Piano

Violinist Soh-Hyun Altino and pianist Christopher Taylor, both faculty artists, perform the Sonata for Violin and Piano by John Corigliano (1963) and the Sonata in A Major by Gabriel Fauré (1875-76). Tickets are $15 for adults and $5 for non-UW music students.  Learn more here.

Sunday, January 29, 3 PM, Mills Hall

Our Annual Schubertiade: “Circle of Friends”

This year’s Schubertiade with pianists Martha Fischer and Bill Lutes will feature acclaimed alumna soprano Emily Birsan.  The concert will be followed by a reception (included in the ticket cost) at the University Club. Tickets are $15 per adult and $5 for non-UW music students. The concert is sponsored by Madison resident Ann Boyer, an admirer of Franz Schubert’s music and the musical talents of Fischer and Lutes. Learn more here.

Emily Birsan
Emily Birsan

 

 

 

 

 

 

 

 

Alumni News

We want to hear from you- please click the link to read about our graduates and send your news!

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

School of Music celebrates at Lake & University; Sun Prairie students get tips from Teeple; Hetzler credits UW grants; Falstaff starts this week; Student Recital Highlight

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
November 9, 2016


Celebration time at Lake & University!

Music is never in short supply at a school of music, and that was happily obvious on October 28 for the groundbreaking of the new Hamel Music Center. Featuring a jazz combo, a sweet-voiced choir and a brass quintet, topped off by our favorite tunes from the UW Marching Band, the ground for a new concert hall was finally broken on October 28, 2016.

L-R: Board of Advisors Co-Chair Pamela Hamel, student Megan Mitchell, Chancellor Rebecca Blank, L&S Dean John Karl Scholz, and George Mead and Susan Feith of the Mead Witter Foundation (with her grandson in between).
L-R: Board of Advisors Co-Chair Pamela Hamel, student Megan Mitchell, Chancellor Rebecca Blank, L&S Dean John Karl Scholz, and George Mead and Susan Feith of the Mead Witter Foundation (with her grandchildren in between). Photograph by Andy Manis.

 

 

 

Under a yawning tent with over 200 guests in attendance, speakers included Chancellor Rebecca Blank, Mead Witter School of Music director Susan C. Cook, Mead Witter Board of Advisors co-chairs Pamela O. Hamel and Robert Graebner, John Karl Scholz, dean of the College of Letter and Sciences, and Megan Mitchell, a double major in the School of Music.

Click here to see a full gallery of groundbreaking ceremony images on our website.

Want to join our euphonious (mellifluous, dulcet, coloratura, take your pick) team?

Naming opportunities are still available for spaces in the new building! For $4 million, we offer a chance to name the lobby, and for $2.5 million, a chance to name the rehearsal space. Donors who would like to have their names prominently displayed on our wall of honor have opportunities at $50,000 or more. For more information, please contact Jon Sorenson at jon.sorenson@supportuw.org or call him at 608.515.3052. Or, contact Rebekah Sherman at rebekah.sherman@supportuw.org or 608.572.2077.


Students from Sun Prairie get prepped for music conference by Scott Teeple, director of concert bands at UW-Madison

On October 27, a group of young band musicians from Cardinal Heights Upper Middle School visited the School of Music with their conductor, Joseph Mesner, to receive tips for their performance at the Wisconsin School Music Association state conference at Monona Terrace on October 28. “They came to campus to work with me, as I was guest conducting a piece on their program,” says Teeple.  “I recruited some UW students to “sit-in” for the rehearsal.  The UW Wind Ensemble students played along with the young musicians, who were in 8th and 9th grade, demonstrated skills and gave feedback to the students during their rehearsals.” Click images to enlarge.


This week at the School of Music:

Student Recital Highlight: Kyle Johnson, piano

Tomorrow, Thursday Nov 10, at 6:30 PM in Morphy Hall, pianist Kyle Johnson holds a doctoral lecture-recital titled “The Music of Birds:  Messiaen’s Musical Ecology.” He writes: “Olivier Messiaen’s Catalogue d’Oiseaux (Catalog of Birds) is a multi-movement work for piano that features hundreds of notated birdsongs and depictions of French landmarks. Although dissonant at times, it is an ecologically-based work that is always imaginative and thought-provoking. Among topics to-be discussed during the lecture portion of the presentation are: the dualism of science and art in the 20th century, extra-musical representation throughout music history, and an interpretation of the movements ‘Chough of the Alps,’ ‘Song of the Lark,’ and ‘The Curlew.’ ”

Falstaff this week!

Don’t miss your chance to see UW-Madison’s novel setting of Falstaff, a “wild, comic romp about a has-been silent movie actor, out of work with the advent of the ‘talkies,’ holding onto his former glory and living beyond his means at the Chateau Marmont.”  Directed by David Ronis, conducted by James Smith. At 6 PM on Friday, there will also be a pre-concert discussion with university colleagues Joshua Calhoun, Assistant Professor of English; Cabell Gathman, Lecturer, Dept. of Gender and Women’s Studies; Steffen Silvis, Dramaturg and Doctoral Candidate in Interdisciplinary Theatre Studies; and David Ronis, Karen K. Bishop Director of University Opera.  Susan Cook, Pamela O. Hamel/Music Board of Advisors Director of the Mead Witter School of Music, will moderate.

Falstaff will be presented in Italian with English supertitles for three performances, November 11 at 7:30 pm, November 13 at 3:00 pm, and November 15 at 7:30 pm in Music Hall.

Click here to buy tickets.

falstaffad


Trombonist Mark Hetzler grateful for faculty awards that allow him to realize his artistic goals

Concert Saturday, Nov. 12, 8 PM, Mills Hall

A CD of experimental contemporary chamber music, a second CD of romantic music for trombone and piano, and an upcoming CD of arrangements and original works for trombone ensemble: all the result of UW-Madison arts grants and awards that allowed trombone professor Mark Hetzler to experiment far beyond what would otherwise be possible.

Mark Hetzler
Mark Hetzler

To that pile, add one more CD of experimental and contemporary music, released in 2016.

His most recent recording, Dig., involves considerable new technology, innovative recording techniques and commissions of new music from living composers, all thanks to UW-Madison grants.  “The University is a fantastic means of research support,” says Hetzler. “My teaching and research go hand in hand, and to be able to bring my artistic ideas to life is a huge part of why I love working on this campus.”

In 2012, Hetzler received a H. I. Romnes Faculty Fellowship award of $50,000. Romney awards are funded by WARF to recognize the leadership of the late WARF Trustee President H. I. Romnes. In 2015, Hetzler received a Creative Arts Award of $30,000 from the UW-Madison Arts Institute, which honors extraordinary artistic projects and endeavors carried out by tenured members of the UW-Madison arts faculty.

This Saturday, Nov. 12 at 8:00 PM in Mills Hall, Hetzler will perform his yearly faculty recital with pianist Vincent Fuh, a School of Music alumnus who frequently collaborates with Hetzler. “The music is a retrospective of pieces that I have recorded over the past 14 years, and represents five different recordings,” Hetzler says. “I want to showcase music that I’ve recorded in the past as a way of connecting my students and the Madison public with what I do as a recording artist.”

Music from the following recordings from his Summit catalogue will be represented on this recital: American Voices (2002); Serious Songs, Sad Faces (2003); 20th Century Architects (2004); Three Views (2012); and Blues, Ballads and Beyond (2015). You can learn more about all of Mark’s accomplishments as a musician and as a teacher at his personal website: http://www.markhetzler.com/


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

University Opera presents Verdi’s Falstaff, re-envisioned in Hollywood, 1930

As part of the worldwide commemoration of the 400th anniversary of Shakespeare’s death, University Opera will present Verdi’s final masterpiece, Falstaff. Based on material from The Merry Wives of Windsor, Henry IV, and Henry V, Falstaff is a wild, comic romp. In the UW-Madison production, updated to Hollywood in 1930, Falstaff is a has-been silent movie actor, out of work with the advent of the “talkies,” holding onto his former glory and living beyond his means at the Chateau Marmont. Now a petty criminal, Falstaff puts the make on Alice Ford and Meg Page in an effort to bilk their husbands of money. The ladies, incensed at his audacity, hatch a plot to give Falstaff his comeuppance. But not before Mr. Ford, (a movie studio executive in the UW production) acting on his own ill-founded suspicions, gets involved and complicates matters. At the end, all are reconciled as both men are taught their respective lessons.

falstaffad

Falstaff will be presented in Italian with English supertitles for three performances, November 11 at 7:30 pm, November 13 at 3:00 pm, and November 15 at 7:30 pm in Music Hall on the UW-Madison campus. Directed by David Ronis with James Smith conducting the UW Symphony Orchestra, the production will involve over 90 UW singers, instrumentalists, and stage crew. This production opens just one week after the national traveling exhibit of Shakespeare’s First Folio arrives at the Chazen Museum of Art.

Buy tickets here.

Following the success of the panel discussion before University Opera’s production of Transformations last spring, Ronis will again be assembling a panel of colleagues to discuss Falstaff on Friday, November 11 at 6:00pm in the Music Hall, admission free. Featured panelists include:

Joshua Calhoun, Assistant Professor of English, UW-Madison

Cabell Gathman, Lecturer, Dept. of Gender and Women’s Studies, UW-Madison

Steffen Silvis, Dramaturg and Doctoral Candidate in Interdisciplinary Theatre Studies, UW-Madison

David Ronis, Karen K. Bishop Director of University Opera, UW-Madison

Susan Cook, Pamela O. Hamel/Music Board of Advisors Director of the Mead Witter School of Music, Moderator

Paul Rowe, Professor of Voice at UW-Madison, will sing the title role amidst a cast featuring current students and a couple of guest alums. The principal ladies’ roles will be filled by Yanzelmalee Rivera and Sarah Kendall (Alice Ford), Courtney Kayser and Talia Engstrom (Meg Page), Emily Weaver and Claire Powling (Nannetta), Rebecca Buechel and Jessica Kasinski (Quickly). The men in the cast will be alum Brian Schnieder and guest artist Richard Schonberg (Ford), José Muñiz (Fenton), Wesley Dunnagan (Dr. Caius), Jiabao Zhang (Bardolfo) and alum Benjamin Schultz (Pistola). Assisting Maestro Smith will be Kyle Knox, assistant conductor, with musical preparation by new professor of opera and vocal coaching, Dr. Daniel Fung, Chan Mi Jean, and chorus master, Christopher Boveroux.

The physical production will be designed by Greg Silver. Costume design is by Sydney Krieger, and Hyewon Park, lighting design by Kenneth Ferencek, props design by David Heuer, and the production stage manager will be Alec Brown. The production staff include Erin Bryan, operations manager for University Opera; Jimmy Dewhurst and Daniel Lewis, master electricians; and Ethan White, lighting board operator.

Tickets are $25.00 for the general public, $20.00 for senior citizens and $10.00 for UW-Madison students, available in advance through the Campus Arts Ticketing office at (608) 265-ARTS and online at http://www.arts.wisc.edu/ (click “box office”). Tickets may also be purchased in person at the Wisconsin Union Theater Box Office Monday-Friday, 11:30 a.m.-5:30 p.m. and Saturdays, 12:00-5:00 p.m. and the Vilas Hall Box Office, Monday-Friday, 11:30 a.m.-5:30 p.m., and after 5:30 p.m. on University Theatre performance evenings. Because shows often sell out, advance purchase is recommended. If unsold tickets remain, they may be purchased at the door beginning one hour before the performance. The Carol Rennebohm Auditorium is located in Music Hall, at the foot of Bascom Hill on Park Street.

University Opera is a cultural service of the School of Music at the University of Wisconsin-Madison whose mission is to provide comprehensive operatic training and performance opportunities for our students and operatic programming to the community. For more information, please contact opera@music.wisc.edu. Or visit the School of Music’s web site at music.wisc.edu.

 

38th Karp Family Concert; Music Hall shines with new paint; Brass Fest 3 opens up to area high schools

Scroll down to read about our 38th Karp Family Concert, Brass Fest 3 including audio of the Stockholm Chamber Brass, new pages on our website, and alumni news!
For a full calendar of events, see
http://www.music.wisc.edu/events/
August 30, 2016
Welcome to the beginning of a new year at the University of Wisconsin-Madison Mead Witter School of Music, and our first issue of A Tempo!
painters
Over the summer, the interior of Music Hall was spruced up with fresh paint. What a welcome improvement! The hall is used by University Opera as well as percussion and jazz groups. Many thanks to UW-Madison painters!

 

 

 

 

 

 

 

 

 

 

 

Here’s what happened over the summer:

  • Music Hall, the home of University Opera and many percussion and jazz concerts, was repainted. It looks terrific.
  • Our school was renamed, thanks to the Mead Witter Foundation of Wisconsin Rapids, who contributed $25 million to the new concert hall.
  • We remodeled the display cases in Mills Hall lobby. They now  contain stunning images of our students, taken by photographers Michael R. Anderson and Bryce Richter.

We bade farewell to faculty members Richard Davis, Stephen Dembski, and Janet Jensen. And we added faculty. Please help us welcome Leo Altino, classical bass instructor; Nick Moran, jazz bass instructor; Louka Patenaude, jazz guitar instructor; Eric Siereveld, jazz trumpet instructor; Aaron Hill, oboe;  Amy McCann, clarinet; Gino Deluca, Wisconsin Singers artistic director; Daniel Fung, vocal coach; Jeanette Thompson, voice; and Matthew Richardson, musicology. Learn about them on our faculty page.

On tap for early fall….

The 38th Annual Karp Family Labor Day concert Monday, Sept. 5, 7:30 PM, Mills Hall.  This annual treat will feature a tribute to the late UW-Madison pianist Howard Karp, commissioned from composer Joel Hoffman by Howard’s son, Christopher. Free concert.

Brass Fest3 Poster2016_HO

BRASS FEST III with Stockholm Chamber Brass, making their first United States tour. One of Europe’s greatest quintets, SCB will perform a solo concert on Friday, Sept. 30 and will be joined on Saturday, Oct. 1 by the Wisconsin Brass Quintet and selected college and area high school students in a “Festival Brass Concert.”  Both concerts will begin at 8 PM and are ticketed. Our third BRASS FEST will also feature displays from Wisconsin vendors of musical instruments and sheet music , T-shirts featuring our brand new logo, and a reception!

Concert, Fri,  Sept. 30, 8 PM, Mills Hall: The Stockholm Chamber Brass. Ticketed: $20 adults; $5 students & children.    Buy tickets here.

Concert Sat, Oct. 1, 8 PM, Mills Hall: Festival Concert with the Stockholm Chamber Brass, the Wisconsin Brass Quintet and college/high school students. Meet the musicians at a free reception following the concert. Ticketed: $15 adults; $5 students & children. Buy tickets here.

Hear Stockholm Chamber Brass perform one of the works to be played on September 30: Malcolm Arnold’s “Brass Quintet”:

Introducing our “Meet the Students” webpage

Here’s where newcomers to the School of Music can learn about the varied and fascinating people who call themselves students in our school. It’s not a page for awards (find that here) nor a page for graduates (that is here) but a place where ongoing students describe who they are and why they have chosen to study music. Let them tell us in their own words!

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On Sept. 25, doctoral candidate Sarah Richardson will premiere a song cycle of letters from Nellie Kedzie Jones, a Wisconsin farm woman. Click the image to learn more.

Bookmark it! http://www.music.wisc.edu/student-profiles/


Alumni News: 

William Rhoads, Kimberly Dunn Adams, Merrin Guice, Christina Kay, Paul Bhasin, Matthew Mireles, Claire Hellweg.

 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

David Ronis Appointed as University Opera’s Permanent Director

Good afternoon. Our last newsletter of the academic year contains good news. We’ll see you again in August!

David Ronis Appointed as University Opera’s Permanent Director

The UW-Madison School of Music is pleased to announce that David Ronis, interim University Opera director since 2014, has been selected as the program’s permanent director following a nationally competitive search.

“We are delighted to have hired someone with such wide-ranging experience and expertise, as well as a proven commitment to music education in the 21st century,” said Susan C. Cook, director of the school of music, adding that Ronis also plans to collaborate with other programs on campus and beyond.

David_Ronis. Image by Luke DeLalio.

The position is endowed, and was initiated with a pledge of $500,000 from Dr. Charles Bishop, CEO of Opko Health’s Renal Division of Miami, Florida. The pledge was in memory of his wife, Karen K. Bishop, who died of cancer in January 2015. Karen Bishop was a successful businesswoman who, after her diagnosis, returned to school for a master’s degree in opera and a doctoral degree in voice, both at UW-Madison.

Dr. Bishop’s gift was matched dollar for dollar with John and Tashia Morgridge’s matching gift for faculty support, making the professorship a reality. It was further bolstered by overwhelming support by the community’s opera lovers and friends.

Ronis will become the inaugural Karen K. Bishop Director of University Opera and will assume his position in the fall.

David Ronis came to UW-Madison as interim director in 2014 following the retirement of William Farlow. Prior to coming here, Ronis was a faculty member at the Aaron Copland School of Music, Queens College/CUNY, where he directed the opera studio and co-founded the Baroque Opera Workshop, and at Hofstra University, where he taught voice and diction. Four of his productions have won awards in the National Opera Association’s Opera Production Competition, most recently his 2014 UW-Madison staging of Benjamin Britten’s Albert Herring. This marked the first time that University Opera has won a national award.

Ronis also has taught at La Lingua della Lirica in Novafeltria, Italy, the Westchester Summer Vocal Institute, and the Maryland Summer Center for the Arts. He has presented master classes and workshops across the country, coaching singers on acting and audition skills. As a performer, he has appeared in opera productions in Europe, Asia and the United States, in concert at Carnegie, Avery Fisher, and Alice Tully Halls, toured the U.S. with Disney’s Beauty and the Beast, and worked in film and television commercials.

“I look forward to continuing to work with the fine students and terrific colleagues at UW-Madison, ” Ronis said, adding that his plans include continued emphasis on the theatrical aspects of both traditional and contemporary operatic repertory and exploring additional partnerships with campus and community organizations.

“We are so very grateful to Charles Bishop for helping ensure the future health and stability of our opera program. Karen was a remarkable student, and this professorship recognizes her many talents as well as her commitment to the School of Music and the opera program,” added Professor Cook.

Ronis will be only the third director of University Opera. The program began informally in 1958, with Karlos Moser formally appointed as director in 1961. He served until 1998 and was replaced by William Farlow, who retired in 2014.