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UW alumni help launch strings education in Door County; pro arte in mills hall tomorrow; Christopher Taylor next weekend

February 1, 2019

News and Events from the Mead Witter School of Music


University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/


UW-Madison alumni form 3/4 of new strings education quartet in Door County

Executive director also an alumna

The first time UW-Madison’s Hunt Quartet played in Door County for Midsummer’s Music, a Door County summer chamber music festival, it was in response to an emergency.

The renowned Pro Arte Quartet had long been booked to play, but the quartet had to cancel. Midsummer’s artistic director James Berkenstock scrambled to fill the void.

The Griffon String Quartet. L-R: Roy Meyer, Ryan Louie, “Vini” Sant’Ana, and Blakeley Menghini. Photograph by Ben Menghini.

David Perry, violinist with the Pro Arte, had a solution: Hire the Hunt, the graduate string quartet at UW-Madison. “David said that this particular configuration of the Hunt Quartet was superb,” says Berkenstock. “He said they already had a program and would do a great job.”

Read the full story here.


Classical pianist Christopher Taylor continues his Liszt/Beethoven cycle

Franz Liszt was a superstar pianist. He was a virtuoso who invented the orchestral tone poem, taught 400 students for free, conducted and composed. Musicologist Alan Walker wrote three volumes about Liszt, shedding light on all of Liszt’s work but especially his genius for transcription. Writes Anthony Tommasini of the New York Times, “The best of these works are much more than virtuosic stunts. Liszt’s piano transcriptions of the nine Beethoven symphonies are works of genius. Vladimir Horowitz, in a 1988 interview, told me that he deeply regretted never having played Liszt’s arrangements of the Beethoven symphonies in public.”

Few pianists have tackled all nine Beethoven transcriptions. Christopher Taylor is one. On Saturday, February 9, at 8:00 PM in Mills Hall, Taylor will perform his sixth transcription – Beethoven’s 8th Symphony. Saturday’s concert will also include six preludes by Nikolai Kapustin, a whose works span both classical and jazz, and the Fantasy in C Major, D. 760 (“Der Wanderer”) of Franz Schubert.

Christopher Taylor. Photograph by Michael R. Anderson.

In 2020, Christopher Taylor will celebrate Beethoven’s 250th anniversary with performances of the Franz Liszt transcriptions of Beethoven’s symphonies, in Madison and beyond. In Boston, Taylor will perform the entire set in five concerts at the Isabella Stewart Gardner Museum.

Tickets for Taylor’s Feb. 9 concert ($17 adults, $7 children) may be purchased online or in person.

Purchase options here:
https://www.music.wisc.edu/about-us/tickets/

Or, purchase online directly at this link.


Pro Arte Quartet this Saturday

February 2 @ 8:00 pm, Mills Concert Hall, 455 N. Park St.

Program: String Quartet D Major, Op. 50 No. 6 “The Frog”(1796) – Franz Joseph Haydn String Quartet No. 9 in Eb Major, Op. 117 (1964) – Dmitri Shostakovich String Quartet in A Major, Op. 41 No. 3 (1842) – Robert Schumann


“Schubertiade” charms audience once again

Isthmus’s John Barker wrote, “A carefully prepared program and a multi-page handout with the full German song texts, with English translations, allowed the audience to become fully immersed in the music.

“And what absolutely wonderful music!”

Check our Facebook page for images from the January 27 concert.

The Perlman Trio following their performance of Schubert’s Piano Trio No. 2, second movement: Mercedes Cullen, Kanwoo Jin, and Micah Cheng. With Bill Lutes at piano. Photograph by Michael R. Anderson.

Upcoming Concerts

Jazz Composers Group and Afro-Cuban Jazz Ensemble  February 1 @ 5:00 pm - 7:00 pm Tandem Press, 1743 Commercial Avenue 
Wingra Wind Quintet in Richland Center February 3 @ 2:00 pm - 3:00 pm Seventh-Day Adventist Church, 26625 Crestview Dr Richland Center, WI  Members of the Wingra Wind Quintet in concert, presented by the Richland Concert Association at the Seventh Day Adventist Church in Richland Center.
UW Jazz Orchestra & the Billy Childs Quartet February 9 @ 8:00 pm Memorial Union-Shannon Hall, 800 Langdon Street WI  Jazz pianist Billy Childs, the 2018 Grammy Award winner for Best Jazz Instrumental Album, will join the UW Jazz Orchestra on stage for an exciting opening act prior to his appearance with the Billy Childs Quartet.
UW-Madison Symphony Orchestra, with composer Augusta Read Thomas February 14 @ 7:30 pm Mills Concert Hall. With Chad Hutchinson, conductor, and graduate conductors Michael Dolan and Ji Hyun Yim.  Program: Jean Sibelius- Valse Triste; Augusta Read Thomas- Of Paradise and Light; Augusta Read Thomas- Prayer and Celebration; Wolfgang Amadeus Mozart- Symphony No. 39 in Eb. Major, K. 543. Augusta Read Thomas will be in residence at UW-Madison for this concert. Join us for a master class with Ms. Thomas, Feb. 14, 2:00 to 5:00 PM, Music Hall. 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to the School of Music.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

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Concerto Winners on stage March 18; Meet Satoko Hayami from “Sound Out Loud”; Jazz Orchestra 50th anniversary podcast

March 2, 2018

News and Events from the Mead Witter School of Music

University of Wisconsin-Madison
455 North Park Street, Madison Wisconsin 53706
http://www.music.wisc.edu/


“Symphony Showcase” Coming Soon!

Sunday,  March 18, 7:30 PM, Mills Hall

We’ve announced this before, but here’s a reminder: Our annual concerto winners solo recital (a/k/a Symphony Showcase”) takes place at 7:30 PM on March 18 in Mills Hall.

Our 2018 winners are Kaleigh Acord, violin (Beethoven, Concerto for Violin and Orchestra in D major, first movement); Aaron Gochberg, percussion (Keiko Abe, Prism Rhapsody); Eleni Katz, bassoon (Mozart, Bassoon Concerto in B flat major); Eric Tran, piano (Bach, Concerto No. 4 in A Major); and Mengmeng Wang, composer (premiere: “Blooming”).

Tickets are only $10 for adults, free to students, and there’s a free reception after the show in Mills Hall. Buy tickets here or at the door.


Meet Satoko Hayami, graduate pianist

Satoko, a doctoral student in Professor Martha Fischer‘s studio,  is a member of Sound Out Loud, a recent winner of The American Prize.  Here’s an excerpt from our recent Q&A with Satoko:
“The idea of starting a contemporary chamber music ensemble came to me in searching for ways to better connect with more diverse audiences. I felt that the diverse musical language in contemporary repertoire might have as much or even more potential to be relevant to the different kinds of audiences including young people and non-classical music fans than older repertoire, if presented in appropriate ways. I wanted to team up with people who are open to different, sometimes unconventional ways to present music, and was lucky to find people who share the similar interests, openness and enthusiasm right away.”

Read more here.

Satoko Hayami


James Latimer wins award

Emeritus Professor of Percussion James Latimer won a Lifetime Achievement Award at annual Wisconsin Days of Percussion event, January 27, 2018 in Milwaukee. While at UW-Madison, Latimer spearheaded a Duke Ellington Festival, started the Madison Marimba Quartet, initiated the first of 300 Young Audience Concerts held in public schools from 1969 to 1984, and hosted the Wisconsin Percussive Arts Society “Days of Percussion.”


Shain Woodwind/Piano Duo winners concert

3:30 pm, Sunday, March 4,  Morphy Hall

A competition and recital sponsored by former UW-Madison Chancellor Irving Shain
Winners were announced on Tuesday, February 27. They include: Juliana Mesa-Jaramillo, bassoon and Satoko Hayami, piano;
Anna Fisher-Roberts, flute and Eric Tran, piano.

Read more here.

Local arts reviewers loved “La Boheme”

University Opera’s production of LA BOHEME. Foreground, left to right: Claire Powling (Musetta), Michael Kelley (Waiter), Jake Elfner (Alcindoro) Photograph by Michael R. Anderson.

“University Opera’s “La Bohème” proves a complete success on all counts – from the staging and the costumes to the singing and the orchestra”
Larry Wells, The Well-Tempered Ear, Feb. 27.

“Ronis’ able hand was evident in the players’ acting. The cast was consistently believable, and consequently I was drawn into their world and suffered along with their despair over love’s inconsistencies and death’s sting. Using my acid test for a performance’s success, I never glanced at my watch either night. I was fully engaged.

“The orchestra was a marvel. Conductor Chad Hutchinson let it soar when it was appropriate, but the orchestra never overshadowed the singers. In fact, the key term that kept occurring to me both evenings was balance. The acting, the back-and-forth between the singers, and the interplay between the orchestra and the singers were consistently evenhanded.

“As for the singers, the primary roles were double cast. Friday’s Mimi was Shaddai Solidum whose first aria “Mi chiamano Mimi” was a lesson in the mastery of legato. Saturday’s Mimi was Yanzelmalee Rivera who possesses a bell-like voice of remarkable agility.”

Read the entire review here.

Yanzelmalee Rivera as Mimi in University Opera’s production of LA BOHEME. Photograph by Michael R. Anderson.

University Opera Offers a Gem in a Bejewelled Setting
Greg Hettsmanberger, What Greg Says, 2.27.18

“Again we have been given much to look forward to; certainly it is unrealistic to see University Opera in Shannon Hall every season, but we can hope that it becomes a semi-regular occurrence. The greater lesson from Sunday’s performance however is this: wherever Ronis and his “kids” show up, the audience is in store for some memorable opera. The national awards and recognition that the program are consistently earning are richly deserved, and our town is clearly the richer for what these folks are giving us.”

Read the full review here.

Johannes Wallmann and Jazz at UW-Madison

“Bucky’s Jazz Savior,”  Madison Magazine, February 2018

“It was that combination of vision, leadership and expertise as a pianist and composer that quickly pushed him to the top of UW–Madison’s list of candidates for director of jazz studies. During [Director of Jazz Studies Johannes] Wallmann’s first year of teaching here, in 2012-2013, he sought out and performed with many local jazz musicians as a means of building relationships and moving the music program forward.

“In less than five years, Wallmann took the Jazz Studies undergraduate program from zero enrollees to 17. It’s an important part of the efforts to revitalize Madison’s jazz community.”

Read the story here.

Announcement: The UW Jazz Orchestra is turning 50! April’s annual Jazz Fest will celebrate this anniversary with three concerts featuring guest trumpeter Marquis Hill, winner of the 2014 Thelonious Monk Competition. Learn about the history of the Jazz Orchestra with our new six-episode podcasts with Les Thimmig, longtime composer and saxophonist. Listen to Episode 1 on our SoundCloud channel.


The American Prize first-place vocal winner coming to Madison on March 19 & 20

Vocalist Kristina Bachrach, recent winner of The American Prize in Vocal Performance and the Friedrich and Virginia Schorr Memorial Award, will perform a concert on March 20 at 7:00 PM in Music Hall. Accompanied by faculty pianist Daniel Fung, she’ll sing selections from “The Recovered Voices Initiative,” started by James Conlon and Los Angeles Opera, which focuses on musical works and musicians that were either suppressed or killed by the Nazi regime in World War II.

Kristina Bachrach

Read about Kristina, the Initiative, and The American Prize at this link.

Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August. To receive the brochure, please send your postal address to newsletter editor..


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

A musical thank-you to the Mead Witter Foundation; Shain Woodwind-Piano Duo Winners Announced; New Music Premieres & Papers at Musicology Consortium: “Jewish Archive” Project Continues Worldwide

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
March 8, 2017

Faculty Ensembles combine with Lincoln High students for a memorable concert

On February 9, two School of Music faculty ensembles – the Wisconsin Brass Quintet and the Wingra Wind Quintet – traveled to Wisconsin Rapids, the home of the Mead Witter Foundation, for a special concert to thank them for their support of the school of music. The two ensembles, plus the Wind Ensemble from Lincoln High School in Wisconsin Rapids, performed a side-by-side concert at the Performing Arts Center of Wisconsin Rapids after the students were coached by ensemble faculty and UW-Madison conductor Scott Teeple.

Afterwards, music engagement and outreach coordinator Beth Larson received this note from Jeanne Olson, director of bands at Lincoln High School: “Thank you so much for all of the time you spent organizing that event, my students loved it and learned so much! I had them write a reflection this week, and they were very positive and many listed countless things that they learned from the professors sitting in with them and then working with the small groups!! It was a very successful event!”
Photographs by Beth Larson.

Irving Shain Woodwind-Piano Duo Competition Winners to perform this Saturday

Irving Shain, former chancellor of the University of Wisconsin-Madison. Photograph by Jeff Miller, university communications.

March 11, 4 PM, Morphy Hall.

This years’ duo winners are Rayna Slavova, piano with Chia-Yu Hsu, bassoon; and Kangwoo Jin, piano, with Eleni Katz, bassoon. The four will perform their winning selections at a free concert this Saturday.  Learn about the winning musicians and download the program.

Meet Yasha Hoffman, Russian Studies and composition double major

Yasha Hoffman.

Yasha Hoffman, a Minnesota native, grew up with parents of Soviet/Russian heritage and as a young child, fell in love with Russian folk songs. “One of my favorite activities was putting on ‘concerts’ for my parents where I’d loudly sing Soviet children’s songs and bang on the piano,” he says. He loves the breadth of opportunity offered by classes at UW-Madison. Read more about Yasha Hoffman.

“Performing the Jewish Archive” project continues worldwide

UW-Madison professor Teri Dobbs in Israel, Jordan, Michigan, and Vienna (upcoming)

This past January, Professor Teri Dobbs, a member of the Performing the Jewish Archive team, spent two weeks in Israel and Jordan. During her time there, she was a guest at Tel Aviv University’s Moshe Dayan Center for Middle Eastern and African Studies, together with colleagues from UW-Madison’s Mosse-Weinstein Center for Jewish Studies. In addition, she conducted research in the Yad Vashem Archives, met with musicology/music education colleagues to discuss the possibility of future projects within Israel, and met with the family of piano prodigy and composer, Josima Feldschuh (d. 1943).

Teri Dobbs
Professor Teryl Dobbs. Photograph by Michael R. Anderson.

Professor Dobbs will present several conference papers this coming semester, most of which pertain to her work with Performing the Jewish Archive. Her paper, “Music Education and the Holocaust: So What?” was heard at the New Directions in Music Education Conference: “Musicking Equity: Enacting Social Justice Through Music Education,” Michigan State University, East Lansing, Michigan, February 17. Dobbs has been invited to present more two papers, one in collaboration with soprano and PtJA performer Elizabeth Hagedorn of Vienna, at the 25th European Association for Music in Schools/6th European International Society for Music Education regional conference, JOINT (AD)VENTURE MUSIC: Network as a Challenge for Music Educators, at the University Mozarteum, Salzburg, Austria, April 18 – 22, 2017.
Learn more here.

Read about prior Performing the Jewish Archive events in Madison, 2015-2016.


Selected Upcoming Events

Anthony Georgeson. Photograph by Thomas Bruce.

March 12, 7:30 PM, Mills Hall.
UW Symphony with alumnus Anthony Georgeson, bassoon, conducted by James Smith. Georgeson is principal bassoon with The Florida Orchestra in St. Petersburg. Georgeson will play the Mozart’s Bassoon Concerto in B flat major, K. 191.  Other works will include Un Sourire pour Orchestre by Olivier Messiaen and Scheherazade by Nikolai Rimsky-Korsakov.  This is the penultimate opportunity to see longtime conductor James Smith, who will retire this spring after 34 years at UW-Madison. His final appearance as conductor will be on April 9. 

James Smith, orchestra conductor.
James Smith, orchestra conductor.

March 14, 6:30 PM, Morphy Hall.
Emery Stephens, baritone, guest artist recital. Free concert.
Stephens is assistant professor of voice at Wayne State University in Detroit. Prof. Stephens will coach student singers and pianists in African-American songs and spirituals and perform with students in a recital, with Professor Martha Fischer as collaborative pianist.

Emery Stephens

The Midwest Graduate Music Consortium – Presenting Original Research and New Compositions

Friday, March 31 and Saturday, April 1, Memorial Union and Mead Witter School of Music. Free events.

The Midwest Graduate Music Consortium (MGMC) is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and the University of Wisconsin-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate students around the country. The 21st annual meeting will include paper sessions, a new music concert, and a keynote address. For the new music concert, seven composers’ works were chosen from a nationwide call for scores. The ensemble Sound Out Loud will perform the new works, each a world premiere. All of the composers will be in attendance.
Find the schedule and concert program at this link:
Midwest Graduate Music Consortium

Sound Out Loud

University Opera’s “Turn of the Screw” receives warm reviews

Katie Anderson (Governess) and Anna Polum (Miss Jessel) in ”The Turn of the Screw.” Photograph by Michael R. Anderson.

“Much of the overall success of the show begins with decisions by Ronis (and executed by costume designers Sydney Krieger and Hyewon Park) to resist all temptation to make the specters of Quint (former valet of Bly’s master, who is far removed from the action of the story) and former governess Miss Jessel in any way ghoulish. Alec Brown and Anna Polum, in the roles on Friday night, looked fully human—and that’s just fine. The otherworldliness—and palpable evil—that they exude is in the music and the libretto itself,” wrote Greg Hettsmanberger in his blog, What Greg Says.

Doctoral cellist Andrew Briggs performs with Middleton Community Orchestra

At the March 1 concert of the Middleton Community Orchestra, cellist Andrew Briggs played two works by Antonin Dvorak: Silent Woods, Op. 68, No. 5,and Rondo in G minor for Cello and Orchestra, Op. 94. “Briggs played both of these with affectionate sensitivity. Currently finishing his doctoral studies at the University of Wisconsin-Madison School of Music, he is an artist with an already expanding reputation and a great future,” wrote reviewer John Barker.

Andrew Briggs

On Monday, March 27, Andrew will perform a lecture/recital on his dissertation project, “Piatti and the Body: An Integrative Approach to Learning and Performing the 12 Caprices, Op. 25.”

Morphy Hall, 6:30 PM. Free.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

The benefits of a double major; Musicians Health Symposium; Brass Fest III recap; November guest artists

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
October 18, 2016

Music + Athletic Training double major a “huge opportunity” for SOM student

Robert Medina is now a graduate, but his UW-Madison legacy will live on in a new video that highlights his choice to major in both jazz trumpet and athletic training. “I saw this huge opportunity,” says Robert Medina. “I’ve been able to switch around the order in which I take classes to accommodate the athletic training program.”  There are jobs for people with such skills, says Andrew P. Winterstein, athletic training program director. “There’s athletic trainers now who work with Cirque du Soleil, with ballet companies, touring Broadway shows.”  Click to watch video.


Musicians Health Symposium will offer insight into common health disorders faced by musicians

On Friday, October 21, the School of Music will present a Musicians Health Symposium featuring a panel of doctors and therapists experienced in many kinds of common ailments faced by musicians. These include performance anxiety, disorders involving hearing, movement, and voice, and much more. Students and faculty are strongly encouraged to attend, and the public is welcome. 3650 Humanities, 12-4:45 PM. Learn more at this link.
http://www.music.wisc.edu/event/musicians-health-symposium/


Upcoming guest artists at the School of Music in November – Free and Open to the Public

Steven Ebel, a tenor who discovered his vocal talents at UW-Madison and followed them with a successful international singing and composing career, will offer master classes and a concert on November 14, 15 and 16. He’ll teach classes on stage fright and breathing strategies, and offer lessons.
http://www.music.wisc.edu/event/steven-ebel-tenorcomposer/

Laurie Smukler, a violinist and teacher at The Juilliard School, Manhattan School of Music, and the Conservatory of Music at Bard College, will visit on November 18 and 19 for a series of master classes and a concert with Victor Asuncion, piano and UW-Madison Professor Soh-Hyun Altino, violin. The program will include Prokofiev’s Sonata for two violins, Op. 56; Ralph Vaughan Williams’s The Lark Ascending; and Brahms’s Sonata No. 3 in D minor, Op. 108.
http://www.music.wisc.edu/event/distinguished-guest-artist-residency-laurie-smukler-violin-free-event/
Smukler’s 2015 master class at Juilliard was a hit.  Read about it here.


Brass Fest III popular with high school students, audience

High school students from twelve area schools were welcomed to the stage of Mills Hall for our third Brass Fest, where they performed a beautiful rendition of Giovanni Gabrieli’s Canzon duodecimi toni, written in 1597. The schools represented included Madison West High School; Madison East High School; Middleton High School; Kromrey Middle School; Edgewood  High School; Pewaukee High School; Mount Horeb High School; Clark Street Community School; Sun Prairie High School; St. Ambrose School; Cedarburg High School; Madison Memorial High School; and a homeschooled student.

The two days of Brass Fest III featured the acclaimed Stockholm Chamber Brass (in its first-ever tour of the States), along with the Wisconsin Brass Quintet and advanced college musicians. The first concert featured Stockholm Chamber Brass (read this review by local blogger and critic Greg Hettsmanberger) and the second night offered the full complement of musicians performing works by Brian Balmages, Dmitri Shostakovich, Gustav Mahler, and Anthony Di Lorenzo, among others.

Comments from high schoolers ranged from “it made me more aware of higher level playing” to “it helped us grow as musicians.”

See more photographs from Brass Fest III at this link:
http://www.music.wisc.edu/brass-fest-iii-with-stockholm-chamber-brass/

Hear the music of Brass Fest on our SoundCloud site. First up: The Gabrieli. Click here if graphic fails to load.

Limited edition T-shirts still available, only $3.00! Send an email to the editor with your request. frontofshirt


New webpages on our site

Music master classes: a page listing master classes at the School of Music. Master classes are open to the public and provide insight for performers and audience members alike.

Meet our Students
Emily Borley, a senior double majoring in literature and music education, tells about her journey at the School of Music, including an unexpected tragedy early in her final year.


Alumni News:

Christian Elser, William Wielgus


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Courtyard Concerts Caught on Video, Commencement News, “Jewish Archive” review, Community Music Lessons spring recital

News and Events from the School of Music – May 4, 2016. Next issue: stories about our students!

Commencement Countdown

Please join us for Commencement 2016 on Friday, May 13, 2:30-4:30 PM at Music Hall! We’ll hold our commencement, awards and hooding ceremony for all degree recipients: bachelor’s, master’s, and doctoral. Guests will include Susan Zaeske, Associate Academic Dean of the Arts and Humanities; alumna Dr. Yi-Lan Niu, DMA, voice professor at St. Norbert College in De Pere; and retiring associate director, Professor Janet Jensen, who will serve as master of ceremonies. We’ll feature live music from our students and a reception. New this year: Empire Photography will be on hand taking personal photographs of every graduate.

2015 commencement photographs by Michael R. Anderson.

General UW-Madison Commencement Information: https://commencement.wisc.edu/


Courtyard Concerts: Always a delight to passersby

Despite much-too-chilly weather, Sound Out Loud, a student-led contemporary music ensemble, played its inaugural concert on April 29, performing Steve Reich’s monumental “Music For 18 Musicians.” As of May 4, our post on Facebook had reached 2,240 viewers!

The UW Concert Band (Spring) with Mike Leckrone
Last year’s courtyard UW Concert Band performance was rained out, but this year’s was disrupted only by a few blowing sheets of music! Way to go, Band!


“Performing the Jewish Archive” concert earns respect from audience, reviewer

Madison Magazine’s “Classically Speaking” blogger Greg Hettsmanberger attended Monday’s concert of “Performing the Jewish Archive” at the First Unitarian Society, and writes: “An audience of significant size and extraordinary concentration experienced more than a concert. For as we absorbed—or in some cases were battered by, enraptured or flat-out awed—by the music of Schoenberg (as arranged by Webern), Korngold and Bloch, an overarching thought occurred to me: In focused festival events such as these, particularly in the context of artists who paid the price of exile or with their own lives, audience members come with heightened expectations. And the players come with an even sharper sense of purpose, layered onto, as it were, their own creative passion; when the synergy begins to work in the concert venue, the result transcends far beyond the usual ‘I liked that piece’ or ‘They sure played that one well.'”
Read the entire review: Madison Magazine “Classically Speaking” PJA Review
There’s two more days of events. Learn more here: http://www.music.wisc.edu/performing-the-jewish-archive-may-2016-events/


Youth musicians on stage at Community Music Lessons recital

CML ended its year with a joyous recital! We thank all our participants, our teachers, and coordinator Samantha Sinai for making this happen. Registration for summer classes starts at the end of May. Learn more here: http://www.music.wisc.edu/cml/

Community Music Lessons Recital, Spring 2016. Pictured (from left to right): Yunkyung Hong with piano student Shabnam Qader, violinist Bobby Henkelmann with teacher Isidora Miranda, violinist Andrew Ochoa with teacher Keisuke Yamamoto. Picture taken by Mr. Henkelmann.
Community Music Lessons Recital, Spring 2016. Pictured (from left to right): Yunkyung Hong with piano student Shabnam Qader, violinist Bobby Henkelmann with teacher Isidora Miranda, violinist Andrew Ochoa with teacher Keisuke Yamamoto. Picture taken by Mr. Henkelmann.

 

 

 

 

 

 

 

 

 

 

Faculty News: Marc Vallon

Student News: Hayden Victor

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Review: UW Opera Scores with “Transformations”

University Opera’s “Transformations” called “breathtaking” by critic

News bulletin: Isthmus reviewer Jay Rath has called University Opera’s new show, Transformations, an “astonishing success,” and we wanted to let you know!

“Ronis’s direction (he also serves as visiting director of the opera program) is richly inventive, with snippets of choreography throughout, including a conga line and a parody of the Supremes. The staging is delightful, using the full height of the set to frame and reframe action,” Rath writes. “This entire production would easily compare well to any professional opera company.”

Read story here: http://isthmus.com/arts/stage/university-opera-transformations/

Transformations is a chamber opera based on poetry by Pulitzer Prize winner Anne Sexton, set to music by Conrad Susa. Sexton’s writing was confessional and often confrontational, and she drew on themes present in her own life, mental illness being just one. She took her own life in 1974, shortly after the Minnesota Opera premiered Transformations.

Despite the grim theme, the opera is often quite hilarious, and the cast is not only talented but enacts the humor with perfect timing.

The opera is directed by interim opera director David Ronis, with a chamber orchestra conducted by Kyle Knox (featured last February in this newsletter). Performers are sopranos Erin Bryan, Nicole Heinen and Cayla Rosché, mezzo-soprano Rebecca Buechel, tenors Dennis Gotkowski, Michael Hoke and William Ottow, baritone Brian Schneider and guest bass-baritone Benjamin Schultz. The design team includes David Gipson, lighting; Hyewon Park and Sydney Krieger, costumes; and Greg Silver, technical director. The production stage manager will be Delaney Egan and additional student staff includes Thomas Stone, master electrician, and James Dewhurst, assistant master electrician.

Don’t miss your chance to see Transformations! Tickets may be purchased at the Memorial Union Box Office, or at the door day of show. General Admission: $25; Seniors: $20; Students: $10.

Read our original news release here.

Performances:

Sunday, March 13, 3:00 PM, Music Hall.

Tuesday, March 15, 7:30 PM, Music Hall.

Above: Nicole Heinen as Rapunzel in Transformations. Photograph by Michael R. Anderson.

 

University Opera presents spring show, “Transformations”; Clarinet Day debut; cellist Andrew Briggs impresses Middleton audience

News and Concert Highlights from the UW-Madison School of Music – Feb. 29, 2016

University Opera presents its spring 2016 show:”Transformations”

Transformations, a 1970s chamber opera that explores serious psychological themes through the re-telling of Grimm’s fairy tales, will be staged March 11, 13 and 15 by UW-Madison University Opera. The opera was written by Conrad Susa based on poetry by Pulitzer-Prize winner Anne Sexton, who suffered from mental illness and depression, and took her own life in 1974 at age 45.
‘It’s a challenging and compelling piece of music theater,” said David Ronis, director. “It’s a great vehicle to teach skills to young opera singers, and stimulating thought and dialog across the university and community.”  While the opera is dark at times, it contains much humor as well.

Anne Sexton
Anne Sexton

Sexton’s writing was often confessional and overtly feminist. Her champions included Maxine Kumin, Robert Lowell, and Sylvia Plath. Transformations was commissioned of Susa in 1972 by the Minnesota Opera, known for its interest in contemporary works. The libretto includes eight cast members who play multiple roles from the fairy tales; the plot involves a middle-aged witch who is transformed into a young beauty pulled into a nightmare.

Transformations is conducted by graduate assistant conductor Kyle Knox.

Click this link to read much more about this production, including the cast list and backstage personnel.

Performance dates, times and prices:
Friday, Mar 11 @ 7:30pm (Pre-show discussion, 6 PM)
Sunday, Mar 13 @ 3:00pm
Tuesday, Mar 15 @ 7:30pm
General Admission: $25; Seniors: $20; Students: $10
Tickets available at the Memorial Union Box Office. Also available at the door.

Transformations is a thought-provoking and complex opera that benefits from thought and discussion. Join us for a pre-show discussion at 6:00 PM in Music Hall, March 11, with noted University scholars:
Lynn Keller – Professor of Poetry, UW-Madison
Thomas DuBois – Professor of Scandinavian Studies, Comparative Literature and Folklore Studies,UW-Madison
Laura Schwendinger – Professor of Composition, School of Music, UW-Madison
Karlos Moser – Emeritus Director of Opera, UW-Madison
David Ronis
– Interim Director of Opera, UW-Madison
Moderator: Susan Cook, Director, UW-Madison School of Music


Selected Concert Highlights, March 2016

The Hunt Quartet. Sunday, March 6, 6:00 PM, Morphy Hall, free and open to all. The Hunt Quartet is the graduate string quartet at UW-Madison, comprised of Paran Amirinazari, violin; Clayton Tillotson, violin; Blakeley Menghini, viola; and Andrew Briggs, cello. The quartet will play music of Beethoven, Webern, and Schubert. Funding is provided by Dr. Kato Perlman and the Madison Symphony Orchestra.

The Hunt Quartet. L-R: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello. Photograph by Katrin Talbot.
The Hunt Quartet. L-R: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello. Photograph by Katrin Talbot.

UW Chamber Orchestra
Wednesday, March 16, Mills Hall, 7:30 PM. The UWCO, conducted by James Smith, will perform works of Bela Bartok, Elliott Carter, and Einojuhani Rautavaara, one of Finland’s most important composers. Rautavaara’s style has been influenced by Orthodox liturgical music and Finnish fiddlers and is both Romantic and mystical; read about him at this link.

“Le Domaine Musical”
Friday, March 18, Morphy Hall, 8:00 PM. Free concert. An homage to the late composer Pierre Boulez, featuring music of Pierre Boulez, Anton Webern, Claude Debussy and Johann Sebastian Bach. Performers drawn from School of Music faculty as well as students.

 

See much more on our complete calendar: recitals, jazz, classical, voice and percussion concerts, colloquia, and opera: http://www.music.wisc.edu/events/


UW-Madison hosts its first “Clarinet Day”

On Saturday, February 20th, the clarinet studio and Wesley Warnhoff, adjunct professor of clarinet, hosted its first “Clarinet Day,” including Warnhoff and students performing works by Francis Poulenc and Eric Mandat, master classes with high school students, and chamber music sessions with college and high school students working side by side. The day concluded with the group attending a stunning performance by the UW Wind Ensemble conducted by Professor Scott Teeple. Warnhoff plans to turn this into an annual event; check back next year!

Clarinet Day 2016
Clarinet Day 2016


New on SoundCloud: Hear Martha Fischer, Wes Warnhoff and Jamie-Rose Guarrine perform “The Shepherd on the Rock” at last January’s annual “Schubertiade” concert. Fischer is prof. of piano and collaborative piano at UW-Madison. Guarrine received her DMA at UW-Madison and now teaches at the University of Massachusetts at Amherst.


Cellist Andrew Briggs earns ovation from Middleton Community Orchestra audience

“I must say that he gave me about the most satisfying experience of it that I have ever heard.” Reviewer John Barker, in his review of the MCO’s Feb. 24 concert, in which Briggs, a UW-Madison graduate student studying with Prof. Uri Vardi, played Antonin Dvorak’s Cello Concerto. “The reason for that is not only his playing skill but also his natural rapport with an audience: He communicates.”
Click to read the full post at The Well-Tempered Ear.

Andrew Briggs
Andrew Briggs


Faculty News: James Doing, Laura Schwendinger
Alumni News: Danny Kim


 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


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