ALSO IN JANUARY: Violinist Soh-Hyun Altino and pianist Christopher Taylor team up for an afternoon of exquisite sonatas from Fauré and Corigliano. Sunday, January 22, 4 PM. Learn more here.
Join pianists Martha Fischer, Bill Lutes, and friends on the stage and seats of Mills Hall for January’s “Schubertiade,” an intimate homage to the music, loves and life of Romantic composer Franz Schubert.
The concert will take place Sunday, January 29, at a new time, 3:00 PM.
Fischer is a UW-Madison professor of collaborative piano and piano and Bill Lutes is emeritus artist-in-residence.
The concert will be followed by a reception (included in the ticket cost) at the University Club. Tickets are $15 per adult and $5 for students, available online,at the Memorial Union Box Office, or at the door. The concert is sponsored by Madison resident Ann Boyer, an admirer of Franz Schubert’s music and the musical talents of Fischer and Lutes.
The evening will include a special guest, the much-acclaimed soprano and UW-Madison alumna, Emily Birsan. Among other works, she will sing Schubert’s Epistle to Josef von Spaun, D. 749 – a brilliant and humorous send-up of the Italian operatic style that was all the rage in Vienna during Schubert’s lifetime.
Other performers will include Mead-Witter School of Music faculty Mimmi Fulmer, soprano and Paul Rowe, baritone; School of Music alumni Daniel O’ Dea, tenor and Benjamin Schultz, baritone; and current graduate students Anna Polum, soprano, Rebecca Bechtel and Jessica Kasinski, mezzo sopranos, and Wesley Dunnagan, tenor.
Schubert was born on January 31, 1797, and lived only 31 years. In his day, his music was cherished, but mostly by his personal circle. UW-Madison’s “Schubertiade” extends that circle to include the entire seating chart in Mills Hall.
The theme for this year’s Schubertiade is “Circle of Friends,” says co-organizer Lutes.
He writes: “Moritz von Schwind, a important German painter of the 19th century, was a young man when he became part of the group that was present at the first Schubertiade — those social gatherings given over to charades, poetry reading, dancing and imbibing – but most particularly to the performance of Schubert’s music, often with the composer himself at the piano.
“These almost legendary occasions were immortalized by Schwind in his famous painting ‘A Schubert Evening at Josef von Spaun’s,’ created in 1868, when these glorious moments had become distant and cherished memories. Schubert is indeed at the piano, with the great baritone Johann Michael Vogel seated to the composer’s right. Depicted are many of the poets, artists, lawyers and civil servants, and close friends who first heard Schubert’s music. In some cases, they are individuals with whom Schubert collaborated in the creation of songs, and our program will include a many settings of poetry by Schubert’s friends: Schober, Mayrhofer, Spaun, Schlechta and others.
“In addition we will include a group of songs that Schubert assembled in 1816 and presented to Theresa Grob, a young soprano whom he had hoped to marry. Other highlights will be a Cantata written for the birthday of Vogl, for soprano, tenor, baritone and piano and a great piano duet composition, the Theme and Variations in A-flat major, D. 814.
“Emily Birsan will perform the ‘flower-ballad’ Viola, D. 786, and two Italian canzonas, D. 688 and the previously mentioned Epistle to Josef von Spaun. She will conclude the program with one of Schubert’s best-loved songs, Ellen’s 3rd Song from Scott’s The Lady of the Lake….also known as Ave Maria.”
“The concert will close with an audience singalong of ‘An die Musik.’
“We offer this program of musical collaboration in a spirit of camaraderie, good will, and love for Schubert and his music, in celebration of the composer’s 220th birthday on January 31. From Schubert’s Circle of Friends we reach out to our own Circle of Friends, including the sponsor of these Schubertiades: Ann Boyer.”
Tickets may be purchasedonline, at the Memorial Union Box Office or in Mills Hall, one hour before the concert.
News and Concert Highlights from the UW-Madison School of Music – Feb. 29, 2016
University Opera presents its spring 2016 show:”Transformations”
Transformations, a 1970s chamber opera that explores serious psychological themes through the re-telling of Grimm’s fairy tales, will be staged March 11, 13 and 15 by UW-Madison University Opera. The opera was written by Conrad Susa based on poetry by Pulitzer-Prize winner Anne Sexton, who suffered from mental illness and depression, and took her own life in 1974 at age 45.
‘It’s a challenging and compelling piece of music theater,” said David Ronis, director. “It’s a great vehicle to teach skills to young opera singers, and stimulating thought and dialog across the university and community.” While the opera is dark at times, it contains much humor as well.
Sexton’s writing was often confessional and overtly feminist. Her champions included Maxine Kumin, Robert Lowell, and Sylvia Plath. Transformations was commissioned of Susa in 1972 by the Minnesota Opera, known for its interest in contemporary works. The libretto includes eight cast members who play multiple roles from the fairy tales; the plot involves a middle-aged witch who is transformed into a young beauty pulled into a nightmare.
Transformations is conducted by graduate assistant conductor Kyle Knox.
Performance dates, times and prices:
Friday, Mar 11 @ 7:30pm (Pre-show discussion, 6 PM)
Sunday, Mar 13 @ 3:00pm
Tuesday, Mar 15 @ 7:30pm
General Admission: $25; Seniors: $20; Students: $10
Tickets available at the Memorial Union Box Office. Also available at the door.
Transformations is a thought-provoking and complex opera that benefits from thought and discussion. Join us for a pre-show discussion at 6:00 PM in Music Hall, March 11, with noted University scholars: Lynn Keller – Professor of Poetry, UW-Madison Thomas DuBois – Professor of Scandinavian Studies, Comparative Literature and Folklore Studies,UW-Madison Laura Schwendinger – Professor of Composition, School of Music, UW-Madison Karlos Moser – Emeritus Director of Opera, UW-Madison
David Ronis – Interim Director of Opera, UW-Madison
Moderator: Susan Cook, Director, UW-Madison School of Music
Selected Concert Highlights, March 2016
The Hunt Quartet. Sunday, March 6, 6:00 PM, Morphy Hall, free and open to all. The Hunt Quartet is the graduate string quartet at UW-Madison, comprised of Paran Amirinazari, violin; Clayton Tillotson, violin; Blakeley Menghini, viola; and Andrew Briggs, cello. The quartet will play music of Beethoven, Webern, and Schubert. Funding is provided by Dr. Kato Perlman and the Madison Symphony Orchestra.
UW Chamber Orchestra
Wednesday, March 16, Mills Hall, 7:30 PM. The UWCO, conducted by James Smith, will perform works of Bela Bartok, Elliott Carter, and Einojuhani Rautavaara, one of Finland’s most important composers. Rautavaara’s style has been influenced by Orthodox liturgical music and Finnish fiddlers and is both Romantic and mystical; read about him at this link.
“Le Domaine Musical”
Friday, March 18, Morphy Hall, 8:00 PM. Free concert. An homage to the late composer Pierre Boulez, featuring music of Pierre Boulez, Anton Webern, Claude Debussy and Johann Sebastian Bach. Performers drawn from School of Music faculty as well as students.
On Saturday, February 20th, the clarinet studio and Wesley Warnhoff, adjunct professor of clarinet, hosted its first “Clarinet Day,” including Warnhoff and students performing works by Francis Poulenc and Eric Mandat, master classes with high school students, and chamber music sessions with college and high school students working side by side. The day concluded with the group attending a stunning performance by the UW Wind Ensemble conducted by Professor Scott Teeple. Warnhoff plans to turn this into an annual event; check back next year!
New on SoundCloud: Hear Martha Fischer, Wes Warnhoff and Jamie-Rose Guarrine perform “The Shepherd on the Rock” at last January’s annual “Schubertiade” concert. Fischer is prof. of piano and collaborative piano at UW-Madison. Guarrine received her DMA at UW-Madison and now teaches at the University of Massachusetts at Amherst.
Cellist Andrew Briggs earns ovation from Middleton Community Orchestra audience
“I must say that he gave me about the most satisfying experience of it that I have ever heard.” Reviewer John Barker, in his review of the MCO’s Feb. 24 concert, in which Briggs, a UW-Madison graduate student studying with Prof. Uri Vardi, played Antonin Dvorak’s Cello Concerto. “The reason for that is not only his playing skill but also his natural rapport with an audience: He communicates.” Click to read the full post at The Well-Tempered Ear.
News and Events from the UW-Madison School of Music – January 26, 2016
“Symphony Showcase” brings out the best, literally
They’ve prepared for months and now are ready to show off a bit on the stage of Mills Hall: Our annual Symphony Showcase, a concert featuring the winners of our annual concerto competition in solo performances with the UW Symphony Orchestra, conducted by James Smith. This year’s winners are all graduate students with impressive worldwide resumés; one is a composer whose new work will be premiered by the orchestra. Please join us on Sunday, February 14, at 7:30 PM for our concert and reception in Mills Hall! (Note: Parking is free on Sundays in Grainger Hall.) Concert tickets are $10 but are free for students of all ages. Buy in advance ($4 fee) or in person in Mills lobby.
Violinist Paran Amininazari, doctoral student of Assistant Professor Soh-Hyun Park Altino. Paran is also a member of the Madison Symphony Orchestra and a founding member of the Willy St. Chamber Players. Sergei Prokofiev’s Violin Concerto No. 2 in G minor, Op. 63, one movement.
Yunkyung Hong, a doctoral composer studying with Professors Laura Schwendinger and Stephen Dembski. “Yun” has won many awards and commissions worldwide and is employed by UW-Madison’s MOOCS (massive online courses) program as a sound designer. Her new work is called Transparency.
Pianist and Collins Fellow Kangwoo Jin, doctoral student of Professors Christopher Taylor and Jessica Johnson. Kangwoo is a winner of many competitions and received his master’s degree from Indiana University. He is also a teacher in the school’s Community Music Lessons program. Rachmaninoff’s Piano Concerto No. 2 in C minor Op. 18, third movement.
Garrett Mendelow, doctoral percussionist and Collins Fellow studying with Professor Anthony Di Sanza. In 2012, Mendelow won second place in the biennial Tromp Percussion Competition in The Netherlands, and in 2014, he was a semifinalist at the ARD International Music Competition in Munich, Germany. Arena Concerto, by Swedish composer Tobias Broström.
Luis Alberto Peña, a doctoral piano student of Professor Christopher Taylor. Luis has soloed with many orchestras and won awards in Colombia, Costa Rica, Venezuela and the USA. Richard Strauss’s Burleske in D Minor for Piano and Orchestra.
The Wisconsin Idea at Its Most Audible
Did you know that the Wisconsin Brass Quintet, the Wingra Wood Quintet and the Pro Arte Quartet are our contribution to the Wisconsin Idea? Over decades, the three ensembles have logged thousands of miles giving concerts and master classes in high schools, concert halls and colleges all over Wisconsin. And we want to visit your town!
We’ve given it a new name: the “Music Engagement & Outreach Program,” and we have a new coordinator, Beth Larson, a violinist who graduated from UW-Madison in 2011 and performs with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and the Willy Street Chamber Players. With Beth’s help, the three groups have begun an exciting new partnership with Milwaukee’s High School of the Arts, working not only with bands and orchestra but with literature and science classes as well. Contact Beth to learn more.
Find the ensembles in your corner of Wisconsin! Upcoming concerts include:
Pro Arte Quartet (please note: due to injury, the Pro Arte concert for Feb. 3 in Mills Hall has been canceled) 2/23/16 5:30 PM Concert & Clinic | Wisconsin Philharmonic | Waukesha, WI 2/28/16 2:00 PM Concert | Marcus Center for the Performing Arts | Milwaukee, WI 4/5/16 7:00 PM Concert | University of Wisconsin – Platteville | Platteville, WI 4/7/16 7:00 PM Concert | Oakwood Village – University Woods | Madison, WI 4/11/16 7:30 PM Concert | Three Lakes Arts Association | Three Lakes, WI 5/14/16 7:30 PM Concert | Midsummer’s Music | Sister Bay, WI Wisconsin Brass Quintet 3/4/16 7:30 PM Concert | Concordia University | Mequon, WI Wingra Wind Quintet 2/11/16 3:30 PM Concert | Coventry Village | Madison, WI 2/18/16 10:00 AM Educational Concert | Edgewood High School | Madison, WI 2/26/16 7:30 PM Concert | Nicolet Live @ Nicolet College | Rhinelander, WI
Music reviewer Greg Hettsmanberger gets his own TV blog
Blogger Greg Hettsmanberger has been writing about classical music for Madison Magazine for several years now, and has now begun a stint on TV as well and started a new personal blog, “What Greg Says,” mostly about music. You can catch his TV segment on occasional Wednesday mornings just after 6:30 AM on WISC-TV/Ch. 3. In his debut appearance, he included our upcoming Schubertiade as one of his recommendations.
Meanwhile, another faithful classical music critic, Jake Stockinger, just passed the 1.4 million mark in hits to his blog, The Well-Tempered Ear, in continuous publication since 2009. Congratulations, Jake!
Want to burnish those rusty piano or trombone skills? UW-Madison’s Community Music Lessons can help
The CML program was founded in 1968 and is still busy offering lessons to students young and old(er) in our community. Our teachers are graduate students recommended by their major professors, and are available in the areas of instrumental, voice, and even composition. Registration for the spring semester just opened; click here to learn more. Read biographies of our current teachers.
Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note:All arrangements are made between the students and the employer.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
UW-MADISON PERCUSSION PROGRAM CELEBRATES 50 YEARS WITH A MARCH 20 CONCERT AND TRIP TO CHINA
“Fifty years is not a long time in the world of classical music, but it’s a very long time in the world of formal percussion studies. In the 1960s and before, the very notion of teaching percussion beyond the basic orchestral instruments caused music educators to simply shake their heads in disbelief.” So what happened? Read the full story on our main website here.
The University of Wisconsin Madison World Percussion Ensemble performs the Olodum classic A Visa La (May 2013). The arrangement was created by Nininho and A. Di Sanza.
HEAR THE MUSIC OF BRITISH COMPOSER CECILIA McDOWALL AND MEET THE COMPOSER, TOO
Heard any new choral music lately? You’ll get your chance this week when Cecilia McDowall, winner of the 2014 British Composer Award for her choral work, Night Flight, comes to Madison.
Please note: On Wednesday the 18th at noon, McDowall will be featured live on Wisconsin Public Radio’s Midday show with host Norman Gilliland (88.7 FM). On Thursday on WORT Radio (89.9 FM), host Rich Samuels plans a half-hour special on McDowall that he pre-recorded with organizer John Aley. At 7:15 AM.
Thursday, noon, Mills Hall: Colloquium with the composer. How does she impart those whispery Antarctic sounds into her music? Come to ask and find out how!
Friday, 8 PM, Mills Hall: We’ll feast on McDowall’s choral and instrumental music for ensembles and soloists, including her work about the ill-fated expedition of polar explorer Robert Falcon Scott. Selected faculty and student performers will include pianist Christopher Taylor, tenor James Doing, the UW Concert Choir and Madrigal Singers, and mezzo-soprano Elizabeth Hagedorn. Mike Duvernois of UW-Madison’s IceCube Antarctic research project will update us on the state of polar research today (hint: they don’t need sled dogs anymore). Tickets sold at the Memorial Union Box office and in Mills on day of show. Adults $20, all-age students free. http://www.uniontheater.wisc.edu/location.html
Saturday, 8 PM, Mills Hall: A concert devoted to smaller ensembles, including a trio with violinist Eleanor Bartsch, cellist Kyle Price, and pianist SeungWha Baek. They’ll perform “The Colour of Blossoms,” a meditation by McDowall after a 13th century Japanese story. Free concert. Listen here: https://soundcloud.com/cecilia-mcdowall/colour-of-blossoms
Sunday, 9:15 and 10:30 AM, Luther Memorial Church, 1021 University Avenue. Forum (9:15) and Church Service (10:30) featuring McDowall’s music, with the composer present.
WINNERS OF SHAIN WOODWIND-PIANO DUO COMPETITION ANNOUNCED
Our 2015 winners are Kai-Ju Ho, clarinet and SeungWha Baek, piano, and Iva Ugrcic, flute and Thomas Kasdorf, piano. Pedro Garcia, clarinet and Chan Mi Jean, piano, received honorable mention.
The competition is sponsored by former UW-Madison Chancellor Irving Shain. The winners will perform this Sunday, Feb. 22, at 3:30 PM in Morphy Hall. A reception will follow.
BENEFIT FOR STRICKEN TROMBONIST BRITTANY SPERBERG: MARCH 18
The Dairyland Jazz Band, with Sperberg on trombone, plays Ory’s Creole Trombone.
Undergraduate trombonist Brittany Sperberg, who performed in the UW’s Dairyland Jazz Band and many other ensembles, is now having serious medical problems and has withdrawn from school. Sperberg was featured in this blog in the fall of 2013. Her teacher, trombonist Mark Hetzler, has organized a benefit concert on Wednesday, March 18, 7:30 PM to raise donations to assist her family with unmet expenses. Please join us to help wish Brittany a speedy recovery! Donations may also be made at YouCaring.org. Learn much more at our website: http://www.music.wisc.edu/2015/02/07/sperberg_benefit/
STELLAR SINGING EXPECTED AT UNIVERSITY OPERA’S NEXT SHOW: MOZART’S THE MAGIC FLUTE
University costumers are already busy sewing Victorian bustle skirts and the classic South Asian attire known as the shalwar kameez for next month’s University Opera production of The Magic Flute. It’s all a product of visiting opera director David Ronis‘s imagined East-west setting for the show. Read the complete news release on our website.
New this spring: four performances, not just three, allowing for even double casting of all lead roles. The show dates are Friday, March 13, 7:30 p.m.; Saturday, March 14, 7:30 p.m.; Sunday, March 15, 3:00 p.m.; and Tuesday, March 17, 7:30 p.m.
SCHOOL OF MUSIC PHOTO EXHIBIT STARTS MARCH 1, LOWELL CENTER
Our friendly helpful photographer Mike Anderson has enlarged and framed about 25 images of student musicians to be placed on display in the Lowell Center Gallery, 610 Langdon Street. The exhibit runs from March 1 to April 30, and there will be a small reception on March 8. Read more here.
Below are a few of Mike’s images taken at our concerto winners concert (“Symphony Showcase”) that was held on February 8. (More information here.) Please check back this fall for our next winners recital date, and join us; it is always a joyous event!
Ivana Ugrcic and Stephanie Jutt, professor of flute.
Susan C. Cook, director of the UW-Madison School of Music.
Conductor James Smith and Keisuke Yamamoto.
Jason Kutz, with the UW Symphony Orchestra and conductor James Smith.
Kyle Knox and composer competition winner, Adam Betz.
AWARD-WINNING CHORAL COMPOSER TO VISIT UW-MADISON Feb. 19-21
British composer Cecilia McDowall, a recent winner of the British Composer Award for her work, Night Flight, for choir and solo cello, will jump the pond in late February for a three-day residency at the School of Music. The residency–McDowall’s first in the U.S.– will include two concerts, one featuring the U.S. premiere of her work, Seventy Degrees Below Zero, commissioned in 2012 to honor the British explorer Robert Falcon Scott.
The classical magazine Gramophone describes McDowall as having “a piquant musical vocabulary, underpinned by moments of pure lyricism.” In 2008, the Phoenix Chorale won a Grammy Award for “Best Small Ensemble Performance” for its Chandos CD, “Spotless Rose: Hymns to the Virgin Mary,” which included a work, Three Latin Motets, by Cecilia McDowall.
COLLOQUIUM Thursday Feb. 19, noon, Mills Hall: Meet the composer! McDowall will describes how she creates music based on real or imagined events. Free.
CONCERT Friday Feb. 20, 8PM, Mills Hall: Featuring the U.S. premiere of Seventy Degrees Below Zero. With UW Madrigal Singers and Concert Choir (Bruce Gladstone, conductor) and a faculty/student chamber orchestra conducted by James Smith. Michael DuVernois of the IceCube Particle Astrophysics Center will offer a slideshow describing the past and the present in polar research. Free reception to follow!
Tickets: $20 adults, free for students. Buy online (click link) ; in person at the Memorial Union box office or at the door.
CONCERT Saturday, Feb 21, 8 PM, Mills Hall: The Chamber Music of Cecilia McDowall. Free.
UW WIND ENSEMBLE TO PERFORM AT CARNEGIE HALL IN MARCH-Catch their send-off concert on Feb. 24
The Wind Ensemble and its conductor, Scott Teeple, plans a trip too, not across the ocean but across half the country: a performance on March 9 at Carnegie Hall. You can hear them perform prior to their New York concert on Feb. 24, a ticketed fundraiser and preview concert, will include works by Vaughan Williams, Kathryn Salfelder, Percy Grainger, and others. Tickets: $10 adults, free for students. Buy online (click link); in person at the Memorial Union box office or at the door. Read more here.
Many thanks to Lau and Bea Christenson and the UW-Madison School of Music for supporting this trip.
DOCTORAL TROMBONIST COMMISSIONS AND PERFORMS A JOHN STEVENS PREMIERE
How do new classical works get funded these days? Sometimes, it’s the product of “consortia,” a group of universities and orchestras interested in new works. Such is the case with the Kleinhammer Sonata for bass trombone, named for the former bass trombonist in the Chicago Symphony Orchestra, and newly written by former tuba professor and composer John Stevens. As part of his doctoral dissertation, Alan Carr, a trombonist in the studio of Prof. Mark Hetzler, secured underwriting from UW-Madison and many others, including the Boston, Atlanta, San Francisco and Detroit symphonies and the Metropolitan Opera. The new sonata will be part of a new CD that features works for bass trombone, none previously recorded. Come hear Carr will perform the new sonata on March 3 in Mills Hall at 7:30 PM, along with pianist Vincent Fuh. Composer John Stevens is expected to attend.Read more here.
ALUMNA SOPRANO EMILY BIRSAN PROFILED IN CLASSICAL SINGER MAGAZINE
“[UW provided] a small hall and a safe environment,” Emily Birsan says of her experience at the University of Wisconsin–Madison. “But that situation really boosted my confidence that I could take on these pretty big leading ladies and make them my own.” Birsan is featured on the front cover of February’s Classical Singer magazine. Read the full article here.
MUSICOLOGY DISSERTATOR RECEIVES OPERA AWARD
Robert Torre, a PhD candidate in musicology studying with Professor Jeanne Swack, recently received the Leland Fox Scholarly Paper Award from the National Opera Association for his essay “Cultural Translatio and Arne’s Artaxerxes (1762).” The paper is part of a broader project that examines the role of translation in the composition and reception of Italian opera in eighteenth-century London. Robert is currently visiting faculty at Emory University in Atlanta.
HOMAGE TO RAMEAU CONTINUES THIS SPRING
Prof. Charles Dill‘s massive effort to pull together a series of events to commemorate the work of Baroque composer Jean-Philippe Rameau will continue this spring, with events on Feb. 5 (Chazen Museum); March 11 (Chemistry Building–yes, you read that right); April 18 (Morphy Hall) and April 17 & 18 (performance of Pygmalion by the Madison Bach Musicians, at the First Unitarian Society Church). Why in Chemistry, you ask? Because chemistry professor Rod Schreiner knows a bit about the principles of string vibration and sound propagation that influenced Rameau. Even today, 250 years after his death, Rameau’s work is considered seminal, so please join us to learn more! Full information can be found here: http://www.music.wisc.edu/rameau/ All events are free.
WISCONSIN BRASS QUINTET COMING TO A TOWN NEAR YOU
The Wisconsin Brass Quintet will travel around Wisconsin this spring with an all-new program of works written or arranged for brass, including compositions by Cecilia McDowall (who will travel from England in late February for our residency), Malcolm Arnold, Jean-Philippe Rameau, Vladimir Cosma, and William Mathias. Towns will include Ashland, Richland Center, Kohler, and others. Check this website to find more locations and times.
HEAR OUR CONCERTO WINNERS SOLO WITH ORCHESTRA THIS WEEKEND: SUNDAY, FEB. 8: 7 PM, MILLS HALL
Grab a spot this Sunday for our annual “Symphony Showcase” concert featuring our concerto competition winners. Tickets are $10.00 for adults, free to students, and include a reception in Mills lobby immediately following. This event is always joyous; we encourage all to attend! Read more here:http://www.music.wisc.edu/events/symphony-showcase/
RONIS AND TEAM WIN PRIZE AT NATIONAL OPERA ASSOCIATION
We congratulate visiting director of opera David Ronis, whose Queens College-CUNY production of “Dialogues of the Carmelites” recently won third place in Division 4 of the 2013-14 National Opera Association’s Production Competition. Ronis and his team have won twice before, in 2009 and 2011.
With that in mind, you won’t want to miss this spring’s production of Mozart’s The Magic Flute, also directed by Ronis. There will be four shows, one more than the usual number: March 13 at 7:30pm; March 14 at 7:30pm; March 15 at 3:00pm; and March 17 at 7:30pm. Buy tickets online (click link) or in person at the Memorial Union box office or at the door. More info to come! http://www.music.wisc.edu/opera/
From the Gallery: Scenes from two recent concerts at the School of Music. All photographs by Michael R. Anderson.
Schubertiade, Jan. 30
Schubertiade, Jan. 30
Schubertiade, Jan. 30. Pianist Martha Fischer, and singers Daniel O’Dea, Michael Roemer and Jennifer D’Agostino.
Schubertiade, Jan. 30. Pianists Martha Fischer and Bill Lutes, husband and wife.
Schubertiade, Jan. 30. Violinist Leslie Shank; pianists Martha Fischer and Bill Lutes; and cellist Norman Fischer.
Schubertiade, Jan. 30. Singers Jennifer D’Agostino and Daniel O’Dea.
We thank you so much for all your support and enthusiasm in 2014 and look forward to 2015 — a year that will include a major groundbreaking for a new music hall! We hope you are just as excited as we, and that you will join us this spring for one of our many inspiring concerts.
NEW MUSIC BUILDING NAMED AFTER PAM AND GEORGE HAMEL
In early December, UW-Madison announced that the new music performance center at the corner of Lake Street and University Avenue will be named in honor of Pamela Hamel and her husband, UW-Madison alumnus George Hamel (BA’80, Communication Arts). Pamela is a member of the School’s Board of Visitors. Read the full story here.
We thank the Hamels for their generosity! If you would like to join them with a gift of your own, you may do so at this website.
MEET JOHN WUNDERLIN: BACK IN SCHOOL AT 50
At the School of Music’s “Horn Choir” concert at the Chazen Museum of Art last month, one could easily discern John Wunderlin from the swarm of horn players on the stage.
He was the only one with gray hair.
Last fall, business owner Wunderlin, 50, returned for a master’s degree in horn, studying with Daniel Grabois, assistant professor of horn. We asked John to tell us what inspired him to study music after all these years. Read the interview here.
CONCERTO COMPETITION WINNERS IN CONCERT WITH UW SYMPHONY: FEB. 8
Five talented students are winners of our annual Concerto Competition and will perform with the UW Symphony Orchestra in our “Symphony Showcase” concert, Sunday, Feb. 8, in Mills Hall. The concert will begin at 7 pm and will conclude with a free reception. We hope you will join us for what is always a joyous and unique event! Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.
Our winners and the works they will perform are:
Jason Kutz, piano, a master’s candidate studying with collaborative pianist Martha Fischer. Kutz, who also performs and composes jazz music, is a native of Kiel, Wisconsin, and studied recording technology and piano at UW-Oshkosh. He will perform Sergei Rachmaninoff’s Rhapsody on a Theme of Paganini, Op. 43.
Ivana Ugrcic, flute, a doctoral student and Collins Fellow studying with flutist Stephanie Jutt. A native of Serbia, Ugrcic has performed as a soloist and chamber musician all over Europe, and received her undergraduate and master’s degrees from University of Belgrade School of Music. She will perform Francois Borne’s Fantasie Brillante (on Themes from Bizet’s Carmen).
Keisuke Yamamoto, violin, an undergraduate student of Pro Arte violinist David Perry, earning a double degree in music performance and microbiology. Keisuke, born in Japan but raised in Madison, received a tuition remission scholarship through UW-Madison’s Summer Music Clinic, and also won honors in Madison Symphony Orchestra’s Bolz Competition, among others. He will perform Ernest Chausson’s Poème Op. 25.
Anna Whiteway, an undergraduate voice student, studying with Elizabeth Hagedorn, visiting professor of voice. Whiteway is a recipient of a Stamps Family Charitable Foundation scholarship as well as the Harker Scholarship for opera. Whiteway, who was praised in 2013 for her singing in University Opera’s production of Ariodante, will star in the Magic Flute this spring. For this night’s performance, she will sing Charles Gounod’s Je veux vivre (Juliette’s Aria).
Our composition winner this year is graduate student Adam Betz, a Two Rivers native who wrote a work titled Obscuration. Betz received his undergraduate degree from UW-Oshkosh, where he was named Outstanding Senior Composer. He also holds a master’s degree from Butler University in Indianapolis.
CATCH CHRISTOPHER TAYLOR IN HIS ONLY SOLO MADISON APPEARANCE- JAN. 23
Pianist Christopher Taylor will take the Mills stage on Friday, January 23, 8 pm, in his only solo Madison appearance this year. He will perform Johannes Brahms’ Sonata no. 3 in f minor, op. 5; William Bolcom’s Twelve Etudes; and Beethoven’s Symphony #6 as arranged by Franz Liszt. Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.
Last November, Taylor performed Bach’s Goldberg Variations at New York’s Metropolitan Museum on their historic double-keyboard Bösendorfer piano designed by Emáuel Moór. In Madison, Taylor not only performs and tours with the world’s only Steinway double-keyboard piano (owned by UW, and also designed by Moór) but holds a patent on a third double-keyboard piano, this one with electronic components.
The Wall Street Journal published a story about Taylor and the Met Museum’s unique piano. Read it here.
BACK BY POPULAR DEMAND: A SECOND “SCHUBERTIADE” WITH FISCHER & LUTES- JAN. 30
A Schubertiade is an intimate “house concert” featuring the songs (known as “lieder”) and chamber music of Franz Schubert. In the 19th century, Schubertiades became a popular form of informal entertainment among his friends and aficionados of his music, frequently with drink and food, and often with Schubert himself at the center. Nowadays, Schubertiades are often much larger multi-day affairs held in swank European locations.
Our Schubertiade, the brainchild of UW-Madison collaborative pianist Martha Fischer, will be presented on the Mills Hall stage festooned with chairs, rugs, and lamps. Join us! Friday, January 30, 8 pm, Mills Hall. Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.
Performers will include Fischer; her husband, pianist Bill Lutes; her brother, cellist Norman Fischer of Rice University’s Shepherd School of Music; singers Jennifer D’Agostino, Cheryl Bensman Rowe, Daniel O’Dea, Joshua Sanders, Michael Roemer and Paul Rowe; and violinist Leslie Shank. The program will include songs set to the poems of Friedrich Schiller, Johann Wolfgang von Goethe and Johann Mayrhofer, and will be capped by two Polonaises for piano duet, played by Fischer and Lutes.
GRADUATE COMPOSITION STUDENT WINS FIRST PRIZE IN COMPETITION
Congratulations to Sin Young Park, whose composition “Three Preludes for Piano” was recently selected as the winner of the 2015 Delta Omicron Triennial Composition Competition. Read more here.
GRADUATE FLUTIST ADVANCES TO FINAL ROUND OF ASTRAL ARTISTS COMPETITION
2014 concerto competition winner Mi Li Chang has advanced to the final round of the national Astral Artists Competition and will play in the final round on January 8 in Philadelphia. The mission of Astral Artists, which was founded in 1992, is to “discover the most promising classical musicians residing in the United States, assist their early professional career development, and present their world-class artistry to the community through concerts and engagement programs.” Congratulations and best wishes, Mi Li!
FACULTY TROMBONIST WINS $30,000 CREATIVE ARTS AWARD
And congratulations to Mark Hetzler, 2015 winner of the $30,000 UW-Madison Arts Institute Creative Arts Award, which recognizes and honors extraordinary artistic projects and endeavors of the highest quality carried out by tenured members of the UW-Madison arts faculty in the areas of Art, Communication Arts, Creative Writing, Dance, Environment, Textile and Design, Music Composition and Performance, and Theater and Drama.
DID YOU KNOW…that our new website has a page devoted just to PARKING?
We created a page just to make it a bit easier to visit the SOM. In a nutshell: Weekday parking is not free, but evening and weekend parking sometimes IS free and not that far away. It’s complicated, however, so your best bet is to click here and read!
(Editor’s note: For over six or seven years, the editor routinely visited the School of Music by car, attending concerts and WYSO rehearsals. She always paid for parking, but recently did some digging and learned that UW-Madison actually offers free parking at nights and on weekends. After realizing this, she sighed deeply at the thought of how much money she could have saved had she known…. but now she offers the same information to all our loyal readers as a reward for reading to the end of this newsletter post.)
LAST BUT NOT LEAST…
This fall, our alumni percussion ensemble Clocks in Motion put its own spin on a famous holiday tune while demonstrating the [somewhat variable] dance skills of its members. Thanks for the laugh, Clocks!
All good friends at the 29th Annual Beethoven Piano Competition, sponsored by Emeritus Chancellor Irving Shain
Sunday, April 6, 3:30 PM, Morphy Hall. Reception to follow.
When its comes to beautiful music, political differences are all but irrelevant. That will be nicely shown this Sunday at the annual winners recital of the Beethoven Piano Competition, in which UW-Madison School of Music pianists from Ukraine, Russia and China will perform their winning works.
The competition was held last weekend and is now in its 29th year. It is sponsored by former University Chancellor Irving Shain. Winners receive cash honoraria.
The winners are Zijin Yao of China; Oxana Khramova, a Russian native; and Yana Groves, a native of Ukraine. Zijin Yao is a doctoral student in piano performance and pedagogy who studies with professors Martha Fischer and Jessica Johnson. Oxana Khramova is a doctoral student in piano performance and pedagogy who studies with Professor Christopher Taylor. Yana Groves will finish her master’s degree this spring and begin doctoral studies next fall in the studio of Christopher Taylor.
All will perform music composed by Ludvig van Beethoven. The program will include Sonata in D Major, Op. 10 no. 3 (Khramova); 15 Variations and Fugue in Eb Major, op. 35 (“Eroica”) (Zijin Yao); and Sonata in Eb Major, Op. 27 no. 1 (Groves).
The winners will appear in recital on Sunday, April 6 at 3:30 p.m. in Morphy Hall. Admission is free, and there will be a post-concert reception for audience and musicians.
The judge for the competition was Karen Boe from UW-Whitewater, who also awarded an honorable mention to Haley O’Neil, who studies with Christopher Taylor.
Here are biographies of the winning students.
Pianist Zijin Yao was born in China’s Hubei province and received her bachelor’s degree at China Conservatory of Music in Beijing in 2010. In the same year, she was admitted by the Graduate School of China, Conservatory of Music on a full scholarship and received a master’s degree in 2013. A passionate performer, Zijin is the winner of the 2013 Beijing Piano Festival, recipient of the Gold Award of the Piano Group at the 2012 National Music and Dance Competition in Beijing. A committed piano teacher, she has focused on exploring piano pedagogy alongside the art of piano performance. She has published six articles on piano performing and teaching in several major academic journals in China during the last three years.
Oxana Khramova began her musical career at the age of seven. During her studies, Oxana played many solo and chamber music recitals and was a prize winner at the All Russian Piano Competition in 1996. In 2010 Oxana moved to the United States and completed her master’s degree in piano performance at the University of Northern Iowa. Oxana is a teaching assistant at the School of Music, and a piano instructor for the Piano Pioneers program and at Farley’s House of Pianos.
Yana Groves is originally from Kharkiv, Ukraine, where she attended Music School # 9 and studied with Glazirina Tatiana, majoring in piano performance. She began her US studies with Dr. Karen Becker at SUNY Plattsburgh in 2007 and has participated in master classes with Evgenia Tzarov and Helen Huang. In the spring of 2011 Groves made her debut as soloist with the Manhattan Chamber Orchestra, playing Mozart’s Piano Concerto K. 488. She completed her bachelor’s degree with a double major in music and accounting in May 2012, graduating summa cum laude. In the spring of 2013, Yana and flutist Danielle Breisach were the winners of the Annual Shain Woodwind-Piano Duo Competition.
For musicians in college music programs, spring often means a hectic gathering of resources to produce the ultimate in personal statements: the solo recital. In the next five weeks, we will present dozens of them, offering a smorgasbord ranging from Beethoven to Brazilian. Most recitals are listed on our calendar; click on “show student recitals” to find them. Selected examples include:
Thursday, March 27, 7:30 PM, Capitol Lakes Retirement Community Mikko Utevsky, viola
Haydn/Piatigorsky, Divertimento in D major; Bloch, Suite Hebraïque; Milhaud, Viola Sonata No. 1 (“On anonymous, unpublished 18th-century themes”); Brahms, Sonata for Viola (Clarinet) and Piano in E flat major, Op. 120 No.2. Utevsky also directs the Madison Area Youth Chamber Orchestra, which is now preparing for summer concerts.
Saturday, March 29, 1:30 PM, Morphy Hall Nicole Tuma, flute, with Steve Radtke, piano, Rachel Bottner, cello, Allison Kelley, oboe, Rosemary Jones, clarinet, Ross Duncan, bassoon, and Sarah Gillespie, horn.
“Of Flutes and Fauna: Music Inspired by the Animal Kingdom”
Malagigi the Sorcerer, Efrain Amaya; “Goldfinch” Concerto, Antonio Vivaldi; Opus No. Zoo, Luciano Berio; Solo de Pajarillo, Omar Acosta; and Vox Balaenae, George Crumb.
Saturday, April 5, 3:30 PM, Morphy Hall. Oxana Khramova, piano
A DMA solo recital featuring Beethoven’s Sonata op. 10, No. 3 in D Major and Ravel’s Miroirs.
Saturday, April 19, 3:30 PM, Morphy Hall. Quadrivium Saxophone Quartet, performing transcriptions of works by Beethoven, Tchaikovsky, Shostakovich, Grieg, and more.
Saturday, April 26, 1:30 PM, Morphy Hall. Jacob Wolbert, percussion. Featuring marimba, multiple percussion and Brazilian music, with special guests! Many more recitals to be found at this link!http://www.music.wisc.edu/calendar [click “show student recitals]
Perlman Piano Trio (+ 2) presents annual concert
The free annual performance of the student ensemble, the Perlman Piano Trio (+ 2) will take place on Saturday, April 12, at 3:30 PM in Morphy Hall in Humanities. The original ensemble, formed as a piano trio in 2007, is funded by Dr. Kato Perlman, a retired research scientist who was inspired by former UW-Madison Chancellor Irving Shain, who is also heavily involved with the school of music through his support of several competitions. (One of these, the Beethoven Piano Competition, will hold its annual winners’ recital on April 6 at 3:30 PM in Morphy Hall. Winners have not yet been announced.)
As students graduate, new musicians audition to replace them. This year’s ensemble consists of Madlen Breckbill, violin; Alice Bartsch, violin; Daniel Ma, cello; SeungWha Baek, piano; and Jeremy Kienbaum, viola. Both Madlen Breckbill and SeungWha Baek were previously featured this year as winners of the school’s annual concerto competition, theSymphony Showcase, while Alice Bartsch was a winner two years ago.
The April program will include the 40-minute long Trio No. 1 in B-flat major for piano, violin, and cello, D. 898, written by Franz Schubert (click here to hear audio) and finished in 1828, just before he died. It will also include the adagio of the piano trio in E flat major, Hoboken XV:22, by Joseph Haydn, written in 1794, as well as the piano quintet op. 81 in A major by Antonín Dvořák, composed in 1887. A public reception will follow the performance.
Thimmig, Hedstrom and Kleve to perform final work in Morton Feldman trilogy
Russian-Jewish experimental composer (1926-1987) from New York City wrote music that was “glacially slow and snowily soft”
On March 30, at 5 PM in Mills Hall, UW professor Les Thimmig (on flute), pianist Jennifer Hedstrom, and percussionist Sean Kleve (the last two both members of Clocks in Motion, UW-Madison’s new resident percussion ensemble), will perform the final work of three trios, “For Philip Guston,” dedicated to Philip Guston, who was a painter and Feldman’s closest friend, who died in 1980. This final installment is a Wisconsin premiere, according to Thimmig, and is four hours long.
American composer Morton Feldman(1926-1987) was first noted for his inclusion in the “Cage School”; in addition to John Cage, the group included Earle Brown and Christian Wolff. Their approach of “letting the sounds speak for themselves” stood in marked distinction to the structuralist side of the early 1950’s avant garde, a group including Pierre Boulez, Karlheinz Stockhausen, and Milton Babbitt, among others. Feldman’s music served as an important influence and guide in the development of the minimalist school of the 1960’s, including Philip Glass, Steve Reich, and Terry Riley. A prominent influence on Feldman’s musical development was the work of the painters of the New York school of Abstract Expressionism: Jackson Pollock, Philip Guston, Franz Kline, and Mark Rothko, among others.
Thimmig and Feldman were acquaintances in New York, Thimmig says. “We sat on bar stools together, we ate dinner together.” Feldman’s music is not often heard, he adds: “It’s important for this to get out. As the years go by, this kind of music goes into the music history dustbin.”
In 2006, writer Alex Ross of The New Yorker published a lengthy analysis of Feldman; you can read it here.
Ross wrote: “The often noted paradox is that this immense, verbose man wrote music that seldom rose above a whisper. In the noisiest century in history, Feldman chose to be glacially slow and snowily soft. Chords arrive one after another, in seemingly haphazard sequence, interspersed with silences. Harmonies hover in a no man’s land between consonance and dissonance, paradise and oblivion. Rhythms are irregular and overlapping, so that the music floats above the beat. Simple figures repeat for a long time, then disappear. There is no exposition or development of themes, no clear formal structure. Certain later works unfold over extraordinarily lengthy spans of time, straining the capabilities of performers to play them and audiences to hear them. More than a dozen pieces last between one and two hours, and “For Philip Guston” and “String Quartet (II)” go on for much longer. In its ritual stillness, this body of work abandons the syntax of Western music, and performers must set aside their training to do it justice.”
Percussionist Sean Kleve says the the trios “are unlike any performance experience I’ve ever had.”
“I’ve had to work on new ways to experience the music in which I allow myself to concentrate in the moment and not permit my mind to think about what is to come and what I have already played,” he added. “At a certain point in rehearsals, I don’t even feel like the music takes that long to play. Rather, it feels like a series of related or unrelated moments which are happening to me. My major role as the performer is to fit in and allow the music to unfold in its natural pace and patient manner.”
“The Annals of Accompanying”: UW pianist Martha Fischer describes the unique skills needed to be a collaborative pianist
Blogger Jake Stockinger presents a two-part series on his website, “The Well-Tempered Ear,” in which he interviewed UW pianist Martha Fischer and UW baritone Paul Rowe about their upcoming concerts (Hugo Wolf’s Italienisches Liederbuch, which they will perform with alumnaJulia Foster, who earned a BA in 2003) as well as the qualities required to become a truly good collaborative pianist.
“No longer are they called ‘accompanists’; today these performances are understood to be much more,” Fischer says. “If we, as pianists, think of it as “just accompanying” — as a lesser experience — then we are perpetuating the stereotype that accompanists are good sight-readers who should stay in the background and be nothing more than pretty wallpaper to the soloist’s great artistry. If we as pianists bring all we have to offer to the table and are as prepared (or more so) than our partners, then we play in a way that demands respect. And that’s where it should all begin.”
TONIGHT: Madison, Wisconsin, Wednesday, March 26, 7:30 PM, Mills Hall.
Vermilion, South Dakota, Friday, March 28, 9AM, University of South Dakota (as part of the National Association of Teachers of Singing regional meeting and competition. The three will then serve as judges the following day.) Click here for more info.
Musicologists to gather at UW for the Midwest Graduate Music Consortium, April 11 & 12
The Midwest Graduate Music Consortium (MGMC) is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and the University of Wisconsin-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate and advanced undergraduate students. Conferences are held annually on a rotating basis, at Madison, Chicago, or Evanston.
The eighteenth annual MGMC meeting will be held at the University of Wisconsin-Madison and will include paper sessions, a new music concert, and a keynote address delivered by Tamara Levitz. MGMC 2014 is generously funded by the UW-Madison School of Music and the UW-Madison Lectures Committee. For the full program, click here: https://sites.google.com/site/mgmc2014/program
Friday, April 11, 4PM, Room 2650 Humanities: “Riot at the Rite: Racial Exclusion and the Foundations of Musical Modernism,” a talk by Tamara Leivitz, UCLA. Abstract: “The premiere of Igor Stravinsky and Vaslav Nijinsky’s ballet Rite of Spring in Paris on May 29, 1913 had received much attention in scholarly works for the infamous riot that confronted its first performance. The lecture aims to deconstruct the myth of the riot, with the goal of exposing the process of racial exclusion in modernist listening practices that emphasized the work’s newness over its strangeness. Through the proliferation of this myth, Prof. Levitz will show how concert organizers, musicologists, and journalists cemented the practices of racial exclusion that define listening cultures of modern music to the present day.” Saturday, April 12, 1 PM. New Music Concert at Luther Memorial Church, 1021 University Ave, featuring new works for Clocks in Motion and the woodwind quintet, Black Marigold.
Faculty oboist Kostas Tiliakos to perform Greece-inspired program with Christopher Taylor and Stephanie Jutt
Pianist Christopher Taylor and flutist Stephanie Jutt will accompany Kostas Tiliakos on oboe and English horn in his only solo recital this year, April 7 at 7:30 PM in Morphy Hall. His program will consist by composers Minas Alexiadis, Anastassis Philippakopoulos, Theodore Antoniou, Jurgis Juozapaitis, and Thea Musgrave. Tiliakos, a visiting assistant professor of oboe, replaced retiring faculty oboist Marc Fink last fall. “The idea was to play music either written by Greek composers or music inspired by Greece and its history and mythology,” Tiliakos says. Three of the pieces were written and premiered by Tiliakos: Alexiadis’ Folk Cadenza No.5 (premiered at the International Double Reed Conference 2013, at University of Redlands, California); and Philippakopoulos’ Syrna and Antoniou’s Trio Lyrico for oboe, flute, and piano. The last two were premiered by Tiliakos in Athens in 2000 and 2008, respectively.
New trombone ensemble holds first concert; Mark Hetzler to solo
The Madison Area Trombone Ensemble will present its inaugural concert at 3pm on Sunday, March 30th, at First United Methodist Church, 203 Wisconsin Ave. Founded by School of Music alumnus and Madison freelance trombonist Kevan Feyzi (BM, 2012), MATE is an all-volunteer group is comprised of some of the top trombonists in the community. The program will feature Mark Hetzler, associate professor of trombone, performing David P. Jones’ Bone Moan, a composition for solo trombone with six-part trombone choir and the title track on Hetzler’s eponymous album, released in December on Summit Records. The program also includes compositions by local trombonist Rich Woolworth plus Randall Thompson, Haydn, Duke Ellington, and arrangements by members of the group.
Our School of Music is famous for its voice faculty, counting among them luminaries such as baritone Paul Rowe (an organizer of Madison’s nationally-known Early Music Festival); soprano Mimmi Fulmer (former teacher of Broadway star National Stampley); soprano Julia Faulkner (now on leave to Chicago’s Lyric Opera and replaced by Elizabeth Hagedorn, recently returned from many roles in Europe); and James Doing, a tenor who three years ago made a splash with a recital of “Teaching Songs for the Voice Studio,” a recital of songs that Doing assigns to his college students to sing, which taught those in the audience what it is like to be a voice student and would-be students what to expect in Doing’s studio. It also educated listeners about the classical and modern canon in the vocal repertoire.
Local writer Jacob Stockinger has this to say about Doing’s 2010 recital: “It educated the audience. It was kind of like sitting in on Art Song 101. It let us listeners into the studio and allowed us to hear what makes for good repertoire, a good program and a good lesson. It was also great to see a professor sharing the recital stage with his students. To be sure, each will continue, and should continue, to perform his or her own individual solo recitals. But Doing is primarily an opera and oratorio singer so he was much like the students when it came to these first public performances of art songs.
“But sharing the stage lends credibility to the teaching process. It projects a certain solidarity and cohesion. It also projects cordiality, which is no small thing, even as we see different singing and performing styles. (Doing himself, to my ears, excelled especially in the songs by Italian, English and German Baroque composers such as Caccini, Conti, Purcell and Handel, and with French composers such as Ravel, Debussy, Faure and an exquisite song by Reynaldo Hahn.) And the results were highly successful — both enjoyable and instructive, the twin ideals of the Age of Enlightenment.”
This Saturday, October 19, at 8 pm in Mills Hall, Professor Doing will present another in what will not only be a series of “Teaching Favorites,” but will be a step toward a book on the same subject. He will be joined by Professor Martha Fischer on piano and student singers CatieLeigh Laszewski, Jenny Marsland, Olivia Pogodzinski, Melanie Traeger, and Sheila Wilhelmi. Songs will include Strike the Viol (Henry Purcell) from Come, ye Sons of Art; Và godendo (G.F. Handel from Serse, Melanie Traeger, soprano); and Mozart’s Giùnse alfin il momento . . . Deh vieni, non tardar (from Le Nozze di Figaro, CatieLeigh Laszewski, soprano). And many more.
Here, Prof. Doing explains the concept behind the next concert.
“Three years ago I presented a Teaching Favorites for the Voice Studio recital complete with program notes about vocal technique, diction, and so on, and it was well received.
“On Saturday, October 19th at 8:00 my students and I are going to be singing another Teaching Favorites for the Voice Studio in Mills Hall (free admission) and I would love to have many singers and teachers from the community come and share the evening with me and my students. I’ll be performing eighteen songs and five of my female voice students will assist by singing eight selections.
“Historical notes are being provided by Chelsie Propst, a fine young soprano who completed her MM in Voice with Paul Rowe and is now a PhD candidate in Musicology. I add some Performance Notes/Suggestions and Diction pointers. For this concert of 26 songs we will provide the full notes on about 10 songs and I will provide my own translations and International Phonetic Alphabet transcriptions for all of them (except the final set of English songs). This concert is the second in a series of four with number three taking place April 3rd, 2014 in Mills Hall and number four taking place during the 2014-15 school year.
“The goal/plan at this point is to eventually complete a book tentatively entitled “100 Teaching Favorites for the Voice Studio.” The book will begin with some chapters on vocal pedagogy, diction, ornamentation, and other issues followed by information about performing each of the 100 songs. Each song will have historical background written by Ms. Propst, followed by performance and diction pointers, translations and IPA.”
You can learn more about Prof. Doing on his websiteand YouTube channel.And we look forward to seeing all of you at his recital, which looks to be a highlight of the fall semester. 8 pm in Mills Hall.