Tag Archives: Mills Hall

A Groundbreaking Weekend for the School of Music; Pro Arte announces a date with pianist Leon Fleisher

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
September 27, 2016

It will be a weekend of many firsts.

  • Here’s the “first first”: On October 28 from 4 to 5:30 PM, at the corner of Lake Street and University Avenue, the School of Music will officially break ground on the new Hamel Music Center that will contain two performance halls, a rehearsal room, and state-of-the-art technology.  Long considered a pressing need, the Hamel Center is being financed entirely by private funds from Pamela and George Hamel, the Mead Witter Foundation of Wisconsin Rapids, Paul Collins, and many other donors.  We welcome continued support! To read about the Hamel Center and learn more, see this link.

“We’re excited about wonderful opportunities these new spaces will provides for all our students as well as the larger Madison and Wisconsin community,” says Susan C. Cook, director of the school of music.  “It’s an exciting time for all of us and we’re grateful for the support of our generous donors .”

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Live music and refreshments will be served. The entire community is welcome to join the festivities!

  • The second “first” will be a concert that evening (Friday, Oct. 28) by UW-Madison’s Christopher Taylor, introducing his groundbreaking new piano, the “Hyperpiano.”  It will start in Mills Hall at 8 PM, and Taylor will be available afterwards for conversation with patrons. Read our news release about this piano; buy your tickets here.

Click here to see images of the “Hyperpiano” in development.

  • And for our third first, faculty bassoonist Marc Vallon has planned a special concert of groundbreaking new works of music from the 17th, 19th, 20th and 21st centuries.
    breaking-ground-poster-goodWrites Prof. Vallon: “Composers of all periods have continually explored new musical territories, looked for new paths, and tried, through groundbreaking works, to launch new courses of musical expression. This program offers the public pieces that have, in their time, provided a starting point to new musical routes, just as the first stroke of a shovel is the birth of a new building and a new era.” The concert will include music by Michelangelo Rossi, Alexander Scriabin, Iannis Xenakis, John Cage, Helmut Lachenmann, and Morton Feldman.

The free concert is set for 7 PM on Saturday, October 29, in Mills Hall.


Just announced: Pianist Leon Fleisher to perform at Mills Hall with the Pro Arte Quartet

The Pro Arte Quartet was presented with an offer it could not refuse: Legendary pianist Leon Fleisher was available to perform with them this fall. Were they interested?

Leon Fleisher
Leon Fleisher

The answer was yes. On Thursday, October 6 at noon in Mills Hall, Fleisher will perform Brahms’ F minor Piano Quintet with the Pro Arte Quartet. The concert is free.

“You can’t see music as it passes through the air.  You can’t grasp it and hold on to it.  You can’t smell it. You can’t taste it.  But it has a most powerful effect on most people.  And that is a wondrous thing to contemplate.”

As a recipient of the Kennedy Center Honors in 2007, pianist Leon Fleisher was recognized as a “consummate musician whose career is a testament to the life-affirming power of art.” Read his full biography.


Wondering what else is going on in the arts?

The Arts Institute’s fabulous website summarizes and promotes everything arts-related on the UW-Madison Campus. It offers a link to buy tickets and even offers a special ticketing deal called the “campus arts card.” We often don’t admit it, but there is more to see and hear than just music! There’s dance, theater, art, academic research and discussions, film… Check it out!
http://arts.wisc.edu/

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The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

38th Karp Family Concert; Music Hall shines with new paint; Brass Fest 3 opens up to area high schools

Scroll down to read about our 38th Karp Family Concert, Brass Fest 3 including audio of the Stockholm Chamber Brass, new pages on our website, and alumni news!
For a full calendar of events, see
http://www.music.wisc.edu/events/
August 30, 2016
Welcome to the beginning of a new year at the University of Wisconsin-Madison Mead Witter School of Music, and our first issue of A Tempo!
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Over the summer, the interior of Music Hall was spruced up with fresh paint. What a welcome improvement! The hall is used by University Opera as well as percussion and jazz groups. Many thanks to UW-Madison painters!

 

 

 

 

 

 

 

 

 

 

 

Here’s what happened over the summer:

  • Music Hall, the home of University Opera and many percussion and jazz concerts, was repainted. It looks terrific.
  • Our school was renamed, thanks to the Mead Witter Foundation of Wisconsin Rapids, who contributed $25 million to the new concert hall.
  • We remodeled the display cases in Mills Hall lobby. They now  contain stunning images of our students, taken by photographers Michael R. Anderson and Bryce Richter.

We bade farewell to faculty members Richard Davis, Stephen Dembski, and Janet Jensen. And we added faculty. Please help us welcome Leo Altino, classical bass instructor; Nick Moran, jazz bass instructor; Louka Patenaude, jazz guitar instructor; Eric Siereveld, jazz trumpet instructor; Aaron Hill, oboe;  Amy McCann, clarinet; Gino Deluca, Wisconsin Singers artistic director; Daniel Fung, vocal coach; Jeanette Thompson, voice; and Matthew Richardson, musicology. Learn about them on our faculty page.

On tap for early fall….

The 38th Annual Karp Family Labor Day concert Monday, Sept. 5, 7:30 PM, Mills Hall.  This annual treat will feature a tribute to the late UW-Madison pianist Howard Karp, commissioned from composer Joel Hoffman by Howard’s son, Christopher. Free concert.

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BRASS FEST III with Stockholm Chamber Brass, making their first United States tour. One of Europe’s greatest quintets, SCB will perform a solo concert on Friday, Sept. 30 and will be joined on Saturday, Oct. 1 by the Wisconsin Brass Quintet and selected college and area high school students in a “Festival Brass Concert.”  Both concerts will begin at 8 PM and are ticketed. Our third BRASS FEST will also feature displays from Wisconsin vendors of musical instruments and sheet music , T-shirts featuring our brand new logo, and a reception!

Concert, Fri,  Sept. 30, 8 PM, Mills Hall: The Stockholm Chamber Brass. Ticketed: $20 adults; $5 students & children.    Buy tickets here.

Concert Sat, Oct. 1, 8 PM, Mills Hall: Festival Concert with the Stockholm Chamber Brass, the Wisconsin Brass Quintet and college/high school students. Meet the musicians at a free reception following the concert. Ticketed: $15 adults; $5 students & children. Buy tickets here.

Hear Stockholm Chamber Brass perform one of the works to be played on September 30: Malcolm Arnold’s “Brass Quintet”:

Introducing our “Meet the Students” webpage

Here’s where newcomers to the School of Music can learn about the varied and fascinating people who call themselves students in our school. It’s not a page for awards (find that here) nor a page for graduates (that is here) but a place where ongoing students describe who they are and why they have chosen to study music. Let them tell us in their own words!

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On Sept. 25, doctoral candidate Sarah Richardson will premiere a song cycle of letters from Nellie Kedzie Jones, a Wisconsin farm woman. Click the image to learn more.

Bookmark it! http://www.music.wisc.edu/student-profiles/


Alumni News: 

William Rhoads, Kimberly Dunn Adams, Merrin Guice, Christina Kay, Paul Bhasin, Matthew Mireles, Claire Hellweg.

 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

University Opera presents spring show, “Transformations”; Clarinet Day debut; cellist Andrew Briggs impresses Middleton audience

News and Concert Highlights from the UW-Madison School of Music – Feb. 29, 2016

University Opera presents its spring 2016 show:”Transformations”

Transformations, a 1970s chamber opera that explores serious psychological themes through the re-telling of Grimm’s fairy tales, will be staged March 11, 13 and 15 by UW-Madison University Opera. The opera was written by Conrad Susa based on poetry by Pulitzer-Prize winner Anne Sexton, who suffered from mental illness and depression, and took her own life in 1974 at age 45.
‘It’s a challenging and compelling piece of music theater,” said David Ronis, director. “It’s a great vehicle to teach skills to young opera singers, and stimulating thought and dialog across the university and community.”  While the opera is dark at times, it contains much humor as well.

Anne Sexton
Anne Sexton

Sexton’s writing was often confessional and overtly feminist. Her champions included Maxine Kumin, Robert Lowell, and Sylvia Plath. Transformations was commissioned of Susa in 1972 by the Minnesota Opera, known for its interest in contemporary works. The libretto includes eight cast members who play multiple roles from the fairy tales; the plot involves a middle-aged witch who is transformed into a young beauty pulled into a nightmare.

Transformations is conducted by graduate assistant conductor Kyle Knox.

Click this link to read much more about this production, including the cast list and backstage personnel.

Performance dates, times and prices:
Friday, Mar 11 @ 7:30pm (Pre-show discussion, 6 PM)
Sunday, Mar 13 @ 3:00pm
Tuesday, Mar 15 @ 7:30pm
General Admission: $25; Seniors: $20; Students: $10
Tickets available at the Memorial Union Box Office. Also available at the door.

Transformations is a thought-provoking and complex opera that benefits from thought and discussion. Join us for a pre-show discussion at 6:00 PM in Music Hall, March 11, with noted University scholars:
Lynn Keller – Professor of Poetry, UW-Madison
Thomas DuBois – Professor of Scandinavian Studies, Comparative Literature and Folklore Studies,UW-Madison
Laura Schwendinger – Professor of Composition, School of Music, UW-Madison
Karlos Moser – Emeritus Director of Opera, UW-Madison
David Ronis
– Interim Director of Opera, UW-Madison
Moderator: Susan Cook, Director, UW-Madison School of Music


Selected Concert Highlights, March 2016

The Hunt Quartet. Sunday, March 6, 6:00 PM, Morphy Hall, free and open to all. The Hunt Quartet is the graduate string quartet at UW-Madison, comprised of Paran Amirinazari, violin; Clayton Tillotson, violin; Blakeley Menghini, viola; and Andrew Briggs, cello. The quartet will play music of Beethoven, Webern, and Schubert. Funding is provided by Dr. Kato Perlman and the Madison Symphony Orchestra.

The Hunt Quartet. L-R: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello. Photograph by Katrin Talbot.
The Hunt Quartet. L-R: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello. Photograph by Katrin Talbot.

UW Chamber Orchestra
Wednesday, March 16, Mills Hall, 7:30 PM. The UWCO, conducted by James Smith, will perform works of Bela Bartok, Elliott Carter, and Einojuhani Rautavaara, one of Finland’s most important composers. Rautavaara’s style has been influenced by Orthodox liturgical music and Finnish fiddlers and is both Romantic and mystical; read about him at this link.

“Le Domaine Musical”
Friday, March 18, Morphy Hall, 8:00 PM. Free concert. An homage to the late composer Pierre Boulez, featuring music of Pierre Boulez, Anton Webern, Claude Debussy and Johann Sebastian Bach. Performers drawn from School of Music faculty as well as students.

 

See much more on our complete calendar: recitals, jazz, classical, voice and percussion concerts, colloquia, and opera: http://www.music.wisc.edu/events/


UW-Madison hosts its first “Clarinet Day”

On Saturday, February 20th, the clarinet studio and Wesley Warnhoff, adjunct professor of clarinet, hosted its first “Clarinet Day,” including Warnhoff and students performing works by Francis Poulenc and Eric Mandat, master classes with high school students, and chamber music sessions with college and high school students working side by side. The day concluded with the group attending a stunning performance by the UW Wind Ensemble conducted by Professor Scott Teeple. Warnhoff plans to turn this into an annual event; check back next year!

Clarinet Day 2016
Clarinet Day 2016

New on SoundCloud: Hear Martha Fischer, Wes Warnhoff and Jamie-Rose Guarrine perform “The Shepherd on the Rock” at last January’s annual “Schubertiade” concert. Fischer is prof. of piano and collaborative piano at UW-Madison. Guarrine received her DMA at UW-Madison and now teaches at the University of Massachusetts at Amherst.


Cellist Andrew Briggs earns ovation from Middleton Community Orchestra audience

“I must say that he gave me about the most satisfying experience of it that I have ever heard.” Reviewer John Barker, in his review of the MCO’s Feb. 24 concert, in which Briggs, a UW-Madison graduate student studying with Prof. Uri Vardi, played Antonin Dvorak’s Cello Concerto. “The reason for that is not only his playing skill but also his natural rapport with an audience: He communicates.”
Click to read the full post at The Well-Tempered Ear.

Andrew Briggs
Andrew Briggs

Faculty News: James Doing, Laura Schwendinger
Alumni News: Danny Kim


 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Help for Small-Handed Pianists, with Jessica Johnson; Pianist Christopher Taylor solo recital; Cuba Trumpet Expert performs with UW Jazz; and more!

News and Concert Highlights from the UW-Madison School of Music. February 9, 2016

Join us this Sunday for Symphony Showcase: UW Concerto Winners perform solo. Sunday, Feb 14, Mills Hall, 7:30 PM. $10 general public/all age students free. And see our complete calendar, including recitals, jazz, classical, voice and percussion concerts, colloquia, and opera, at this link: http://www.music.wisc.edu/events/


A Solo Recital with Pianist Christopher Taylor, Feb. 26, 8 PM, Mills Hall
Christopher Taylor
Christopher Taylor

On Feb. 26, acclaimed pianist Christopher Taylor will play music of Bach, Brahms, and Scriabin in his only solo Madison concert this academic year. On the program: J.S. Bach’s French Suite No. 1 in D Minor, Aleksandr Scriabin’s 12 Etudes, and the lovely Johannes Brahms’s Piano Sonata No. 1, Op. 1.

Read Jessica Courtier’s review of Taylor’s 2015 performance with the Madison Symphony Orchestra. “We in Wisconsin are privileged to call Christopher Taylor one of our own,” she wrote. Tickets are $15 for the general public; free for students of all ages.


Jessica Johnson holds out hope for pianists with small hands

How big are your hands? If you aspire to be a professional pianist, that’s an important question. On average, women have smaller hands than men, and are frequently stymied when trying to stretch their fingers to reach the larger octaves written into many major concertos, such as those by Liszt and Rachmaninoff. That simple fact bears on another simple fact: There are fewer women in the top echelons of professional concert pianists. Injuries are also common.

Jessica Johnson
Jessica Johnson

On Sat., Feb. 20, Jessica Johnson, professor of piano and piano pedagogy, will hold a full day of all-free events to demonstrate what has been working for her: The adoption of a specially sized piano that is 7/8 of normal size. Made by Steinbuhler & Co., one of these is now owned by the School of Music, and Prof. Johnson has found that playing it has been a “life-changing” experience.

Join us on Feb. 20 at 2:30 for a workshop, master class, hands-on demonstrations, and concert, all featuring the Steinbuhler DS 5.5 7/8 piano. Learn more here. And watch for an article about this revolutionary new approach in an upcoming story by Gayle Worland, in the Wisconsin State Journal.

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Trumpeter & Cuban Music Expert Mike Davison to perform with the UW Jazz Orchestra

Master class: Mon Feb 22, Mills Hall; Concert: Weds., Feb. 24, 7:30 PM, Music Hall. Read more here.

Even after a semester with Juan de Marcos, we’re still feeding on Cuban music! This month, we’re bringing Mike Davison (DMA, trumpet performance 1987)  to campus from the University of Richmond, where he teaches and performs. He’ll join the UW Jazz Orchestra, the Waunakee High School Jazz Ensemble I and the UW Latin Jazz Ensemble in an evening of rousing Caribbean tunes. Davison’s bio includes concerts around the world, four recorded jazz CDs, and performances with well-known singers, musicians, and even for a pope.


UW Wind Ensemble travels to Verona and west Madison for concerts
Tom Curry
Tom Curry

Find the UW Wind Ensemble in your corner of Dane County! Last December, the Wind Ensemble made an appearance at the Sun Prairie High School and will continue its out of town concerts this spring. Find them at Verona High School on Feb. 19, at Oakwood Village – West (Mineral Point Road) on March 31, and of course at the School of Music as well (Feb. 20). Both February concerts will feature Tom Curry, adjunct professor of tuba, in a work titled “Heavy Weather,” by the composer Jess Turner.

 


Summer Music Clinic registration now underway

Registration is open through May 2 for UW-Madison’s legendary Summer Music Clinic, which offers dozens of classes in all kinds of musical skills for kids completing grades 6-8 (junior session) and 9-12 (senior session). For one week, students live in UW dorms and attend classes that they choose from a lengthy list, including band, orchestra and choir; sight-singing; jazz improvisation; opera; swing dance; yoga; and even specialized classes on subjects ranging from the music of film composer John Williams to Stephen Sondheim to rock’n roll. Instructors are all highly skilled; many are university professors or other working professionals. Taste the fun by visiting SMC’s Facebook page! For more information, email anne.aley@wisc.edu.

Below: Summer Music Clinic photographs by Michael R. Anderson.


Faculty News: Daniel Grabois, Laura Schwendinger.

Alumni News: Violist Elias Goldstein.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

UW-Madison’s Top Musicians to Solo in Annual “Symphony Showcase”

News and Events from the UW-Madison School of Music – January 26, 2016

“Symphony Showcase” brings out the best, literally

They’ve prepared for months and now are ready to show off a bit on the stage of Mills Hall: Our annual Symphony Showcase, a concert featuring the winners of our annual concerto competition in solo performances with the UW Symphony Orchestra, conducted by James Smith.  This year’s winners are all graduate students with impressive worldwide resumés; one is a composer whose new work will be premiered by the orchestra. Please join us on Sunday, February 14, at 7:30 PM for our concert and reception in Mills Hall! (Note: Parking is free on Sundays in Grainger Hall.) Concert tickets are $10 but are free for students of all ages. Buy in advance ($4 fee) or in person in Mills lobby.

Concerto winners
L-R:
Kangwoo Jin, piano; Luis Alberto Peña, piano; Garrett Mendelow, percussion; and Paran Amininazari, violin. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.

Meet the winners and the works they will play, and read full biographies on this webpage.

Violinist Paran Amininazari, doctoral student of Assistant Professor Soh-Hyun Park Altino. Paran is also a member of the Madison Symphony Orchestra and a founding member of the Willy St. Chamber Players. Sergei Prokofiev’s Violin Concerto No. 2 in G minor, Op. 63, one movement.

Yunkyung Hong, a doctoral composer studying with Professors Laura Schwendinger and Stephen Dembski. “Yun” has won many awards and commissions worldwide and is employed by UW-Madison’s MOOCS (massive online courses) program as a sound designer. Her new work is called Transparency.

Pianist and Collins Fellow Kangwoo Jin, doctoral student of Professors Christopher Taylor and Jessica Johnson. Kangwoo is a winner of many competitions and received his master’s degree from Indiana University. He is also a teacher in the school’s Community Music Lessons program. Rachmaninoff’s Piano Concerto No. 2 in C minor Op. 18, third movement.

Garrett Mendelow, doctoral percussionist and Collins Fellow studying with Professor Anthony Di Sanza. In 2012, Mendelow won second place in the biennial Tromp Percussion Competition in The Netherlands, and in 2014, he was a semifinalist at the ARD International Music Competition in Munich, Germany. Arena Concerto, by Swedish composer Tobias Broström.

Luis Alberto Peña, a doctoral piano student of Professor Christopher Taylor.  Luis has soloed with many orchestras and won awards in Colombia, Costa Rica, Venezuela and the USA. Richard Strauss’s Burleske in D Minor for Piano and Orchestra.


The Wisconsin Idea at Its Most Audible

Did you know that the Wisconsin Brass Quintet, the Wingra Wood Quintet and the Pro Arte Quartet are our contribution to the Wisconsin Idea? Over decades, the three ensembles have logged thousands of miles giving concerts and master classes in high schools, concert halls and colleges all over Wisconsin. And we want to visit your town!

We’ve given it a new name: the “Music Engagement & Outreach Program,” and we have a new coordinator, Beth Larson,  a violinist who graduated from UW-Madison in 2011 and performs with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and the Willy Street Chamber Players.  With Beth’s help, the three groups have begun an exciting new partnership with Milwaukee’s High School of the Arts, working not only with bands and orchestra but with literature and science classes as well. Contact Beth to learn more.

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Find the ensembles in your corner of Wisconsin! Upcoming concerts include:

Pro Arte Quartet (please note: due to injury, the Pro Arte concert for Feb. 3 in Mills Hall has been canceled)
2/23/16 5:30 PM Concert & Clinic | Wisconsin Philharmonic | Waukesha, WI
2/28/16 2:00 PM Concert | Marcus Center for the Performing Arts | Milwaukee, WI
4/5/16 7:00 PM Concert | University of Wisconsin – Platteville | Platteville, WI
4/7/16 7:00 PM Concert | Oakwood Village – University Woods | Madison, WI
4/11/16 7:30 PM Concert | Three Lakes Arts Association | Three Lakes, WI
5/14/16 7:30 PM Concert | Midsummer’s Music | Sister Bay, WI
Wisconsin Brass Quintet
3/4/16 7:30 PM Concert | Concordia University | Mequon, WI
Wingra Wind Quintet
2/11/16 3:30 PM Concert | Coventry Village | Madison, WI
2/18/16 10:00 AM Educational Concert | Edgewood High School | Madison, WI
2/26/16 7:30 PM Concert | Nicolet Live @ Nicolet College | Rhinelander, WI


Music reviewer Greg Hettsmanberger gets his own TV blog

Blogger Greg Hettsmanberger has been writing about classical music for Madison Magazine for several years now, and has now begun a stint on TV as well and started a new personal blog, “What Greg Says,” mostly about music. You can catch his TV segment on occasional Wednesday mornings just after 6:30 AM on WISC-TV/Ch. 3. In his debut appearance, he included our upcoming Schubertiade as one of his recommendations.

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Meanwhile, another faithful classical music critic, Jake Stockinger, just passed the 1.4 million mark in hits to his blog, The Well-Tempered Ear, in continuous publication since 2009. Congratulations, Jake!


Want to burnish those rusty piano or trombone skills? UW-Madison’s Community Music Lessons can help

The CML program was founded in 1968 and is still busy offering lessons to students young and old(er) in our community. Our teachers are graduate students recommended by their major professors, and are available in the areas of instrumental, voice, and even composition. Registration for the spring semester just opened; click here to learn more.
Read biographies of our current teachers.


Faculty News: Laura Schwendinger, Uri Vardi & David Perry.

Alumni News: Violist Elias Goldstein.


Hire a Musician!

Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note: All arrangements are made between the students and the employer.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
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You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Violinist debut this Friday; Alumni composers return, in photos; An All-Holiday holiday concert

News and Events from the UW-Madison School of Music – November 9, 2015
Soh-Hyun Park Altino, new faculty violinist, performs first Madison concert Nov. 13

Hearing solo Bach in concert is a rare treat, and next Friday, at 8 PM in Mills Hall, Madison will get a chance to do just that when our new assistant professor of violin, Soh-Hyun Park Altino, performs for the first time in town.  Her full program includes J.S. Bach’s Sonata No. 3 in C major for solo violin, Brahm’s second violin sonata, the Romance by Amy Beach, and the Sonata No. 2 by Charles Ives, accompanied by Martha Fischer, professor of piano. While she is a stellar violinist, Prof. Altino is a dedicated teacher, deeply committed to her students. “My greatest joy as a teacher is the up-close witness of the journey that each student takes throughout the course of his or her study,” she said in an interview last summer. “As we discuss and explore countless ways to communicate a story through the sound of a violin, sooner or later students face challenges that would push them beyond the familiar and the manageable. I love seeing my students grow to the point of taking steps of courage and giving generously from their hearts in spite of the difficulties presented in their pieces. The confidence gained by these experiences remains with them for the long haul.”

In an article in Isthmus, Prof. Altino’s former teachers commented on her teaching style. Read it here.

Freshman violinist Lydia Schweitzer in a lesson with Soh-Hyun Park Altino, assistant professor of violin. Photograph by Michael. R. Anderson.
Freshman violinist Lydia Schweitzer in a lesson with Soh-Hyun Park Altino, assistant professor of violin. Photograph by Michael. R. Anderson.

Adult tickets are $12; students of all ages are free. You can buy ahead of time or at the door the night of the show.

Violinist Soh-Hyun Altino rehearses with pianist Martha Fischer at a recent "Music in Performance" class, held every Weds & Fri in Mills Hall.
Violinist Soh-Hyun Altino rehearses with pianist Martha Fischer at a recent “Music in Performance” class, held every Weds & Fri in Mills Hall. “MIP” is a one-credit class that introduces non-majors to classical, jazz, percussion and all kinds of contemporary music. Many older attendees enjoy the class as well.


A “family reunion” feel to Alumni Composers Celebration, Nov. 5-6

Last week’s two-day Alumni Composers Celebration shined a light of our long-standing composition program, reuniting alumni who hadn’t seen each other in decades. It also gave our audience a taste of their unique compositional styles and introduced a lot of contemporary music. Not only did alumni meet with current composition students, they also met with high school students at Memorial and East in Madison.  Separate sessions on marketing and publishing music were held by an alumnus, Bill Rhoads, who is now the vice president of marketing and communications at the Orchestra of St. Luke’s in New York City.

The Thursday concert featured alumna Paula Matthusen‘s of whole movements and migrations, a work for oboe, percussion, clarinet, piano, and computer that was premiered in 2013 by the Glass Farm Ensemble at Symphony Space in New York City. Paula writes: “of whole movements and migrations explores the resonance of instruments and how they may be manipulated to create variances in the perception of an acoustic space. Two tam-tams located at the front of stage create reverberations of the acoustical sounds, which are then amplified and fed back into the piano.”

“Numina” by alumnus Kevin Ernste also featured electronics, with flute, viola and harp, and “is an allegory for the authoritative abuses of Rome’s current divine authority, the Vatican,” Ernste writes. Nothing Personal was a premiere, a five-movement work of duos paying homage to composer Bill Rhoads‘ mentors at UW-Madison and elsewhere. In the Zone is a two-movement  work, written by alumnus Andrew Rindfleisch, for brass quintet that recalls Renaissance counterpoint, imitation, and polyphony found in early canzones. Lastly, Enticements (Canons), by alumnus Jeff Stadelman, is a “pre-atonal song for voice and piano from Arnold Schoenberg’s decadent period, featuring a cartoonish cat-and-mouse tale.”

Musicians included the Wisconsin Brass Quintet and many faculty, friends and students. A second concert of new music took place on Friday night with the UW Wind Ensemble.

A “Musical Homecoming” – Review in Isthmus

New music is best heard in person, to more fully appreciate the unusual pairings of instruments and creative sounds emanating from them. In a review of the first night’s concert for the weekly paper Isthmus, Jay Rath wrote: “Music — live music — is always performance art. That’s why we go to concerts, after all. The performers’ movements, their manners —in many ways they satisfy as much as the music. When we go to concerts, we bring our eyes as well as our ears. The UW’s professor Stephen Dembski should be congratulated for helping to organize the composers’ visits. Hopefully, we can look forward to similar events in the future.” Read the review here.

Says Bill Rhoads, of his experience last week: “Returning to Madison… gave me an opportunity to reflect on individuals here at the University who played an important role in my personal and professional development, and who helped chart my trajectory over the past two decades through their support, teaching, and inspiration. Equally inspiring was experiencing the compelling, beautiful, and extremely diverse work of fellow alumni, working with the current music students and faculty at UW, and sharing my music with kids at Memorial High School. It was an experience I will cherish and I hope my presence and contributions during my residency in some small way allowed me to give back to those individuals who were (and are still) responsible in many ways for defining who I am and how I view the world around me.”
Photographs by Katherine Esposito.


Upcoming “Light in the Piazza” play peppered with School of Music student/alumni performers and artistic staff

Alumna Sarah Marty writes: “Four Seasons Theatre is excited to collaborate with Director David Ronis (our visiting opera director, who recently directed UW-Madison’s Marriage of Figaro) on our upcoming production of The Light in the Piazza at The Playhouse at Overture. The show runs from Dec. 4-13.

“Featured in the cast are current UW-Madison School of Music voice students Kenneth Lyons (Fabrizio Naccarelli) and Dennis Gotkowski (ensemble), voice professor Paul Rowe & Cheryl Bensman Rowe (co-artistic directors of the Madison Early Music Festival), and School of Music graduates Tamara Brognano (Margaret Johnson) and Christina Kay (ensemble). School of Music alums Sarah Marty (Producer, FST Producing Artistic Director) and Thomas Kasdorf (Music Director) join David Ronis in leading the production.”


‘Tis the Season for Student Recitals!

Cello, trombone, piano, saxophone, percussion, horn, and many more. Please check our calendar for times and dates. Free concerts.


“It’s a Jolly Holiday” Concert ushers in an-all holiday spirit
Bruce Gladstone and choir.
Bruce Gladstone and choir. Photograph by Michael R. Anderson.

On November 21, at 8 PM in Mills Hall, the UW Chorale will present a concert of holiday music. All kinds!  They’ll celebrate President’s Day, Valentine’s Day, St. Patrick’s Day, Easter, Earth Day and so on, with a variety of great music that will leave you wondering why you only think about hearing a choir sing at Christmas. Free concert. Read more.


 

Faculty News

James H. Latimer, Emeritus Professor of Music (1968-1999) at the University of Wisconsin-Madison, will be granted the distinction of honorary doctor of Humane Letters from Florida A & M University, to be awarded at their December 11, 2015 fall commencement. Read more here.

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


Personalize your calendar view! Click on the “view as” link on the right of our calendar page.

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Meet winning “Showcase” composer; violist Goldstein to solo at Carnegie Hall

Meet the mystery composer behind “Poema for Saxophone and Orchestra,” to receive its premiere Feb. 8

We’re happy to finally present Daria Tennikova, the Russian-born composer at the School of Music whose new work will be premiered (with sax soloist Erika Anderson) on February 8, 7 pm in Mills Concert Hall, along with the other winners of the annual concerto competition. This year’s recital has a name, Symphony Showcase, and will be followed by a ticketed reception at at the Memorial Union’s Tripp Commons for all students, parents, faculty, alumni, board members, and the community. Please help us celebrate the fine work of our students and join us for both! Proceeds will help fund student scholarships. Buy your tickets here: http://www.arts.wisc.edu/

Daria Tennikova, the winning composer in this year's concerto competition. Photo by Katherine Esposito.
Daria Tennikova, the winning composer in this year’s concerto competition. Photo by Katherine Esposito.

“Daria’s an unusual woman,” says composition professor Stephen Dembski. “She came up through the Russian conservatory system, and has gradually adapted to the American system while keeping a fierce intensity in her work, which is quite striking.”

Here’s Daria’s bio, from an earlier announcement:

“Daria Mikhailovna Tennikova was born in Saint Petersburg, Russia, in 1989. She began taking composition lessons from Natalia Karsh of the Composers Union of Saint Petersburg, but initially chose to focus on piano rather than pursuing a career in composition, receiving an associate degree in piano performance and pedagogy from St. Petersburg’s Mussorgsky College of Music in 2008. Her work received its first public performance at the college when her “Three Lilies” for soprano and piano was played as part of a final accompaniment exam. Daria moved to the United States in 2009 and began devoting more time to composition. In 2010 she began pursuing a bachelor’s degree in composition at UW-Madison, studying with professors Laura Schwendinger and Stephen Dembski. Poema for Saxophone and Orchestra is Ms. Tennikova’s most recent composition, and her very first work for orchestra. She says, ‘I began thinking about writing a piece for soloist and orchestra last spring. Originally I wanted it to be for a piano soloist, and I wrote the main theme with something “Russian” in mind. Later in the spring of 2013, I heard Erika Anderson play Anthony Caulkins’ saxophone piece at a concert. I was moved by her wonderful performance to write my piece for saxophone soloist. I wanted Erika to play it, so I asked her if she would be interested in collaborating and, being both a wonderful person and a great musician, she agreed to play without even hearing the music! I am very grateful to her for giving my piece a beautiful performance!”

March residency to feature singers and music from Finland

(L to R): Aulikki Eerola, Pertti Eerola, and Eija Jarvela.
(L to R): Aulikki Eerola, Pertti Eerola, and Eija Jarvela.

Three revered Finnish musicians from the faculty of the Sibelius Academy in Helsinki, Finland, will be in residency at the School of Music during the first week of March to present master classes, workshops, and discussions on Finnish music education. The week will be capped by a concert at Luther Memorial Church on Saturday, March 8th, at 1 pm. All events are free and open to the public. Read more here.

Clocks in Motion profiled in the Wisconsin State Journal

New work to be premiered this Saturday, Feb. 1

UW-Madison’s newest resident musical ensemble was profiled in last Sunday’s Wisconsin State Journal. “The UW-Madison-based percussion ensemble is breaking ground by reviving rarely performed works, commissioning new music and even inventing its own instruments,” wrote reporter Gayle Worland. “Self-run, ambitious and highly talented, Clocks in Motion is also a group in motion, with a schedule that in the next four months includes seven performances in Madison and a Midwestern tour.  ‘What this group is doing is something that’s quite inspiring, and tremendously unique,’ said UW percussion professor Anthony Di Sanza, who is teaching or has taught each of the young musicians who make up Clocks in Motion.” Read the full story here.

On Sunday at 7:30 pm in Mills Hall, the group will present “Earth and the Great Weather,” a collaborative multi-media performance depicting the Arctic landscapes of Northern Alaska, to include percussion, strings, chorus, digital delay patterns, spoken texts, and pre-recorded nature sounds. The work was composed by John Luther Adams.  Performers will include Chelsie Propst, Sarah Richardson, Cheryl Rowe, and Paul Rowe will comprise the vocal chorus, and Carol Carlson, Max Fisher, Spencer Hobbs, and Mikko Utevsky will serve as the string quartet. Steve Gotcher, audio engineer for Audio for the Arts, will control the complex electronic component of the performance. Matthew Schlomer will conduct.

Alumnus Elias Goldstein to solo at Carnegie Hall

Elias Goldstein and Roxana Pavel
Elias Goldstein and Roxana Pavel

Viola professor Sally Chisholm informs us that her former student Elias Goldstein, a former Collins Fellow, will perform works of Haydn, Mozart, Boccherini, Paganini, and others at a recital on February 19 at Carnegie Hall. He will be accompanied by Ieva Jokubaviciute on piano and Roxana Pavel Goldstein on violin. Goldstein received his DMA in 2011 from the School of Music and is now professor of viola at Louisiana State University in Baton Rouge.

Pianist Christopher Taylor profiled in Madison Magazine

ChristopherTaylor
Christopher Taylor. Photo by Noah Willman, courtesy Madison Magazine.

Writer Greg Hettsmanberger interviewed UW’s globetrotting pianist Christopher Taylor in a story published in the January issue of Madison Magazine.

What do you tell your students is the most important thing about being a pianist—especially not a professional performer? “I rarely try to boil this craft down to one overriding principle, but obviously I consider it a basic prerequisite for a student to be motivated by love of the art and curiosity about understanding its multifaceted glories. Provided those ingredients are present, then the student will thrive musically, regardless of his or her professional ambitions or prospects,” Taylor answered. Read the full story here. And catch Christopher Taylor in his only Madison appearance this year, performing Prokofieff’s Sonata No. 6 and Beethoven’s Symphony No. 3 in E flat, as arranged by Franz Liszt, at Mills Hall on February 28, 8 pm.

Tuba prof John Stevens kicks off a pre-retirement semester of concerts

John Stevens
John Stevens

Read about the life of John Stevens in this story by writer Paul Baker, which includes an image of him sporting a tuba at the 1980 Tony Awards. Stevens presents a wide variety of concerts this spring, starting February 11 with a faculty recital. Download the complete schedule here: Spring2014_Stevens_concerts

Young pianists competition Feb. 28; Hornist to spend a semester in Vienna; TA wins major university award; more news

Welcome to the New Year! We hope you enjoy the new look of Fanfare!, our news blog. We plan to feature more news and shorter announcements, allowing room for much more information. We hope you like it!

UW-Madison piano studio sponsors Young Pianists Competition for high school students

The piano department at UW-Madison invites entries for its “Piano Extravaganza” competition for talented high school pianists aged 15-19, Feb 28 through March 1. The three-day event will feature masterclasses and performance by graduate students and faculty members, including Prof. Christopher Taylor (Feb. 28, 8 pm, Mills Concert Hall) and Prof. Johannes Wallmann (workshop and concert, Sat., March 1, noon (Morphy Hall).

The UW-Madison Piano Extravaganza Competition was established to encourage emerging regional pianists to participate in a competition and attend masterclasses, workshops and performances hosted by UW faculty and students. This year’s Piano Extravaganza will feature piano works influenced by jazz and blues. Full details are available here.

Application materials must be received no later than 5:00 pm Friday, January 31, 2014.  More information and the application can be downloaded here: Piano Extravaganza form

Hornist to spend a semester in Vienna

Amanda Fry
Amanda Fry
Photograph by Michael R. Anderson

Amanda Fry, a junior hornist studying with Prof. Daniel Grabois, will soak up Viennese culture this spring as part of the IES Abroad (Institute for the International Education of Students) program, a Chicago-based organization that facilitates study abroad. While there, she will take classes in music theory and history, lessons with a prominent hornist, attend concerts and operas, and travel around Europe. Two previous School of Music students have previously participated in IES Abroad, flutist Elspeth Hayden and trumpeter Louis Menchaca. “The level of horn playing in the city is incredibly high, and I am going to soak up as many new ideas as I can during my semester abroad,” Fry says. “The Vienna Philharmonic hornists play a different kind of instrument known, not surprisingly, as the Vienna horn. This horn produces the distinctly sylvan sound associated with the music of Brahms and Mahler. My task is to learn how to make that sound.  I can’t wait to plunge into this incredible experience!”

Voice grad student wins campuswide TA award

Jordan Wilson, a doctoral student in voice who studies with Prof. Mimmi Fulmer, has received the “Early Excellence in Teaching” award from UW-Madison. The $500 award “recognizes outstanding and inspirational performance on the part of TAs with fewer than four semesters of teaching experience.” Says Prof. Fulmer: “Jordan has been an outstanding TA for the voice program since fall 2012, when he began his DMA at UW-Madison. There was a surge of interest in the 143 voice class for non-majors for both spring and fall 2013, reflecting the reputation among students about Jordan’s teaching. The students from his class who have chosen to continue with individual voice lessons show high levels of motivation, comprehension of basic musical skills, and sensitivity to musical phrasing and interpretation.” Congratulations, Jordan!

Fischer and Lutes to celebrate the music of Franz Schubert with a “Shubertiade,” January 31

The husband-and-wife team of pianists Prof. Martha Fischer and Bill Lutes, emeritus professor of piano, have planned an all-Schubert program for January 31, 8 pm, using the stage of Mills Hall as a makeshift living room adorned with rugs, lamps and period furniture. The program will include songs, vocal ensembles, and instrumental works, featuring the Fantasie in F Minor for piano four-hands and the gorgeous piano trio Notturno. Fischer and Lutes will be joined by faculty members Mimmi Fulmer, Elizabeth Hagedorn, James Doing, Paul Rowe, and Parry Karp, as well as graduate students Jordan Wilson, Tom Leighton, and Sarah Richardson, and undergrad violinist Alice Bartsch. 

Martha Fischer & Bill Lutes
Martha Fischer & Bill Lutes

Stephanie Jutt to perform concert of Spanish and Latin American music

On February 1 at 8 pm in Morphy Concert Hall, flute professor Stephanie Jutt and pianist Thomas Kasdorf  will perform works of Carlos Guastavino, Heitor Villa-Lobos, Salvador Brotons, Jesús Guridi, and Astor Piazzolla.  Download the concert program and notes here

This concert is part of a recording project of Latin American and Spanish masterpieces for flute and piano, works that Prof. Jutt researched during a 2010 sabbatical to Argentina. The recording will take place in New York next August with pianists Elena Abend of Venezuela, on faculty at UW-Milwaukee, and Pablo Zinger, a Grammy award-winning pianist and arranger from Uruguay. The project is funded by a grant from the Wisconsin Alumni Research Foundation (WARF).

Prof. Jutt is the co-founder of the Bach Dancing & Dynamite Society, a summer chamber music festival in Wisconsin. Kasdorf graduated from UW-Madison in piano performance, studying with Prof. Christopher Taylor.

“Symphony Showcase” on Feb. 8 presents solo performances by School of Music concerto winners, as well as the premiere of Poema for Saxophone and Orchestra by composition winner Daria Mikhailovna Tennikova

We hope to see you at our special concert and reception honoring the winners of our annual Concerto Competition, which also will feature pianists Sung Ho Yang and Seungwha Baek, flutist Mi-li Chang, clarinetist Kai-Ju Ho, and violinist Madlen Breckbill. To read our recent post, click here.

Works on the program include Aaron Copland’s Clarinet Concerto; Jacque Ibert’s Flute Concerto, movements 2 & 3; Franz Liszt’s Piano Concerto No. 1 in Eb Major and Sergei Prokofiev’s Piano Concerto No. 3 in C Major (movement 1) as well as the first movement of Samuel Barber’s Violin Concerto.

left to right: Mi-Li Chang (flute), Madlen Breckbill (violin), SungHo Yang (piano), SeungWha Baek (piano), Kai-Ju Ho (clarinet)
left to right: Mi-Li Chang (flute), Madlen Breckbill (violin), SungHo Yang (piano), SeungWha Baek (piano), Kai-Ju Ho (clarinet).
Photograph by Michael R. Anderson.

The post-concert reception will include a cash bar and appetizers. Tickets are $10, and must be purchased in advance. You can buy them here (click “box office”).

The concert begins at 7 pm at Mills Concert Hall, in the Humanities Building. The reception will be in Tripp Commons at the Memorial Union, following the concert.

For a UW parking map, click here.

Trumpeter Tine Thing Helseth to offer a master class at the School of Music

Trumpeter Tine (pronounced “Tina”) Thing Helseth, in town in mid-February to perform with the Madison Symphony Orchestra, will share her talents with School of Music students and the community in a master class on February 13, at 1:30 pm in Mills Concert Hall. Read more here.

The Norwegian native is a seasoned soloist with dozens of orchestral engagements under her belt from around the world.  This eclectic musician is also a jazz trumpeter and leader of an all-female brass band.

Remembering Janos Starker: Memorial Concert Sunday, June 9, Mills Hall

Written by Cathy Spann.

On Sunday, June 9, the National Summer Cello Institute (NSCI), a summer program affiliated with the UW-Madison School of Music, will present a free special tribute concert to Janos Starker, one of history’s greatest cellists and teachers, who died in Bloomington, Indiana on April 28, 2013.  Starker was professor of cello at the Jacobs School of Music at Indiana University from 1958 until recently.  He also had served as principal cellist of many major symphony orchestras: Chicago, the Metropolitan Opera, Dallas, Budapest, and the Budapest Philharmonic.

An obituary of Starker was published in the New York Times.

http://www.nytimes.com/2013/04/30/arts/music/janos-starker-master-cellist-dies-at-88.html?pagewanted=all&_r=0

The Wall Street Journal called Starker’s death “the end of cello’s golden age.”

http://online.wsj.com/article/SB10001424127887324266904578461103567260348.html

Uri Vardi, cello professor at the UW-Madison School of Music and the artistic director of the NSCI, who studied at Indiana with Starker from 1972-1975, said  Starker helped him to confront the gaps in his performance and cover the pedagogical topics required for mastery. “After three years, I had an amazingly clear view of how to continue to grow as a cellist and of what professional teaching meant,” he said. With Starker’s recommendation, Vardi then entered the Yale Masters program with Aldo Parisot.

Janos Starker at Eva Janzer conference Bloomington, IN 2004
Janos Starker at the Eva Janzer conference in Bloomington, Indiana, 2004.

Vardi maintained contact with Starker throughout his life and found him always supportive of former students and cellists everywhere.

In 1996, Starker came to Madison for a residency in which he conducted a cello master class and performed a duo recital with Vardi which included the Boccherini Sonata for two cellos. A recording of their Boccherini performance is available at this website:

https://uwmadison.box.com/s/1dwu4ihkjq6q99wi37o9

Starker also contributed to the formation of the Wisconsin Cello Society, founded in 2000.

To commemorate Starker’s life and mark his loss, participants in the National Summer Cello Institute will give a concert in his honor on Sunday, June 9th at 8 p.m. in Mills Hall.  Entitled “A Tribute to Janos Starker,” the program will feature two sarabands of Bach, duos by Bartok, David Popper’s Requiem for three cellos and piano (a cello choir version), Julius Klengel’s Hymnus for twelve cellos, and an arrangement by Laszlo Varga of Bach’s 5th Cello Suite for cello choir.  Additionally a video interview of Starker filmed in 2012 and excerpts of IU’s 75th Birthday Tribute will be shown. Performers will include Vardi, cellist and professor Timothy Eddy of the Juilliard School and the Orion Quartet, as well as about twenty cellists from this year’s cello institute.

Called the “King of Cellists” in Joyce Geeting’s 2008 biography, Starker was born on July 5, 1924 in Budapest, Hungary, the third son of Sandor and Margit Starker.  His older brothers were violinists so his parents gave him a cello.  Deemed a child prodigy at an early age, Starker gave his professional debut at age 14.

World War II intervened and by its end all of the family had been interned in Nazi concentration camps.  Starker and his parents survived.  Working his way to Paris as a tradesman after Liberation, Starker was able to resume a career as a professional cellist.  His breakthrough came in 1947 performing Zoltan Kodaly’s Sonata for Solo Cello.  His recording of the sonata, previously thought unplayable, won him the Grand Prix du Disque and international fame.

Soon after this success, Starker immigrated to the United States.  He held principal cellist positions with major symphony orchestras and in 1958 accepted the teaching position at Indiana University’s Jacobs School of Music.  Along with teaching, Starker embarked on a career as a concert soloist performing solo with the world’s major symphonies and in chamber recitals world-wide.

Over the next 30 years, he recorded over 165 works for cello on labels such as Angel, Deutsche Grammophon, EMI, London Mercury, and RCA Victor, among others.   His recorded works include the major cello repertoire.

Early in his teaching career, Starker published An Organized Method of String Playing and in 2004 a memoir, The World of Music According to Starker (Indiana University Press).

“Starker was the perfect combination of a great artist/performer and an extremely dedicated teacher who felt that his main mission in life was to teach,” says Vardi, adding that Starker understood what professional cello playing entailed.  With a surgeon’s ability to diagnose and cut to the core of a cellist’s problem, Starker was very direct in his remarks and instruction.  Though his comments could be painful to the recipient, they were the essential tools needed for improvement.

Video from Medicitv.com

Vardi’s path to Starker came through the recommendation of Gabriel Magyar, cellist of the Hungarian String Quartet. Vardi met Magyar in 1972 in a summer festival in Holland.  Magyar  described the crux of Starker’s teaching method and philosophy:  It is not enough to be an intuitive performer, the essential method of playing the instrument–the physical requirements, musicality, phrasing– must be consciously known and understood by the cellist.  It was this concept of the combined importance of performance and teaching  that resonated with Vardi.

In 1979 at Indiana University, Starker established the Eva Janzer Memorial Cello Center to honor and promote comradeship among cellists internationally.

Starker’s lifetime achievements are numerous, and include performance, teaching and mentoring awards, including the Tracy M. Sonneborn Award for distinction in teaching at Indiana,  five honorary doctorates and the title of Honorary Professor of the Franz Liszt Academy of Music in Budapest.  He is considered one of the greatest cellists and teachers of the cello in history.

For more information about the National Summer Cello Institute, see  http://www.yourbodyisyourstrad.com/main/2013_National_Summer_Cello_Institute.html

Fink Farewell: A whole lot of oboists in one room

Marc Fink  at Tripps Commons. Photos by Eric Tadsen.
Retiring oboe professor Marc Fink, enjoying a farewell dinner at UW’s Tripp Commons. Photos by Eric Tadsen.
Marc Fink
Marc and many of his former students, assembled at his dinner

It wasn’t exactly an oboe conference, but it could’ve been one, with the assortment of former Fink students who returned to Madison for his farewell concert and dinner on April 14. Fink, who served as UW-Madison oboe professor for forty years, retires this spring.

The concert, which was reviewed in Madison Magazine’s “Classically Speaking” blog, was a real crowd pleaser. An oboe choir made up of these and current students provided musical entertainment for the dinner with a rousing rendition of “On Wisconsin” arranged by Tina Nicholson.

“Marc Fink Offers the Best Kind of Long Goodbyes”

“It was a real pleasure to welcome back so many former students,” says Marc. They included three students from Marc’s first oboe class in 1973: Emily Auerbach, UW-Madison Professor of English; Lois Schmidt O’Keefe of Cedarburg; and Trish Miser Zamora of Brisbane/Milwaukee. Others included:

Andrea Gross Hixon (1994), Appleton
Anna Hendrickson (1992), Potsdam, NY
Carol Stephenson (1977), Washington, DC
Dan Brielmaier (1986), Toronto, Canada
Leah Fink (2010), Paris, France
Hannah Sartori Busse (2006), Madison
Heidi Hess (2009), Sheboygan
Howard Niblock (2000), Appleton
Jill Rupnow (1989), Paris, France
Kathryn Engelhardt (1984), New York, NY
Laura Medisky (2010), Madison
Matt Butterfield (2012), Pittsburgh
Pamela Treisman (2012), Milwaukee
Tina Nicholson (1990), Decatur, IL
William Wielgus (1980), Washington, DC
Kate Albrecht (2009), Milwaukee
Jessica Tritsch (2001), Minneapolis

Marc may be leaving UW, but Madison will still be able to hear his clear tone as principal oboist with the Madison Symphony Orchestra. Meanwhile, his replacement at UW for next year, Kostas Tiliakos, has an interesting story of his own. Stay tuned….