Tag Archives: Pro Arte Quartet

A Groundbreaking Weekend for the School of Music; Pro Arte announces a date with pianist Leon Fleisher

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
September 27, 2016

It will be a weekend of many firsts.

  • Here’s the “first first”: On October 28 from 4 to 5:30 PM, at the corner of Lake Street and University Avenue, the School of Music will officially break ground on the new Hamel Music Center that will contain two performance halls, a rehearsal room, and state-of-the-art technology.  Long considered a pressing need, the Hamel Center is being financed entirely by private funds from Pamela and George Hamel, the Mead Witter Foundation of Wisconsin Rapids, Paul Collins, and many other donors.  We welcome continued support! To read about the Hamel Center and learn more, see this link.

“We’re excited about wonderful opportunities these new spaces will provides for all our students as well as the larger Madison and Wisconsin community,” says Susan C. Cook, director of the school of music.  “It’s an exciting time for all of us and we’re grateful for the support of our generous donors .”

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Live music and refreshments will be served. The entire community is welcome to join the festivities!

  • The second “first” will be a concert that evening (Friday, Oct. 28) by UW-Madison’s Christopher Taylor, introducing his groundbreaking new piano, the “Hyperpiano.”  It will start in Mills Hall at 8 PM, and Taylor will be available afterwards for conversation with patrons. Read our news release about this piano; buy your tickets here.

Click here to see images of the “Hyperpiano” in development.

  • And for our third first, faculty bassoonist Marc Vallon has planned a special concert of groundbreaking new works of music from the 17th, 19th, 20th and 21st centuries.
    breaking-ground-poster-goodWrites Prof. Vallon: “Composers of all periods have continually explored new musical territories, looked for new paths, and tried, through groundbreaking works, to launch new courses of musical expression. This program offers the public pieces that have, in their time, provided a starting point to new musical routes, just as the first stroke of a shovel is the birth of a new building and a new era.” The concert will include music by Michelangelo Rossi, Alexander Scriabin, Iannis Xenakis, John Cage, Helmut Lachenmann, and Morton Feldman.

The free concert is set for 7 PM on Saturday, October 29, in Mills Hall.


Just announced: Pianist Leon Fleisher to perform at Mills Hall with the Pro Arte Quartet

The Pro Arte Quartet was presented with an offer it could not refuse: Legendary pianist Leon Fleisher was available to perform with them this fall. Were they interested?

Leon Fleisher
Leon Fleisher

The answer was yes. On Thursday, October 6 at noon in Mills Hall, Fleisher will perform Brahms’ F minor Piano Quintet with the Pro Arte Quartet. The concert is free.

“You can’t see music as it passes through the air.  You can’t grasp it and hold on to it.  You can’t smell it. You can’t taste it.  But it has a most powerful effect on most people.  And that is a wondrous thing to contemplate.”

As a recipient of the Kennedy Center Honors in 2007, pianist Leon Fleisher was recognized as a “consummate musician whose career is a testament to the life-affirming power of art.” Read his full biography.


Wondering what else is going on in the arts?

The Arts Institute’s fabulous website summarizes and promotes everything arts-related on the UW-Madison Campus. It offers a link to buy tickets and even offers a special ticketing deal called the “campus arts card.” We often don’t admit it, but there is more to see and hear than just music! There’s dance, theater, art, academic research and discussions, film… Check it out!
http://arts.wisc.edu/

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The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

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A Taste of the Middle East Coming to Morphy Hall

Special Concert Announcement from the UW-Madison School of Music – March 3, 2016
duoJalal – A fusion of cultures and styles, with Yousif Sheronick, percussion, and Kathryn Lockwood, viola

In Concert: Monday, March 14, 7:30 PM, Morphy Hall

$15 public, available at the Memorial Union Box Office and at the door. Free to students. Note: Seating is limited. We recommend patrons buy ahead of time or arrive early.

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Kathryn Lockwood and Yousif Sheronick. Photograph by Anja Hitzenber.

 

 

 

 

 

 

 

Yousif Sheronick, a native of Iowa,  discovered the music of Arabian countries when his Lebanon-born mother sang tunes over the drone of the family vacuum cleaner. As a youth, he gravitated toward American rock and was a member of the local drum corps. His natural percussion skills landed him a full scholarship to the University of Iowa, but it wasn’t until he enrolled as a master’s student at Yale University that he really dug into the music of Eastern countries. He traveled to Brazil and studied music of India, Africa and the Middle East.

Kathryn Lockwood, a native of Australia, studied classical viola at the Queensland Conservatorium of Music and came to the US in 1991, where she received a master’s degree at the University of Southern California. She then won several awards in succession: the Naumburg Chamber Music Award, Grand Prize at the Coleman Chamber Music Competition, Concert Artists Guild Management Award, and awards at solo competitions such as the Primrose Competition, Washington International Competition, and the Pasadena Instrumental Competition.  She was an original member of the Pacifica Quartet and co-formed the Lark Quartet in 1985. Along the way she met Sheronick.

The two met, married and formed a new ensemble, duoJalal, that spanned cultures, genres and styles.  “duoJalal started organically when a friend and composer offered to write us a piece,” says Sheronick. “We had so much fun we decided to keep going and commissioned more pieces which showcases our unique voice as an ensemble of melody & rhythm.”

Hear duoJalal on SoundCloud:

“duoJalal” was named to honor the cross-cultural poetry of the 13th-century Turkish poet, Jalal al-Din Rumi, whose work Sheronick discovered when he arrived in New York City.

Today, duoJalal performs music ranging from classical to Klezmer, jazz to Middle Eastern. Wrote Toronto Star reviewer John Terauds: “Sheronick applies impeccable technique to a wide range of percussion tools, from the bodhran in the opening piece to a goat-hoof shaker in Glass’s ‘Duo for Solo Viola and Percussion.’ Lockwood is all slow, sensuous allure with her bowing arm one moment, a tempest of notes the next. If this is what world music’s future holds, bring on the party.”

At the School of Music, duoJalal’s concert was suggested by percussion professor Anthony di Sanza and viola professor Sally Chisholm, the long-standing violist with the . “They sit halfway between the Western classical world and global music, and that’s a world I find interesting,” says Di Sanza. “Yousif plays a lot of Middle Eastern percussion music, and we have a good number of students who have been playing Middle Eastern instruments and studying this regularly. And I also like the idea of collaboration with the string area, and with Sally Chisholm.”

“I am certain she will give wonderful feedback to our violists on standard viola repertoire as well as offer her unique perspective on paths musicians can create for themselves,” says Chisholm.

Additional Events:
String Master Class: Mon March 14, 12:05 PM, Room 2521- Free
Percussion Master Class: Mon March 14, 12:05 PM, Room 1629 -Free
Presentation/Discussion about Composing Global Chamber Music: Tuesday, March 15, 12PM, Room 2521 – Free

We hope you will join us for one or more events!
Here is the March 14 concert program:

  • David Krakauer (b. 1956): Klezmer a la Bechet (in the SoundCloud link above)
  • Evan Ziporyn (b.1959): Honey from Alast
  • Yousif Sheronick (b.1967): Jubb Jannin
  • Enzo Rao (b.1957): A Different World
  • Kenji Bunch (b.1973): Lost & Found (2010)
    I. Lost in Time (Dumbek)
    II. Found Objects (Djembe)
  • Somei Satoh (b.1947): Birds in warped time II (1983)
  • Giovanni Sollima (b.1962): Lamentatio

For more information, please contact the concert manager at 608. 263.5615.

We thank the University of Wisconsin Anonymous Fund for its support of this residency.

 

 

 

UW-Madison’s Top Musicians to Solo in Annual “Symphony Showcase”

News and Events from the UW-Madison School of Music – January 26, 2016

“Symphony Showcase” brings out the best, literally

They’ve prepared for months and now are ready to show off a bit on the stage of Mills Hall: Our annual Symphony Showcase, a concert featuring the winners of our annual concerto competition in solo performances with the UW Symphony Orchestra, conducted by James Smith.  This year’s winners are all graduate students with impressive worldwide resumés; one is a composer whose new work will be premiered by the orchestra. Please join us on Sunday, February 14, at 7:30 PM for our concert and reception in Mills Hall! (Note: Parking is free on Sundays in Grainger Hall.) Concert tickets are $10 but are free for students of all ages. Buy in advance ($4 fee) or in person in Mills lobby.

Concerto winners
L-R:
Kangwoo Jin, piano; Luis Alberto Peña, piano; Garrett Mendelow, percussion; and Paran Amininazari, violin. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.

Meet the winners and the works they will play, and read full biographies on this webpage.

Violinist Paran Amininazari, doctoral student of Assistant Professor Soh-Hyun Park Altino. Paran is also a member of the Madison Symphony Orchestra and a founding member of the Willy St. Chamber Players. Sergei Prokofiev’s Violin Concerto No. 2 in G minor, Op. 63, one movement.

Yunkyung Hong, a doctoral composer studying with Professors Laura Schwendinger and Stephen Dembski. “Yun” has won many awards and commissions worldwide and is employed by UW-Madison’s MOOCS (massive online courses) program as a sound designer. Her new work is called Transparency.

Pianist and Collins Fellow Kangwoo Jin, doctoral student of Professors Christopher Taylor and Jessica Johnson. Kangwoo is a winner of many competitions and received his master’s degree from Indiana University. He is also a teacher in the school’s Community Music Lessons program. Rachmaninoff’s Piano Concerto No. 2 in C minor Op. 18, third movement.

Garrett Mendelow, doctoral percussionist and Collins Fellow studying with Professor Anthony Di Sanza. In 2012, Mendelow won second place in the biennial Tromp Percussion Competition in The Netherlands, and in 2014, he was a semifinalist at the ARD International Music Competition in Munich, Germany. Arena Concerto, by Swedish composer Tobias Broström.

Luis Alberto Peña, a doctoral piano student of Professor Christopher Taylor.  Luis has soloed with many orchestras and won awards in Colombia, Costa Rica, Venezuela and the USA. Richard Strauss’s Burleske in D Minor for Piano and Orchestra.


The Wisconsin Idea at Its Most Audible

Did you know that the Wisconsin Brass Quintet, the Wingra Wood Quintet and the Pro Arte Quartet are our contribution to the Wisconsin Idea? Over decades, the three ensembles have logged thousands of miles giving concerts and master classes in high schools, concert halls and colleges all over Wisconsin. And we want to visit your town!

We’ve given it a new name: the “Music Engagement & Outreach Program,” and we have a new coordinator, Beth Larson,  a violinist who graduated from UW-Madison in 2011 and performs with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and the Willy Street Chamber Players.  With Beth’s help, the three groups have begun an exciting new partnership with Milwaukee’s High School of the Arts, working not only with bands and orchestra but with literature and science classes as well. Contact Beth to learn more.

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Find the ensembles in your corner of Wisconsin! Upcoming concerts include:

Pro Arte Quartet (please note: due to injury, the Pro Arte concert for Feb. 3 in Mills Hall has been canceled)
2/23/16 5:30 PM Concert & Clinic | Wisconsin Philharmonic | Waukesha, WI
2/28/16 2:00 PM Concert | Marcus Center for the Performing Arts | Milwaukee, WI
4/5/16 7:00 PM Concert | University of Wisconsin – Platteville | Platteville, WI
4/7/16 7:00 PM Concert | Oakwood Village – University Woods | Madison, WI
4/11/16 7:30 PM Concert | Three Lakes Arts Association | Three Lakes, WI
5/14/16 7:30 PM Concert | Midsummer’s Music | Sister Bay, WI
Wisconsin Brass Quintet
3/4/16 7:30 PM Concert | Concordia University | Mequon, WI
Wingra Wind Quintet
2/11/16 3:30 PM Concert | Coventry Village | Madison, WI
2/18/16 10:00 AM Educational Concert | Edgewood High School | Madison, WI
2/26/16 7:30 PM Concert | Nicolet Live @ Nicolet College | Rhinelander, WI


Music reviewer Greg Hettsmanberger gets his own TV blog

Blogger Greg Hettsmanberger has been writing about classical music for Madison Magazine for several years now, and has now begun a stint on TV as well and started a new personal blog, “What Greg Says,” mostly about music. You can catch his TV segment on occasional Wednesday mornings just after 6:30 AM on WISC-TV/Ch. 3. In his debut appearance, he included our upcoming Schubertiade as one of his recommendations.

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Meanwhile, another faithful classical music critic, Jake Stockinger, just passed the 1.4 million mark in hits to his blog, The Well-Tempered Ear, in continuous publication since 2009. Congratulations, Jake!


Want to burnish those rusty piano or trombone skills? UW-Madison’s Community Music Lessons can help

The CML program was founded in 1968 and is still busy offering lessons to students young and old(er) in our community. Our teachers are graduate students recommended by their major professors, and are available in the areas of instrumental, voice, and even composition. Registration for the spring semester just opened; click here to learn more.
Read biographies of our current teachers.


Faculty News: Laura Schwendinger, Uri Vardi & David Perry.

Alumni News: Violist Elias Goldstein.


Hire a Musician!

Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note: All arrangements are made between the students and the employer.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
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You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Violist Nobuko Imai joins Pro Arte Quartet Oct. 7; Brass Fest II features solo trumpet, Oct. 9-11; UW Opera presents “Figaro,” Oct. 23-27

News & Events from the UW-Madison School of Music – September 29, 2015

Violist Nobuko Imai joins the Pro Arte Quartet for an evening of chamber music
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Nobuko Imai

Nobuko Imai is considered to be one of the most outstanding viola players of our time. She’ll join the Pro Arte on Wednesday, October 7 at 7:30 PM for a free evening of chamber music. On the program: Mozart’s String Quintet in C Minor, K. 406/516b and Mendelssohn String Quintet in B-Flat Major, Op. 87. There will also be a master class with Nobuko Imai on Tuesday, October 6, Morphy Hall, 7:30 PM. Click here for event info.

Brass Fest II features an eclectic mix of voice, jazz trumpet, and brass quintet: October 9-11

From October 9 to 11, the UW-Madison School of Music will present its second brass music festival, following a spirited event last year that was enthusiastically received by students and the community. See photos here.

BrassFest8x11Poster2015All events will be held in Mills Hall.

This year, “Brass Fest II” has added a vocalist to the mix: Elisabeth Vik, a Norwegian singer who mixes jazz tunes with pop and folk music from the Middle East, Bulgaria, Spain and India. The three-day festival will also features two brass quintets and Adam Rapa, a solo trumpeter.

Friday: Chicago’s Axiom Brass Quintet. 8 PM. With Dorival Puccini, Jr., trumpet; Jacob DiEdwardo, horn; Kevin Harrison, tuba; Orin Larson, trombone; Kris Hammond, trumpet. The award-winning Axiom Brass Quintet has quickly established itself as one of the major art music groups in brass chamber music. Their repertoire ranges from jazz and Latin music to string quartet transcriptions, as well as original compositions for brass quintet. Tickets $15, students and children free admission.

Saturday: Festival Brass Choir Concert Brass Festival Concert. 8 PM. Guest artists Adam Rapa and Elisabeth Vik will be featured on a program that showcases the combined sounds of the Wisconsin Brass Quintet and their guests, the Axiom Brass Quintet, conducted by Scott Teeple of the School of Music. They’ll perform music of Anthony DiLorenzo, James Stephenson, Richard Strauss, and a tour de force performance by the expressive and technically agile Adam Rapa of Weber’s Clarinet Concerto, arranged with a twist. The program will also feature Daredevil by UW alumni composer and tubist Michael Forbes, and Vik/Rapa will join talents in a shimmering piece by Swedish composer Evert Taube arranged for brass choir by Rapa. Tickets $15, students and children free admission. Meet the performers at a reception following the concert!

Sunday: Elisabeth Vik and Adam Rapa, duets on trumpet and voice.  7:30 PM. Rapa and Vik have perfected a creative blend of jazz and folk vocals with solo trumpet.  Free concert. Hear them here:

Buy tickets to both concerts and save!

University Opera presents “The Marriage of Figaro” Oct. 23-27

After the unprecedented success of last spring’s sold-out run of The Magic Flute, this fall, University Opera will present four performances of Mozart’s The Marriage of Figaro.  This new production will be directed by returning interim opera director, David Ronis, and James Smith will conduct the UW Symphony Orchestra.  The production will involve over 80 UW singers, instrumentalists, and stage crew. Read the full news release on the School of Music website.

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The opera will be performed in Italian with projected English supertitles in Music Hall, 925 Bascom Mall, on Friday, October 23 at 7:00pm, Saturday, October 24 at 7:00pm, Sunday, October 25 at 3:00pm, and Tuesday, October 27 at 7:00pm.  Tickets are $25.00 for the general public, $20.00 for senior citizens and $10.00 for UW-Madison students, available in advance through the Campus Arts Ticketing office at (608) 265-ARTS and online at http://www.uniontheater.wisc.edu/location.html

Please check our calendar for many other concerts in October, many free. All are held on campus unless indicated otherwise. Selected events are listed here:  UW Wind Ensemble, October 2; “An Evening of Opera Arias,” Capitol Lakes Retirement Community, October 10;  Contemporary Chamber Ensemble, October 14; Contemporary Jazz Ensemble & Jazz Composers Septet, October 15;  Javier Calderon, classical guitar, October 17; Choral Collage, October 18; and many more.

UW Wind Ensemble. Photo by Michael R. Anderson.
UW Wind Ensemble. Photo by Michael R. Anderson.
Opera Benefit Concert with Brenda Rae and UW-Symphony Orchestra delights all

On Sunday, Sept. 27, alumna soprano Brenda Rae and the UW Symphony wowed an audience of about 400 in Mills Hall with spectacular performances. Read a review by John Barker, professor emeritus of history.

On Friday, UW-Madison staff photographer also shot photos of Brenda’s master class. View all of them here.

UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)
UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)
UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)
UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)
From the Archives: UW-Madison Archivist David Null uncovers band stories from 1915

Did you know…. that in 1915, the University First Regimental Band took a long train ride to California to help celebrate the completion of the Panama Canal?

FirstRegNullemblem

The UW-Madison Archives at Steenbock Library houses thousands of memories from UW-Madison’s past. Over the summer,  UW-Madison Archivist David Null dug down and found clippings, photos and letters documenting UW Bands’ concert at the Panama Pacific International Exposition in San Francisco and 19 other cities, including Lewiston, Montana.

Read David’s full post on Tumblr.

Composition/business undergrad double major wins national prize for best musical

Congratulations to Nicholas Connors, a composition student of Les Thimmig, Laura Schwendinger, and Stephen Dembski, who in August won the college division grand prize in Showsearch, the nationwide search for new musical theatre writers put on by Festival of New American Musicals. His new musical Here, In The Park will be premiered next summer in New York City by a professional cast and production team. He’ll also receive a financial award and professional mentoring.

While in Madison, Nick founded Intermission Theatre and produced his first musical, SPACE VOYAGE: THE MUSICAL FRONTIER. He also served as music director  for Tony Award-winning Karen Olivo’s  Madison debut at Overture Center. Nicholas is now in England finishing his business classes and will graduate this fall from UW-Madison with degrees in music composition and marketing.

Nick Connors, center, with the cast for his musical, "Here, in the Park," about a struggling writer who meets an investment banker/painter in a big city.
Nick Connors, center, with the cast for his musical, “Here, in the Park,” about a struggling writer who meets an investment banker/painter in a big city.
Faculty News

On our website: News from John Aley, Laura Schwendinger, Tony Di Sanza, Wesley Warnhoff and Dan Grabois. Click here to read.

Alumni News

On our website: News about “Hill’s Angels”; MiLi Chang, flutist; Nebojsa Macura, composer, and more. Click here to read.

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.

Personalize your calendar view! Click on the “view as” link on the right of our calendar page.

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You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

British Choral Composer to visit UW; Wind Ensemble travels to Carnegie; John Stevens trombone premiere; more!

AWARD-WINNING CHORAL COMPOSER TO VISIT UW-MADISON Feb. 19-21

British composer Cecilia McDowall, a recent winner of the British Composer Award for her work, Night Flight, for choir and solo cello, will jump the pond in late February for a three-day residency at the School of Music. The residency–McDowall’s first in the U.S.– will include two concerts, one featuring the U.S. premiere of her work, Seventy Degrees Below Zero, commissioned in 2012 to honor the British explorer Robert Falcon Scott.

McDowallWEB

The classical magazine Gramophone describes McDowall as having “a piquant musical vocabulary, underpinned by moments of pure lyricism.” In 2008, the Phoenix Chorale won a Grammy Award for “Best Small Ensemble Performance” for its Chandos CD, “Spotless Rose: Hymns to the Virgin Mary,” which included a work, Three Latin Motets, by Cecilia McDowall.

Visit our website to learn details of her residency: http://www.music.wisc.edu/cecilia-mcdowall/

Hear her music at this site: https://soundcloud.com/cecilia-mcdowall
Please join us for one or more of our events!

  • COLLOQUIUM Thursday Feb. 19, noon, Mills Hall: Meet the composer! McDowall will describes how she creates music based on real or imagined events. Free.
  • CONCERT Friday Feb. 20, 8PM, Mills Hall: Featuring the U.S. premiere of Seventy Degrees Below Zero. With UW Madrigal Singers and Concert Choir (Bruce Gladstone, conductor) and a faculty/student chamber orchestra conducted by James Smith.  Michael DuVernois of the IceCube Particle Astrophysics Center will offer a slideshow describing the past and the present in polar research.  Free reception to follow!
    Tickets: $20 adults, free for students. Buy online (click link) ; in person at the Memorial Union box office or at the door.
  • CONCERT Saturday, Feb 21, 8 PM, Mills Hall: The Chamber Music of Cecilia McDowall. Free.

Learn much more at our website: http://www.music.wisc.edu/cecilia-mcdowall/

News flash: Our Spring 2015 event brochure is now available in an interactive format! Click this link to view: http://www.music.wisc.edu/flipbook/

UW WIND ENSEMBLE TO PERFORM AT CARNEGIE HALL IN MARCH-Catch their send-off concert on Feb. 24
The UW Wind Ensemble. Photograph by Megan Aley.
The UW Wind Ensemble. Photograph by Megan Aley.

The Wind Ensemble and its conductor, Scott Teeple, plans a trip too, not across the ocean but across half the country: a performance on March 9 at Carnegie Hall. You can hear them perform prior to their New York concert on Feb. 24, a ticketed fundraiser and preview concert,  will include works by Vaughan Williams, Kathryn Salfelder, Percy Grainger, and others. Tickets: $10 adults, free for students. Buy online (click link); in person at the Memorial Union box office or at the door. Read more here.

Many thanks to Lau and Bea Christenson and the UW-Madison School of Music for supporting this trip.

DOCTORAL TROMBONIST COMMISSIONS AND PERFORMS A JOHN STEVENS PREMIERE

How do new classical works get funded these days? Sometimes, it’s the product of “consortia,” a group of universities and orchestras interested in new works. Such is the case with the Kleinhammer Sonata for bass trombone,  named for the former bass trombonist in the Chicago Symphony Orchestra, and newly written by former tuba professor and composer John Stevens. As part of his doctoral dissertation, Alan Carr, a trombonist in the studio of Prof. Mark Hetzler, secured underwriting from UW-Madison and many others, including the Boston, Atlanta, San Francisco and Detroit symphonies and the Metropolitan Opera. The new sonata will be part of a new CD that features works for bass trombone, none previously recorded.  Come hear Carr will perform the new sonata on March 3 in Mills Hall at 7:30 PM, along with pianist Vincent Fuh. Composer John Stevens is expected to attend. Read more here.

ALUMNA SOPRANO EMILY BIRSAN PROFILED IN CLASSICAL SINGER MAGAZINE
Emily Birsan (3)
Emily Birsan

“[UW provided] a small hall and a safe environment,” Emily Birsan says of her experience at the University of Wisconsin–Madison. “But that situation really boosted my confidence that I could take on these pretty big leading ladies and make them my own.” Birsan is featured on the front cover of February’s Classical Singer magazine. Read the full article here. 

MUSICOLOGY DISSERTATOR RECEIVES OPERA AWARD

Robert Torre, a PhD candidate in musicology studying with Professor Jeanne Swack, recently received the Leland Fox Scholarly Paper Award from the National Opera Association for his essay “Cultural Translatio and Arne’s Artaxerxes (1762).” The paper is part of a broader project that examines the role of translation in the composition and reception of Italian opera in eighteenth-century London. Robert is currently visiting faculty at Emory University in Atlanta.

HOMAGE TO RAMEAU CONTINUES THIS SPRING

Prof. Charles Dill‘s massive effort to pull together a series of events to commemorate the work of Baroque composer Jean-Philippe Rameau will continue this spring, with events on Feb. 5 (Chazen Museum); March 11 (Chemistry Building–yes, you read that right);  April 18 (Morphy Hall) and April 17 & 18 (performance of Pygmalion by the Madison Bach Musicians, at the First Unitarian Society Church). Why in Chemistry, you ask? Because chemistry professor Rod Schreiner knows a bit about the principles of string vibration and sound propagation that influenced Rameau. Even today, 250 years after his death, Rameau’s work is considered seminal, so please join us to learn more! Full information can be found here: http://www.music.wisc.edu/rameau/ All events are free.

WISCONSIN BRASS QUINTET COMING TO A TOWN NEAR YOU
The Wisconsin Brass Quintet. L-R: Mark Hetzler; Daniel Grabois; John Aley; Tom Curry; Jessica Jensen. Photograph by Megan Aley.
The Wisconsin Brass Quintet. L-R: Mark Hetzler; Daniel Grabois; John Aley; Tom Curry; Jessica Jensen. Photograph by Megan Aley.

The Wisconsin Brass Quintet will travel around Wisconsin this spring with an all-new program of works written or arranged for brass, including compositions by Cecilia McDowall (who will travel from England in late February for our residency), Malcolm Arnold, Jean-Philippe Rameau, Vladimir Cosma, and William Mathias. Towns will include Ashland, Richland Center, Kohler, and others. Check this website to find more locations and times.

Meanwhile, UW-Madison’s Pro Arte Quartet and the Wingra Woodwind Quartet will also travel this spring to perform, all in keeping with the Wisconsin Idea of outreach to the state. All their outstate concerts can be found on this website:  http://artsoutreach.wisc.edu/index.html

HEAR OUR CONCERTO WINNERS SOLO WITH ORCHESTRA THIS WEEKEND: SUNDAY, FEB. 8: 7 PM, MILLS HALL
L-R: Keisuke Yamamoto; Ivana Ugrcic; Jason Kutz; and Anna Whiteway. Missing: Composition winner Adam Betz. Photograph by Michael R. Anderson.
L-R: Keisuke Yamamoto; Ivana Ugrcic; Jason Kutz; and Anna Whiteway. Missing: Composition winner Adam Betz. Photograph by Michael R. Anderson.

Grab a spot this Sunday for our annual “Symphony Showcase” concert featuring our concerto competition winners. Tickets are $10.00 for adults, free to students, and include a reception in Mills lobby immediately following. This event is always joyous; we encourage all to attend! Read more here: http://www.music.wisc.edu/events/symphony-showcase/

Buy tickets online (click link) or in person at the Memorial Union box office or at the door.

RONIS AND TEAM WIN PRIZE AT NATIONAL OPERA ASSOCIATION

We congratulate visiting director of opera David Ronis, whose Queens College-CUNY production of “Dialogues of the Carmelites” recently won third place in Division 4 of the 2013-14 National Opera Association’s Production Competition. Ronis and his team have won twice before, in 2009 and 2011.

David Ronis.
David Ronis

 

 

 

 

 

 

With that in mind, you won’t want to miss this spring’s production of Mozart’s The Magic Flute, also directed by Ronis. There will be four shows, one more than the usual number:  March 13 at 7:30pm; March 14 at 7:30pm; March 15 at 3:00pm; and March 17 at 7:30pm. Buy tickets online (click link) or in person at the Memorial Union box office or at the door. More info to come! http://www.music.wisc.edu/opera/

From the Gallery: Scenes from two recent concerts at the School of Music. All photographs by Michael R. Anderson.

HELPFUL LINKS

Main Website

Concert Calendar

Ticketing

Brass Fest, Pro Arte World Premiere, “Showcase Series” launches with faculty voice recital

NEW FESTIVAL TO SHOWCASE LYRICISM AND POWER OF BRASS MUSIC

Audiences will be treated to some of the most beautiful and thrilling brass music ever written–including  “Quidditch,”  composed for the movie “Harry Potter and the Sorcerer’s Stone,” by legendary composer John Williams– at a six-day all-brass festival October 8-13 at UW-Madison.

Other works to be performed include “Elegy,” by Pulitzer-Prize winner Kevin Puts, and “Four Sketches,” by trumpeter and composer Anthony Plog. Plog will also be in residence for two days of the festival.

Watch “In Medias” Brass Quintet performing “Four Sketches” by Anthony Plog, to be performed by the Wisconsin Brass Quintet on Wednesday, October 8.

Jessica Valeri
Jessica Valeri , SOM alumna, now plays horn with the San Francisco Symphony Orchestra.

The festival will feature world-renowned brass musicians performing four concerts, and master classes on all the brass instruments—from trumpet to tuba and everything in between. Students and the general public are encouraged to attend. Guest musicians include virtuoso solo tubist Oystein Baadsvik of Norway; renowned trumpeter and brass composer Anthony Plog; the Western Michigan Brass Quintet; the UW-Madison’s Wisconsin Brass Quintet; and San Francisco Symphony Orchestra horn player  Jessica Valeri (BM, UW-Madison, 1997). Click here for the full schedule. All events free to the public except “Brass Alchemy” headline concert, October 11, which is ticketed.

Featured concert: “Brass Alchemy,” October 11, 8 PM, Mills Hall. Click to learn more. A full contingent of our soloists, guests, and students presenting dramatic and inspired works of John Williams, Morten Lauridsen, Juan Colomer, Ennio Morricone, Scott Hiltzik, Kevin Puts, Anthony DiLorenzo, and an original work of Baadsvik’s, “Fnugg.”  School of Music professor Scott Teeple will conduct.   Tickets for the general public are $25; UW music majors with ID are free; other students, $10.00.  Ticketing info here. 

Oystein Baadsvik
Oystein Baadsvik

Says John Aley, lead organizer and longtime professor of trumpet as well as principal trumpet of the Madison Symphony Orchestra: “Brass instruments are so much more expressive than many people assume. While brass players take great delight in the excitement of filling a concert hall with grandeur and power, it is the lyrical quality of each these instruments that touch the heart of the listener.”

For a full calendar of Celebrate Brass! events, click here. 

PRO ARTE QUARTET PRESENTS ITS FINAL CENTENNIAL WORLD PREMIERE

Composer Pierre Jalbert’s “Howl” for clarinet and string quartet will receive its world premiere by the Pro Arte Quartet on Friday, Sept. 26, at the Wisconsin Union Theater on the UW-Madison campus. The event, free and open to the public, will be the first classical music concert to take place in the historic theater’s newly refurbished Shannon Hall.

The 8 p.m. concert will be preceded by a 7 p.m. concert preview discussion with Jalbert in Shannon Hall. In addition to Jalbert’s composition, the evening’s program includes the String Quartet No. 2 in A Major (1824) by Juan Crisóstomo Arriga and the Clarinet Quintet in A Major (1791) by Wolfgang Amadeus Mozart.

The concert will be repeated Sunday, Sept. 28, at 12:30 p.m. in Gallery III at the Chazen Museum of Art, also on the UW-Madison campus. Joining the Pro Arte for both concerts will be clarinetist Charles Neidich, a regular member of the Orpheus Chamber Orchestra and noted guest performer with orchestras and string quartets worldwide. Read about the inspiration behind the commission here.

PROFESSOR STUDIES HOLOCAUST CHILDREN’S OPERA

Teri Dobbs
Teri Dobbs

Hans Krása’s operetta Brundibár became indelibly associated with the Holocaust when the score was smuggled into the Theresienstadt concentration camp, and a production was mounted that lasted for more than 55 performances. Sung and acted by children, Brundibár was held as an example of the cultural programming offered to Jews at the Terezín “show camp” during the 1944 International Red Cross visit and the subsequent propaganda film, The Führer Gives the Jews a City.  Associate Professor of Music Education and Jewish Studies affiliate Teryl L. Dobbs recently returned from a sabbatical trip to Prague and Terezín (the Czech name of the garrison town where the Theresienstadt camp was located), where she studied the history of the operetta. Read the full story here.

“SHOWCASE SERIES” CONCERTS TO HIGHLIGHT STUDENT/FACULTY MUSICIANS

Each concert $10.00;  season passes available for $60.00; students free. Proceeds to the School of Music. Please note:  Only seven concerts are ticketed– Most concerts at the School of Music are still free!

Seven student/faculty concerts will be “showcased” this year, starting with a all-faculty voice recital on November 2.  Professors Mimmi Fulmer and Elizabeth Hagedorn, sopranos; James Doing, tenor; and Paul Rowe, baritone, each will sing. The program will include a premiere of a new work by composer and UW professor Les Thimmig, “White Clouds, Yellow Leaves,” a cantata on poems of ninth-century China.

Christopher Taylor
Christopher Taylor

Other “Showcase” concerts will include a solo recital by pianist Christopher Taylor on January 23. (On Nov. 21, Taylor is also engaged to perform JS Bach’s “Goldberg Variations” at the Metropolitan Museum of Art in New York City; in April, he will perform Liszt and Bach with the Madison Symphony Orchestra.)

Later in January, pianists Martha Fischer and Bill Lutes will be joined by cellist Norman Fischer of Rice University plus students and faculty for a second “Schubertiade”  of chamber music. In early February, join us for a captivating evening of solo student performances as we present our annual concerto winners concert (the “Symphony Showcase”). A reception will follow this concert. Learn about all these special events here.

Our concerto winners relaxed at last year's post-concert reception. Photo by Michael R. Anderson.
Our concerto winners relaxed at last year’s post-concert reception. Photo by Michael R. Anderson.

Tickets for the general public are $10.00, and a seven-concert “pass” is available for $60.00. Students from all schools are free with identification. To save on service fees, buy in person at the box office or on the day of the show. Ticket info here.

INHORNS RECEIVE AWARD FROM MADISON SYMPHONY ORCHESTRA

The inaugural DeMain Award for Outstanding Commitment to Music will be awarded to philanthropists Stan and Shirley Inhorn by the Madison Symphony Orchestra League at its fifth annual gala banquet at the Madison Concourse Hotel on Friday, Sept. 12. Named after music director John DeMain, the annual honor will go to an ardent supporter of the MSO and Madison-based music in general. The Inhorns are longtime and much-appreciated supporters of the UW-Madison School of Music. Read more here.

TANDEM PRESS ANNOUNCES NEW FRIDAY FALL JAZZ SERIES

Beginning this September, Tandem Press will host a concert series featuring several student ensembles from the UW-Madison School of Music’s Jazz Program under the leadership of Johannes Wallmann, Director of Jazz Studies at UW-Madison, and Les Thimmig, Professor of Saxophone.

      • UW Contemporary Jazz Ensemble, September 26,  5-7 pm
      • UW Jazz Composers’ Septet, October 24, 2014 – 5-7 pm
      • UW Blue Note Ensemble & the Latin Jazz Ensemble, November 21, 5-7 pm

Tandem Press is located at 1743 Commercial Avenue in Madison. Concerts are free and open to the public.  Free parking is available, and refreshments will be served.

invited

Tandem Press is one of only three professional fine art presses operating within a university in the United States. Founded in 1987, it is affiliated to the UW-Madison Art Department in the School of Education. Each year, a select number of internationally renowned artists are invited to participate in Tandem’s artist-in- residence program, where they collaborate with a team of master printers assisted by UW students to create exclusive editions of prints.  Tandem prints hang in museums and corporations throughout the United States and Europe. This program is made possible with support from the Brittingham Fund.

ALUMNI PERCUSSION ENSEMBLE PRESENTS CONCERT AT GRACE EPISCOPAL CHURCH

Contemporary chamber ensemble Clocks in Motion brings new music, new instruments, and new sounds to the Grace Presents concert series Saturday, Sept. 20 at 12:00 p.m. with a program that highlights the power and diversity of percussion music. Their free program will include Marc Mellits’ new mallet quintet, “Gravity”; “Music for Pieces of Wood” minimalist pioneer Steve Reich; “Drumming Part 1”, also by Reich; “Four Miniatures,” an original composition by Clocks in Motion member Dave Alcorn; and “Third Construction”, by John Cage. Grace Church is located at 116 W. Washington Avenue, on the Capitol Square.

Formed in 2011, Clocks in Motion began as an extension of the University of Wisconsin-Madison’s Graduate Percussion Group, and now serves as the ensemble in residence with the UW-Madison percussion studio. In August, the group released its debut studio album, titled Escape Velocity,  recorded in Madison, WI, at Audio for the Arts and available as both a digital download and hard copy.  Links to purchase both digital and hard copies of the album can be found at Clocks in Motion’s website. 

Alumni Notes

1964 alumnus F. Gerard Errante releases new CD

For a complete rundown of events this year at the School of Music, click here.

For parking information, click here. 

 

New graduates and a goodbye—(just for the summer)

Best wishes to all our graduates!

A message from Susan C. Cook, Director of the School of Music

On May 16, as part of the University’s entire Commencement weekend, the School of Music held its inaugural Graduation and Awards Recognition. It was a lively and celebratory event that provided the opportunity to recognize the achievements of our graduates, to honor award recipients and to recognize and, in some cases, to thank personally the many donors who have made those student awards possible. Thus, for many of us, the 2013-14 academic year has ended, and so this is the last Fanfare blog post you’ll receive from us until August.

Susan C. Cook
Susan C. Cook
Photograph by Michael R. Anderson

However, the School of Music, as I’ve learned, never truly goes silent. Our facilities in the Mosse Humanities Building and in Music Hall will continue to thrum with activity of all kinds—from summer classes, ensembles and Community Music Lessons to special events like the National Summer Cello Institute (now in session), the Summer Music Clinic and the Madison Early Music Festival. Over the summer, music study continues, both in more leisurely and more intensive ways. We’re also planning to carry out some much needed renovations, ones that will benefit both our classroom teaching and our on-stage performances.

Looking back over the year I continue to be struck by how much we do and how well we do it. Primary in my mind are the high quality performances by our students as they’ve worked alone and collaboratively in our libraries, practice rooms, offices, studios, classrooms and, on stage and off. The creativity, energy and commitment they display towards their creative work never ceases to amaze me; it makes my job as director enormously rewarding.

I look forward to welcoming you back to campus, even if only virtually, in August. We have a lot of exciting things planned for next year as we continue to be a music school on the move, living out the Wisconsin Idea within our state and the world.

Thank you for your support throughout the past year. I always welcome hearing from our alums and friends, so feel free to stop by my office or drop me an email message at director@music.wisc.edu

On, Wisconsin and the summer!

Susan C. Cook
Director

Scroll down for photos from the May 16 ceremony at Music Hall. For a list of all graduates, click here.

UW pianist Yeaji Kim profiled in Wisconsin State Journal

Yeaji Kim, a visually disabled pianist and brand-new DMA in piano performance and pedagogy, developed a dissertation project that has the potential to not only change the way blind musicians learn to play music, but help blind and sighted musicians and teachers to collaborate and learn more easily.

Kim ‘s story was featured in a May 18 front-page story by reporter Gayle Worland in the Wisconsin State Journal as well as in a four-minute video made by the university.

Jessica Johnson, professor of piano pedagogy, calls Kim’s work, which involves a three-dimensional staff and notes that both sighted and sight-impaired people can understand, “revolutionary.” Read the full (very interesting) story here.  More information is available at this blog. 

 

Composer Filippo Santoro uses architecture as metaphor to create new works

Santoro, a native of Italy who just received his DMA in composition from UW-Madison, describes his composing process in a recent blog post.  “A good architect will begin by observing the architectural style of the surrounding buildings, the nature of the soils at the building site, how the space is currently used and the building’s proposed purpose. Similarly, a piece of music always develops from a small idea, like a seed, that you may want to take care of even long before it becomes a piece,” he writes. Read more here.

Collins Fellow Philip Bergman earns spot in Japanese training orchestra

Bergman, who received his master’s degree this spring, studied with cello professor Uri Vardi and received a fellowship provided by longtime donor Paul Collins. “I had the opportunity to meet Mr. Collins this past fall when I performed with a quintet at a banquet. I thanked Mr. Collins not only for his support of my education, but for his role in creating some of the finest positions available to student musicians in this country,” he writes.  Read more here.

Photographs from 2014 Awards and Graduation Ceremony

All photos by Michael R. Anderson. Click for captions.

 

Doctoral trombonist wins the 2014 Esther Taylor Graduate Arts Fellowship

Alan Carr
Alan Carr

Alan Carr, a DMA candidate in bass trombone and a Paul Collins Distinguished Fellow at the School of Music, has received the Esther Taylor Graduate MFA Fellowship, designed to support and encourage graduate students in the visual and performing arts by supporting public presentation of their work in conjunction with their degree program. The fellowship carries a grant of $1,500.

The fellowship will help Carr to complete his dissertation that will culminate in a solo CD project called The Elephant in the Room. The CD will feature previously unrecorded works for bass trombone and also offers two new pieces, including a new sonata by UW-Madison tuba professor (retired as of this semester) John Stevens. Carr assembled a consortium of 12 leading bass trombone players from around the world to commission the Stevens sonata.The consortium includes bass trombonists from the Atlanta Symphony, Boston Symphony, Detroit Symphony, Malaysia Philharmonic, Metropolitan Opera Orchestra, National Symphony, New York City Ballet, San Francisco Symphony, St. Louis Symphony, and several others.

This new work will be a substantial contribution to the bass trombone repertoire and will be dedicated to the late Edward Kleinhammer of the Chicago Symphony, who passed away in November 2013.

In addition to his graduate studies, Carr is also adjunct professor of low brass at Concordia University Wisconsin in Mequon and an active performer, having appeared with the Baltimore, Dubuque, and Hartford Symphony Orchestras, and with Ensemble ACJW at Carnegie Hall in New York City. For seven years, he was the bass trombonist in the King’s Brass, performing nearly 1,000 concerts and recording six CDs during that time. Carr has performed throughout the world, including concerts in Austria, Dominican Republic, Germany, Italy, China, Korea, and the US Virgin Islands, as well as all 48 continental US states. In March, Carr gave a solo performance at the 2014 Eastern Trombone Workshop in Washington, D.C. Carr received his Master of Music from The Juilliard School and a Bachelor of Music from the Peabody Conservatory of the Johns Hopkins University. He also holds an Artist Diploma from Yale University. Carr can be heard on Summit, Naxos, and Albany record labels, and is an Edwards Instrument performing artist.

Doctoral musicologist receives three fellowships to further her research

Isidora Miranda
Isidora Miranda

Isidora Miranda, a PhD candidate in historical musicology who studies with musicology professor Pamela Potter, has been awarded a Summer Fellowship at the Institute of Philippine Culture at the Ateneo de Manila University, a UW-Madison Center for Southeast Asian Studies Fellowship, and a UW-Madison Center for Southeast Asian Studies Field Research Award. Isidora earned her undergraduate degree in music at the University of the Philippines and her master’s degree in Violin Performance and Musicology at Western Illinois University. She writes: “The research work I am planning to do this summer is scour through the Raymundo Bañas Collection at the National Library in Manila. The collection comprises of original manuscripts, printed sheet music, prints, anthologies, silent movie scores, religious music for the local Roman Catholic churches, music programs from local concerts and musical events, and mimeographs of other music historical sources. In 1924, Raymundo Bañas (1894-1962) published The Music and Theater of the Filipino People, a compendium of music and musicians from the late-nineteenth century up to the time of his publication. As preliminary questions, I would like to know how much of Bañas’s musical archive informed his writing, and perhaps more importantly, what was the impetus for building a repository and authoring a narrative that sought to represent a “national” conception of music that is Filipino? This is particularly interesting in light of the growing push towards a Philippine self-government and a re-assertion of Spanish colonial identities in opposition to American influences at the time when Bañas was amassing his library.”

Senior composition major wins University Bookstore’s Academic Excellence Award

Daria Tennikova, the winning composer in this year's concerto competition. Photo by Katherine Esposito.
Daria Tennikova, the winning composer in this year’s concerto competition. Photo by Katherine Esposito.

Daria Tennikova, whose work, “Poema for Saxophone and Orchestra” was a winner of the school’s annual concerto competition, has been awarded a 2014 University Book Store Academic Excellence Award in the amount of $1,000. The awards are made to undergraduate students who best exemplify the principle that excellence can be achieved through independent study. This summer, Daria will attend the summer music festival, New Music on the Point. based in Lake Dunmore, Vermont.

 

 

Horn alumnus wins Lawrence University’s “Outstanding Teacher” Award

Eric Anderson (B.M. Music Education, 1998), music department chairman and band director at Verona Area High School, was honored Sunday, May 4 with Lawrence University’s 2014 Outstanding Teaching in Wisconsin Award, along with Lynette Schultz, an English teacher at Williams Bay Jr./Sr. High School. Eric is now band director at Verona Area High School and also sits on the board of directors of the UW-Madison School of Music Alumni Association. He also frequently conducts the orchestras for Children’s Theater of Madison and Four Seasons Theater.

Eric Anderson
Eric Anderson

The recipients are nominated by Lawrence seniors and selected on their abilities to communicate effectively, create a sense of excitement in the classroom, motivate their students to pursue academic excellence while showing a genuine concern for them in and outside the classroom. Since launching the award program in 1985, Lawrence has recognized 62 high school teachers.

Anderson has directed the concert band, wind ensemble and symphonic band while also teaching AP music theory at Verona High School since 2006. Additionally, he directs pep band, oversees rehearsals for school musicals and organizes tours around the country for all of the band students.

Note: Eric is the son of the School’s very generous volunteer photographer, Mike Anderson!

UW’s Pro Arte Quartet surmounts travel difficulties to successfully complete its planned tour of Belgium

The Pro Arte Quartet. L-R: Cellist Parry Karp; Violinist Suzanne Beia; Violist Sally Chisholm; Violinist David Perry.
The Pro Arte Quartet. L-R: Cellist Parry Karp; Violinist Suzanne Beia; Violist Sally Chisholm; Violinist David Perry.

String quartet members aren’t generally known as lawbreakers, but due to new federal regulations about international shipments of ivory (intended to protect endangered African elephants), the Pro Arte’s Sally Chisholm and Parry Karp, who each own old instruments with tiny amounts of ivory in them from long-deceased elephants, found themselves briefly detained at the Brussels airport at the beginning of their Belgium tour in late May. The tour was intended to commemorate the quartet’s 100th birthday and origination in Belgium. (Read earlier Fanfare post here.)

Tour manager Sarah Schaffer explained to Belgian authorities that the quartet had received special permission to travel with their instruments, obtained through the intervention of Wisconsin Congresswoman Tammy Baldwin, but it took a few hours before Chisholm and Karp were allowed to leave, instruments in hand.

They had a concert scheduled for that very night, so their release was just in time.

Prior to their departure, Madison music blogger Jake Stockinger (“The Well-Tempered Ear”) asked Schaffer and the musicians to write blog posts about every step of the tour, which was well-received. The tour is now over, but the stories live on and can be found here:

Day 1 Day 2 Day 3 Day 4 Day 4.5 Day 5 Day 6

To learn more about the ivory ban, read here: League of American Orchestras

Faculty win awards

Chelcy Bowles, professor of music, Van Hise Outreach Teaching Award

Bowles is one of ten to receive this year’s Distinguished Teaching Awards, an honor given since 1953 to recognize the university’s finest educators. Chancellor Rebecca Blank will present the awards at a ceremony to be held in conjunction with the Teaching and Learning Symposium from 4:30 to 6 p.m. May 19 at Union South in Varsity Hall. The event is sponsored by the Wisconsin Alumni Association in conjunction with the Office of the Secretary of the Faculty.

Bowles is nationally and internationally renowned as one of the foremost experts on lifelong learning and engagement in music and the arts. She has developed and taught a variety of non-credit courses for adult learners and has been instrumental in the founding of music outreach programs at the state, national and international levels. Among the many initiatives she has spearheaded is the Madison Early Music Festival, now in its 15th year, which is approaching its 15th year and draws artists from around the world to showcase medieval and Renaissance music.

Professor Anthony Di Sanza, School of Music, Kellett Mid-Career Award

This award is intended to recognize and support mid-career faculty, seven to twenty years past their first promotion to a tenured position. The Kellett Mid-Career Awards were created to provide needed support and encouragement to faculty at a critical stage of their careers and are made possible by the research efforts of UW-Madison faculty and staff. Technology arising from faculty and staff research is licensed to industry by the patent management organization, the Wisconsin Alumni Research Fund (WARF). Income from successful licenses is returned to the Graduate School to fund a variety of research activities throughout the divisions on campus.

Professor Laura Schwendinger, School of Music, Vilas Associate Award

The Vilas Associate Award Program is made possible by the generosity of the Vilas Trustees. The award provides summer salary support and a flexible research fund for two years to non-tenured and tenured faculty.

Schwendinger will also be in residence at three festivals this summer, at Yaddo Artists Retreat in Saratoga Springs NY,  the Oberpfälzer Künstlerhaus in Schwandorf, Bavaria and at Moulin à Nef Studio Center in Auvillar, France. In addition she will be a faculty composer at the Bennington Chamber Music Conference.  Alumnus composer Thomas Lang (MM ’07, DMA ’11) will be the composer fellow.

Professor Jessica Johnson wins American Music Teacher Article of the Year Award

MTNA’s American Music Teacher Article of the Year Award is presented to the author of an outstanding feature article written expressly for the AMT. This year’s award is presented to Jessica Johnson, NCTM, for her article “Feeling The Sound: Reflections On Claiming One’s Own Musical Voice.” The article was published in the August/September 2013 issue of American Music Teacher magazine, the official journal of the Music Teachers National Association.

This article investigates how multi-sensory learning and use of whole-brain processes may enhance our practicing and teaching, leading us to a more artistic, authentic experience. It explores how the use of imagery, metaphor, fantasy, intuition, imagination and instinct nurtures the discovery of one’s own musical voice.  Read the article: “Feeling the Sound.”

 

Last April, a unique concert, “Fusions,” devoted to an amalgam of Jewish and Arab art music with musicians and collaborators Uri Vardi (cello), Taiseer Elias (oud) and Menachem Wiesenberg (piano) was held in Mills Hall. The concert was recorded; a video is below.  Videography and editing by Robert Lughai.