News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
September 27, 2016
It will be a weekend of many firsts.
Here’s the “first first”:On October 28 from 4 to 5:30 PM, at the corner of Lake Street and University Avenue, the School of Music will officially break ground on the newHamel Music Center that will contain two performance halls, a rehearsal room, and state-of-the-art technology. Long considered a pressing need, the Hamel Center is being financed entirely by private funds from Pamela and George Hamel, the Mead Witter Foundation of Wisconsin Rapids, Paul Collins, and many other donors. We welcome continued support! To read about the Hamel Center and learn more, see this link.
“We’re excited about wonderful opportunities these new spaces will provides for all our students as well as the larger Madison and Wisconsin community,” says Susan C. Cook, director of the school of music. “It’s an exciting time for all of us and we’re grateful for the support of our generous donors .”
Live music and refreshments will be served. The entire community is welcome to join the festivities!
The second “first” will be a concert that evening (Friday, Oct. 28) by UW-Madison’s Christopher Taylor, introducing his groundbreaking new piano, the “Hyperpiano.” It will start in Mills Hall at 8 PM, and Taylor will be available afterwards for conversation with patrons. Read our news release about this piano; buy your tickets here.
Click here to see images of the “Hyperpiano” in development.
And for our third first, faculty bassoonist Marc Vallon has planned a special concert of groundbreaking new works of music from the 17th, 19th, 20th and 21st centuries. Writes Prof. Vallon: “Composers of all periods have continually explored new musical territories, looked for new paths, and tried, through groundbreaking works, to launch new courses of musical expression. This program offers the public pieces that have, in their time, provided a starting point to new musical routes, just as the first stroke of a shovel is the birth of a new building and a new era.” The concert will include music by Michelangelo Rossi, Alexander Scriabin, Iannis Xenakis, John Cage, Helmut Lachenmann, and Morton Feldman.
The free concert is set for 7 PM on Saturday, October 29, in Mills Hall.
Just announced: Pianist Leon Fleisher to perform at Mills Hall with the Pro Arte Quartet
The Pro Arte Quartet was presented with an offer it could not refuse: Legendary pianist Leon Fleisher was available to perform with them this fall. Were they interested?
Leon Fleisher
The answer was yes. On Thursday, October 6 at noon in Mills Hall, Fleisher will perform Brahms’ F minor Piano Quintet with the Pro Arte Quartet. The concert is free.
“You can’t see music as it passes through the air. You can’t grasp it and hold on to it. You can’t smell it. You can’t taste it. But it has a most powerful effect on most people. And that is a wondrous thing to contemplate.”
As a recipient of the Kennedy Center Honors in 2007, pianist Leon Fleisher was recognized as a “consummate musician whose career is a testament to the life-affirming power of art.” Read his full biography.
Wondering what else is going on in the arts?
The Arts Institute’s fabulous website summarizes and promotes everything arts-related on the UW-Madison Campus. It offers a link to buy tickets and even offers a special ticketing deal called the “campus arts card.” We often don’t admit it, but there is more to see and hear than just music! There’s dance, theater, art, academic research and discussions, film… Check it out! http://arts.wisc.edu/
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
Greetings from the School of Music! We’re overflowing with concerts the next two weeks; here are just a few highlights. Click here to see the entire calendar.
Choral Union presents Joseph Haydn’s “The Creation”
Beverly Taylor, conductor
Mills Hall, Sunday, April 24, 3:30 PM
Poster design by Tonka Raycheva
Haydn’s “The Creation,” written between 1797 and 1798, is considered one of the great masterworks of western music and civilization. It has beautiful and exciting choral writing, demanding, intricate and soaring solos, and some of the most inventive orchestral writing of its time, both in the opening depiction of Chaos—the pre-creation state, and in the pictorial writing about animals, water, and light, all at their beginning stages. Part I depicts the stages of creation, Part II a celebration of that creation, and Part III the new love between Adam and Eve.
“The Creation” debuted in London and was sung in English. Our production uses the Robert Shaw version of the English text, which clears up some of the original strange grammar which resulted from the Haydn’s libretto going through a German translation and back to English. The libretto mixes Biblical language with new language for the soloists.
Our soloists include alumna Jamie-Rose Guarrine, as angels Gabriel and Eve; Voice Professor James Doing as angel Uriel; alumnus Benjamin Schultz as angel Raphael; and current student Benjamin Li as Adam.
Tickets: $15 general public, $8 students. Buy online here or in person at the Memorial Union Box Office or at the door.
UW Symphony Orchestra with Guest Conductor Andreas Stoehr
Mills Hall, Friday, April 22, 8:00 PM- Free concert
Andreas Stoehr rehearses the UW Symphony Orchestra. Photograph by Hannah Olson.
Vienna native Andreas Stoehr will lead the university orchestra in performances of Overture to Der Freischütz (Carl Maria von Weber), Wesendonck Lieder (Richard Wagner), and Symphony No. 6 (Piotr Ilyich Tchaikovsky). With soprano Elizabeth Hagedorn.
“At first glance our program appears to be a nice bouquet of romantic pieces, but as I believe that music and philosophy share the same spiritual source, one can see that each composer tries to answer the main question: ‘Where is the exit from the burden of life?’ ” says Prof. Stoehr.
“Carl Maria von Weber’s answer: ‘There is God, there is hope, therefore good wins over evil.’ Wagner leads us to ‘unbewusst, höchste Lust’ (unaware, sublime desire; the last lines of Tristan and Isolde ) expressing his belief in uncontrollable, germinating power of love. The poetry by Mathilde Wesendonck, Wagner’s muse, reflects their profound, but impossible relationship and inspired him to Tristan and Isolde as his unique philosophy of escaping the world through an idealized love. Tchaikovsky’s ‘Pathétique’ Symphony No. 6 does not try at all to answer the question. We sense in his music his personal struggle between good and evil, right and wrong, light and darkness. Like the most famous literary works of his time by Tolstoy or Dostoyevsky, Tchaikovsky’s masterpiece comes to us as a drama, but without words. When life is over – it’s over.”
Nine area high schools to participate in final concert
April 26, 28, 29 – Various times and locations
The Jazz Studies program, led by Professor Johannes Wallmann, will present a weeklong residency with LA-based Bob Sheppard, worldwide multi-woodwind performer, recording artist, and jazz musician.
Bob Sheppard. Photograph by Suzuki K.
The three-day event includes master classes and two concerts. It will feature the UW Jazz Ensembles, the UW Jazz Orchestra, the UW High School Honors Jazz Band, and the Johannes Wallmann Quartet. The 2016 Honors Jazz Band, directed by UW Director of Jazz Studies Johannes Wallmann and co-conductor Eric Siereveld, is a twenty-member big band that includes top jazz students from Edgewood, James Madison Memorial, Madison East, Madison West, Middleton, New Glarus, Portage, Sun Prairie, and Waunakee High Schools.
Events:
—Free Master Class/Concert Tue, April 26, 8 PM, Morphy Hall (with the Composers Septet & Contemporary Jazz Ensemble)
—Concert Thur, April 28, 8 PM, Morphy Hall (with the Johannes Wallmann Quartet) Ticketed $15 single
—Concert Fri, April 29, 8 PM, Music Hall (with the UW Jazz Orchestra & High School Honors Jazz Band) Ticketed $15 single
$25 both Thursday and Friday shows. Students of all ages free!
U.S. Air Force “Freedom Winds” percussion/wind quintet to perform April 21 – Free concert
Music Hall, Thursday, April 21, 7:30 PM
The School of Music is honored to present the Freedom Winds, a visiting ensemble from the United States Air Force Band of Mid-America. Composed of six virtuoso Airman Musicians, the group adds percussion to the traditional woodwind quintet instrumentation to enhance standard literature and increase their musical capabilities. Repertoire includes jazz and ragtime classics along with popular themes from Broadway’s hit shows to Hollywood’s greatest films. Please join us for what promises to be a fun and memorable concert!
“Out of the Shadows” Rediscovering Jewish Music, Literature and Theater
May 1-5, 2016, Madison, various locations and times
“Piecing together lost generations of creativity”: that’s how the Wisconsin State Journal’s Gayle Worland phrased it in her news story last summer. Generations of Jewish creativity lost due to the Holocaust and the diaspora, now placed front and center in a worldwide effort to discover those that were lost, reclaim those that are forgotten, and perform those that have been neglected.
From May 1 through May 5, that creativity will be on display in Madison as part of “Out of the Shadows,” coordinated by music education professor Teryl Dobbs and faculty at the University of Leeds, England. Over five days, events ranging from cabaret to ethnomusicology discussions to chamber music to theater will be presented at various locations in Madison. Ticket prices range from $5 to $10.00. Buy tickets here.
The three-year “Performing the Jewish Archive” project involves a large number of partners, exploring archives, delivering community and educational projects, holding at least two international conferences and a series of symposia at the British National Library, as well as mounting five international performance festivals––in the United States (Madison, WI), the Czech Republic, South Africa, Australia, and the United Kingdom.
Cello professor Uri Vardi with composer/cellist Paul Desenne
Uri Vardi with Paul Desenne
ianist Satoko Hayami, cellist Kyle Price, and cellist/composer Paul Desenne.
Caroline Carlson
In Mills Hall
Samantha Sinai
Paul Desenne with Kyle Price
Samantha Sinai
Ji Eun Kim
Desenne and Vardi with Soh-Hyun Altino, assistant professor of violin, and her husband, cellist Leo Altino.
With pianist Thomas Kasdorf
PHOTO GALLERY A Day in the Life of a Music School: A master class with composer and cellist Paul Desenne, April 11, 2016. Images by Michael R. Anderson.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
$15 public, available at the Memorial Union Box Officeand at the door. Free to students. Note: Seating is limited. We recommend patrons buy ahead of time or arrive early.
Kathryn Lockwood and Yousif Sheronick. Photograph by Anja Hitzenber.
Yousif Sheronick, a native of Iowa, discovered the music of Arabian countries when his Lebanon-born mother sang tunes over the drone of the family vacuum cleaner. As a youth, he gravitated toward American rock and was a member of the local drum corps. His natural percussion skills landed him a full scholarship to the University of Iowa, but it wasn’t until he enrolled as a master’s student at Yale University that he really dug into the music of Eastern countries. He traveled to Brazil and studied music of India, Africa and the Middle East.
Kathryn Lockwood, a native of Australia, studied classical viola at the Queensland Conservatorium of Music and came to the US in 1991, where she received a master’s degree at the University of Southern California. She then won several awards in succession: the Naumburg Chamber Music Award, Grand Prize at the Coleman Chamber Music Competition, Concert Artists Guild Management Award, and awards at solo competitions such as the Primrose Competition, Washington International Competition, and the Pasadena Instrumental Competition. She was an original member of the Pacifica Quartet and co-formed the Lark Quartet in 1985. Along the way she met Sheronick.
The two met, married and formed a new ensemble, duoJalal, that spanned cultures, genres and styles. “duoJalal started organically when a friend and composer offered to write us a piece,” says Sheronick. “We had so much fun we decided to keep going and commissioned more pieces which showcases our unique voice as an ensemble of melody & rhythm.”
Hear duoJalal on SoundCloud:
“duoJalal” was named to honor the cross-cultural poetry of the 13th-century Turkish poet, Jalal al-Din Rumi, whose work Sheronick discovered when he arrived in New York City.
Today, duoJalal performs music ranging from classical to Klezmer, jazz to Middle Eastern. Wrote Toronto Star reviewer John Terauds: “Sheronick applies impeccable technique to a wide range of percussion tools, from the bodhran in the opening piece to a goat-hoof shaker in Glass’s ‘Duo for Solo Viola and Percussion.’ Lockwood is all slow, sensuous allure with her bowing arm one moment, a tempest of notes the next. If this is what world music’s future holds, bring on the party.”
At the School of Music, duoJalal’s concert was suggested by percussion professor Anthony di Sanza and viola professor Sally Chisholm, the long-standing violist with the . “They sit halfway between the Western classical world and global music, and that’s a world I find interesting,” says Di Sanza. “Yousif plays a lot of Middle Eastern percussion music, and we have a good number of students who have been playing Middle Eastern instruments and studying this regularly. And I also like the idea of collaboration with the string area, and with Sally Chisholm.”
“I am certain she will give wonderful feedback to our violists on standard viola repertoire as well as offer her unique perspective on paths musicians can create for themselves,” says Chisholm.
Additional Events:
String Master Class: Mon March 14, 12:05 PM, Room 2521- Free
Percussion Master Class: Mon March 14, 12:05 PM, Room 1629 -Free
Presentation/Discussion about Composing Global Chamber Music: Tuesday, March 15, 12PM, Room 2521 – Free
We hope you will join us for one or more events!
Here is the March 14 concert program:
David Krakauer (b. 1956): Klezmer a la Bechet (in the SoundCloud link above)
Evan Ziporyn (b.1959): Honey from Alast
Yousif Sheronick (b.1967): Jubb Jannin
Enzo Rao (b.1957): A Different World
Kenji Bunch (b.1973): Lost & Found (2010)
I. Lost in Time (Dumbek)
II. Found Objects (Djembe)
Somei Satoh (b.1947): Birds in warped time II (1983)
Giovanni Sollima (b.1962): Lamentatio
For more information, please contact the concert manager at 608. 263.5615.
We thank the University of Wisconsin Anonymous Fund for its support of this residency.
News and Concert Highlights from the UW-Madison School of Music – Feb. 29, 2016
University Opera presents its spring 2016 show:”Transformations”
Transformations, a 1970s chamber opera that explores serious psychological themes through the re-telling of Grimm’s fairy tales, will be staged March 11, 13 and 15 by UW-Madison University Opera. The opera was written by Conrad Susa based on poetry by Pulitzer-Prize winner Anne Sexton, who suffered from mental illness and depression, and took her own life in 1974 at age 45.
‘It’s a challenging and compelling piece of music theater,” said David Ronis, director. “It’s a great vehicle to teach skills to young opera singers, and stimulating thought and dialog across the university and community.” While the opera is dark at times, it contains much humor as well.
Anne Sexton
Sexton’s writing was often confessional and overtly feminist. Her champions included Maxine Kumin, Robert Lowell, and Sylvia Plath. Transformations was commissioned of Susa in 1972 by the Minnesota Opera, known for its interest in contemporary works. The libretto includes eight cast members who play multiple roles from the fairy tales; the plot involves a middle-aged witch who is transformed into a young beauty pulled into a nightmare.
Transformations is conducted by graduate assistant conductor Kyle Knox.
Performance dates, times and prices:
Friday, Mar 11 @ 7:30pm (Pre-show discussion, 6 PM)
Sunday, Mar 13 @ 3:00pm
Tuesday, Mar 15 @ 7:30pm
General Admission: $25; Seniors: $20; Students: $10
Tickets available at the Memorial Union Box Office. Also available at the door.
Transformations is a thought-provoking and complex opera that benefits from thought and discussion. Join us for a pre-show discussion at 6:00 PM in Music Hall, March 11, with noted University scholars: Lynn Keller – Professor of Poetry, UW-Madison Thomas DuBois – Professor of Scandinavian Studies, Comparative Literature and Folklore Studies,UW-Madison Laura Schwendinger – Professor of Composition, School of Music, UW-Madison Karlos Moser – Emeritus Director of Opera, UW-Madison
David Ronis – Interim Director of Opera, UW-Madison
Moderator: Susan Cook, Director, UW-Madison School of Music
Selected Concert Highlights, March 2016
The Hunt Quartet. Sunday, March 6, 6:00 PM, Morphy Hall, free and open to all. The Hunt Quartet is the graduate string quartet at UW-Madison, comprised of Paran Amirinazari, violin; Clayton Tillotson, violin; Blakeley Menghini, viola; and Andrew Briggs, cello. The quartet will play music of Beethoven, Webern, and Schubert. Funding is provided by Dr. Kato Perlman and the Madison Symphony Orchestra.
The Hunt Quartet. L-R: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello. Photograph by Katrin Talbot.
UW Chamber Orchestra
Wednesday, March 16, Mills Hall, 7:30 PM. The UWCO, conducted by James Smith, will perform works of Bela Bartok, Elliott Carter, and Einojuhani Rautavaara, one of Finland’s most important composers. Rautavaara’s style has been influenced by Orthodox liturgical music and Finnish fiddlers and is both Romantic and mystical; read about him at this link.
“Le Domaine Musical”
Friday, March 18, Morphy Hall, 8:00 PM. Free concert. An homage to the late composer Pierre Boulez, featuring music of Pierre Boulez, Anton Webern, Claude Debussy and Johann Sebastian Bach. Performers drawn from School of Music faculty as well as students.
See much more on our complete calendar: recitals, jazz, classical, voice and percussion concerts, colloquia, and opera: http://www.music.wisc.edu/events/
UW-Madison hosts its first “Clarinet Day”
On Saturday, February 20th, the clarinet studio and Wesley Warnhoff, adjunct professor of clarinet, hosted its first “Clarinet Day,” including Warnhoff and students performing works by Francis Poulenc and Eric Mandat, master classes with high school students, and chamber music sessions with college and high school students working side by side. The day concluded with the group attending a stunning performance by the UW Wind Ensemble conducted by Professor Scott Teeple. Warnhoff plans to turn this into an annual event; check back next year!
Clarinet Day 2016
New on SoundCloud: Hear Martha Fischer, Wes Warnhoff and Jamie-Rose Guarrine perform “The Shepherd on the Rock” at last January’s annual “Schubertiade” concert. Fischer is prof. of piano and collaborative piano at UW-Madison. Guarrine received her DMA at UW-Madison and now teaches at the University of Massachusetts at Amherst.
Cellist Andrew Briggs earns ovation from Middleton Community Orchestra audience
“I must say that he gave me about the most satisfying experience of it that I have ever heard.” Reviewer John Barker, in his review of the MCO’s Feb. 24 concert, in which Briggs, a UW-Madison graduate student studying with Prof. Uri Vardi, played Antonin Dvorak’s Cello Concerto. “The reason for that is not only his playing skill but also his natural rapport with an audience: He communicates.” Click to read the full post at The Well-Tempered Ear.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
A Solo Recital with Pianist Christopher Taylor, Feb. 26, 8 PM, Mills Hall
Christopher Taylor
On Feb. 26, acclaimed pianist Christopher Taylor will play music of Bach, Brahms, and Scriabin in his only solo Madison concert this academic year. On the program: J.S. Bach’s French Suite No. 1 in D Minor, Aleksandr Scriabin’s12 Etudes, and the lovely Johannes Brahms’s Piano Sonata No. 1, Op. 1.
Jessica Johnson holds out hope for pianists with small hands
How big are your hands? If you aspire to be a professional pianist, that’s an important question. On average, women have smaller hands than men, and are frequently stymied when trying to stretch their fingers to reach the larger octaves written into many major concertos, such as those by Liszt and Rachmaninoff. That simple fact bears on another simple fact: There are fewer women in the top echelons of professional concert pianists. Injuries are also common.
Jessica Johnson
On Sat., Feb. 20, Jessica Johnson, professor of piano and piano pedagogy, will hold a full day of all-free events to demonstrate what has been working for her: The adoption of a specially sized piano that is 7/8 of normal size. Made by Steinbuhler & Co., one of these is now owned by the School of Music, and Prof. Johnson has found that playing it has been a “life-changing” experience.
Join us on Feb. 20 at 2:30 for a workshop, master class, hands-on demonstrations, and concert, all featuring the Steinbuhler DS 5.5 7/8 piano. Learn more here. And watch for an article about this revolutionary new approach in an upcoming story by Gayle Worland, in the Wisconsin State Journal.
Trumpeter & Cuban Music Expert Mike Davison to perform with the UW Jazz Orchestra
Master class: Mon Feb 22, Mills Hall; Concert: Weds., Feb. 24, 7:30 PM, Music Hall. Read more here.
Even after a semester with Juan de Marcos, we’re still feeding on Cuban music! This month, we’re bringing Mike Davison (DMA, trumpet performance 1987) to campus from the University of Richmond, where he teaches and performs. He’ll join the UW Jazz Orchestra, the Waunakee High School Jazz Ensemble I and the UW Latin Jazz Ensemble in an evening of rousing Caribbean tunes. Davison’s bio includes concerts around the world, four recorded jazz CDs, and performances with well-known singers, musicians, and even for a pope.
UW Wind Ensemble travels to Verona and west Madison for concerts
Tom Curry
Find the UW Wind Ensemble in your corner of Dane County! Last December, the Wind Ensemble made an appearance at the Sun Prairie High School and will continue its out of town concerts this spring. Find them at Verona High School on Feb. 19, at Oakwood Village – West (Mineral Point Road) on March 31, and of course at the School of Music as well (Feb. 20). Both February concerts will feature Tom Curry, adjunct professor of tuba, in a work titled “Heavy Weather,” by the composer Jess Turner.
Summer Music Clinic registration now underway
Registration is open through May 2 for UW-Madison’s legendary Summer Music Clinic, which offers dozens of classes in all kinds of musical skills for kids completing grades 6-8 (junior session) and 9-12 (senior session). For one week, students live in UW dorms and attend classes that they choose from a lengthy list, including band, orchestra and choir; sight-singing; jazz improvisation; opera; swing dance; yoga; and even specialized classes on subjects ranging from the music of film composer John Williams to Stephen Sondheim to rock’n roll. Instructors are all highly skilled; many are university professors or other working professionals. Taste the fun by visiting SMC’s Facebook page! For more information, email anne.aley@wisc.edu.
Below: Summer Music Clinic photographs by Michael R. Anderson.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
Not everything that is faced can be changed, but nothing can be changed until it is faced. – James Baldwin
It was the path he’d chosen, the direction he’d pursued, and Kyle Knox had finally tasted triumph in 2005, when he won, at age 23, the position of assistant principal clarinet of the Milwaukee Symphony Orchestra.
It was a plum trophy in a sometimes punishing profession, realized only after a decade of studious toil in the practice room and on the orchestra stage.
Kyle Knox. Photograph by Katherine Esposito.
The young man who’d once won Most Valuable Player in Raritan, New Jersey as a 12-year-old Little Leaguer had bent his competitive edge toward music, and he’d won something akin to MVP there, too. He studied with the great clarinetists – Ricardo Morales and Yehuda Gilad – went on to Juilliard and Tanglewood, and bested hundreds of rivals for the Milwaukee job.
Then, three years later, almost imperceptibly, one neuron at a time, it all started to unravel.
Today, Knox is best known in Madison as a promising young conductor, a graduate student at UW-Madison who recently made his Madison Opera debut in its production of Little Women. In 2014 and 2015, he conducted University Opera’s award-winning Albert Herring and also two concerts with the Middleton Community Orchestra. (He is also the husband of the Madison Symphony Orchestra’s concertmaster, Naha Greenholtz.)
Kyle Knox with his wife, Naha Greenholtz, hiking in Santa Fe, 2009. Family photograph.
He has impressed many observers, including Madison Symphony Orchestra conductor John DeMain, who has watched Knox conduct several times, including Albert Herring, in which DeMain’s daughter Jennifer was cast. “[Kyle] worked uncompromisingly to achieve as close to perfection as possible,” says DeMain.
Until a few years ago, however, Kyle had never considered becoming a conductor leading an orchestra. He was exhilarated to be playing in one.
His emergence as a conductor has almost been an accident, one that may now be resolving in his favor. But he faced many bleak days before he got there.
It was almost imperceptible at first, just odd coordination problems with his right hand. It was the spring of 2009. “I remember I was playing principal on Peter and the Wolf, and there’s this one passage with fast 16th notes and C-major arpeggios, and I remember having a hard time with this particular passage, repeating 16th notes, a very specific sequence of finger motions, and thinking, ‘What the hell is going on here?’ It was very strange” Kyle says.
For that concert, he wound up transposing it into a different key, and playing on an A clarinet instead of the usual one. “I didn’t think anything of it at the time,” he continues. “I just thought, oh, for some reason, my pointer finger is a little slow.”
“But maybe a month later, I was playing E-flat clarinet on Shostakovich’s 6th Symphony, and there’s a huge E-flat solo in the beginning of the second movement, very fast, and it had a very similar sequence of fingerings in the middle of the solo, and I practiced it obsessively, and I recorded it at home, and drove my wife crazy. But no matter how much I practiced, I never felt comfortable with the fingerwork.”
Classical orchestral musicians, at the highest levels, achieve mastery through one main thing: practice. It is not enough to be talented and musical; one must constantly revisit passage after passage to precisely engrave notes in the mind. Largely due to this kind of preparation, Kyle had always been assured and confident while performing. But now he began to feel unmoored.
The symphony schedule was intense: much music, many solos, multiple performances. In concert after concert, the strange sensations recurred. At first, Kyle thought it was just a matter of working harder, to fix those notes even more firmly in his brain. “When something’s difficult, you want to feel secure on it. When I do these octaves, I know the distances, [so that] even if I miss the note, I know it was a fluke. It has to feel right in your head,” he says.
But it wasn’t feeling right anymore. He began to lose confidence in his playing. A rigorous orchestra schedule gave him little respite.
His fellow musicians and the symphony patrons did not detect anything awry. But Kyle felt it was getting worse.
After six months he consulted neurological specialists at the Cleveland Clinic and Mt. Sinai Hospital in New York City, who studied his movements as played his clarinet in their offices. They asked him questions and ruled out a few possibilities. Then they gave him a diagnosis: focal dystonia. He had never heard of it before.
His response was to practice even harder. He describes the chain of events that unfolded. “I started obsessively practicing, to make it feel right. In an effort to make it feel right, you start playing wrong, because you start compensating. You start doing strange things, which eventually start to show in your actual playing, and then you start hearing mistakes, which confirms your initial fear that there was something wrong. And then it becomes a feedback loop.”
For three years, Kyle continued to play with the MSO. He was managing, but the amount of music to learn and crush of performances — 150 per year — became overwhelming. “I just couldn’t rehab in a way that gave me confidence about playing in orchestra full time,” he says. “Wind players can’t hide. Everything you do is a solo, so you feel exposed. It was a really rough time.”
He remembers his final concert, in October 2010, Mozart’s Requiem with conductor Edo de Waart, on which he played the basset horn. “I hadn’t told anyone anything about what I was dealing with,” he says. “I remember thinking about the routines of orchestra life, how accustomed to the whole ritual I had become and reflecting on how some day soon I just wouldn’t be doing it anymore. It was heavy. After that Requiem performance I talked to the personnel manager and started my injury leave. That was it.”
Since the age 13, Kyle had known he wanted to work with music. He remembers hearing Gershwin’s “Rhapsody in Blue” on the radio, and watching a documentary about Leonard Bernstein and the music of Gustav Mahler. “I was mesmerized,” he says. “I was interested innately. I had to figure out a way to access it, and access came through the clarinet.”
Now, that access was cut short. He was adrift. He immediately dove into conducting after cobbling together a volunteer orchestra in Milwaukee, trying out conducting studies at Northwestern University, and ultimately attending graduate school at UW-Madison.
At the School of Music, he studies with orchestra conductor James Smith, an “accidental conductor” himself who also once played clarinet. “Jim is enormously accomplished,” Kyle says. “I’ve been very lucky to play some of America’s greatest orchestras in my career. I’ve played for a lot a famous conductors, and I can legitimately say that Jim is as good as anyone I’ve ever played for.”
Kyle Knox with the UW Symphony Orchestra, 2013.Scott Gendel (MM & DMA, School of Music) and Kyle Knox, preparing Little Women. Gendel is coach & accompanist for the show. Photograph by Steffanie Berg.
Madison got to know Kyle three years later, after several notable turns as a promising young conductor. Early on, he caught the eye of John DeMain, who knew about Kyle’s focal dystonia, and who saw real promise, and wanted to give him a chance.
Telling Kyle’s story on paper makes it all sound so simple. One career ended, another one started. He did it the only way he knows, urgently, intently, almost desperately, uncomfortable with any lack of movement in his life. The truth, however, is that he really had very little control over what was happening. And that was the main thing he needed to accept.
“Being a clarinetist was a thing that defined me,” he says. “It was part of my sense of self, and you can’t underestimate that.” He knows better now. “The things that made me able to accomplish anything on the clarinet are intrinsic qualities. The clarinet doesn’t define me. I define myself.”
If he had to enter that valley once more, he’d hope to approach it differently. He’d take time to grieve, to try to discern underlying meaning, to try to figure out the nature of the problem. Rushing doesn’t help anyway, he says.
“Sometimes, in a effort to redefine yourself too quickly, you can slow your process down of ending up where you’re going to end up anyway,” he continues. “Maybe you’ve been pushing too hard, maybe you’re been working too hard. Your body is telling you things, and you need to use it as an opportunity to reflect.”
“You have to be sympathetic with yourself. I think that is hugely important. And to have as much an eye on the long term as possible-that life is long, that your career is long, that there are lots of things in the future that will happen that are potentially good. But you have to let them unfold.”
Ten years ago, he wouldn’t have listened to these words. It wasn’t who he was. But it is who he is now.
“It’s possible to have great aspirations, but also to be patient and to be sane. It is possible to be of both minds. And I think the most successful people are that way.”
Katherine Esposito is the publicist and concert manager at the UW-Madison School of Music
Kyle Knox is only one of many musicians who was diagnosed with focal dystonia, many of them very famous. Glenn Gould, the pianist, and Robert Schumann, the 19th century composer, both are now believed to have suffered from it. Pianist Leon Fleischer used only his left hand for several decades while searching for a solution. A New York Times story in 2012 sheds light on this little-understood and seldom discussed condition. Another Times story recounts the story of pianist Fleischer.
Here’s how Kyle Knox describes it:
“Focal dystonia is far too complicated for me to paraphrase easily. That said, I’ll try: Basically it is a neurological condition where the brain’s ability to rewire itself, called plasticity (normally a good thing as it enables the acquisition of new skills and information), becomes overactive. In the case of musicians, it becomes overactive in a very specific way that involves otherwise familiar gestures that have been long perfected through years of practice. To put it simply, music that was once effortless suddenly starts to ‘feel’ wrong. It doesn’t sound wrong to outside listeners, but the neurological experience of playing, for example, a certain finger combination, becomes distorted in the player’s mind. As my neurologist told me, ‘all initial symptoms of musician’s focal dystonia are imperceptible to the outside observer.'”
Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note:All arrangements are made between the students and the employer.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
News and Events from the UW-Madison School of Music – January 26, 2016
“Symphony Showcase” brings out the best, literally
They’ve prepared for months and now are ready to show off a bit on the stage of Mills Hall: Our annual Symphony Showcase, a concert featuring the winners of our annual concerto competition in solo performances with the UW Symphony Orchestra, conducted by James Smith. This year’s winners are all graduate students with impressive worldwide resumés; one is a composer whose new work will be premiered by the orchestra. Please join us on Sunday, February 14, at 7:30 PM for our concert and reception in Mills Hall! (Note: Parking is free on Sundays in Grainger Hall.) Concert tickets are $10 but are free for students of all ages. Buy in advance ($4 fee) or in person in Mills lobby.
L-R: Kangwoo Jin, piano; Luis Alberto Peña, piano; Garrett Mendelow, percussion; and Paran Amininazari, violin. Photograph by Michael R. Anderson.Yunkyung Hong, composer. Photograph by Michael R. Anderson.
Violinist Paran Amininazari, doctoral student of Assistant Professor Soh-Hyun Park Altino. Paran is also a member of the Madison Symphony Orchestra and a founding member of the Willy St. Chamber Players. Sergei Prokofiev’s Violin Concerto No. 2 in G minor, Op. 63, one movement.
Yunkyung Hong, a doctoral composer studying with Professors Laura Schwendinger and Stephen Dembski. “Yun” has won many awards and commissions worldwide and is employed by UW-Madison’s MOOCS (massive online courses) program as a sound designer. Her new work is called Transparency.
Pianist and Collins Fellow Kangwoo Jin, doctoral student of Professors Christopher Taylor and Jessica Johnson. Kangwoo is a winner of many competitions and received his master’s degree from Indiana University. He is also a teacher in the school’s Community Music Lessons program. Rachmaninoff’s Piano Concerto No. 2 in C minor Op. 18, third movement.
Garrett Mendelow, doctoral percussionist and Collins Fellow studying with Professor Anthony Di Sanza. In 2012, Mendelow won second place in the biennial Tromp Percussion Competition in The Netherlands, and in 2014, he was a semifinalist at the ARD International Music Competition in Munich, Germany. Arena Concerto, by Swedish composer Tobias Broström.
Luis Alberto Peña, a doctoral piano student of Professor Christopher Taylor. Luis has soloed with many orchestras and won awards in Colombia, Costa Rica, Venezuela and the USA. Richard Strauss’s Burleske in D Minor for Piano and Orchestra.
The Wisconsin Idea at Its Most Audible
Did you know that the Wisconsin Brass Quintet, the Wingra Wood Quintet and the Pro Arte Quartet are our contribution to the Wisconsin Idea? Over decades, the three ensembles have logged thousands of miles giving concerts and master classes in high schools, concert halls and colleges all over Wisconsin. And we want to visit your town!
We’ve given it a new name: the “Music Engagement & Outreach Program,” and we have a new coordinator, Beth Larson, a violinist who graduated from UW-Madison in 2011 and performs with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and the Willy Street Chamber Players. With Beth’s help, the three groups have begun an exciting new partnership with Milwaukee’s High School of the Arts, working not only with bands and orchestra but with literature and science classes as well. Contact Beth to learn more.
Find the ensembles in your corner of Wisconsin! Upcoming concerts include:
Pro Arte Quartet (please note: due to injury, the Pro Arte concert for Feb. 3 in Mills Hall has been canceled) 2/23/16 5:30 PM Concert & Clinic | Wisconsin Philharmonic | Waukesha, WI 2/28/16 2:00 PM Concert | Marcus Center for the Performing Arts | Milwaukee, WI 4/5/16 7:00 PM Concert | University of Wisconsin – Platteville | Platteville, WI 4/7/16 7:00 PM Concert | Oakwood Village – University Woods | Madison, WI 4/11/16 7:30 PM Concert | Three Lakes Arts Association | Three Lakes, WI 5/14/16 7:30 PM Concert | Midsummer’s Music | Sister Bay, WI Wisconsin Brass Quintet 3/4/16 7:30 PM Concert | Concordia University | Mequon, WI Wingra Wind Quintet 2/11/16 3:30 PM Concert | Coventry Village | Madison, WI 2/18/16 10:00 AM Educational Concert | Edgewood High School | Madison, WI 2/26/16 7:30 PM Concert | Nicolet Live @ Nicolet College | Rhinelander, WI
Music reviewer Greg Hettsmanberger gets his own TV blog
Blogger Greg Hettsmanberger has been writing about classical music for Madison Magazine for several years now, and has now begun a stint on TV as well and started a new personal blog, “What Greg Says,” mostly about music. You can catch his TV segment on occasional Wednesday mornings just after 6:30 AM on WISC-TV/Ch. 3. In his debut appearance, he included our upcoming Schubertiade as one of his recommendations.
Meanwhile, another faithful classical music critic, Jake Stockinger, just passed the 1.4 million mark in hits to his blog, The Well-Tempered Ear, in continuous publication since 2009. Congratulations, Jake!
Want to burnish those rusty piano or trombone skills? UW-Madison’s Community Music Lessons can help
The CML program was founded in 1968 and is still busy offering lessons to students young and old(er) in our community. Our teachers are graduate students recommended by their major professors, and are available in the areas of instrumental, voice, and even composition. Registration for the spring semester just opened; click here to learn more. Read biographies of our current teachers.
Faculty News: Laura Schwendinger, Uri Vardi & David Perry.
Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note:All arrangements are made between the students and the employer.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
News and Events from the UW-Madison School of Music – November 9, 2015
Soh-Hyun Park Altino, new faculty violinist, performs first Madison concert Nov. 13
Hearing solo Bach in concert is a rare treat, and next Friday, at 8 PM in Mills Hall, Madison will get a chance to do just that when our new assistant professor of violin, Soh-Hyun Park Altino, performs for the first time in town. Her full program includes J.S. Bach’s Sonata No. 3 in C major for solo violin, Brahm’s second violin sonata, the Romance by Amy Beach, and the Sonata No. 2 by Charles Ives, accompanied by Martha Fischer, professor of piano. While she is a stellar violinist, Prof. Altino is a dedicated teacher, deeply committed to her students. “My greatest joy as a teacher is the up-close witness of the journey that each student takes throughout the course of his or her study,” she said in an interview last summer. “As we discuss and explore countless ways to communicate a story through the sound of a violin, sooner or later students face challenges that would push them beyond the familiar and the manageable. I love seeing my students grow to the point of taking steps of courage and giving generously from their hearts in spite of the difficulties presented in their pieces. The confidence gained by these experiences remains with them for the long haul.”
In an article in Isthmus, Prof. Altino’s former teachers commented on her teaching style. Read it here.
Freshman violinist Lydia Schweitzer in a lesson with Soh-Hyun Park Altino, assistant professor of violin. Photograph by Michael. R. Anderson.
Adult tickets are $12; students of all ages are free. You can buy ahead of time or at the door the night of the show.
Violinist Soh-Hyun Altino rehearses with pianist Martha Fischer at a recent “Music in Performance” class, held every Weds & Fri in Mills Hall. “MIP” is a one-credit class that introduces non-majors to classical, jazz, percussion and all kinds of contemporary music. Many older attendees enjoy the class as well.
A “family reunion” feel to Alumni Composers Celebration, Nov. 5-6
Alumni, L-R: William Rhoads, Jeff Stadelman, and Andrew Rindfleisch.
Music composition is not done just on paper anymore.
Horn professor Daniel Grabois checking out the computer setting with alumnus Kevin Ernste.
Alumna Paula Matthusen checks computer settings.
Alumnus William Rhoads with composition professor Stephen Dembski.
Adjunct Prof. of Clarinet, Wes Warnhoff.
Violist Molly O’Brien and flutist Iva Ugrcic prepare to perform.
L-R: Alumna Paula Matthusen, Director of Music Susan Cook, and Roger Pierson, Cook’s husband.
Last week’s two-day Alumni Composers Celebration shined a light of our long-standing composition program, reuniting alumni who hadn’t seen each other in decades. It also gave our audience a taste of their unique compositional styles and introduced a lot of contemporary music. Not only did alumni meet with current composition students, they also met with high school students at Memorial and East in Madison. Separate sessions on marketing and publishing music were held by an alumnus, Bill Rhoads, who is now the vice president of marketing and communications at the Orchestra of St. Luke’s in New York City.
The Thursday concert featured alumna Paula Matthusen‘s of whole movements and migrations, a work for oboe, percussion, clarinet, piano, and computer that was premiered in 2013 by the Glass Farm Ensemble at Symphony Space in New York City. Paula writes: “of whole movements and migrations explores the resonance of instruments and how they may be manipulated to create variances in the perception of an acoustic space. Two tam-tams located at the front of stage create reverberations of the acoustical sounds, which are then amplified and fed back into the piano.”
“Numina” by alumnus Kevin Ernste also featured electronics, with flute, viola and harp, and “is an allegory for the authoritative abuses of Rome’s current divine authority, the Vatican,” Ernste writes. Nothing Personal was a premiere, a five-movement work of duos paying homage to composer Bill Rhoads‘ mentors at UW-Madison and elsewhere. In the Zone is a two-movement work, written by alumnus Andrew Rindfleisch, for brass quintet that recalls Renaissance counterpoint, imitation, and polyphony found in early canzones. Lastly, Enticements (Canons), by alumnus Jeff Stadelman, is a “pre-atonal song for voice and piano from Arnold Schoenberg’s decadent period, featuring a cartoonish cat-and-mouse tale.”
Musicians included the Wisconsin Brass Quintet and many faculty, friends and students. A second concert of new music took place on Friday night with the UW Wind Ensemble.
A “Musical Homecoming” – Review in Isthmus
New music is best heard in person, to more fully appreciate the unusual pairings of instruments and creative sounds emanating from them. In a review of the first night’s concert for the weekly paper Isthmus, Jay Rath wrote: “Music — live music — is always performance art. That’s why we go to concerts, after all. The performers’ movements, their manners —in many ways they satisfy as much as the music. When we go to concerts, we bring our eyes as well as our ears. The UW’s professor Stephen Dembski should be congratulated for helping to organize the composers’ visits. Hopefully, we can look forward to similar events in the future.” Read the review here.
Says Bill Rhoads, of his experience last week: “Returning to Madison… gave me an opportunity to reflect on individuals here at the University who played an important role in my personal and professional development, and who helped chart my trajectory over the past two decades through their support, teaching, and inspiration. Equally inspiring was experiencing the compelling, beautiful, and extremely diverse work of fellow alumni, working with the current music students and faculty at UW, and sharing my music with kids at Memorial High School. It was an experience I will cherish and I hope my presence and contributions during my residency in some small way allowed me to give back to those individuals who were (and are still) responsible in many ways for defining who I am and how I view the world around me.” Photographs by Katherine Esposito.
Upcoming “Light in the Piazza” play peppered with School of Music student/alumni performers and artistic staff
Alumna Sarah Marty writes: “Four Seasons Theatre is excited to collaborate with Director David Ronis (our visiting opera director, who recently directed UW-Madison’s Marriage of Figaro) on our upcoming production of The Light in the Piazza at The Playhouse at Overture. The show runs from Dec. 4-13.
“Featured in the cast are current UW-Madison School of Music voice students Kenneth Lyons (Fabrizio Naccarelli) and Dennis Gotkowski (ensemble), voice professor Paul Rowe & Cheryl Bensman Rowe (co-artistic directors of the Madison Early Music Festival), and School of Music graduates Tamara Brognano (Margaret Johnson) and Christina Kay (ensemble). School of Music alums Sarah Marty (Producer, FST Producing Artistic Director) and Thomas Kasdorf (Music Director) join David Ronis in leading the production.”
‘Tis the Season for Student Recitals!
Cello, trombone, piano, saxophone, percussion, horn, and many more. Please check our calendar for times and dates. Free concerts.
“It’s a Jolly Holiday” Concert ushers in an-all holiday spirit
Bruce Gladstone and choir. Photograph by Michael R. Anderson.
On November 21, at 8 PM in Mills Hall, the UW Chorale will present a concert of holiday music. All kinds! They’ll celebrate President’s Day, Valentine’s Day, St. Patrick’s Day, Easter, Earth Day and so on, with a variety of great music that will leave you wondering why you only think about hearing a choir sing at Christmas. Free concert. Read more.
Faculty News
James H. Latimer, Emeritus Professor of Music (1968-1999) at the University of Wisconsin-Madison, will be granted the distinction of honorary doctor of Humane Letters from Florida A & M University, to be awarded at their December 11, 2015 fall commencement. Read more here.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
News and Events from the UW-Madison School of Music – October 20, 2015
Greetings all!
This is what our calendar looks like right now.
We hope you will join us for all of them.
Not possible? Well, take your pick!
University Opera: The Marriage of Figaro, Oct. 23/24/25/27.
A well-loved opera with a double cast, directed by David Ronis, music conducted by James Smith and assistance by many more. Read our entire announcement. Our cast includes Joel Rathmann and alumnus Benjamin Schultz, who will split performances as Figaro; Erin Bryan and Anna Whiteway as Susanna; Brian Schneider and Gavin Waid as Count Almaviva; and Anna Polum and Yanzelmalee Rivera as the Countess. The role of Cherubino will be split between Alaina Carlson and Kirsten Larson. In supporting roles, the production will feature Tia Cleveland and Meghan Hilker as Marcellina, alum Thomas Weis as Bartolo, Dennis Gotkowski and Fabian Qamar as Basilio, Kyle Connors and Mikko Utevsky as Antonio, Emi Chen and Emily Weaver as Barbarina, Todd Keller and Jiabao Zhang as Don Curzio. Tickets are $25.00 for the general public, $20.00 for senior citizens and $10.00 for UW-Madison students. Buy tickets here.
Welcoming Five Alumni Composers back to campus for two concerts of their music
In early November, the UW-Madison School of Music will welcome back five graduates of the composition studio who have developed creative, multi-dimensional careers in a range of fields: acoustic and electronic composition, musicology, theory, audio production, conducting, education, concert management and administration, performance, and other fields as well. The two-day event on Nov. 5 & 6 will feature concerts of chamber music and Wind Ensemble music.
The composers include Jeffrey Stadelman (BM, 1983; MM, 1985), now associate professor of music composition at the University at Buffalo; Paula Matthusen (BM, 2001), assistant professor of music at Wesleyan University; William Rhoads (BM, 1996), vice president of marketing & communications for Orchestra of St. Luke’s in New York City; Andrew Rindfleisch (BM, 1987), professor of composition at Cleveland State University; and Kevin Ernste (BM, 1997), professor of composition at Cornell University.
Paula Matthusen
Jeffrey Stadelman
Kevin Ernst
William Rhodes
Andrew Rindfleisch
Music will be performed by the Wisconsin Brass Quintet, the Wingra Woodwind Quintet, the UW Wind Ensemble, and other faculty and students. The works being performed by both faculty and students range from standard instrumentations (woodwind and brass quintets) to unusual combinations (piano, percussion, clarinet, and oboe) to solo works performed by some of our most accomplished students.
All five composers grew up in Wisconsin or Minnesota, and they provide a variety of career models, in both industry and academia, in both live and electronic music, for our student composers and performers. This may be the first time that a university music school has brought together the alumni of an academic composition program, from a period of several decades, for concerts of their music, workshops with current students, and public informational events.
Our SoundCloud channel contains tracks from many of our ensembles, soloists, and faculty, and now the UW Symphony Concert with Brenda Rae. It was a spectacular concert; if you missed it, here’s your chance! https://soundcloud.com/uw-madisonsom
At the reception following Brenda’s concert on Sept. 27: L-R: Voice professor Mimmi Fulmer; Charles Bishop, founder of the Karen K. Bishop Fund for Voice & Opera; Brenda Rae, soprano; and Susan C. Cook, director of the School of Music. Photo by Jim Klinkert.
Student Recitals are on our Calendar
We’ve modernized our workflow so that all student recitals taking place in our halls are now always listed (and obvious!) on our website. They include performances on all instruments and in many different genres. We encourage you to support our talented singers, composers and musicians. Check the calendar here.
Trombonist Mark Hetzler brings his electronic sound to Mills Hall, Nov. 3
UW-Madison professor of trombone Mark Hetzler continues his forward movement in the electronic music department with premieres of four new works, one by alumnus Ben Davis entitled $$$$$$$$$$$$$$$$$$, for quartet and electronics. With Anthony DiSanza, drums/percussion; Vincent Fuh, piano; Ben Ferris, bass; Tom Ross, percussion; and Garrett Mendelow, percussion. Mills Hall, Nov. 3, 7:30 PM. Read the program here.
Video: Mark Hetzler performs instrumental music with electronics. With Vincent Fuh, piano; Nick Moran, acoustic and electric bass; and Todd Hammes, drums/percussion.
Bass-baritone Benjamin Schultz, DMA 2012, has published a book on Polish Diction. Ben serves as the Assistant Director of the School of Music. Click here to read.
Benjamin Schultz
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
News & Events from the UW-Madison School of Music – September 29, 2015
Violist Nobuko Imai joins the Pro Arte Quartet for an evening of chamber music
Nobuko Imai
Nobuko Imai is considered to be one of the most outstanding viola players of our time. She’ll join the Pro Arte on Wednesday, October 7 at 7:30 PM for a free evening of chamber music. On the program: Mozart’s String Quintet in C Minor,K. 406/516b and Mendelssohn String Quintet in B-Flat Major, Op. 87. There will also be a master class with Nobuko Imai on Tuesday, October 6, Morphy Hall, 7:30 PM. Click here for event info.
Brass Fest II features an eclectic mix of voice, jazz trumpet, and brass quintet: October 9-11
From October 9 to 11, the UW-Madison School of Music will present its second brass music festival, following a spirited event last year that was enthusiastically received by students and the community. See photos here.
All events will be held in Mills Hall.
This year, “Brass Fest II” has added a vocalist to the mix: Elisabeth Vik, a Norwegian singer who mixes jazz tunes with pop and folk music from the Middle East, Bulgaria, Spain and India. The three-day festival will also features two brass quintets and Adam Rapa, a solo trumpeter.
Friday: Chicago’s Axiom Brass Quintet. 8 PM. With Dorival Puccini, Jr., trumpet; Jacob DiEdwardo, horn; Kevin Harrison, tuba; Orin Larson, trombone; Kris Hammond, trumpet. The award-winning Axiom Brass Quintet has quickly established itself as one of the major art music groups in brass chamber music. Their repertoire ranges from jazz and Latin music to string quartet transcriptions, as well as original compositions for brass quintet. Tickets $15, students and children free admission.
Saturday: Festival Brass Choir Concert Brass Festival Concert. 8 PM. Guest artists Adam Rapa and Elisabeth Vik will be featured on a program that showcases the combined sounds of the Wisconsin Brass Quintet and their guests, the Axiom Brass Quintet, conducted by Scott Teeple of the School of Music. They’ll perform music of Anthony DiLorenzo, James Stephenson, Richard Strauss, and a tour de force performance by the expressive and technically agile Adam Rapa of Weber’s Clarinet Concerto, arranged with a twist. The program will also feature Daredevil by UW alumni composer and tubist Michael Forbes, and Vik/Rapa will join talents in a shimmering piece by Swedish composer Evert Taube arranged for brass choir by Rapa. Tickets $15, students and children free admission. Meet the performers at a reception following the concert!
University Opera presents “The Marriage of Figaro” Oct. 23-27
After the unprecedented success of last spring’s sold-out run of The Magic Flute, this fall, University Opera will present four performances of Mozart’s The Marriage of Figaro. This new production will be directed by returning interim opera director, David Ronis, and James Smith will conduct the UW Symphony Orchestra. The production will involve over 80 UW singers, instrumentalists, and stage crew. Read the full news release on the School of Music website.
The opera will be performed in Italian with projected English supertitles in Music Hall, 925 Bascom Mall, on Friday, October 23 at 7:00pm, Saturday, October 24 at 7:00pm, Sunday, October 25 at 3:00pm, and Tuesday, October 27 at 7:00pm. Tickets are $25.00 for the general public, $20.00 for senior citizens and $10.00 for UW-Madison students, available in advance through the Campus Arts Ticketing office at (608) 265-ARTS and online at http://www.uniontheater.wisc.edu/location.html
On Friday, UW-Madison staff photographer also shot photos of Brenda’s master class. View all of them here.
UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)UW student Alaina Carlson (right) performs during a Brenda Rae opera master class held in Music Hall at the University of Wisconsin-Madison on Sept. 25, 2015. During the class, students performed for a public audience and received helpful critiques from UW School of Music alumna Brenda Rae (left). (Photo by Bryce Richter / UW-Madison)
From the Archives: UW-Madison Archivist David Null uncovers band stories from 1915
Did you know…. that in 1915, the University First Regimental Band took a long train ride to California to help celebrate the completion of the Panama Canal?
The UW-Madison Archives at Steenbock Library houses thousands of memories from UW-Madison’s past. Over the summer, UW-Madison Archivist David Null dug down and found clippings, photos and letters documenting UW Bands’ concert at the Panama Pacific International Exposition in San Francisco and 19 other cities, including Lewiston, Montana.
Composition/business undergrad double major wins national prize for best musical
Congratulations to Nicholas Connors, a composition student of Les Thimmig, Laura Schwendinger, and Stephen Dembski, who in August won the college division grand prize in Showsearch, the nationwide search for new musical theatre writers put on by Festival of New American Musicals. His new musical Here, In The Park will be premiered next summer in New York City by a professional cast and production team. He’ll also receive a financial award and professional mentoring.
While in Madison, Nick founded Intermission Theatre and produced his first musical, SPACE VOYAGE: THE MUSICAL FRONTIER. He also served as music director for Tony Award-winning Karen Olivo’s Madison debut at Overture Center. Nicholas is now in England finishing his business classes and will graduate this fall from UW-Madison with degrees in music composition and marketing.
Nick Connors, center, with the cast for his musical, “Here, in the Park,” about a struggling writer who meets an investment banker/painter in a big city.
Faculty News
On our website: News from John Aley, Laura Schwendinger, Tony Di Sanza, Wesley Warnhoff and Dan Grabois. Click here to read.
Alumni News
On our website: News about “Hill’s Angels”; MiLi Chang, flutist; Nebojsa Macura, composer, and more. Click here to read.
The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.
Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
Writes Prof. Vallon: “Composers of all periods have continually explored new musical territories, looked for new paths, and tried, through groundbreaking works, to launch new courses of musical expression. This program offers the public pieces that have, in their time, provided a starting point to new musical routes, just as the first stroke of a shovel is the birth of a new building and a new era.” The concert will include music by Michelangelo Rossi, Alexander Scriabin, Iannis Xenakis, John Cage, Helmut Lachenmann, and Morton Feldman.
