Tag Archives: Uw Symphony Orchestra

A musical thank-you to the Mead Witter Foundation; Shain Woodwind-Piano Duo Winners Announced; New Music Premieres & Papers at Musicology Consortium: “Jewish Archive” Project Continues Worldwide

News and Events from the Mead Witter School of Music
University of Wisconsin-Madison
March 8, 2017

Faculty Ensembles combine with Lincoln High students for a memorable concert

On February 9, two School of Music faculty ensembles – the Wisconsin Brass Quintet and the Wingra Wind Quintet – traveled to Wisconsin Rapids, the home of the Mead Witter Foundation, for a special concert to thank them for their support of the school of music. The two ensembles, plus the Wind Ensemble from Lincoln High School in Wisconsin Rapids, performed a side-by-side concert at the Performing Arts Center of Wisconsin Rapids after the students were coached by ensemble faculty and UW-Madison conductor Scott Teeple.

Afterwards, music engagement and outreach coordinator Beth Larson received this note from Jeanne Olson, director of bands at Lincoln High School: “Thank you so much for all of the time you spent organizing that event, my students loved it and learned so much! I had them write a reflection this week, and they were very positive and many listed countless things that they learned from the professors sitting in with them and then working with the small groups!! It was a very successful event!”
Photographs by Beth Larson.

Irving Shain Woodwind-Piano Duo Competition Winners to perform this Saturday

Irving Shain, former chancellor of the University of Wisconsin-Madison. Photograph by Jeff Miller, university communications.

March 11, 4 PM, Morphy Hall.

This years’ duo winners are Rayna Slavova, piano with Chia-Yu Hsu, bassoon; and Kangwoo Jin, piano, with Eleni Katz, bassoon. The four will perform their winning selections at a free concert this Saturday.  Learn about the winning musicians and download the program.

Meet Yasha Hoffman, Russian Studies and composition double major

Yasha Hoffman.

Yasha Hoffman, a Minnesota native, grew up with parents of Soviet/Russian heritage and as a young child, fell in love with Russian folk songs. “One of my favorite activities was putting on ‘concerts’ for my parents where I’d loudly sing Soviet children’s songs and bang on the piano,” he says. He loves the breadth of opportunity offered by classes at UW-Madison. Read more about Yasha Hoffman.

“Performing the Jewish Archive” project continues worldwide

UW-Madison professor Teri Dobbs in Israel, Jordan, Michigan, and Vienna (upcoming)

This past January, Professor Teri Dobbs, a member of the Performing the Jewish Archive team, spent two weeks in Israel and Jordan. During her time there, she was a guest at Tel Aviv University’s Moshe Dayan Center for Middle Eastern and African Studies, together with colleagues from UW-Madison’s Mosse-Weinstein Center for Jewish Studies. In addition, she conducted research in the Yad Vashem Archives, met with musicology/music education colleagues to discuss the possibility of future projects within Israel, and met with the family of piano prodigy and composer, Josima Feldschuh (d. 1943).

Teri Dobbs
Professor Teryl Dobbs. Photograph by Michael R. Anderson.

Professor Dobbs will present several conference papers this coming semester, most of which pertain to her work with Performing the Jewish Archive. Her paper, “Music Education and the Holocaust: So What?” was heard at the New Directions in Music Education Conference: “Musicking Equity: Enacting Social Justice Through Music Education,” Michigan State University, East Lansing, Michigan, February 17. Dobbs has been invited to present more two papers, one in collaboration with soprano and PtJA performer Elizabeth Hagedorn of Vienna, at the 25th European Association for Music in Schools/6th European International Society for Music Education regional conference, JOINT (AD)VENTURE MUSIC: Network as a Challenge for Music Educators, at the University Mozarteum, Salzburg, Austria, April 18 – 22, 2017.
Learn more here.

Read about prior Performing the Jewish Archive events in Madison, 2015-2016.


Selected Upcoming Events

Anthony Georgeson. Photograph by Thomas Bruce.

March 12, 7:30 PM, Mills Hall.
UW Symphony with alumnus Anthony Georgeson, bassoon, conducted by James Smith. Georgeson is principal bassoon with The Florida Orchestra in St. Petersburg. Georgeson will play the Mozart’s Bassoon Concerto in B flat major, K. 191.  Other works will include Un Sourire pour Orchestre by Olivier Messiaen and Scheherazade by Nikolai Rimsky-Korsakov.  This is the penultimate opportunity to see longtime conductor James Smith, who will retire this spring after 34 years at UW-Madison. His final appearance as conductor will be on April 9. 

James Smith, orchestra conductor.
James Smith, orchestra conductor.

March 14, 6:30 PM, Morphy Hall.
Emery Stephens, baritone, guest artist recital. Free concert.
Stephens is assistant professor of voice at Wayne State University in Detroit. Prof. Stephens will coach student singers and pianists in African-American songs and spirituals and perform with students in a recital, with Professor Martha Fischer as collaborative pianist.

Emery Stephens

The Midwest Graduate Music Consortium – Presenting Original Research and New Compositions

Friday, March 31 and Saturday, April 1, Memorial Union and Mead Witter School of Music. Free events.

The Midwest Graduate Music Consortium (MGMC) is a joint venture organized by graduate students from Northwestern University, the University of Chicago, and the University of Wisconsin-Madison. MGMC encourages the presentation of original research and the composition of new music by graduate students around the country. The 21st annual meeting will include paper sessions, a new music concert, and a keynote address. For the new music concert, seven composers’ works were chosen from a nationwide call for scores. The ensemble Sound Out Loud will perform the new works, each a world premiere. All of the composers will be in attendance.
Find the schedule and concert program at this link:
Midwest Graduate Music Consortium

Sound Out Loud

University Opera’s “Turn of the Screw” receives warm reviews

Katie Anderson (Governess) and Anna Polum (Miss Jessel) in ”The Turn of the Screw.” Photograph by Michael R. Anderson.

“Much of the overall success of the show begins with decisions by Ronis (and executed by costume designers Sydney Krieger and Hyewon Park) to resist all temptation to make the specters of Quint (former valet of Bly’s master, who is far removed from the action of the story) and former governess Miss Jessel in any way ghoulish. Alec Brown and Anna Polum, in the roles on Friday night, looked fully human—and that’s just fine. The otherworldliness—and palpable evil—that they exude is in the music and the libretto itself,” wrote Greg Hettsmanberger in his blog, What Greg Says.

Doctoral cellist Andrew Briggs performs with Middleton Community Orchestra

At the March 1 concert of the Middleton Community Orchestra, cellist Andrew Briggs played two works by Antonin Dvorak: Silent Woods, Op. 68, No. 5,and Rondo in G minor for Cello and Orchestra, Op. 94. “Briggs played both of these with affectionate sensitivity. Currently finishing his doctoral studies at the University of Wisconsin-Madison School of Music, he is an artist with an already expanding reputation and a great future,” wrote reviewer John Barker.

Andrew Briggs

On Monday, March 27, Andrew will perform a lecture/recital on his dissertation project, “Piatti and the Body: An Integrative Approach to Learning and Performing the 12 Caprices, Op. 25.”

Morphy Hall, 6:30 PM. Free.


Our Full Concert Calendar

calendar

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

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Final Concerts: UW Choral Union, UW Symphony, Jazz; Jewish Archive; and more!

April 18, 2016
Greetings from the School of Music!  We’re overflowing with concerts the next two weeks; here are just a few highlights. Click here to see the entire calendar.
Choral Union presents Joseph Haydn’s “The Creation”

Beverly Taylor, conductor

Mills Hall, Sunday, April 24, 3:30 PM

Poster design by Tonka Raycheva

Haydn’s “The Creation,” written between 1797 and 1798, is considered one of the great masterworks of western music and civilization.  It has beautiful and exciting choral writing, demanding, intricate and soaring solos, and some of the most inventive orchestral writing of its time, both in the opening depiction of Chaos—the pre-creation state, and in the pictorial writing about animals, water, and light, all at their beginning stages.  Part I depicts the stages of creation, Part II a celebration of that creation, and Part III the new love between Adam and Eve.

“The Creation” debuted in London and was sung in English.  Our production uses the Robert Shaw version of the English text, which clears up some of the original strange grammar which resulted from the Haydn’s libretto going through a German translation and back to English. The libretto mixes Biblical language with new language for the soloists.

Our soloists include alumna Jamie-Rose Guarrine, as angels Gabriel and Eve; Voice Professor James Doing as angel Uriel; alumnus  Benjamin Schultz as angel Raphael; and current student Benjamin Li as Adam.

Tickets: $15 general public, $8 students. Buy online here or in person at the Memorial Union Box Office or at the door.

UW Symphony Orchestra with Guest Conductor Andreas Stoehr

Mills Hall, Friday, April 22, 8:00 PM- Free concert

Andreas Stoehr rehearses the UW Symphony Orchestra. Photograph by Hannah Olson.
Andreas Stoehr rehearses the UW Symphony Orchestra. Photograph by Hannah Olson.

Vienna native Andreas Stoehr will lead the university orchestra in performances of Overture to Der Freischütz (Carl Maria von Weber), Wesendonck Lieder (Richard Wagner), and Symphony No. 6 (Piotr Ilyich Tchaikovsky). With soprano Elizabeth Hagedorn.

“At first glance our program appears to be a nice bouquet of romantic pieces, but as I believe that music and philosophy share the same spiritual source, one can see that each composer tries to answer the main question: ‘Where is the exit from the burden of life?’ ” says Prof. Stoehr.

“Carl Maria von Weber’s answer: ‘There is God, there is hope, therefore good wins over evil.’ Wagner leads us to ‘unbewusst, höchste Lust’ (unaware, sublime desire; the last lines of Tristan and Isolde ) expressing his belief in uncontrollable, germinating power of love. The poetry by Mathilde Wesendonck, Wagner’s muse, reflects their profound, but impossible relationship and inspired him to Tristan and Isolde as his unique philosophy of escaping the world through an idealized love. Tchaikovsky’s ‘Pathétique’ Symphony No. 6  does not try at all to answer the question. We sense in his music his personal struggle between good and evil, right and wrong, light and darkness. Like the most famous literary works of his time by Tolstoy or Dostoyevsky, Tchaikovsky’s masterpiece comes to us as a drama, but without words. When life is over – it’s over.”

Hear Andreas Stoehr on Wisconsin Public Radio’s “The Midday” with Norman Gilliland, noon on Wednesday, April 20.

Jazz Week with LA saxophonist Bob Sheppard

Nine area high schools to participate in final concert

April 26, 28, 29 – Various times and locations

The Jazz Studies program, led by Professor Johannes Wallmann, will present a weeklong residency with LA-based Bob Sheppard, worldwide multi-woodwind performer, recording artist, and jazz musician.

Bob Sheppard. Photograph by Suzuki K.
Bob Sheppard. Photograph by Suzuki K.

The three-day event includes master classes and two concerts. It will feature the UW Jazz Ensembles, the UW Jazz Orchestra, the UW High School Honors Jazz Band, and the Johannes Wallmann Quartet.  The 2016 Honors Jazz Band, directed by UW Director of Jazz Studies Johannes Wallmann and co-conductor Eric Siereveld, is a twenty-member big band that includes top jazz students from Edgewood, James Madison Memorial, Madison East, Madison West, Middleton, New Glarus, Portage, Sun Prairie, and Waunakee High Schools.

Events:
Free Master Class/Concert Tue, April 26, 8 PM, Morphy Hall (with the Composers Septet & Contemporary Jazz Ensemble)
Concert Thur, April 28, 8 PM, Morphy Hall (with the Johannes Wallmann Quartet) Ticketed $15 single
Concert Fri, April 29, 8 PM, Music Hall (with the UW Jazz Orchestra & High School Honors Jazz Band) Ticketed $15 single

$25 both Thursday and Friday shows. Students of all ages free!

Buy tickets to Thursday’s show.

Buy tickets to Friday’s show.

Buy tickets to both shows.


 

U.S. Air Force “Freedom Winds” percussion/wind quintet to perform April 21 – Free concert

Music Hall, Thursday, April 21, 7:30 PM

FWindslogo

The School of Music is honored to present the Freedom Winds, a visiting ensemble from the United States Air Force Band of Mid-America. Composed of six virtuoso Airman Musicians, the group adds percussion to the traditional woodwind quintet instrumentation to enhance standard literature and increase their musical capabilities. Repertoire includes jazz and ragtime classics along with popular themes from Broadway’s hit shows to Hollywood’s greatest films.  Please join us for what promises to be a fun and memorable concert!

“Out of the Shadows” Rediscovering Jewish Music, Literature and Theater

May 1-5, 2016, Madison, various locations and times

“Piecing together lost generations of creativity”: that’s how the Wisconsin State Journal’s Gayle Worland phrased it in her news story last summer. Generations of Jewish creativity lost due to the Holocaust and the diaspora, now placed front and center in a worldwide effort to discover those that were lost, reclaim those that are forgotten, and perform those that have been neglected.

From May 1 through May 5, that creativity will be on display in Madison as part of “Out of the Shadows,” coordinated by music education professor Teryl Dobbs and faculty at the University of Leeds, England. Over five days, events ranging from cabaret to ethnomusicology discussions to chamber music to theater will be presented at various locations in Madison. Ticket prices range from $5 to $10.00. Buy tickets here.

PJA-2016-flyer

The three-year “Performing the Jewish Archive” project involves a large number of partners, exploring archives, delivering community and educational projects, holding at least two international conferences and a series of symposia at the British National Library, as well as mounting five international performance festivals––in the United States (Madison, WI), the Czech Republic, South Africa, Australia, and the United Kingdom.

Download the full schedule here (PDF)

Or check our online link: http://www.music.wisc.edu/performing-the-jewish-archive-may-2016-events/


Faculty News: Parry Karp

Student News: Claire Powling, Grace Subat



PHOTO GALLERY     A Day in the Life of a Music School: A master class with composer and cellist Paul Desenne, April 11, 2016. Images by Michael R. Anderson.


 

The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

Help for Small-Handed Pianists, with Jessica Johnson; Pianist Christopher Taylor solo recital; Cuba Trumpet Expert performs with UW Jazz; and more!

News and Concert Highlights from the UW-Madison School of Music. February 9, 2016

Join us this Sunday for Symphony Showcase: UW Concerto Winners perform solo. Sunday, Feb 14, Mills Hall, 7:30 PM. $10 general public/all age students free. And see our complete calendar, including recitals, jazz, classical, voice and percussion concerts, colloquia, and opera, at this link: http://www.music.wisc.edu/events/


A Solo Recital with Pianist Christopher Taylor, Feb. 26, 8 PM, Mills Hall
Christopher Taylor
Christopher Taylor

On Feb. 26, acclaimed pianist Christopher Taylor will play music of Bach, Brahms, and Scriabin in his only solo Madison concert this academic year. On the program: J.S. Bach’s French Suite No. 1 in D Minor, Aleksandr Scriabin’s 12 Etudes, and the lovely Johannes Brahms’s Piano Sonata No. 1, Op. 1.

Read Jessica Courtier’s review of Taylor’s 2015 performance with the Madison Symphony Orchestra. “We in Wisconsin are privileged to call Christopher Taylor one of our own,” she wrote. Tickets are $15 for the general public; free for students of all ages.


Jessica Johnson holds out hope for pianists with small hands

How big are your hands? If you aspire to be a professional pianist, that’s an important question. On average, women have smaller hands than men, and are frequently stymied when trying to stretch their fingers to reach the larger octaves written into many major concertos, such as those by Liszt and Rachmaninoff. That simple fact bears on another simple fact: There are fewer women in the top echelons of professional concert pianists. Injuries are also common.

Jessica Johnson
Jessica Johnson

On Sat., Feb. 20, Jessica Johnson, professor of piano and piano pedagogy, will hold a full day of all-free events to demonstrate what has been working for her: The adoption of a specially sized piano that is 7/8 of normal size. Made by Steinbuhler & Co., one of these is now owned by the School of Music, and Prof. Johnson has found that playing it has been a “life-changing” experience.

Join us on Feb. 20 at 2:30 for a workshop, master class, hands-on demonstrations, and concert, all featuring the Steinbuhler DS 5.5 7/8 piano. Learn more here. And watch for an article about this revolutionary new approach in an upcoming story by Gayle Worland, in the Wisconsin State Journal.

handspan

Trumpeter & Cuban Music Expert Mike Davison to perform with the UW Jazz Orchestra

Master class: Mon Feb 22, Mills Hall; Concert: Weds., Feb. 24, 7:30 PM, Music Hall. Read more here.

Even after a semester with Juan de Marcos, we’re still feeding on Cuban music! This month, we’re bringing Mike Davison (DMA, trumpet performance 1987)  to campus from the University of Richmond, where he teaches and performs. He’ll join the UW Jazz Orchestra, the Waunakee High School Jazz Ensemble I and the UW Latin Jazz Ensemble in an evening of rousing Caribbean tunes. Davison’s bio includes concerts around the world, four recorded jazz CDs, and performances with well-known singers, musicians, and even for a pope.


UW Wind Ensemble travels to Verona and west Madison for concerts
Tom Curry
Tom Curry

Find the UW Wind Ensemble in your corner of Dane County! Last December, the Wind Ensemble made an appearance at the Sun Prairie High School and will continue its out of town concerts this spring. Find them at Verona High School on Feb. 19, at Oakwood Village – West (Mineral Point Road) on March 31, and of course at the School of Music as well (Feb. 20). Both February concerts will feature Tom Curry, adjunct professor of tuba, in a work titled “Heavy Weather,” by the composer Jess Turner.

 


Summer Music Clinic registration now underway

Registration is open through May 2 for UW-Madison’s legendary Summer Music Clinic, which offers dozens of classes in all kinds of musical skills for kids completing grades 6-8 (junior session) and 9-12 (senior session). For one week, students live in UW dorms and attend classes that they choose from a lengthy list, including band, orchestra and choir; sight-singing; jazz improvisation; opera; swing dance; yoga; and even specialized classes on subjects ranging from the music of film composer John Williams to Stephen Sondheim to rock’n roll. Instructors are all highly skilled; many are university professors or other working professionals. Taste the fun by visiting SMC’s Facebook page! For more information, email anne.aley@wisc.edu.

Below: Summer Music Clinic photographs by Michael R. Anderson.


Faculty News: Daniel Grabois, Laura Schwendinger.

Alumni News: Violist Elias Goldstein.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

UW-Madison’s Top Musicians to Solo in Annual “Symphony Showcase”

News and Events from the UW-Madison School of Music – January 26, 2016

“Symphony Showcase” brings out the best, literally

They’ve prepared for months and now are ready to show off a bit on the stage of Mills Hall: Our annual Symphony Showcase, a concert featuring the winners of our annual concerto competition in solo performances with the UW Symphony Orchestra, conducted by James Smith.  This year’s winners are all graduate students with impressive worldwide resumés; one is a composer whose new work will be premiered by the orchestra. Please join us on Sunday, February 14, at 7:30 PM for our concert and reception in Mills Hall! (Note: Parking is free on Sundays in Grainger Hall.) Concert tickets are $10 but are free for students of all ages. Buy in advance ($4 fee) or in person in Mills lobby.

Concerto winners
L-R:
Kangwoo Jin, piano; Luis Alberto Peña, piano; Garrett Mendelow, percussion; and Paran Amininazari, violin. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.
Yunkyung Hong, composer. Photograph by Michael R. Anderson.

Meet the winners and the works they will play, and read full biographies on this webpage.

Violinist Paran Amininazari, doctoral student of Assistant Professor Soh-Hyun Park Altino. Paran is also a member of the Madison Symphony Orchestra and a founding member of the Willy St. Chamber Players. Sergei Prokofiev’s Violin Concerto No. 2 in G minor, Op. 63, one movement.

Yunkyung Hong, a doctoral composer studying with Professors Laura Schwendinger and Stephen Dembski. “Yun” has won many awards and commissions worldwide and is employed by UW-Madison’s MOOCS (massive online courses) program as a sound designer. Her new work is called Transparency.

Pianist and Collins Fellow Kangwoo Jin, doctoral student of Professors Christopher Taylor and Jessica Johnson. Kangwoo is a winner of many competitions and received his master’s degree from Indiana University. He is also a teacher in the school’s Community Music Lessons program. Rachmaninoff’s Piano Concerto No. 2 in C minor Op. 18, third movement.

Garrett Mendelow, doctoral percussionist and Collins Fellow studying with Professor Anthony Di Sanza. In 2012, Mendelow won second place in the biennial Tromp Percussion Competition in The Netherlands, and in 2014, he was a semifinalist at the ARD International Music Competition in Munich, Germany. Arena Concerto, by Swedish composer Tobias Broström.

Luis Alberto Peña, a doctoral piano student of Professor Christopher Taylor.  Luis has soloed with many orchestras and won awards in Colombia, Costa Rica, Venezuela and the USA. Richard Strauss’s Burleske in D Minor for Piano and Orchestra.


The Wisconsin Idea at Its Most Audible

Did you know that the Wisconsin Brass Quintet, the Wingra Wood Quintet and the Pro Arte Quartet are our contribution to the Wisconsin Idea? Over decades, the three ensembles have logged thousands of miles giving concerts and master classes in high schools, concert halls and colleges all over Wisconsin. And we want to visit your town!

We’ve given it a new name: the “Music Engagement & Outreach Program,” and we have a new coordinator, Beth Larson,  a violinist who graduated from UW-Madison in 2011 and performs with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and the Willy Street Chamber Players.  With Beth’s help, the three groups have begun an exciting new partnership with Milwaukee’s High School of the Arts, working not only with bands and orchestra but with literature and science classes as well. Contact Beth to learn more.

ThreeEnsembles-Web2015-16

Find the ensembles in your corner of Wisconsin! Upcoming concerts include:

Pro Arte Quartet (please note: due to injury, the Pro Arte concert for Feb. 3 in Mills Hall has been canceled)
2/23/16 5:30 PM Concert & Clinic | Wisconsin Philharmonic | Waukesha, WI
2/28/16 2:00 PM Concert | Marcus Center for the Performing Arts | Milwaukee, WI
4/5/16 7:00 PM Concert | University of Wisconsin – Platteville | Platteville, WI
4/7/16 7:00 PM Concert | Oakwood Village – University Woods | Madison, WI
4/11/16 7:30 PM Concert | Three Lakes Arts Association | Three Lakes, WI
5/14/16 7:30 PM Concert | Midsummer’s Music | Sister Bay, WI
Wisconsin Brass Quintet
3/4/16 7:30 PM Concert | Concordia University | Mequon, WI
Wingra Wind Quintet
2/11/16 3:30 PM Concert | Coventry Village | Madison, WI
2/18/16 10:00 AM Educational Concert | Edgewood High School | Madison, WI
2/26/16 7:30 PM Concert | Nicolet Live @ Nicolet College | Rhinelander, WI


Music reviewer Greg Hettsmanberger gets his own TV blog

Blogger Greg Hettsmanberger has been writing about classical music for Madison Magazine for several years now, and has now begun a stint on TV as well and started a new personal blog, “What Greg Says,” mostly about music. You can catch his TV segment on occasional Wednesday mornings just after 6:30 AM on WISC-TV/Ch. 3. In his debut appearance, he included our upcoming Schubertiade as one of his recommendations.

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Meanwhile, another faithful classical music critic, Jake Stockinger, just passed the 1.4 million mark in hits to his blog, The Well-Tempered Ear, in continuous publication since 2009. Congratulations, Jake!


Want to burnish those rusty piano or trombone skills? UW-Madison’s Community Music Lessons can help

The CML program was founded in 1968 and is still busy offering lessons to students young and old(er) in our community. Our teachers are graduate students recommended by their major professors, and are available in the areas of instrumental, voice, and even composition. Registration for the spring semester just opened; click here to learn more.
Read biographies of our current teachers.


Faculty News: Laura Schwendinger, Uri Vardi & David Perry.

Alumni News: Violist Elias Goldstein.


Hire a Musician!

Do you seek one or more musicians for your wedding, private party, corporate event, or church service? Our students routinely gig in the community and now there’s an updated place for you to advertise. See this website and send your request to the email listed. Note: All arrangements are made between the students and the employer.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.


Personalize your calendar view! Click on the “view as” link on the right of our calendar page.
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You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

“Sensual” soprano returns for Opera Benefit; “Buena Vista Social Club” legend on campus to teach and perform

Coloratura soprano Brenda Rae returns to alma mater to raise funds for University Opera

Gazing at herself in a bewitched mirror, she is obsessed with her radiant beauty; she caresses her own face and simpers at an imagined lover. That would be Brenda Rae in Seattle Opera’s February production of Handel’s “Semele,” where she was described by Opera News as “sensual,” “dazzling,” and “moving.”

Above: Brenda sings “Myself I shall adore” in Seattle Opera’s Semele.

Discover the dazzle for yourself on September 27, when Appleton native and School of Music/Juilliard alumna Brenda Rae – who has spent most of the last decade performing in Frankfurt, Berlin and other major European opera halls  – visits Mills Hall at 7:30 PM to sing a benefit concert for University Opera. She’ll be paired with the UW Symphony Orchestra as she sings Gliere’s Concerto for Coloratura Soprano, having just finished a run in Milwaukee Symphony’s Cosi fan Tutti.  She’ll then fly to Paris’s  du Théâtre des Champs-Elysées to sing Zerbinetta in Richard Strauss’s Ariadne auf Naxos. 

Brenda’s return is part of a larger three-day fund drive to place University Opera – which has existed at UW-Madison for 57 years, but relies mostly on ticket sales and donations to finance productions  – on secure financial footing. On Friday, there will be a free master class in Music Hall from 5-7 PM. On Saturday, two special donor events are planned: the first, a VIP dress rehearsal followed by a private University Club reception for event sponsors. The weekend’s events comprise a fund drive that honors opera alumna Karen K. Bishop, who passed away in January. Her husband, Charlie Bishop, donated $500,000 to the opera program in her name, now matched by a $1 million gift from the Morgridge Fund and local supporters. Read a story in the Wisconsin State Journal about the larger effort.

Brenda Rae. Photo credit: Kristin Hoebermann.

You are invited to join the many others in Madison who love opera and who have supported University Opera for all or part of its history. Please consider becoming a sponsor:

The Impresario
$250–$499
Includes admission for you and one guest to the private University Club reception with Brenda Rae on Saturday and two tickets to the Sunday concert in a prime seating area.

The Prima Donna
$500–$999
Includes the benefits of the Impresario level, plus your name(s) will appear in the concert program as a master class sponsor.

The Bishop Circle
$1,000 or more
Includes the benefits of the Prima Donna level, plus your name(s) will appear in the concert program as a concert sponsor. You and one guest will also receive admission to the VIP dress rehearsal on Saturday.

Table Sponsorship
Give a gift of $2,500 or more, and you will receive a reserved table in your name for a maximum of eight people at the private University Club reception on Saturday. This includes all the benefits of the Bishop Circle level for the named sponsor, so your name will appear in the concert program at the Bishop Circle level.

– See more at: http://www.uwalumni.com/event/brendarae/#sthash.gcqNtse2.dpuf

Tickets for the Sunday evening concert are $25 for adults, and are available online now; they will also be sold at the door, day of show. Students are free. We invite you to pack Mills Hall and see her now… before she hits the stratosphere!


Legendary “Buena Vista Social Club” musician Juan de Marcos here to teach, perform and inspire

UW-Madison will host legendary Cuban musician, Juan de Marcos González, a driving force behind the Buena Vista Social Club, as the Fall 2015 Arts Institute’s Interdisciplinary Artist in Residence.

Juan de Marcos Gonzalez. Photo credit Tom Ehrlich.
Juan de Marcos Gonzalez. Photo credit Tom Ehrlich.

During his residency, notable Cuban artists and groups including Afro-Cuban All Stars, Telmary Diaz, Pellejo Seco, and musical members of his family (who also are part of Afro-Cuban All Stars) will perform in Madison. He will present numerous lectures on the history of Cuban music and teach a lecture course called “Afro-Cuban Music: Roots, Jazz, Hip Hop” and a production course “Music Production: Afro-Cuban and Hip Hop Music.” A complete schedule of classes and performances is listed at this website: http://artsinstitute.wisc.edu/iarp/juandemarcos/

Juan de Marcos González was born in Havana, Cuba and grew up surrounded by music. As a musician, composer, and producer, it is his mission to showcase the wealth, diversity, and vitality of Afro-Cuban music to the world. Through his work with the Afro-Cuban All Stars, the Buena Vista Social Club, Rubén González, Ibrahim Ferrer, Sierra Maestra, and others, he has made an extraordinary contribution to raising the profile of Cuban music throughout the world. He has been nominated for a Latin Billboard Award and multiple times for Grammy Awards. During his career, Juan de Marcos has arranged, conducted, produced/co-produced, and/or performed on more than twenty-five albums.

Juan de Marcos González’s residency is presented by the UW-Madison Arts Institute and is hosted by the School of Music and the Office of Multicultural Arts Initiatives (OMAI). Additional co-sponsors and supporters are listed here.


The School of Music offers a smorgasbord of performances each year; we invite you to visit our website and click on our events calendar. We also publish a season brochure that is mailed every August.

Personalize your calendar view! Click on the “view as” link on the right of our calendar page.

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You received this newsletter because you either signed up at join-somnews@lists.wisc.edu or directly at this blog. You can also follow us on our very active Facebook page and hear our music on our SoundCloud page.

 

New Building Named for Hamels; Concerto Winners Solo Feb. 8; Christopher Taylor Recital; Did you know…

HappyNewYear2015

To Friends of the School of Music,

We thank you so much for all your support and enthusiasm in 2014 and look forward to 2015 — a year that will include a major groundbreaking for a new music hall! We hope you are just as excited as we, and that you will join us this spring for one of our many inspiring concerts.

 

NEW MUSIC BUILDING NAMED AFTER PAM AND GEORGE HAMEL

In early December,  UW-Madison announced that the new music performance center at the corner of Lake Street and University Avenue will be named in honor of Pamela Hamel and her husband, UW-Madison alumnus George Hamel (BA’80, Communication Arts). Pamela is a member of the School’s Board of Visitors. Read the full story here.

We thank the Hamels for their generosity! If you would like to join them with a gift of your own, you may do so at this website.

 

 

MEET JOHN WUNDERLIN: BACK IN SCHOOL AT 50

At the School of Music’s “Horn Choir” concert at the Chazen Museum of Art last month, one could easily discern John Wunderlin from the swarm of horn players on the stage.

John Wunderlin. Photo by Katherine Esposito.
John Wunderlin. Photo by Katherine Esposito.

He was the only one with gray hair.

Last fall, business owner Wunderlin, 50, returned for a master’s degree in horn, studying with Daniel Grabois, assistant professor of horn. We asked John to tell us what inspired him to study music after all these years. Read the interview here.

CONCERTO COMPETITION WINNERS IN CONCERT WITH UW SYMPHONY: FEB. 8

Five talented students are winners of our annual Concerto Competition and will perform with the UW Symphony Orchestra in our “Symphony Showcase” concert, Sunday, Feb. 8, in Mills Hall. The concert will begin at 7 pm and will conclude with a free reception. We hope you will join us for what is always a joyous and unique event! Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.

L-R: Keisuke Yamamoto; Anna Whiteway; Ivana Ugrcic; and Jason Kutz.  Photograph by Michael R. Anderson.
L-R: Keisuke Yamamoto; Anna Whiteway; Ivana Ugrcic; and Jason Kutz. Photograph by Michael R. Anderson.

Our winners and the works they will perform are:

Jason Kutz, piano, a master’s candidate studying with collaborative pianist Martha Fischer. Kutz, who also performs and composes jazz music, is a native of Kiel, Wisconsin, and studied recording technology and piano at UW-Oshkosh. He will perform Sergei Rachmaninoff’s Rhapsody on a Theme of Paganini, Op. 43.

Ivana Ugrcic, flute, a doctoral student and Collins Fellow studying with flutist Stephanie Jutt. A native of Serbia,  Ugrcic has performed as a soloist and chamber musician all over Europe, and received her undergraduate and master’s degrees from University of Belgrade School of Music. She will perform Francois Borne’s  Fantasie Brillante (on Themes from Bizet’s Carmen).

Keisuke Yamamoto, violin, an undergraduate student of Pro Arte violinist David Perry, earning a double degree in music performance and microbiology. Keisuke, born in Japan but raised in Madison, received a tuition remission scholarship through UW-Madison’s Summer Music Clinic, and also won honors in Madison Symphony Orchestra’s Bolz Competition, among others. He will perform Ernest Chausson’s Poème Op. 25.

Anna Whiteway, an undergraduate voice student, studying with Elizabeth Hagedorn, visiting professor of voice. Whiteway is a recipient of a Stamps Family Charitable Foundation scholarship as well as the Harker Scholarship for opera. Whiteway, who was praised in 2013 for her singing in University Opera’s production of Ariodante, will star in the Magic Flute this spring. For this night’s performance, she will sing Charles Gounod’s Je veux vivre (Juliette’s Aria).

Our composition winner this year is graduate student Adam Betz, a Two Rivers native who wrote a work titled Obscuration. Betz received his undergraduate degree from UW-Oshkosh, where he was named Outstanding Senior Composer. He also holds a master’s degree from Butler University in Indianapolis.

CATCH CHRISTOPHER TAYLOR IN HIS ONLY SOLO MADISON APPEARANCE- JAN. 23

Pianist Christopher Taylor will take the Mills stage on Friday, January 23, 8 pm, in his only solo Madison appearance this year. He will perform Johannes Brahms’ Sonata no. 3 in f minor, op. 5; William Bolcom’s Twelve Etudes; and Beethoven’s Symphony #6 as arranged by Franz Liszt. Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.

Last November, Taylor performed Bach’s Goldberg Variations at New York’s Metropolitan Museum on their historic double-keyboard Bösendorfer piano designed by Emáuel Moór. In Madison, Taylor not only performs and tours with the world’s only Steinway double-keyboard piano (owned by UW, and also designed by Moór) but holds a patent on a third double-keyboard piano, this one with electronic components.

The Wall Street Journal published a story about Taylor and the Met Museum’s unique piano. Read it here.

BACK BY POPULAR DEMAND: A SECOND “SCHUBERTIADE” WITH FISCHER & LUTES- JAN. 30

The Music of Franz Schubert
Our first Schubertiade, January 2014. Photograph by Michael R. Anderson.

 

A Schubertiade is an intimate “house concert” featuring the songs (known as “lieder”) and chamber music of Franz Schubert. In the 19th century, Schubertiades became a popular form of informal entertainment among his friends and aficionados of his music, frequently with drink and food, and often with Schubert himself at the center. Nowadays, Schubertiades are often much larger multi-day affairs held in swank European locations.

Our Schubertiade, the brainchild of UW-Madison collaborative pianist Martha Fischer, will be presented on the Mills Hall stage festooned with chairs, rugs, and lamps. Join us! Friday, January 30, 8 pm, Mills Hall. Tickets for adults are $10.00 and will be available at the door or in advance at the Union Theater Box Office. Students are free. Ticket info here.

Performers will include Fischer; her husband, pianist Bill Lutes; her brother, cellist Norman Fischer of Rice University’s Shepherd School of Music; singers Jennifer D’Agostino, Cheryl Bensman Rowe, Daniel O’Dea, Joshua Sanders, Michael Roemer and Paul Rowe; and violinist Leslie Shank. The program will include songs set to the poems of Friedrich Schiller, Johann Wolfgang von Goethe and Johann Mayrhofer, and will be capped by two Polonaises for piano duet, played by Fischer and Lutes.

Read a review of last year’s Schubertiade on the local blog, The Well-Tempered Ear.

GRADUATE COMPOSITION STUDENT WINS FIRST PRIZE IN COMPETITION

Congratulations to Sin Young Park, whose composition “Three Preludes for Piano” was recently selected as the winner of the 2015 Delta Omicron Triennial Composition Competition.  Read more here.

GRADUATE FLUTIST ADVANCES TO FINAL ROUND OF ASTRAL ARTISTS COMPETITION

Mi Li Chang. Photograph by Michael R. Anderson.
Mi Li Chang. Photograph by Michael R. Anderson.

2014 concerto competition winner Mi Li Chang has advanced to the final round of the national Astral Artists Competition and will play in the final round on January 8 in Philadelphia. The mission of Astral Artists, which was founded in 1992, is to “discover the most promising classical musicians residing in the United States, assist their early professional career development, and present their world-class artistry to the community through concerts and engagement programs.” Congratulations and best wishes, Mi Li!

Click here for Alumni News:  Scott Gendel

FACULTY TROMBONIST WINS $30,000 CREATIVE ARTS AWARD

And congratulations to Mark Hetzler, 2015 winner of the $30,000 UW-Madison Arts Institute Creative Arts Award, which recognizes and honors extraordinary artistic projects and endeavors of the highest quality carried out by tenured members of the UW-Madison arts faculty in the areas of Art, Communication Arts, Creative Writing, Dance, Environment, Textile and Design, Music Composition and Performance, and Theater and Drama.

DID YOU KNOW…that our new website has a page devoted just to PARKING?

We created a page just to make it a bit easier to visit the SOM. In a nutshell: Weekday parking is not free, but evening and weekend parking sometimes IS free and not that far away. It’s complicated, however, so your best bet is to click here and read!

(Editor’s note: For over six or seven years, the editor routinely visited the School of Music by car, attending concerts and WYSO rehearsals. She always paid for parking, but recently did some digging and learned that UW-Madison actually offers free parking at nights and on weekends. After realizing this, she sighed deeply at the thought of how much money she could have saved had she known…. but now she offers the same information to all our loyal readers as a reward for reading to the end of this newsletter post.)

LAST BUT NOT LEAST…

This fall, our alumni percussion ensemble Clocks in Motion put its own spin on a famous holiday tune while demonstrating the [somewhat variable] dance skills of its members. Thanks for the laugh, Clocks!

 

 

HELPFUL LINKS

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Retiring director Farlow brought high expectations and humor to the stage

Written by Paul Baker
Photographs by Michael R. Anderson

In his 16 seasons as director of University Opera at UW-Madison, William Farlow has become known for high expectations coupled with a devilish sense of humor.

This is his final year, his final opera: Hector Berlioz’s Béatrice et Bénédict, to be performed in Music Hall April 11, 13, and 15. Now, in near-daily rehearsals, a group of voice students are receiving their very last chances to experience the Farlow Method.

(Click here for a news release about this show.)

It is not always easy. He can be brutally honest one minute, and chuckle with mirth the next. Students may accept his comments with a professional “thank you” or jokingly threaten to post questionable comments on his Facebook page. On the other hand, during one rehearsal a few years ago of Francis Poulenc’s Dialogues of the Carmelites, known for a somewhat-oppressive tone, he donned bunny ears to lighten the mood.

He does not compromise. He wants the best. Some young actors sometimes find it difficult to deliver their spoken words, he confides. “They overdo it. They don’t yet know how to underplay less important lines.”

To a pair of male actors, clearly still working on their delivery: “That dialog sort of went reasonably well.”

To the chorus, who failed to show sufficient fear when the inept Somarone brandishes his conductor’s baton, he invoked the name of a famous household appliance: “Your inhalation must sound like a giant Hoover [vacuum], sucking up in Chicago!”

To the chorus, again, celebrating Don Pedro’s military victory over the Moors: “You will have to put out a lot more sound. The longer you sing, the less energy there seems to be. It should be the opposite. Especially when the orchestra is here.”

At a recent rehearsal, Farlow never sat for long. He constantly jumped onto the stage to position actors and chatted during breaks when conductor James Smith worked with musicians. His need to be in the middle of things stems from his time at Chicago’s Lyric Opera, he says. The director would suggest a change, and Farlow would sprint down the aisle, grab the actors and push them into new positions. He developed a response to the common adage that “directors must not invade the actors’ space”: “Baloney!”

Farlow well remembers this stage of a singer’s career. Before he began directing, he performed half a dozen or so Gilbert and Sullivan roles. The experience became critical to his directing. It’s like being a good orchestral musician before you conduct, he says, or a good shortstop before you coach.

Stress is always part of performance, and the last thing Farlow wants to do is add to it. So much is going on at any given moment that rehearsals can seem like a circus. He tries to keep pressure low, unless he’s really ticked off about something. He knows that actors must be comfortable to give their best.

The two-act Béatrice et Bénédict is based loosely on William Shakespeare’s play, Much Ado About Nothing. Written by Hector Berlioz and premiered in 1862, it is scored for lead singers, chorus, and a large orchestra. The story line leads up to a double wedding ceremony.

Although the singers deliver dialog in English, they sing in the French. Farlow decided that was the way to go, following his success with a production of The Magic Flute with English dialog and German singing.

The modestly-sized chorus consists of six female and six male undergraduates. A professional company doing Béatrice et Bénédict would employ a chorus three times that size, Farlow says, but Music Hall doesn’t require such forces.

Lead parts are sung by Lindsay Metzger (Beatrice), Benjamin Schultz (Somarone), Anna Whiteway (Hero), Daniel López-Matthews (Benedict), Erik Larson (Don Pedro), Jordan Wilson (Claudio), Kathleen Otterson (Ursule), and  Annisa Richardson (Adèle).

Farlow stayed on as Director of University Opera this last year because he knew he had two more master’s students majoring in opera performance left to graduate. He loved last semester’s production of Handel’s Ariodante (“It was beautiful”) and he thinks he can see the Berlioz through to the end. “Just needs a little tightening up here and there.” And that’s exactly what he was doing.

Later, over lunch, Farlow takes a minute to reflect. Four weeks from tomorrow my directing career is over, he says, a glint in his eye. He’s already been asked to direct four productions and he’s turned them all down.

Even though he will no longer direct, he will continue to serve as artistic advisor for Madison’s Fresco Opera and artistic consultant and master teacher for Des Moines Opera. 

Working his way through a delicious looking spinach quiche, he was reflective, yet upbeat, when we talked. Béatrice et Bénédict has been on his wish list for at least 30 years. He first saw it performed on public television and thought, “it was the greatest thing I’d heard.”

The most rewarding challenge

Growing up in the 1950s and 60s in El Paso, Texas, William Farlow benefited from strong public school music programs. His first career ambition was to direct a high school orchestra; he graduated college from the University of Texas-El Paso as a music theory/composition major. But that impulse passed very quickly. His eyes were opened to the possibility of a professional career as a director when he did graduate work at UT-Austin with Walter Ducloux, the internationally known conductor, pianist, translator, writer, and educator whose career spanned over 50 years.

A former pianist and violinist, Farlow chose opera as his life work because it combines singing, dancing, lighting, costumes, poetry, prose, stage design, and orchestral conducting. Opera is the most rewarding and the most frustrating challenge of all, says Farlow. “To make all those elements come together at the same time is a huge undertaking, but when it does all come together it’s unlike anything,” he says.

Most operas he’s witnessed have been good. Unforgettable performances are rare. One can enjoy outstanding performances by individual singers in an otherwise mediocre production. But a really extraordinary experience requires everything to sparkle: singers, orchestra, the conducting, the sets, the costumes. He places the Chicago Lyric’s recent La Clemenza di Tito in the “wonderful” category, and not only because UW alum Emily Birsan played the role of Servilia. (Note: Birsan is scheduled to perform in this weekend’s performance of the Madison Symphony Orchestra, in Mozart’s Requiem. Students may purchase tickets for as little as $12. She will also give a master class at the School of Music Thursday, April 3, at 1PM in Mills Hall.)

Farlow’s years of experience prepared him for directing Tristan und Isolde for the Pittsburgh Opera (where he served as operations director from 1990-1992), Turandot for the Lyric Opera of Chicago, and Salome for the Los Angeles Opera. He has also directed productions for the Canadian Opera Company, Los Angeles Opera and the Kalamazoo Symphony.

People sometimes ask when his career really took off. “I don’t know that it ever did take off,” he says. “I just started working more in opera and working less at Barnes and Noble.”

The anatomy of the UW Opera program

“Wonderful” is a term voice professor Mimmi Fulmer uses to describe Farlow’s work. She credits him with transforming the program in two ways: using the university orchestra, rather than using a “pick-up” ensemble. And rather than assigning meaty roles to faculty and guests, he picked only students.

Plotting out operas for the coming year, Farlow always chose works by surveying his resources and solving an equation, of sorts. It went like this: Here are my singers. What operas can they do now? Is the orchestra part workable? Does it require a huge chorus? If it requires five baritones, do we have five baritones? Will this role prepare this student for where she or he should be next year? “I choose operas that will afford the most parts to the most singers,” he says.

He developed a policy of accepting students into the opera performance program only if he knew if he knew they could be cast in three major roles. He wanted to understand their strengths and their potential so that he could plot their growth and pull out the best they have to offer. “When a really talented student lands on my doorstep,” he says, “I want to know I can work with them for a few years, and that gives me some leeway.” Two dozen Master’s of Music in Opera Performance students have graduated during his tenure.

After graduation, when their professional careers start to develop, singers need to be patient, Farlow says. If you want a career as a musician, you have to give it everything, he says, “and that means doing all kinds of temp work that you never thought you would, and you have to give it at least five years. And you’ll see if that’s what you want to do, or not.”

Mimmi Fulmer says Farlow always listened to a student’s voice, then mentally placed what that voice will be able to do several shows ahead. Farlow’s hunches generally proved to be correct. It’s not just that he had a crystal ball, Fulmer says; he also provided students opportunity and training. He could tell where the voice was going and help them make the next leap.

Fulmer updates her list of vocal and opera program graduates. The alumni, and what they’re doing, are a tribute to Bill, she says. The program has sent graduates (of the master’s and doctoral programs-there is no undergraduate opera major) to choice positions all over the world, and she credits that to Farlow’s leadership. Farlow recently saw former student Emily Birsan sing in the Lyric Opera’s production of Mozart’s La clemenza di Tito. But Emily is just the tip of the iceberg, says Fulmer. Click here for a partial list of opera graduates: UW-Madison Opera Graduates2013

Farlow appreciates his UW faculty colleagues, who demonstrate their commitment in myriad ways. Longtime university orchestra conductor James Smith, for example, attends every rehearsal of every production, something Farlow has seen nowhere else. “Bill has an immense knowledge of all areas of music: vocal, orchestral, chamber music, and theatrical,” Smith says. Indeed, Farlow has directed operas ranging from works by 17th century Italian composer Cavalli to a 2009 world premiere of Maura Bosch’s Art and Desire, based on the life of Jackson Pollock.

Other faculty members have gone to great lengths to realize certain shows. With Mimmi Fulmer and emeritus professor and pianist Bill Lutes, Farlow presented a semi-staged version of Schoenberg’s Erwartung, one of his “absolute favorite things,” even though Schoenberg’s music is difficult and Fulmer said learning it was the hardest thing she’d done.

He also appreciates his tech colleagues, not only for their talent but for their longevity. Costume designers Sydney Krieger and Hyewon Park have worked with Farlow on nearly every production. He’s had only had three tech directors, including incumbent Greg Silver, who’s been with him for seven years. Set designer and scenic artist Liz Rathke and lighting designer Steven M. Petersen have been stalwart as well.

He’s had help from a supportive media. Farlow credits Scott Herrick and Perry Allaire of WORT-FM with promoting his productions faithfully. Journalist Jacob Stockinger has supported UW opera for decades, beginning with his Capital Times columns and now with his blog, The Well-Tempered Ear. Many times Wisconsin Public Radio’s Jonathan Overby invited Farlow to guest on his program Higher Ground. And not just to plug the opera, but to stay in studio for an extra hour to play Ed McMahon to Overby’s Johnny Carson.

Besides faculty and staff salaries, the major part of University Opera’s funding comes from private donors and outside grants. Both Bill and Mimmi Fulmer, like many in the arts and on campus, have taken on larger roles in advancement and fund raising, work that now serves as a model for the entire School of Music.

Who will likely replace him? Farlow says whomever is hired will bring a skill set that overlaps, but does not duplicate, his own. “Professionals have their own way of doing things,” he says. “There are certain things that must be done but, beyond that, it’s up to the person.”